Evaluation of the Design of Komendant's Cycloidal, Thin Shell
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From the Lands of Asia
Education Programs 2 3 TABLE OF CONTENTS Preparing students in advance p. 4 Vocabulary and pronunciation guide pp. 5–8 About the exhibition p. 9 The following thematic sections include selected objects, discussion questions, and additional resources. I. Costumes and Customs pp. 10–12 II. An Ocean of Porcelain pp. 13–15 III. A Thousand Years of Buddhism pp. 16–19 IV. The Magic of Jade pp. 20–23 Artwork reproductions pp. 24–32 4 PREPARING STUDENTS IN ADVANCE We look forward to welcoming your school group to the Museum. Here are a few suggestions for teachers to help to ensure a successful, productive learning experience at the Museum. LOOK, DISCUSS, CREATE Use this resource to lead classroom discussions and related activities prior to the visit. (Suggested activities may also be used after the visit.) REVIEW MUSEUM GUIDELINES For students: • Touch the works of art only with your eyes, never with your hands. • Walk in the museum—do not run. • Use a quiet voice when sharing your ideas. • No flash photography is permitted in special exhibitions or permanent collection galleries. • Write and draw only with pencils—no pens or markers, please. Additional information for teachers: • Please review the bus parking information provided with your tour confirmation. • Backpacks, umbrellas, or other bulky items are not allowed in the galleries. Free parcel check is available. • Seeing-eye dogs and other service animals assisting people with disabilities are the only animals allowed in the Museum. • Unscheduled lecturing to groups is not permitted. • No food, drinks, or water bottles are allowed in any galleries. -
Renzo Piano Designs a Reverent Addition to Louis Kahn's Kimbell
SEEMING INEVITABILITY: renzo piano designs a reverent addition to louis kahn’s kimbell 6 spring INEVITABILITY: Lef: Aerial view from northwest. Above: Piano Pavilion from east, 2014. Photos: Michel Denancé. by ronnie self Louis Kahn’s and Renzo Piano’s buildings for the Kimbell Art Museum in Fort Worth are mature projects realized by septuagenarian architects. They show a certain wis- dom that may come with age. As a practitioner, Louis Kahn is generally considered a late bloomer. His most respected works came relative- ly late in his career, and the Kimbell, which opened a year and a half before his death, is among his very best. Many of Kahn’s insights came through reflection in parallel to practice, and his pursuits to reconcile modern architec- ture with traditions of the past were realized within his own, individual designs. spring 7 Piano (along with Richard Rogers and Gianfranco Franchini) won the competition for the Centre Pompidou in Paris as a young architect piano’s main task was to respond appropriately only in his mid-30s. Piano sees himself as a “builder” and his insights come largely through experience. Aside from the more famboyant Cen- to kahn’s building, which he achieved through tre in the French capital, Piano was entrusted relatively early in his career with highly sensitive projects in such places as Malta, Rhodes, alignments in plan and elevation ... and Pompeii. He made studies for interventions to Palladio’s basilica in Vicenza. More recently he has been called upon to design additions to modern architectural monuments such as Marcel Breuer’s Whitney Mu- seum of American Art in New York and Le Corbusier’s chapel of Notre Dame du Haut in Ronchamp. -
William S. Huff Papers Louis I
William S. Huff Papers Louis I. Kahn Collection MS 139.1 University Archives State University of New York at Buffalo Note: This inventory is incomplete. Item descriptions provided by William S. Huff. Terms of Access: This collection is unprocessed. Permission to use unprocessed materials requires the approval of the University Archivist. Contact University Archives at 716-645-2991 or lib- [email protected] for more information. _____________________________________________________________________________________ Container List Box 1 ° Program: Bicentennial Symposium on the Arts, 9/10 x 59 ° Program: “The Arts the Artist and Society,” (n.d) double-sided, one page folded over ° Letter: Louis I. Kahn (LIK) to William S. Huff (wsh), 22 viii 56 ° Copy of letter: LIK to Architectural Forum, about death of F. L. Wright (n.d) ° Letterhead with LIK’s original signature ° Letterhead with LIK’s original signature ° Letterhead with LIK’s original signature ° Copy of letter: LIK to wsh, [summer 1960] ° Copy of transcript of letter: LIK to wsh, [summer 1960] ° Original LIK sketch: plan, south elevation, west elevation, ruled yellow paper ° Original LIK sketch: freehand perspective of new, final scheme, white trace ° Newspaper clipping: “Tribune-Review Announces Plans for New Building, Greensburg Tribune-Review,” 28 xi 59, p. 1 ° Newspaper clipping: “Plans for New Building,” Tribune-Review, 28 xi 59 (cont.) ° Newspaper clipping: “Plans for New Building,” Tribune-Review, 28 xi 59 (cont.) ° Newspaper clipping: “Plans for New Building,” Tribune-Review, -
1996–2018 Indici 632–893
1996–2018 indici 632–893 inserto redazionale di Casabella 2019 in consultazione esclusiva su: http://casabellaweb.eu direttore responsabile Francesco Dal Co coordinamento Alessandra Pizzochero progetto Tassinari/Vetta © Copyright 2019 Arnoldo Mondadori Editore Tutti i diritti di proprietà artistica e letteraria riservati CASABELLA 632 anno LX marzo 1996 Decidere Venezia Béla Lajta e i suoi angeli L’ornamento Casabella 632 p. II Il restauro del cabaret Parisiana Ananda K. Coomaraswamy a Budapest Casabella 632 p. 62 Editoriale Marco Biraghi Francesco Dal Co Casabella 632 p. 50 News Casabella 632 p. 1 Casabella 632 p. 76 Il restauro del Parisiana e la Frank O. Gehry conservazione dell’architettura Bits Il museo Guggenheim a Bilbao contemporanea Selezione di siti www in costruzione Marco Biraghi a cura di Sergio Polano Casabella 632 p. 2 Casabella 632 p. 54 Casabella 632 p. 76 Il rivestimento di Frank O. Gehry, Libri & Riviste Digital publishing o della lamina elastica Roberto Gargiani La scuola del silenzio «Artifice» Casabella 632 p. 4 Marc Fumaroli quadrimestrale con cd-rom accluso traduzione di Margherita Botto di “architettura, cinema, fotografia, Contro il razionalismo settario, 1947 Adelphi, Milano 1995 design, arte”, Artifice, London, UK Sigfried Giedion ed. or. L’École du silence, Casabella 632 p. 77 Casabella 632 p. 14 Flammarion, Paris 1994 Casabella 632 p. 60 Richard Meier Architect Hans Kollhoff cd-rom della collana Contemporary Isolato in Malchower Weg a Berlino 1994 Louis Henry Sullivan 1856–1924 Architects and Designers, Casabella 632 p. 16 Mario Manieri Elia Victory Interactive Media, Electa, Milano 1995 Lugano, Svizzera Le qualità del banale Casabella 632 p. -
ANNE TYNG: INHABITING GEOMETRY April 15 – June 18, 2011 GRAHAM FOUNDATION
ANNE TYNG: INHABITING GEOMETRY April 15 – June 18, 2011 GRAHAM FOUNDATION Anne Tyng, A Life Chronology By: Ingrid Schaffner, Senior Curator, Institute of Contemporary Art Philadelphia & William Whitaker, Curator and Collections Manager, The Architectural Archives, University of Pennsylvania All quotes: Anne Tyng. 1920 Bauer; classmates include Lawrence Halprin, Philip July 14: born in Jiangxi, China, to Ethel and Walworth Johnson, Eileen Pei, I.M. Pei, and William Wurster. Tyng, American Episcopal Missionaries. The fourth of five children, Tyng lives in China until 1934 with periodic furloughs in the United States. 1944 Graduates Harvard University, MA Architecture. In New York, works briefly in the offices of: Konrad Wachsmann; 1937 Van Doren, Nowland, and Schladermundt; Knoll Graduates St. Mary‘s School, Peekskill, New York. Returns Associates. to China for a family visit; continues to travel with her sister around the world via South Asia and Europe. 1945 Moves to Philadelphia to live with parents (having left as refugees of the Japanese invasion in 1939, they return to 1938 China in 1946). Employed by Stonorov and Kahn. The only Enrolls in Radcliffe College, majoring in fine arts. woman in an office of six, Tyng is involved in residential and city planning projects. 1941 1947 Takes classes at the Smith Graduate School of Architecture Joins Louis I. Kahn in his independent practice; initial and Landscape Architecture (a.k.a The Cambridge School), projects include the Weiss House (1947-50) and Genel the first women‘s school to offer architectural studies in House (1948-51), as well as the Radbill Building and the United States. -
Kahn at Penn
Kahn at Penn Louis I. Kahn is widely known as an architect of powerful buildings. But although much has been said about his buildings, almost nothing has been written about Kahn as an unconventional teacher and philosopher whose influence on his students was far-reaching. Teaching was vitally important for Kahn, and through his Master’s Class at the University of Pennsylvania, he exerted a significant effect on the future course of architectural practice and education. This book is a critical, in-depth study of Kahn’s philosophy of education and his unique pedagogy. It is the first extensive and comprehensive investi- gation of the Kahn Master’s Class as seen through the eyes of his graduate students at Penn. James F. Williamson is a Professor of Architecture at the University of Memphis and has also taught at the University of Pennsylvania, Yale, Drexel University, and Rhodes College. He holds two Master of Architecture degrees from Penn, where he was a student in Louis Kahn’s Master’s Class of 1974. He was later an Associate with Venturi, Scott Brown, and Associates. For over thirty years he practiced as a principal in his own firm in Memphis with special interests in religious and institutional architecture. Williamson was elected to the College of Fellows of the American Institute of Architects in recognition of his contributions in architectural design and education. He is the recipient of the 2014 AIA Edward S. Frey Award for career contribu- tions to religious architecture and support of the allied arts. Routledge Research in Architecture The Routledge Research in Architecture series provides the reader with the latest scholarship in the field of architecture. -
BUSINESS PLAN ANNUAL BUDGET FY 2019 [This Page Left Intentionally Blank.]
BUSINESS PLAN ANNUAL BUDGET FY 2019 [This page left intentionally blank.] 2 FY 2019 Business Plan and Budget Table of Contents Fiscal 2019 Board of Directors ...................................................................................7 Transmittal Letter ....................................................................................................... 9 List of Principal Officials ........................................................................................... 15 Trinity Metro Organizational Chart ........................................................................... 17 GFOA Distinguished Budget Presentation Award .................................................... 19 Strategic Goals and Accomplishments Transit Master Plan ....................................................................................... 21 Short-Term Goals for Fiscal 2019 .................................................................. 23 Major Capital Projects for Fiscal 2019 ........................................................... 24 Fiscal 2018 Accomplishments ....................................................................... 25 FY 2019 Business Plan Business Plan Introduction ............................................................................ 27 Trinity Metro’s Service Area........................................................................... 28 Trinity Metro’s Services ................................................................................. 31 TEXRail Overview ........................................................................................ -
HOWDY and Welcome from the NAPO-DFW (Dallas/Ft. Worth) Chapter!
HOWDY and welcome from the NAPO-DFW (Dallas/Ft. Worth) Chapter! Everything IS bigger in Texas, but never fear, this information will help you find your way around while you're here for NAPO2019 Annual Conference! • Conference App: You will receive the link to download the NAPO2019 app from NAPO in March. The app can be downloaded from your app/play store. • NAPOCares: The 2019 NAPOCares recipient for 2019 is the Presbyterian Night Shelter in Fort Worth. You can participate by purchasing an item from their Amazon Wish List or by making a direct donation. • Conference Location: The Worthington Renaissance Hotel Fort Worth is the main conference hotel. Due to high demand of rooms we have added overflow rooms at the Courtyard Fort Worth Blackstone. • Dress Code: Recommended conference attire is always business casual. Keep in mind: o Most hotels have a cooler temperature setting so we recommend bringing a sweater or light jacket. o Please remember to be courteous and honor NAPO’s fragrance-free policy. • Parking: The Renaissance Hotel Fort Worth offers parking and it is $28/day. • Transportation: No shuttle service is provided by the hotel. Transportation options include: ▪ From Dallas Fort Worth International Airport o Airport Super Shuttle (reservations required) $24 o Taxi stations, Lyft and Uber are available o Trinity Metro TexRail $2.50 o Go to Terminal B in DFW Airport (use Skylink Train to transfer to Terminal B if needed). Take the Trinity Metro TexRail to the Downtown ITC (Intermodal Transportation Center)/Fort Worth Station. Take -
A Biography of the American Architect Louis Kahn
Narrative Section of a Successful Application The attached document contains the grant narrative and selected portions of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the Research Programs application guidelines at https://www.neh.gov/grants/research/public-scholar-program for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Research Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. The application format has been changed since this application was submitted. You must follow the guidelines in the currently posted Notice of Funding Opportunity (see above link). Project Title: American Architect Louis Kahn (1901-1974): A Portrait in Light and Shadow Institution: Threepenny Review Project Director: Wendy Lesser Grant Program: Public Scholars 400 Seventh Street, S.W., Washington, D.C. 20506 P 202.606.8200 F 202.606.8204 E [email protected] www.neh.gov Significance and contribution My project will be the first full-length biography of the architect Louis Kahn, and the only book about him to be aimed at a wide general audience. -
'Joints Like Sculpture'- Louis Kahn's Richards Building and the "Precisionist Strain"
41 4 ARCHIPELAGOS: OUTPOSTS OF THE AMERICAS 'Joints like Sculpture'- Louis Kahn's Richards Building and the "Precisionist Strain" THOMAS LESLIE, AIA Iowa State University The recent opening of the Marshall D. Ile~ersArchixe at the P; ritirig in 1960. \ incent Scully described Louis kahn's design Universitj of Pennsllxania has provided a neu source of for tlie 4. Y.Richards Medical Laboratories at the I nix ersitj of photographs docurnentirig tlie building's unique construction. Pennsqlxania as a participant in the American '"Precisionist The parallel discover! bj the author of a prexiousl! unpubl- Strain.""' This short-lix ed formulation described for Scullj a ished manuscript bq the project's precast contractor sheds tendenc? in herican architecture toward 'puritj of shape. additional light on the project's multi-faceted concern for linearit! of detail. and. at times. compulsixe repetition of weaxing together function. performance and assembly. These elements." and included xlorlts as early as the 'taut. hollow documents support an explanation of the building's conception hoxes' of 17th century Ilassachusetts. the 'clear. sharplj as the -monumentalization of technique.' and the largel! separate geometric shapes* of the Lniversit! of \ irginia. and undocumented role of Iiahn as a building technologist oi the Louis Sullix an's "actixe staternentls] of human force."? \lore first order. Richards' direct influence on a generation of currentlj. the "icj. taut cubes' of SOVs banks and office technically inclined architects in the 1970s indicates that these buildings and the 'brittle planeb^ and *ruggedl! conceix ed' concrete of 1iahn"s building represented the continuation of nenl! axailable documents support the xieu of Kahn as a - A seminal figure in the dexelopment of the so-called 'hi-tech' this Puritan obsession ~ith'perfect. -
Civil Engineering and Structurallywhileestablishingitsownuniqueidentity
IDefining Excellence The $125-million extension to Fort Worth’s Kimbell Art Museum takes the form of a separate building that was designed to evoke the original structure both architecturally and structurally while establishing its own unique identity. The two buildings together define a vision of excellence as creative as the artwork that each displays. By Elizabeth Hodges, Guy Nordenson, P.E., S.E., F.ASCE, Brett H. Schneider, and Lucile Walgenwitz The cantilevered glazed roof and shad- ing system is an independent structure sup- ported by the primary timber structure. PHOTOCREDIT GOES HERE [52] Civil Engineering m a y 2014 ce0514p52-59,78.indd 52 4/23/14 1:03 PM HE KIMBELL ART MUSEUM, in Fort Worth, Texas, individuating focus is reflected in the quality of the Kahn is an established private arts institution renowned building itself in that every detail is unique and significant. both for its exceptionally fine collection of Europe- The Kimbell Art Museum was commissioned in 1966, an and Asian art and for its iconic building, which the same year that the acquisition document was issued. was designed by the celebrated American architect Kahn’s design featured an open layout for the galleries, Louis Kahn, who died in 1974. Located in a section which allowed a flexible display of the works. Most impor- of Fort Worth that is home to a number of cultural tant of all, the design incorporated natural light into the IDefining Excellence institutions, the Kimbell has a unique character that gallery spaces, which were located on a single level. The reflects its institutional mission, which was set forth structure opened in 1972 and is widely regarded as one in a document on acquisitions issued by the Kimbell the great buildings of the 20th century. -
Area Attractions
A t t r a c t i o ns, Ente r t a inme nt, To urs & S p o r t i ng Events : American Airlines CR Smith Museum 4601 Hwy. 360 @ FAA Road, Fort Worth 817-967-1560 http://www.crsmithmuseum.org/home.htm Amon Carter Museum, Fort Worth 3501 Camp Bowie Blvd. 817-738-1933 www.cartermuseum.org Botanic Garden & Japanese Garden 3220 Botanic Garden Blvd. at University Drive, Fort Worth 817-871-7686 http://www.fwbg.org/ Fort Worth Museum of Science & History 1501 Montgomery Street 817-255-9300 www.fwmsh.org Fort Worth Stockyards National Historic District www.fortworthstockyards.org Fort Worth Water Gardens 1502 Commerce Street 817-871-5757 Fort Worth Zoo 1989 Colonial Parkway 817-759-7555 http://www.fortworthzoo.com/ Grapevine Vintage Railroad 709 S. Main Street, Grapevine 817-410-3123 http://www.grapevinevintagerailroad.com/ Hurricane Harbor Water Park 1800 E. Lamar Blvd., Arlington 817-265-3356 www.sixflags.com/parks/hurricaneharbordallas/index.asp Johnnie High's Country Music Revue Arlington Music Hall - 224 N. Center Street 817-226-4400, 1-800-540-5127 www.johnniehighscountrymusicrevue.com Kimbell Art Museum 3333 Camp Bowie Blvd., Fort Worth 817-332-8451 www.kimbellart.org Legends of the Game Baseball Museum and Children's Learning Center 1000 Ballpark Way, Arlington 817-273-5600 Lone Star Park at Grand Prairie 1000 Lone Star Pkwy., Grand Prairie (Exit Belt Line north from I-30) 972-263-RACE www.lonestarpark.com Log Cabin Village 2100 Log Cabin Village Lane, Fort Worth 817-392-5881 http://www.logcabinvillage.org/ Louis Trussaud's Palace of Wax