December 2020 Newsletter
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A Case Study of the Craft-Made Guitar Industry in the Global Economy
UNIVERSITY OF CALIFORNIA SANTA CRUZ DEMYSTIFYING THE CRAFT PRODUCTION: A CASE STUDY OF THE CRAFT-MADE GUITAR INDUSTRY IN THE GLOBAL ECONOMY A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in SOCIOLOGY by Yi-Chen Liu June 2021 The Dissertation of Yi-Chen Liu is approved: ______________________________________ Professor Steven McKay, chair _______________________________________ Professor Hiroshi Fukurai _______________________________________ Professor Lisbeth Haas ___________________________________ Quentin Williams Vice Provost and Dean of Graduate Studies TABLE OF CONTENTS Table of Contents.........................................................................................................iii List of Figures................................................................................................................v Abstract.......................................................................................................................vii Acknowledgments......................................................................................................viii Chapter One: Why Are Craft-made Guitars So Expensive?........................................1 Chapter Two: How Can a Luthier Create a Value for a Guitar? The Explanations from Political-Economic and Cultural Perspectives...........................................................14 Chapter Three: Case Studies and Methodology. .......................................................38 Chapter Four: Invention -
Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music
Notes From The Underground: A Cultural, Political, and Aesthetic Mapping of Underground Music. Stephen Graham Goldsmiths College, University of London PhD 1 I declare that the work presented in this thesis is my own. Signed: …………………………………………………. Date:…………………………………………………….. 2 Abstract The term ‗underground music‘, in my account, connects various forms of music-making that exist largely outside ‗mainstream‘ cultural discourse, such as Drone Metal, Free Improvisation, Power Electronics, and DIY Noise, amongst others. Its connotations of concealment and obscurity indicate what I argue to be the music‘s central tenets of cultural reclusion, political independence, and aesthetic experiment. In response to a lack of scholarly discussion of this music, my thesis provides a cultural, political, and aesthetic mapping of the underground, whose existence as a coherent entity is being both argued for and ‗mapped‘ here. Outlining the historical context, but focusing on the underground in the digital age, I use a wide range of interdisciplinary research methodologies , including primary interviews, musical analysis, and a critical engagement with various pertinent theoretical sources. In my account, the underground emerges as a marginal, ‗antermediated‘ cultural ‗scene‘ based both on the web and in large urban centres, the latter of whose concentration of resources facilitates the growth of various localised underground scenes. I explore the radical anti-capitalist politics of many underground figures, whilst also examining their financial ties to big business and the state(s). This contradiction is critically explored, with three conclusions being drawn. First, the underground is shown in Part II to be so marginal as to escape, in effect, post- Fordist capitalist subsumption. -
Winter Weekend, Feb. 5-7 Hudson Valley Resort &
Folk Music Society of New York, Inc. February 2016 vol. 51, No. 2 February Mondays: Irish Traditional Music Session at the Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 3 Wed Folk Open Sing, 7pm in Brooklyn 5-7 Winter Folk Music Wknd: www.folkmusicny.org/weekend 7 Sun Chantey & Folk Song & Music Session; 2pm, 44 John St. 7 Sun Pat Wictor & guests, 4-6pm, Good Coffeehouse, Brooklyn 8 Mon FMSNY Board of Directors Meeting, 7:15pm; see p. 5 9 Tue Tom and Ben Paley, 7:30pm, O.S.A. Hall, W. 23 St. 10 Wed Old-Time Music Jam, 7:30-9:30pm in Brooklyn 17 Wed Marie Mularczyk O'Connell & the Mountain Maidens, 8pm, Sunnyside Singers Club 21 Sun Shanty Sing on Staten Island, 2-5 pm 21 Sun Overview of Contemporary Political Folk Music, 2-4pm in an Upper West Side location 24 Wed Old-Time Music Jam, 7:30-9:30pm in Brooklyn 29 Mon Newsletter Mailing, 7pm in Jackson Heights, Queens March Mondays: Irish Traditional Music Session at the Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 2 Wed Folk Open Sing, 7pm in Brooklyn 6 Sun Harry Bolick, 4-6pm, Good Coffeehouse, Brooklyn 9 Wed Sean Tyrell, 8pm, Sunnyside Singers Club 9 Wed Old-Time Music Jam, 7:30-9:30pm in Brooklyn 14 Mon FMSNY Board of Directors Meeting, 7:15pm; see p. 5 18 Fri Bob Malenky & John Ziv, 8pm, Upper West Side location 20 Sun Shanty Sing on Staten Island, 2-5 pm 23 Wed Old-Time Music Jam, 7:30-9:30pm in Brooklyn Details on pages 2-4; table of contents, page 4 Winter Weekend, Feb. -
Integrate 2017 the Latest in Disruptive AV Tech Shure’S Extreme Wireless Demo Axient Does Some Very Tricky Tricks Chicago’S Venues This Part of America Is Very Great!
LIGHTS • VIDEO • STAGING • INTEGRATION MONTHLY TECH NEWS CX130 OCTOBER 2017 $7.50 AU Integrate 2017 The latest in Disruptive AV Tech Shure’s extreme wireless demo Axient does some very tricky tricks Chicago’s venues This part of America is very great! NEWS: ROADSKILLS: REGULARS: GEARBOX: • David Atkins for • 20 years of Placebo • Tech Tools: If I don’t have • L-Acoustics Syva Helpmanns • Fist full of rock this product, will I die? • Event Lighting • Messy audio divorce • Duets: Todd and • Biz Talk: Get slowly baked zoom wash • What now for Meyer Georgie • Listen Here: • Roland XS-1HD Point Series Professional Install in Australia? The Parallel Universe matrix switcher Enclosures • Bits, Bytes and Rumours • Duncan Fry • Robert Juliat footlight Admire the Architecture Adamson’s NEW IS7 & IS10 installation array speakers–as launched at InfoComm 2017–are designed to blend into the surrounding space, so the architectural design remains the centre of attention. For a demonstration please contact: [email protected] A SMARTER SPEAKER The JBL PRX800W series is the most advanced PA in its class. Wi-Fi technology and sophisticated DSP give you complete control over the tuning and performance of your system—from anywhere in the venue—via the free PRX Connect app. An efficient 1500-watt class-D amplifier and patented JBL Differential Drive® technology provide best-in- class power handling while greatly reducing system weight. And the rugged all-wood cabinets feature a redesigned input panel and universal power supply for easy, reliable operation at gigs worldwide. The PRX800W Series is purposefully designed to deliver legendary JBL sound—representing the next generation in smart live sound reinforcement. -
Real Rock: Authenticity and Popular Music in Canada, 1984-1994
REAL ROCK: AUTHENTICITY AND POPULAR MUSIC IN CANADA, 1984-1994 PAUL DAVID AIKENHEAD A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HISTORY YORK UNIVERSITY TORONTO, ONTARIO SEPTEMBER 2018 © PAUL DAVID AIKENHEAD, 2018 Abstract This dissertation investigates the production and reception of English-Canadian rock music sound recordings, from 1984 to 1994, in relation to mutually constitutive understandings of race, ability, gender, sexuality, class, age, and place. It examines how different forms of domestic Anglo rock served to reinforce or subvert the dominant ideologies undergirding the social order in Canada during the late twentieth century. This study analyzes a multifaceted discourse about authenticity that illustrates the ways in which a host of people – including musicians, music journalists, record label representatives and other professionals from across the music industries, government administrators, and consumers – categorized recorded sound, defined bodily norms, negotiated commerce and technology, and evaluated collective communication in Canada. This study finds that the principle of originality fundamentally structured the categorization of sound recordings in Canada. Originality, according to rock culture, encompassed the balancing of traditionalism with innovation. This dissertation determines that Whiteness organized English-Canadian rock culture in terms of its corporeal standards. White bodies functioned as the norm against which racialized Others were compared and measured. This study also shows how the concept of autonomy encouraged the proper negotiation of commerce and technology in an increasingly neoliberal political and economic condition. Independence of will fostered acceptable behaviour. Finally, this dissertation reveals that the rock status of a given concert rested upon the actions of the performers as well as the composition and reactions of ticket holders in the audience. -
2020 Commencement Program
Commencement Two Thousand Twenty Emory University The One Hundred Seventy-fifth Commencement The Eleventh of May Two Thousand Twenty The Alma Mater Table of Contents In the heart of dear old Emory Where the sun doth shine, That is where our hearts are turning A Commentary on Commencement ......................................... 2 ’Round old Emory’s shrine. University Award Recipients .................................................... 3 We will ever sing thy praises, Honorary Degree Recipients .................................................... 5 Sons and daughters true. Hail we now our Alma Mater, Retiring Faculty and Staff ........................................................ 8 Hail the Gold and Blue! In Memoriam ........................................................................... 8 Tho’ the years around us gather, Recipients of Degrees-in-Course ............................................... 9 Crowned with love and cheer, Still the memory of Old Emory Emory College of Arts and Sciences ..................................... 9 Grows to us more dear. Oxford College .................................................................. 14 We will ever sing thy praises, School of Medicine ............................................................ 14 Sons and daughters true. Hail we now our Alma Mater, Nell Hodgson Woodruff School of Nursing ....................... 15 Hail the Gold and Blue! Candler School of Theology .............................................. 17 —J. Marvin Rast 1918C 29T School of Law ................................................................... -
A Survey of the Solo Guitar Works Written for Julian Bream Michael Mccallie
Florida State University Libraries 2015 A Survey of the Solo Guitar Works Written for Julian Bream Michael McCallie Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A SURVEY OF THE SOLO GUITAR WORKS WRITTEN FOR JULIAN BREAM By MICHAEL MCCALLIE A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2015 Michael McCallie defended this treatise on October 22, 2015. The members of the supervisory committee were: Bruce Holzman Professor Directing Treatise Jane Piper Clendinning University Representative Benjamin Sung Committee Member Melanie Punter Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I would like to thank the members of my Doctoral committee, Jane Piper Clendinning, Bruce Holzman, Melanie Punter and Benjamin Sung, for their support and encouragement during the writing of this dissertation. I would also like to thank Zachary Johnson, Eliot Fisk, David Tanenbaum, Marco Sartor, David Starobin and Angelo Gilardino for agreeing to be interviewed and for lending their expertise to this project. I would like to thank my parents, Mike and Pam McCallie, my grandparents Lowell and Sharon Coe, and my brother Andrew McCallie for a lifetime of love and support and for never doubting my decision to become a musician. I would also like to thank my teachers, Charles Evans, Stephen Robinson, Benjamin Verdery and Bruce Holzman for introducing me to many of the works written for Julian Bream, and for offering valuable insight into performing many of them. -
Colby College Catalogue 2000 - 2001
Colby College Digital Commons @ Colby Colby Catalogues Colby College Archives 2000 Colby College Catalogue 2000 - 2001 Colby College Follow this and additional works at: https://digitalcommons.colby.edu/catalogs Part of the Curriculum and Instruction Commons, and the Higher Education Commons Recommended Citation Colby College, "Colby College Catalogue 2000 - 2001" (2000). Colby Catalogues. 65. https://digitalcommons.colby.edu/catalogs/65 This Book is brought to you for free and open access by the Colby College Archives at Digital Commons @ Colby. It has been accepted for inclusion in Colby Catalogues by an authorized administrator of Digital Commons @ Colby. Colby College Catalogue 2000--2001 Colby College Catalogue SEPTEMBER 2000�AUGUST 2001 Waterville, Maine 2 INQUIRIES Inquiries to the College should be directed as follows: Academic Counseling MARK R. SERDJENIAN, Associate Dean of Students: 207,872,3106; fax: 207,872,3076; [email protected] Admission PARKER J. BEVERAGE, Dean of Admissions and Financial Aid: 207,872,3168; fax: 207,872,34 74; [email protected] Business Matters RUBEN L. RIVERA, Controller: 207,872,3160; fax: 207,872,3216; rlrivera®colby .edu Grants, Loans, and Student Employment LUCIA WHITIEL EY, Director of Financial Aid: 207,872,3379; fax: 207,872,3474; [email protected] Health and Medical Care MELANIE M. THOMP ON, M.D. , Medical Director: 207,872,3394; fax: 207,872,3077; [email protected] Public Affairs STEPHEN B. COLLINS, Director of Communications: 207,872,3549; fax: 207,872,3280; sbcollin@colby .edu Records -
Ctba Newsletter 1603
Volume 38, No. 3 © Central Texas Bluegrass Association March, 2016 The Experts Were Right! arlier this year, the experts predicted there would be bluegrass in 2016. And for once, the E experts were right. Just take a look at the display ads in this issue of the newsletter to see what’s coming up this spring. Although most of these are not in Central Texas, some are in fea- sible driving range, or some of our readers may be traveling that way and want to know about upcoming events along the route. Here’s what we know about this spring: March 5: McDade pig roast March 6-12: RV park jam at Texarkana March 18-20: Perrin bluegrass festival March 19-26: RV park jam at Jasper March 31-April 2: Glen Rose spring bluegrass festival April 2: Brazoria bluegrass festival April 9: Bluegrass concert at Kay Theater, Rockdale April 8-9: San Angelo bluegrass festival April 22-23: Lone Star bluegrass festival, Arlington May 26-29: Memorial Day festival, Salmon Lake Park, Grapeland Closer to home, the CTBA Board of Directors has announced proposed dates for the following events in Austin: May 22: RayFest at Hill’s Café July 3: Annual CTBA band scramble and garage sale November 6: Annual CTBA membership meeting Unfortunately, there will be no Bluebell and Bluegrass Festival in Llano this year. The Llano folks are hoping to promote some sort of smaller-scale event, though, so stay tuned and we’ll let you know what they come up with. Meanwhile, there are a couple of new monthly jam ses- sions to check out in Dripping Springs and Lampasas; see the jam listing at the end of this newsletter. -
Jean Ritchie Memorial Concert; St John's, Christopher St
Folk Music Society of New York, Inc. November 2015 vol. 50, No. 10 November Mondays: Irish Traditional Music Session at the Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 1 Sun Chantey & Folk Music Session; 2pm, South Street 4 Wed Folk Open Sing, 7pm in Brooklyn 6-8 Fall Folk Music Weekend at HVRS - see centerfold 6 Fri Eric Andersen+the Chapin Sisters, Mus. of the City of NY 9 Mon FMSNY Board of Directors Meeting, 7:15pm; see p. 5 15 Sun Shanty Sing on Staten Island, 2-5 pm 18 Wed Doris Elena Argote López, 8pm; Sunnyside Singers Club 20 Fri Jean Ritchie Memorial Concert; St John's, Christopher St. 22 Sun Canal Street String Band, Wave Hill, Riverdale 30 Mon Newsletter Mailing; 7pm in Jackson Heights, Queens December Mondays: Irish Traditional Music Session at the Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 2 Wed Folk Open Sing, 7pm in Brooklyn 6 Sun Chantey & Folk Music Session; 2pm, South Street 9 Wed Generations: Mike & Aleksi Glick, 8pm; Sunnyside 11 Fri Tom & Ben Paley, 8pm, at O.S.A., 220 E. 23 St 14 Mon FMSNY Board of Directors Meeting, 7:15pm; see p. 5 20 Sun Shanty Sing on Staten Island, 2-5 pm Details on pages 2-4 Jean Ritchie Memorial Friday, November 20, 8pm St. John's, Christopher St. Table of Contents Events at a Glance .................. 1 Calendar Listings ..................10 Society Events Details ...........2-4 Repeating Events ...................13 From the Editor ..................... 4 Calendar Location Info ...........18 Topical Listing of Society Events 5 Folk Music Society Info ..........21 The Folk Process ..................