AR07_appendices.qxd 24/10/07 12:45 PM Page 57

ART GALLERY OF APPENDICES

Sponsorship and philanthropy 58 Art prizes, grants and scholarships 59 AGNSW publications for sale 59 Visitor numbers 60 Exhibitions listing 61 Aged and disability access programs and services 62 Aboriginal & Torres Strait Islander programs and services 62 Women’s action plan 63 Ethnic affairs priorities statement 64 Overseas travel 65

Collection – purchases 66 Collection – gifts 68 Collection – loans 72

Staff, intern and volunteer list 78 Staff publications, presentations and related activities 81 Compliance reporting 86 Electronic service delivery 88

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 57 AR07_appendices.qxd 24/10/07 12:45 PM Page 58

SPONSORSHIP AND PHILANTHROPY

Sponsors Pola Art Foundation: Financial Sternberg AM; Fred Street AM; Miller, Sotheby’s; Emmanuel Pohl, supporter: Tezuka: the marvel of Diana Walder OAM; Neville Wran Hyperion Asset Management; Gail at 30 June 2007 manga AC QC; and John Yu AC. Kelly, St George Bank; David Australian Research Council Porter’s Original Paints: Official Gonski AO, Investec; Luca (Linkage grant with the University paint supplier Belgiorno-Nettis, Transfield of ): Financial supporter: Centenary Fund President’s Council of the Art Holdings; Peter Ivany AM, Ivany Goddess: divine energy Patrons of the Centenary Fund as at Gallery of New South Wales: Investment Group; Philip Coleman, Avant Card: Support sponsor: 30 June 2007: Major exhibitions program partner UBS AG ; Stephen General Claire Armstrong, Alex & Vera Airways: Principal sponsor: O’Connor, JCDecaux Australia; Bharatiya Vidya Bhavan Australia: Boyarsky, Jillian Broadbent AO & Yiribana Aboriginal and Torres Strait Ilana Atlas, Westpac Banking Support sponsor: Goddess: divine Olev Rahn, Joanna Capon OAM, Islander Gallery, Airline sponsor: Corporation; and Bruce McComish. energy Judy Cassab AO CBE, David & Giacometti, Goddess: divine energy, BNP Paribas: Conservation partner: Michelle Coe, Kenneth Coles AM & Tezuka: the marvel of manga, and VisAsia Council Frans Snyders The boar hunt Rowena Danziger AM, Jenny The arts of Islam Channel Ten: Media sponsor: Ferguson, David Gonski AC & Orli Members of the VisAsia Business Sandersons: Conservation partner – Tezuka: the marvel of manga Wargon, In memory of Aida Gordon, Council as at 30 June 2007: John Briton Riviere, Requiescat City of Sydney: Support sponsor: Yvonne & Christopher Gorman, Alex Yu AC chairman; Mark Warren Sans S Wholesalers: Public Goddess: divine energy, Archibald Holland, Peter & Sharon Ivany, Australia Post; Lee Seng Huan Programs sponsor – art materials Prize 07 Nettie & Peter Joseph OAM, Anne Mulpha Australia; Stephen Menzies SBS: Media sponsor: Zen mind Clayton Utz: disability access Landa, Michelle & John Landerer Blake Dawson Waldron; Stephen Zen brush, The arts of Islam, programs partner CBE AM, Geoffrey & Deborah Levy, Knight NSW TCorp; Bill Ferris AO Goddess: divine energy Delta Electricity: Major sponsor: Elizabeth Longes, David Lowy, John CHAMP Private Equity; Warwick Sofitel Wentworth Sydney: Lewis Morley, Support sponsor: & Jane Morschel, Mrs Kerry Packer Johnson Optimal Fund Support sponsor: Archibald, Wynne Goddess: divine energy, The arts AO, Bridget Pirrie & Stephen Grant, Management; Philip Cox AO Cox and Sulman prizes; Goddess: of Islam Steven & Lisa Pongrass, John L Richardson; Terry Fern Petsec divine energy Ernst & Young: Principal sponsor: Sharpe, Brian Sherman AM, Dr Energy; Stephen MacMahon & The Sydney Morning Herald: Media Art After Hours Gene Sherman, Geoffrey Susskind, Robyn Norton The George sponsor: Lewis Morley, Goddess: Executive Channel: Support Malcolm & Lucy Turnbull, Michael & Institute; Paula Masselos SBS; divine energy, Tezuka: the marvel sponsor: Tezuka: the marvel of Eleonora Triguboff, and Phillip Penny Bingham-Hall Leighton of manga manga Wolanski. Holdings; David SG Goodman Taj Hotels and Resorts: Support Freehills: Principal sponsor: University of Technology Sydney; sponsor: Goddess: divine energy Giacometti President’s Council John Saunders The Linden Group; UBS: Contemporary Art on Level 2 Gordon Darling Foundation: Jennie Lang University of New sponsor, Principal sponsor: Members of the President’s Council Financial supporter: Goddess: divine South Wales; Nicholas Curtis Lynas An incomplete world: the UBS as at 30 June 2007: (president: energy Corporation; Michael Sternberg Collection and Anselm Kiefer David Gonski AC until 31 December Incredible India: Support sponsor: Valiant Hire; Matthew Bank VisAsia Council: Asian exhibitions 2006; Steven Lowy from 1 January Goddess: divine energy Macquarie Bank; Michael Hawker; program partner 2007); Peter Young ABN AMRO; Indian Link: Support sponsor: and William Clark. Westfield: Principal sponsor: David Kirk, John Fairfax Holdings; Goddess: divine energy The arts of Islam David Baffsky AO, Accor Asia Japan Foundation: Support sponsor: Pacific; Damian Roche, JPMorgan; Bequests Tezuka: the marvel of manga Life governors Roger Allen, Allen & Buckeridge; The following bequests were JCDecaux: Media sponsor: The arts Gary Reidy, Korn/Ferry received and/or notified this financial of Islam The Gallery has acknowledged the International; Warwick Smith, ANZ year: Estate of the late Thelma Jean Johnson Pilton Walker: Exhibition significant support of the following Banking Group; Chris Jordan AO, Hill bequeathed artworks; Estate of design partner: The arts of Islam individuals by appointing them as KPMG; John Symond AM, Aussie the late Margaret Mary Jones was JPMorgan: Principal sponsor: Brett life governors: Home Loans; Scott Walters, notified, but distribution of the Whiteley Studio Franco Belgiorno-Nettis AC CBE; Mercer Wealth Solutions; Bruce bequest has not yet been finalised; Macquarie Bank: Principal sponsor: Joseph Brender AO; Jillian Fink, Bickham Court Group; John and Estate of the late Yvonne Diana Focus Room Broadbent AO; Ken Cowley AO; C Conde AO, MBF Australia; Buchanan May bequeathed a Madman Entertainment: Support James Fairfax AO; Danny Goldberg, Dakota property in Rose Bay to the Gallery sponsor: Tezuka: the marvel of AO & Frank O’Keefe; Michael Corporation; Bill Wavish, Myer; with the condition that should it be manga Gleeson-White AO; David Gonski Giam Swiegers, Deloitte Touche sold and proceeds are to go to the Myer: Principal sponsor: Archibald, AC; Mollie Gowing; Shosuke Tohmatsu; Paul O’Sullivan, Optus; Art Gallery of New South Wales Wynne and Sulman prizes Idemitsu; James Leslie AC MC; Chum Darvall, Deutsche Bank AG; Foundation and a $10 000 annual National Australia Bank: Principal Frank Lowy AC; John Morschel; Alan Bell, Parnell; James Millar, art prize is to be established. sponsor: The arts of Islam Rupert Murdoch AC; Kenneth Myer Ernst & Young; Tony Harrington, Optimal Fund Management: AC DSC; J Hepburn Myrtle CBE; PricewaterhouseCoopers; Bruce K Principal sponsor: Zen mind Zen Margaret Olley AC; Max Sandow Cutler, Freehills; Geoff Dixon, brush, Support sponsor: Goddess: AM; John Schaeffer AO; Julie Qantas Airways; Clark Perkins, divine energy Schaeffer; Goldie and Edward Goldman Sachs JBWere; Justin

Grants/Partnerships During the year the following grants were received:

From Project Amount

Australia Council Venice Biennale $3 000 Sydney City Council Community ambassadors – outreach and training program $10 000 Pola Art Foundation Tezuka: the marvel of manga exhibition $10 366 Japan Foundation (Sydney) Japanese language kit $4 545 Nelson Meers Foundation Annual contribution to the Aboriginal Collection Benefactors $5 000 Australia China Council Nature through Chinese jade Symposium $5 000

58 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 59

ART PRIZES, GRANTS AND SCHOLARSHIPS ART PRIZES

Art prizes Grants and scholarships Australia and New Zealand. An award of $5000 was made to The 2007 Archibald, Wynne and The prize, judged by artist Hossein THE BASIL AND MURIEL Anita Bacic. Sulman prize competitions, Valamanesh, of $10 000 was HOOPER SCHOLARSHIP sponsored by Myer, were held in awarded to David Disher for his These scholarships, valued at BRETT WHITELEY TRAVELLING February 2007. A total of 1712 work Axis of Elvis. $4000 each, are available each ART SCHOLARSHIP entries were received, 107 of which year to fine art students attending were selected for display. The FOR DRAWING recognised schools in New South This scholarship was established Dobell Prize for Drawing, sponsored The $20 000 prize, judged by Irena Wales to assist with the costs of to provide young artists with an by the Sir Art Zdanowicz, was awarded to Nick fees, materials and general living opportunity to travel to Europe and Foundation, was held in September Mourtzakis for his work titled nature. expenses. One scholarship was further their artistic interests. The 2006. Of the 617 entries received, insects plants flowers. shells fish awarded to Jacqueline Cavallaro. scholarship includes a financial 45 were selected for display. corals. the microscopic creatures. award and access to the Art dreams. THE ELIOTH GRUNER PRIZE Gallery’s Studio for a period of The prize of $1000 for the best three months. It is a memorial to the The prize of $35 000 for portraiture ANNE LANDA AWARD landscape in oil by an art student artist, the late Brett Whiteley, who in his youth was encouraged in his was awarded to John Beard for This award has been established in was awarded for 2006 to Catherine artistic endeavours by winning a his work titled Janet Laurence. honour of Anne Landa, a trustee of Moore. similar scholarship. Special thanks The Archibald Prize: People’s the Art Gallery of New South Wales are given to Beryl Whiteley, Brett’s Choice competition, which asks who died in 2002. This is the second THE ROBERT LE GAY mother, for providing the generous the viewing public to vote for in a biennial series of exhibitions for BRERETON MEMORIAL PRIZE donation to fund the scholarship. their favourite entry, was won by moving images and new media This prize, which aims to promote The 2006 scholarship of $25 000 Evert Ploeg for his work George work, each with an acquisitive award and encourage the art of draughts- was awarded to Samuel Wade. Ellis. Ploeg received $2500 and of $25 000. The exhibition is by manship, is available each year to a $1000 Myer gift card as did the invitation only and is not open to art students. The 2006 prize of Gallery patron whose vote for the applications. Both the exhibition and $800 was awarded to Rodrigo Luff. STUDIOS IN PARIS winning entry was drawn from a award are selected by a committee The Gallery allocates tenancy to barrel containing all votes cast for and this year it comprised Linda DYASON BEQUEST two art studios, the Moya Dyring the winning artist. Michael (curator, Biennial of Administered under the terms of the Studio and the Dr Denise Hickey 2006), Edmund Capon will of the late Miss Anthea Dyason, Memorial Studio, we lease at the and Natasha Bullock from the the bequest provides grants to Cité Internationale des Art in Paris. The prize of $15 000 for an Gallery. The 2006 recipient was Australian art students who have The studios were occupied during Australian landscape or figure Monika Tichacek for her video already won travelling scholarships the year by Bronwyn Clark-Coolee, sculpture was awarded to Philip installation titled The shadowers so as to enable them to better Jude Rae, Debra Phillips, Wayde Wolfhagen for his work Winter 2004, which has now become part study architecture, sculpture or Owen, Adrienne Doig, Newell Harry, Nocturne IV. of the Gallery’s collection. painting in countries other than James Hancock and Samuel Wade.

AGNSW PUBLICATIONS FOR SALE

• 19th century Australian • Camille Pissarro, Maloon, pb $50 • Contemporary Aboriginal art: the • Robert Klippel, Edwards, pb $50 watercolours drawings & pastels, • Caravaggio: darkness and light, Mollie Gowing Acquisition Fund, • Self portrait: Renaissance to Kolenberg, hb $45 Capon, pb $40 Perkins, pb $12 contemporary, Bond, pb $45 • Adventures with form in space: • Celestial silks: Chinese religious • Goddess: divine energy, Menzies, • Still life, Tunnicliffe, pb $25 the fourth Balnaves Foundation and court textiles, Rutherford & pb $50 Sculpture Prize Tunnicliffe, pb $35 • Tradition today: Indigenous art in Menzies, pb $35 • Ishq divine love: music for The • AGNSW collections, Capon, hb $88 Australia, Perkins, pb $40 • Charles Conder, Galbally, pb $45 arts of Islam, Cunio, CD $30 • An incomplete world: works from • True stories: artists of the East • Contemporary: Art Gallery New • Jeffrey Smart, Capon & Pearce, the UBS Art Collection, Tunnicliffe, Kimberley, DVD $30 South Wales contemporary pb $45 & hb $66 pb $45 • What colour is that? Keeler-Milne, collection, Tunnicliffe, hb $45 • Lets face it: history of the • Anne Landa Award 2006, pb $18.95 • Crossing country: the alchemy Archibald Prize, Ross, pb $50 Tunnicliffe, pb $25 • What number is that? Keeler- of western Arnhem Land art, • Man Ray, Annear, pb $30 • Archibald 05, pb $16 Perkins, pb $50 Milne, pb $18.95 • Margaret Olley revised edition, • Archibald 06, pb $16 • Crossing country: the alchemy of Pearce, hb $60 • Archibald 07, pb $16 western Arnhem Land art, DVD Bold denotes new titles in 2006–07 • Margaret Preston: art and life, $30 • The arts of Islam: treasures from Edwards, pb $50 & hb $80 the Nasser D Khalili Collection, • Dancing to the flute, Menzies, pb • Orientalism Delacroix to Klee, Rogers, pb $50 $44 Benjamin (ed), pb $45 • Asian collections, Menzies, pb $45 • Dobell Drawing Prize, 2nd edition, • Poetic Mandarin, Liu, pb $20 • Australian drawings, Kolenberg, Kolenberg, pb $22 pb $40 • Giacometti: sculptures, prints • Pre-Raphaelites and Olympians, • Belle Ile: Monet, Russell and and drawings from the Beresford, pb $20 Matisse in Brittany, Prunster, hb Maeght Foundation, Capon, pb • Rayner Hoff: this vital flesh, $25 $45 Edwards, pb $30.80

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 59 AR07_appendices.qxd 25/10/07 11:08 AM Page 60

VISITOR NUMBERS

Visitor numbers as at 30 June 2007

Total visitors Total visitors Total visitors Total visitors Total visitors Domain BW Studio Touring shows Month 2002–03 2003–04 2004–05 2005–06 2006–07 2006–07 2006–07 2006–07 July 115 250 85 229 115 194 95 690 113 979 96 638 691 16 650 August 75 305 87 094 102 579 112 172 115 769 104 548 565 10 656 September 64 005 93 306 100 238 91 764 93 398 85 967 841 6590 October 61 473 97 974 111 954 97 960 96 840 88 026 630 8184 November 87 442 88 898 93 854 130 102 82 506 75 161 545 6800 December 111 304 129 554 144 923 189 628 84 514 74 551 460 9503 January 140 771 177 706 123 277 231 202 105 646 94 986 517 10 143 February 114 713 145 421 96v651 126 184 88 781 82 676 637 5468 March 96 622 131 793 101 521 145 393 166 828 165 933 895 0 April 104 269 183 494 88 190 196 936 126 471 125 087 1384 0 May 81 593 181 284 151 085 157 541 94 058 81 522 1234 11 302 June 73 914 111 066 121 988 116 295 132 804 103 659 1181 27 964 YTD TOTAL 1 126 661 1 512 819 1 351 454 1 690 867 1 301 594 1 178 754 9580 113 260

Paid exhibition program for 2006–07 Month Total Zen mind Zen brush July–Sept 8 359 Lewis Morley July–Sept 21 320 Giacometti Aug–Oct 29 093 Goddess: divine energy Oct–Jan 48 244 Tezuka: the marvel of manga Feb–Apr 28 794 Archibald, Wynne & Sulman prizes Mar–May 118 496 The arts of Islam June 6 160 TOTAL 260 466

Average daily visitors 2006–07

6000

5000

4000

3000

Visitors 2000

1000

0 July August September October November December January February March April May June

Annual visitor numbers 1992–93 to 2006–07

1.7m 1.6m 1.5m 1.4m 1.3m 1.2m Visitors 1.1m 1m 0.9m 0.8m 0.7m 92–93 93–94 94–95 95–96 96–97 97–98 98–99 99–00 00–01 01–02 02–03 03–04 04–05 05–06 06–07

60 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 61

EXHIBITIONS LISTING

DATE DEPARTMENT EXHIBITION TITLE Ticketed AGNSW AGNSW Tours Catalogue 01.07.06–24.07.06 Australian 19th-century Australian watercolours, drawings and pastels • 05.07.06–10.09.06 Western: Photography Lewis Morley •• 19.07.06–17.09.06 Australian Frank Hodgkinson • 09.08.06–13.09.06 Western: Contemporary Adventures with form in space: the fourth Balnaves Foundation Sculpture Project • 18.08.06–29.10.06 Directorate Giacometti: sculptures, prints and drawings from the Maeght Foundation ••• 26.08.06–26.11.06 Australian: Whiteley Studio Brett Whiteley Travelling Art Scholarship 26.08.06–26.11.06 Australian: Whiteley Studio Seasons 07.09.06–24.11.06 Library Wunderlust: artists’ books 15.09.06–29.04.07 Western: Contemporary Contemporary collection 20.09.06–19.11.06 Australian Notes from the River Caves: Peter Kingston and Martin Sharp • 29.09.06–03.12.06 Australian Dobell Prize for Drawing 2006 28.10.06–15.04.07 Australian: Aboriginal Gifted: contemporary Aboriginal art 13.10.06–28.01.07 Asian Goddess: divine energy •• 21.10.06–21.01.07 Asian Chinese modern prints: from We to Me 26.10.06–06.12.06 Western: Contemporary Brendan Lee • 22.11.06–14.01.07 Australian Carl Plate: works from the collection 18.11.06–11.02.07 Western: Contemporary Anne Landa Award for video and new media arts • 02.12.06–09.09.07 Australian: Whiteley Studio 9 shades of Whiteley 09.12.06–24.01.07 Australian Australian abstraction 1965–85: from the collection 14.12.06–28.01.07 Western: Contemporary A bird in the hand: Tony Clark and John Wolseley • 17.01.07–11.03.07 Australian Albert Tucker 14.02.07–22.04.07 Public Programs Artexpress 2007 29.01.07–12.04.07 Library Pictorial bookplates 08.02.07–22.03.07 Western: Contemporary Struck: Michele Barker and Anna Munster 23.02.07–29.04.07 Asian Tezuka: the marvel of manga • 03.03.07–13.05.07 Australian Archibald, Wynne and Sulman prizes ••• 10.03.07–06.05.07 Western: Contemporary Howard Arkley 14.03.07–02.05.07 Western: Photography Anne Zahalka 29.03.07–09.05.07 Western: Contemporary Sculptural situations by Gail Hastings 21.04.07–22.07.07 Western: Photography Blossfeldt & the isolated object 05.05.07–29.08.07 Australian Paradise then: Arthur Fleischmann in Bali 1937–39 05.05.07–22.07.07 Australian Australian etchings and engravings 1880s–1930s 19.05.07–05.08.07 Western: Contemporary An incomplete world: works from the UBS Art Collection • 19.05.07–29.07.07 Western: Contemporary Anselm Kiefer: Aperiatur terra 24.05.07–05.08.07 Asian Ishiuchi Miyako: mother’s 22.06.07–23.09.07 Directorate The arts of Islam: treasures from the Nasser D Khalili Collection ••

Touring exhibitions

DATE EXHIBITION VENUE CITY/STATE/COUNTRY EXHIBITION TITLE ATTENDANCE

01.07.06 – 16.07.06 Myer Mural Hall , Vic Archibald Prize 06 10 542 29.07.06 – 03.09.06* Tamworth Regional Gallery Tamworth, NSW Archibald Prize 06 8 396 14.09.06 – 22.10.06* Tweed River Regional Gallery Cowra, NSW Archibald Prize 06 13 300 27.10.06 – 03.12.06* Wagga Wagga Regional Gallery Wagga Wagga, NSW Archibald Prize 06 5 248 09.12.06 – 14.01.07* Dubbo Regional Gallery Dubbo, NSW Archibald Prize 06 6 744 19.01.07 – 25.02.07* Musswellbrook Regional Gallery Musswellbrook , NSW Archibald Prize 06 1 708 17.11.06 – 25.02.07 Christchurch Art Gallery Christchurch, NZ Giacometti: sculptures, prints and drawings from the Maeght Foundation 18 818 01.07.06 – 13.08.06# Art Gallery of South Australia Adelaide, SA Margaret Preston: art and life 9 238 18.05.07 – 30.06.07 Myer Foundation Hall Melbourne Vic Archibald Prize 07 39 266

* Tour organised in association with the Museums and Galleries Foundation of NSW. # Margaret Preston tour to Art Gallery of SA began on 25/05/06. Only 2006–07 attendances included above.

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 61 AR07_appendices.qxd 24/10/07 12:45 PM Page 62

AGED AND DISABILITY ACCESS PROGRAMS AND SERVICES

The Gallery is committed to Disabled toilets are located on the The touch tour program will include STAFF TRAINING providing aged people and people upper level, level 1 and level 3. a component of audio description, Information and awareness sessions with disabilities excellent access to to be used in conjunction with are held for staff and volunteer services, the building, information existing tours and to complement VISITORS WHO ARE DEAF guides, with particular reference to and opportunities. selected temporary exhibitions. AND HEARING IMPAIRED servicing visitors with special needs. This year the Gallery entered into a These tours can also include art- Some volunteer guides and staff The Gallery engages sign language three-year partnership with Clayton making workshops to expand the have undertaken introductory interpreters for the regular advertised Utz to present a series of access experience of enjoying art. courses in sign language. programs for disabled visitors. This guided tours and in association with To support the In Touch tours, the A designated education officer partnership is designed to allow Deaf Awareness Week. Gallery is developing a sensory manages the Gallery’s accessible people with disabilities to enjoy Groups of visitors who are deaf who trolley which will include tactile arts programs and facilities for cultural experiences at the Gallery wish to make bookings are provided materials and props that people with disabilities. specifically through ‘touch’ and with sign language interpreters free complement tours of the Gallery. ‘sensory’ tours. In addition a of charge. HELPERS The main visitor elevator (servicing volunteering program where Clayton The TTY number (02) 9225 1711 is lower level 1, ground floor and the General entry to the Gallery is free Utz staff support the Gallery in art- listed in the Telstra TTY directory. upper level) has voice notification of to all visitors. However, where entry making workshops was launched. The Gallery provides free monthly floor and access information and fees are charged for major temporary Highlighted below are initiatives Auslan guided tours. The Gallery Braille floor buttons. exhibitions, helpers accompanying undertaken by the Gallery. conducts Signing Art, Auslan- visitors with disabilities are admitted interpreted free performances free of charge. CHILDREN WITH AN VISITORS WITH A PHYSICAL which incorporate mime, puppetry INFORMATION AND PUBLICITY and improvisation to create a INTELLECTUALLY DISABILITY DISABILITY The free regular publications vibrant and diverse educational The Da Vinci program is a Gallery Exhibitions and Events are available There are four dedicated disabled entertainment. initiative involving a specially at the ground floor information desk. parking spaces available at the front designed program for students with This year there were selected These booklets contain information of the Gallery and two at the rear. mild to moderate intellectual Art After Hours events which were for visitors with special needs. Special arrangements are also disabilities. This program provides Auslan-interpreted including celebrity Currently Exhibitions and Events are made for bus parking. Access to students with the opportunity to talks by Greg Pickhaver (aka H G posted to over 4000 interested the spaces at the rear of the Gallery experience art through stimulating is via the service road on the Nelson) and Peter Garrett MP. and fun-filled workshops which individuals and organisations. southern side of the building. From The Domain Theatre is equipped include discussion, role-play and the Free brochures on the accessible the rear of the Gallery access to all with audio-induction loop facilities use of sensory materials. arts programs are also available at for all lectures and films. exhibitions, displays, public and the information desk. administrative areas are by way of An FM microphone system for EMPLOYMENT PRACTICES ramps and lifts. All access routes hearing aid users is available on GENERAL are signposted. request for guided tours. COMMUNICATIONS The Gallery is committed to equal A wheelchair accessible bus (route opportunity principles for recruitment The Gallery’s Internet website 441) runs from the Queen and general employment practice. (www.artgallery.nsw.gov.au) can Building to the Gallery. Telephone VISITORS WHO ARE VISUALLY display large-print screen versions Of staff working at the Gallery, 3% 131500 or www.131500.info for IMPAIRED of all information. have a disability and 0.4% require timetable details. The In Touch at the Gallery program some form of adjustment to the The Gallery’s Internet website has The Domain Theatre and Centenary provides people who are visually workplace. myVirtualGallery which enables the Auditorium have access space impaired the opportunity to explore public to create their own online designed for wheelchair users. works through touch. Specially trained volunteer guides help visitors exhibition using works from the The Gallery provides wheelchairs experience the tactile qualities of Gallery’s collection. This website which are available from Security. marble, bronze and stone and allows people with limited mobility All exhibition spaces are accessible discover the stories and ideas the opportunity to have an by lift. surrounding these unique objects. interactive arts experience.

ABORIGINAL & TORRES STRAIT ISLANDER PROGRAMS AND SERVICES

There are many Gallery activities Indigenous art patron Mollie launched this year, was designed • Online education kits for the developed to introduce Aboriginal Gowing. Gifted paid tribute to one by the Gallery to specifically support recent Crossing country and Rover and Torres Strait Islander visitors of the most significant champions of and encourage underachieving, Thomas exhibitions. the Gallery and her ongoing support and others to the history and culture gifted K–6 students from differing • Kids Art Trails, which encourage of Indigenous peoples of Australia, for contemporary Indigenous art. backgrounds with a focus on children to engage more including temporary exhibitions, Included in the exhibition were Indigenous children, in an effort interactively with Indigenous art. public program events and the major acquisitions by Emily Kam to meet their intellectual, artistic, permanent collection on display in Ngwarray, Mawalan Marika, Ginger social and emotional needs using • One-hour educational tours of the Yiribana Gallery, the largest Riley Munduwalawala, Queenie the Gallery’s permanent collection the Yiribana Gallery designed for display focused on Aboriginal art in McKenzie, Ken Thaiday and local as a key resource within this kindergarten to secondary school artist Roy Kennedy. the southern hemisphere. ‘special environment’. Indigenous children, for tertiary students and special needs groups. This year the Gallery mounted a Services available and activities held artists whose work is in the special collection-based exhibition included: Gallery’s permanent collection • Guided tours conducted for Gifted: contemporary Aboriginal art, • The Manioo workshop. Manioo is talked to students about their Aboriginal people to assist in which highlighted significant works an Eora word meaning ‘to pick up work and assisted the students strengthening their appreciation purchased with the support of anything’. This free workshop, with art-making. of Aboriginal art and artists.

62 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 63

As a part of Gallerykids the the Gallery resulted in the joint The Aboriginal Collection Art, was a member of the selection character of Ngununy, the cheeky development of two Indigenous art Benefactors Group continued to panel for the NSW Aboriginal Art fruit bat was created to take visitors units, taught and structured around raise funds specifically for the Award. on a lively tour of Aboriginal art, the Gallery’s extensive and unique acquisition of Indigenous art. A major Aboriginal art publication creating a greater understanding of Indigenous collection. Fifty percent Aboriginal and Torres Strait Islanders One sun one moon has been key art works from the collection. of the profits from the course’s Other Gallerykids events included revenue will go towards an represent 2.2% of the Gallery’s prepared for publication in 2007–08. weekend holiday guided tours by Aboriginal art acquisition fund. workforce which exceeds the NSW government’s Two Ways Together the Mimih and regular performances Strengthening our archive of public sector employment target of of didgeridoo and Aboriginal dance. Indigenous art, the Aboriginal and 2%. A unique partnership between Torres Strait Islander Art Department Warawara Department of Indigenous continued to film interviews with Hetti Perkins, senior curator, Studies, Macquarie University and Indigenous artists. Aboriginal and Torres Strait Islander

WOMEN’S ACTION PLAN

The Annual Reports (Statutory Goddess: divine energy The Gallery has created mini websites 53% women. Under the principle of Bodies) Amendment (Women’s (30 October 2006 – 28 January for both Margaret Preston: art and employment by merit, employees Action Plan) Regulation 1997 2007) life (www.artgallery.nsw.gov.au/ benefit by having their capabilities requires NSW public sector This exhibition surveyed the sub/preston/index.html) and fully utilised and their skills agencies to provide information innumerable, imaginative Goddess: divine energy expanded. Of the seven senior about their implementation of the expressions of the divine female (www.artgallery.nsw.gov.au/sub/ officers and above management NSW government’s Action Plan for found in the art of India, Tibet and goddess/index.html) exhibitions. positions, four are held by women Women. Nepal through over 120 paintings The Gallery has maintained a (57%) and of middle management The Gallery supports the whole-of- and sculptures, dating from the general free admission policy to positions 73% are occupied by government approach to addressing early centuries CE through to the ensure the broadest range of the women, reflecting the Gallery’s women’s issues and concerns and 20th century. Major public and community, including financially commitment to the advancement acknowledges that all areas of the private collections of Asian art disadvantaged visitors (who are of women based on merit. NSW public sector must commit to around the world were lenders to often women), have access to the Approximately 38% of women staff the exhibition. the principles of access, equity, state’s fine art collection and took advantage of the Gallery’s rights and participation of women Struck – Michele Barker and associated education programs. flexible work practices including by integrating the needs and Anna Munster part-time work, job sharing, working The Gallery administers two concerns of women as part of (8 February – 22 March 2007) from home, part-time leave without bequests open only to women. normal business. This exhibition by two women pay and the career-break scheme These are the John and Elizabeth artists was a multi-channel video in order to effectively balance The Gallery is committed to the Newnham Pring Memorial Prize for and sound installation that critically workplace priorities with family and advancement of women in all forms ‘the best landscape executed in addressed the complexities of personal commitments. The Gallery of cultural, artistic and work life and watercolours by a woman artist’; being diagnosed with a neurological as a whole benefits in the long term is aware of the need to identify and and a fund in the name of Viktoria disease. by being adaptable and responsive redress discrimination against Marinov, with interest earned on the to changing community needs and women by making services more Anne Zahalka investment used to purchase works expectations. accessible and responsive. From an (14 March – 2 May 2007) of art for the permanent collection organisational perspective, the Anne Zahalka is a Sydney-born ‘by female artists under the age of Gallery acknowledges the needs contemporary photographer 35 years’. The Gallery administers and interests of women as a direct whose work has been exhibited other awards and scholarships to occupational group and its extensively in Australia, Europe assist in the professional responsibility to promote a and Asia since the early 1980s. development of Australian artists workplace which is equitable, safe Zahalka has maintained an which are open to all artists, and responsive to women’s needs. interested in leisure activities as including women. an intrinsic part of Australia culture, CONTINUING THE COMMITMENT moving from the self-conscious ACHIEVEMENTS UNDER KEY stage-setting of her previous work TO THE PRINCIPLES OF ACCESS, OBJECTIVES IN THE ACTION to virtually pure documentation EQUITY, RIGHTS AND PLAN FOR WOMEN in spectacular scale and colour. PARTICIPATION MAKING SERVICES MORE These aspects, coupled with the The Gallery recognises that ACCESSIBLE AND RESPONSIVE artist’s ongoing research into art traditional gender imbalances on The following exhibitions exclusively history and photography’s place decision-making bodies can have or significantly featured the work of within those discourses, formed implications for strategic outcomes. female artists, were representative the basis of this exhibition. There are five women on the 11- of women artists’ contribution to Online education kits are available member Board of Trustees (45%). the history of art, reflected the which highlight the work of The Gallery is committed to the achievements of women in society; Australian women artists such as employment of all staff based on or focused on women and their role Grace Cossington Smith and selection by merit, and the Gallery’s in society. Margaret Preston. workforce is currently made up of

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 63 AR07_appendices.qxd 24/10/07 12:45 PM Page 64

ETHNIC AFFAIRS PRIORITIES STATEMENT

The Gallery is committed to the crafted materials. On the last day of showing the dynamism of contact • An exhibition of 158 photographs principles of multiculturalism as the project the goddess was taken zones in many different countries by August Sander, being shown in outlined in Section 3 of the by procession to Darling Harbour and cultures, around the world and Sydney only, which will acknowledge Community Relations Commission followed by an immersion ceremony in Australia. These are areas where Sander’s interest in typologies and and Principles of Multiculturalism in the Parramatta River. everyday life and relations between his aim to produce a definitive Act 2000. Tezuka: the marvel of manga individuals and cultures has been ‘atlas’ of the German people. shaped by poverty, war, colonisation, The NSW government has identified (23 February – 29 April) comprised • Translucent world: Chinese jade migration and displacement. four key objectives for respectful original drawings, designs for from the Forbidden City, a unique Films in this series included stories intercultural community relations: manga covers and posters. The presentation of Chinese jade from dealing with migration, colonisation leadership, community harmony, exhibition introduced Western the outstanding collection of the and cultural overlap. A total of 6756 access and equity, and economic audiences for the first time to the Palace Museum, Beijing with more attended this series. Films were and cultural opportunities. full scope of the work of this icon than 180 works representing all also screened in conjunction with To assist in achieving these and acknowledged master of the periods of Chinese jade carving, the Goddess and The arts of Islam objectives the Gallery has undertaken Japanese manga movement. from Neolithic times to the Qing exhibitions. exhibitions, public and education The arts of Islam: treasures from dynasty. The key object is a carved programs and other initiatives listed the Nasser D. Khalili Collection • Gallerykids and holiday jade mountain over one metre high in the outcomes below. (22 June – 27 September 2007) workshops: highlights included depicting The Nine Elders of was the finest display of the arts Zhenmu Shou, the guide from the Huichang, commissioned by the of the Islamic world ever seen grave, meet the Queen of Sheba Emperor Qianlong in 1787. ETHNIC AFFAIRS PRIORITY in Australia. It offered a rare and performances in conjunction The Gallery will present public and OUTCOMES 2006–07 opportunity to experience rich and with Goddess: divine energy and education programs supporting The following exhibitions on display diverse artistic achievements from The arts of Islam. both these exhibitions and others in during 2006–07 reflected and the 7th to early 20th centuries. Selected exhibitions and special promoted cultural diversity. 2007–08, including the lunchtime The on-going presentation of a events were advertised in various lecture series Arts of Asia and Zen mind Zen brush (17 June – dynamic and culturally varied series multicultural publications including Decoding the Renaissance II as 24 September 2006), drawn from Indian link and Oziran. The Gallery of public and education programs individual lunchtime and evening the remarkable private collection regularly advertises on SBS in reflects the Gallery’s commitment to lectures on topics ranging from of Dr Kurt A Gitter and Alice Rae various languages including making the collection and temporary Medieval Spain to calligraphy in Yelen, included works by the exhibitions readily accessible to the Mandarin, French, Arabic, Hindi, Islam. Art Adventure Tours will be greatest Zen masters of the last public. This year the program Punjabi and Vietnamese. run in conjunction with various three centuries with subjects included: The Gallery continues to provide exhibitions focusing on people and ranging from fierce-looking Zen • Art After Hours: special programs management services support to their cultural beliefs. The Gallery will patriarchs to minimal landscapes held each week included VisAsia, which promotes and and from intense calligraphy to continue to present a culturally performances, talks, films and cultivates a better understanding diverse range of films. whimsical depictions of Zen music and many of these events and enjoyment of Asian arts and The Gallery will continue to conundrums. highlight and explore cultural diversity. culture. encourage staff to participate in the Giacometti: sculptures, prints and • Arts of Asia: this lunchtime lecture The Gallery’s guide maps were drawings from the Maeght Community Language Allowance series invited leading curators and updated and are available in Foundation (18 August – 29 October Scheme and to extend the range of scholars to explore the inspiration Japanese, Mandarin and Korean, 2006) was the first exhibition of languages currently represented. of the word for artists spanning Italian, French, Spanish and German Giacometti’s work ever to be held in Ottoman Turkey to colonial languages. This year the Gallery Australia, offering a rare opportunity Indochina. released an Arabic guide map in to view his work and gain insight conjunction with the exhibition into the creative genius of one of • Decoding the High Renaissance: The arts of Islam. the most original and inventive this lecture series explored the artists of the 20th century. Alberto development of western culture Gallery staff identify as 19% from Giacometti stands beside Picasso through the examination of work non-English speaking backgrounds. and Matisse as one of the great of artists such as Bellini, Holbein, This compares favourably with the masters of modern art. Titian and Breugel. NSW government target of 20%. Goddess: divine energy • Education kits and language A number of employees who speak (13 October 2006– 28 January worksheets: this year the education community languages assist other 2007) was the first major exhibition kits produced included The arts staff and visitors, and earn a in Australia to explore the many of Islam, Goddess: divine energy, Community Language Allowance. manifestations of the divine female Adventures in Asia; Biennale of As at 30 June 2007 the Gallery had in Hindu and Buddhist art. Created Sydney, Tezuka: the marvel of staff officially designated as able to as a focus for veneration and manga, and Zen mind Zen brush. offer assistance in Hindi, Cantonese, meditation, over 150 exquisite Chinese language worksheets Polish, German, Italian, Mandarin, works from India, Tibet and Nepal were introduced to assist Chinese Spanish and Indonesian. language teachers with self-guided were gathered from collections An annual calendar of significant excursions to the Gallery. around the world for display. religious and holy days was As a part of the exhibition Goddess: • Mini websites produced for major circulated to all supervisors to divine energy, the ambitious project temporary exhibitions, mini-websites enable scheduling of staff Durga: creating the goddess present diverse information for commitments to meet religious allowed visitors to experience the a range of audiences including, obligations. living traditions of the Goddess in an exhibition overview, images, India – a sight rarely seen outside of marketing and promotional material, Bengal. Master craftsman Nemai public and education programs ETHNIC AFFAIRS PRIORITY Chandra Paul and his assistants and resources. This year they GOALS FOR 2007–08 spent three weeks constructing the included Goddess: divine energy Continuing to reflect and promote spectacular image of the goddess (www.artgallery.nsw.gov.au/sub/ cultural diversity and harmony, the Durga. Each element from straw to goddess/index.html). Gallery’s 2007–08 program of major clay, pigments to varnish, dressing • Film: the Zones of contact film exhibitions and associated and adorning the figures was done series screened in conjunction with educational programs will include by hand using organic and hand- the 2006 Biennale of Sydney the following:

64 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 65

OVERSEAS TRAVEL

Terence Maloon, curator, Special Dr Richard Beresford, senior Donna Hinton, senior conservator, Richard Harling, manager, Exhibitions curator, European Art Objects Gallery Shop Europe, 3 May to 7 July 2006 USA and UK, 16 October to New Zealand, 25 February to USA and UK, 21 May to 9 June Research forthcoming exhibition 15 November 2006 1 March 2007 2007 The origins of abstraction. Courier Flemish diptych by Courier works in the Giacometti Attend New York Stationery Fair, Anthony Bond, general manager, Ambrosius Benson and research exhibition. Book Expo America and Pulse Curatorial Services Gallery’s collection of European Bambi Blumberg, coordinator, CCB Gift Fair. UK, Europe, Japan, 27 June to paintings and sculpture. New Zealand, 8–11 March 2007 Alan Lloyd, head of Conservation 24 July 2006 Anne Flanagan, general manager, Manage Contemporary Collection Europe, 23 May to 6 June 2007 Research for Anselm Kiefer exhibition Exhibitions and Building Benefactors (CCB) tour to the 3rd Courier shipment of works for and to develop partnerships with New Zealand, 9–11 November 2006 Auckland Triennial. The arts of Islam exhibition. Japanese institutions interested in Courier return of Giacometti works. Donna Hinton, senior conservator, Edmund Capon, director collaborating with Australian Donna Hinton, senior conservator, Objects Europe, 1–13 June 2007 partners. Objects France, 12–22 March 2007 Attend opening of Venice Biennale. Dr Richard Beresford, senior New Zealand, 10–16 November Courier return of Giacometti Anthony Bond, general manager, curator, European Art 2006 exhibitions works. Curatorial Services UK, 9 July to 21 August 2006 Courier return of Giacometti works. Charlotte Cox, assistant registrar, Europe, 1–29 June 2007 Research on the Gallery’s collection Judy Annear, senior curator, Exhibitions Research exhibition of 20th century in London libraries. Photography France, 13–22 March 2007 figurative sculpture, attend Venice Donna Hinton, senior conservator, Japan and Europe, 11–28 Courier return of Giacometti Biennale, Basel Art Fair, Documenta Objects November 2006 exhibition works. XII and 3rd Munster Sculpture France, 29 July to 9 August 2006 Invited by Hasselblad, Sweden, to Dr Liu Yang, curator, Chinese Art Project. Courier for Giacometti exhibition. award 2006 Hasselblad Prize. Hong Kong and China, Wayne Tunnicliffe, curator, Charlotte Cox, assistant registrar, Edmund Capon, director 15–25 March 2007 Contemporary Art Exhibitions UK, 11–28 November 2006 Present a paper at a symposium Europe, 3–24 June 2007 France, 29 July to 8 August 2006 Development meetings for The arts held at the Hong Kong Chinese Attend Venice Biennale and Courier for Giacometti and Goddess of Islam exhibition. University. negotiate future exhibitions. exhibitions. Barry Pearce, head curator, Mark Boxshall, graphic designer Emma Smith, senior registrar, Charlotte Davy, registrar, Exhibitions Australian Art China, 23 March to 5 April 2007 Collections New Zealand, 25–31 August 2006 UK and Italy, 26 November to Supervise printing of One sun, one The Netherlands, 5–6 June 2007 Courier for Margaret Preston 9 December 2006 moon publication. Courier sculpture Untitled (Old exhibition. Final selection of works for Sidney Gillian Williamson, assistant woman in bed) by Ron Mueck. Mark Boxshall, graphic designer Nolan retrospective. manager, Gallery Shop Belinda Hanrahan, general South Korea, 13–21 September Erica Drew, senior manager, USA, 13–17 April 2007 manager, Marketing 2006 Exhibitions Attend the Museum Stores Europe, 22 June to 21 July 2007 Supervise printing of Goddess Singapore, India, Hong Kong, Association Conference and Trade Attend marketing conference in catalogue. 30 December 2006 to 27 January Fair. Madrid. Jackie Menzies, head curator, 2007 Hetti Perkins, senior curator, Asian Art Establish professional contacts with Aboriginal Art Japan, 27 September to 2 October institutions in Asia. France, 19 April to 4 May 2007 2006 Judy Annear, senior curator, Finalise Australian Indigenous Art Attend forum in Tokyo to discuss Photography Commission. future exhibition opportunities. USA, 1 January to 31 March 2007 Dr Richard Beresford, senior Emma Smith, senior registrar, Work at J Paul Getty Museum on curator, European Art Collections proposed photography exhibition. UK, 24 April to 24 May 2007 Italy, 28 September to 4 October Edmund Capon, director Further research on the Gallery’s 2006 China, 9–21 January 2007 collection in London libraries. Courier delivery of two Pierre Select works for exhibition of stone Mark Boxshall, graphic designer Bonnard artworks. Buddhist sculptures plus other Italy, 28 April to 8 May 2007 Peter Raissis, curator, European Chinese exhibitions. Supervise printing of Art Gallery of Prints & Drawings Dr Liu Yang, curator, Chinese Art New South Wales photography France, 30 September to China, 9–24 January 2007 collection handbook. 5 October 2006 Select works for exhibition of stone Charlotte Davy, registrar, Exhibitions Courier return of Braque from Buddhist sculptures plus other UK, 7–23 May 2007 Musée Cantini. Chinese exhibitions. Courier works for The art of Islam Jesmond Calleja, senior registrar, Clare Germaine, registrar, exhibition. Collection Systems Integration Collections Malgorzata Sawicki, senior Europe and UK, 6–24 October 2006 Italy, 1–7 February 2007 conservator, Frames Present paper at ICOM conference Courier return of two Pierre Bonnard Poland, 9–28 May 2007 and research in UK. paintings. Present a paper at ICOM-CC Anthony Bond, general manager, Brent Willison, registration assistant Conference. Curatorial Services USA, 1–11 February 2007 Dr Liu Yang, curator, Chinese Art Singapore, UK, Europe Courier return of Ambrosius Benson Singapore and Taiwan, 17–28 May 7–22 October 2006 work. 2007 Present paper at AICA 2006 Edmund Capon, director Present lectures in Singapore and Congress. UK, 20–28 February 2007 speak at international symposium in Charlotte Davy, registrar, Negotiations for The arts of Islam Kaohsiung. Exhibitions exhibition. USA, 16–23 October 2006 Courier return of works included in Zen mind Zen brush exhibition.

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 65 AR07_appendices.qxd 24/10/07 12:45 PM Page 66

COLLECTION – PURCHASES

Dates of works given in brackets Prints, Drawings and Watercolours 1974, soft- and hard-ground Walangkura Napanangka are estimates. Titles in brackets are Benefactors Fund 2007 etching, aquatint, black ink on white (Australia, born c1946), Untitled descriptions rather than titles Sir Lionel Lindsay (Australia, Rives wove paper; Vor Esahi 1974, 2005, synthetic polymer paint on assigned by artists. 1874–1961), Melon and aubergine soft- and hard-ground etching, canvas. Purchased under the terms 1936, wood engraving, black ink on aquatint, foul bite, black ink on of the Florence Turner Blake Australian art white Japanese tissue. Accessioned white Rives wove paper. Purchased Bequest 2006 2007 with funds provided by the Yukultji Napangati (Australia, born Earle Backen (Australia, Allan Mitelman (Australia, b1946), Australian Prints, Drawings and c1970), Untitled 2005, synthetic 1927–2005), 1 watercolour and Untitled 2006, indian ink, gouache, polymer paint on linen canvas. Don 1 drawing: Façade 1994, pencil, Watercolours Benefactors Fund collage on two sheets of paper. D G Mitchell Bequest Fund 2006 watercolour on white wove paper; 2007 Wilson Bequest Fund 2006 Emma Daniel Nungurrayi The green house, Pera, Istanbul Martin Sharp (Australia, b1942), Daniel Moynihan (Australia, (Australia), 3 paintings: Karrinyarra (study for ‘Façade’) 1994, pencil, Tiny Tim, eternal troubadour 1982, b1948), Tiger town 2004, soft- (Mt Wedge) 2007, synthetic polymer pen and black ink, white pastel on four-colour screenprint on white ground etching, black ink on off- wove paper. Accessioned 2006 paint on linen canvas; Karrinyarra grey/green paper. Australian Prints, white Arches BFK Rives paper. (Mt Wedge) 2007, synthetic polymer Drawings and Watercolours Anne Starling (Australia, b1967), Purchased with funds provided by Post-industrial landscape 2006, paint on linen canvas; Karrinyarra Benefactors Fund 2006 QBE Insurance Group Limited 2006 (Mt Wedge) 2007, synthetic polymer Leonard Beck (active 1920s–50s), colour linocut, red and black ink on Angus Nivison (Australia, b1953), ivory Fabriano paper. Purchased paint on linen canvas. Purchased Argyle Cut Sydney, etching, Uncertain light 2006, triptych: with funds provided by the drypoint, black ink with plate tone with funds provided by QBE synthetic polymer paint, charcoal on Insurance Group Limited 2006 Warawara Department of on ivory laid paper. Accessioned Indigenous Studies, Macquarie canvas. Patrick White Bequest Fund Tim Storrier (Australia, b1949), 2007 University 2007 2006 Boys own modern 2006, synthetic Vera Blackburn (Australia; England, Angus Nivison (Australia, b1953), Kathleen Padoon Napanangka polymer paint on canvas. 1911–91), Lake of swans 1935, The light 2006, synthetic polymer (Australia, born c1938), 3 prints: Purchased with funds provided by linocut, black ink on Japanese paint, charcoal, gesso on paper. Nakarra Nakarra 2005, etching; the Art Gallery Society of New tissue. Australian Prints, Drawings Purchased with funds provided by Nakarra Nakarra 2005, etching; South Wales and Watercolours Benefactors Fund the Gil & Shay Docking Drawing Nakarra Nakarra 2005, etching. Guy Warren (Australia, b1921), 2006 Fund 2007 Purchased with funds provided by Hidden memories, secret lives G W Bot (Australia, b1954), John Peart (Australia, b1945), Gira Warawara Department of (2006), synthetic polymer paint on Grassland 2006, linocut, printed in 2004, colour etching, aquatint on Indigenous Studies, Macquarie canvas. Patrick White Bequest Fund red ink on cream wove paper. ivory Velin Arches 300gsm wove University 2007 2006 Purchased with funds provided by paper. Arthur Boyd Acquisition Fund Fred Ward Tjungurrayi (Australia, the Australian Prints, Drawings and 2006 born c1948), Kurlkutjanya 2004, Watercolours Benefactors Fund Carl Plate (Australia, 1909–77), SUB TOTAL 38 WORKS synthetic polymer paint on canvas. 2007 Study for ‘Graph segments’ 5 1963, Purchased with funds provided by Fred Britton (Australia, pencil, pen, brush and black ink, Aboriginal and Torres Strait the Aboriginal Collection 1889–1931), John Young Esq 1928, black and grey wash on cream Islander art Benefactors Group 2006 drypoint, black ink on thin white wove paper. Purchased with funds Billy Benn (Australia, b1943), Harry Tjutjana (Australia, born tissue. Accessioned 2007 provided by QBE Insurance Group Artetyerre 2006, synthetic polymer c1930), 2 paintings: Minymaku Ruth Burgess (Australia, b1932), Limited 2007 paint on hardboard. Purchased with Tjukurrpa 2006, synthetic polymer Winter forest 2006, wood paint on paper; Minyma Mingkari Jörg Schmeisser (Australia; West funds provided by the Patricia engraving, black ink on white wove 2006, synthetic polymer paint on Germany, b1942), 13 prints from the Lucille Bernard Bequest 2007 paper. Arthur Boyd Acquisition canvas. Mollie Gowing Acquisition portfolio Hokkaido, 1974: Title page, Mabel Juli (Australia, born c1931), Fund 2006 Fund for Contemporary Aboriginal 1974 offset lithograph, black ink on Karngin Ngarranggarni 2006, natural William Dobell (Australia, white Rives wove paper; Art 2006 earth pigments on canvas. 1899–1970), Study for ‘Pearl’ Kamomejima vor Esashi 1974, Purchased with funds provided by c1940, pen and brown ink, charcoal etching, aquatint, black ink on white SUB TOTAL 17 WORKS the Aboriginal Collection on paper. Purchased with funds Rives wove paper; Kamuimisaki Benefactors Group 2006 provided by the Gil & Shay Docking 1974, soft- and hard-ground TOTAL AUSTRALIAN ART Alma Kalaju Webou (Australia, Drawing Fund 2007 etching, aquatint, black ink on white DEPARTMENT 55 WORKS born c1928), Pinkalarta, synthetic Fiona Hall (Australia, b1953), Rives wove paper; Komagatake polymer paint on canvas. 5 prints: Wattle and mantid 2006, 1974, soft- and hard-ground Asian art Purchased with funds provided by etching, aquatint, black ink with etching, aquatint, foul bite, black ink the Aboriginal Collection BURMA chine collé of hand-made Japanese on white Rives wove paper; Okitsu paper, on ivory wove paper; jinja matsuri in Okushiri 1974, soft- Benefactors Group 2007 Head of a Buddha 1700s–1800s, Shrubby Dillenia leaf and wasps and hard-ground etching, aquatint, Alma Kalaju Webou (Australia, sandstone with plaster and nest 2006, etching, black ink with black ink on white Rives wove born c1928), Pinkalarta, synthetic pigments. Ed and Goldie Sternberg chine collé on ivory wove paper; paper; Sambonsugi vor Setana polymer paint on canvas. Southeast Asian Art Fund 2007 Green ant nest 2006, etching, 1974, etching, aquatint, printed Purchased with funds provided by aquatint, black ink with chine collé from two plates, black and brown the Warawara Department of SUB TOTAL 1 WORK on ivory wove paper; Sundew 2006, ink on white Rives wove paper; Indigenous Studies, Macquarie etching, black ink with chine collé Sanôkaku 1974, soft- and hard- University 2007 CHINA of hand-made Japanese paper, on ground etching, aquatint, black ink Carol Maayatja Golding (Australia, Buddhist stele with Buddha and two ivory wove paper; Palm and on white Rives wove paper; born c1930), Warlu Tjukurrpa 2006, Bodhisattvas 500s, Northern Wei paperwasp 2006, etching, aquatint, Shakotanmisaki 1974, soft- and synthetic polymer paint on canvas. 386–535, Northern dynasties black ink with chine collé on ivory hard-ground etching, aquatint, foul Purchased with funds provided by 386–581, limestone with traces of wove paper. Purchased with funds bite, black ink on white Rives wove Warawara Department of pigment. Purchased with funds provided by the Australian Prints, paper; Shikabe 1974, soft- and Indigenous Studies, Macquarie provided by the Art Gallery of New Drawings and Watercolours hard-ground etching, aquatint, black University 2007 South Wales Foundation, the Mary Benefactors Fund 2007 ink on white Rives wove paper; Patrick Mung Mung (Australia, Eugene Tancred Bequest Fund, Jim Hertha Kluge-Pott (Australia, Sôunkyo I 1974, etching, aquatint, born c1948), Ngarrgoorroon country & Janette Bain, Nick Curtis, Rowena b1934), Face of a site with isolepis blue/black and light brown ink on 2006, natural earth pigments on Danziger AM & Ken Coles AM, 1999, drypoint, black and green ink white Rives wove paper; Sôunkyo II canvas. Purchased with funds Chum & Belinda Darvall and Isaac & with chine collé on white wove BFK 1974, soft- and hard-ground provided by Warawara Department Susan Wakil 2006 Rives Arches paper. Purchased with etching, aquatint, black ink on white of Indigenous Studies, Macquarie funds provided by the Australian Rives wove paper; Hiyama kôen University 2006 SUB TOTAL 1 WORK

66 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 67

JAPAN ever bare of moss 1821, printed Janet Burchill (Australia, b1955), paint on linen. Mervyn Horton Noh theatre costume c1800, Edo 1977, wood engraving; Colinet Jennifer McCamley (Australia, Bequest Fund 2006 (Tokugawa) period 1615–1868, silk resting by night 1821, printed 1977, b1957), SAFE 2005, neon, electric Robert Rooney (Australia, b1937), and gold; ikat dyed threads for the wood engraving; Colinet mocked by cables, fittings and transformer. Petrouchka dead (or a bullet warp; brocade weave using flat two boys 1821, printed 1977, wood Contemporary Collection in the ballet) from the series strips of gilt paper. Purchased with engraving; Menalcas watching Benefactors Program 2007 Balletomania 2004, synthetic funds provided by the VisAsia Dinner women dance 1821, printed 1977, Lawrence Carroll (Australia; United polymer paint on canvas. Fund to commemorate the Goddess: wood engraving; Thenot and Colinet States of America, b1954), Double Contemporary Collection divine energy exhibition 2006 lead their flocks together 1821, sleeping painting 2006, oil, wax, Benefactors Program 2006 - canvas, wood. Mervyn Horton Soga SHOHAKU (Japan, 1703–81), printed 1977, wood engraving; Nike Savvas (Australia; England, Bequest Fund 2006 Dragon, An’ei era 1772–81, Edo Thenot and Colinet eat their evening b1964), Atomic: full of love, full Juan Davila (Chile; Australia, (Tokugawa) period 1615–1868, meal 1821, printed 1977, wood of wonder 2005, polysterene, b1946), Pre-Modern self-portrait hanging scroll; ink on silk in engraving; Boy returning joyfully with nylon wire, paint, electric fans. 1988, silkscreen print. Rudy Komon paulownia wood storage box. plough and oxen 1821, printed Contemporary Collection Memorial Fund 2006 Purchased 2007 1977, wood engraving; Return of Benefactors Program 2006 Maurice de Vlaminck (France, Yoshihiro SUDA (Japan, b1969), the shepherd 1821, printed 1977, Monika Tichacek (Switzerland; 1876–1958), Les voiles blanches à Rose 2004, wood painted with wood engraving. Purchased 2006 Australia, b1975), The shadowers Chatou 1906, oil on canvas. mineral pigments. Jeremias Falck (Poland, 1610–77), 2004, 3-channel rear-projection Purchased with funds provided by Purchased with funds provided by after Bernardo Strozzi (Italy, video installation, 4:3, surround the Art Gallery of New South Wales Geoff and Vicki Ainsworth 2006 1581–1644), Vanitas 1600s, sound, 35:15 minutes duration. engraving. Purchased 1987 Foundation and the Margaret Anne Landa Award 2006 Hannah Olley Art Trust 2006 SUB TOTAL 3 WORKS William Hogarth (England, Daniel von Sturmer (New Zealand; 1697–1764), 6 prints: A harlot’s Tim Johnson (Australia, b1947), Australia, b1972), Screen test Lotus born 2006, synthetic polymer INDIA progress: plate 1 1732, engraving; 2004, 4-screen video installation: A harlot’s progress: plate 2 1732, paint on canvas, 9 panels. 1 dual-channel video, 3 single- Mankot, Punjab Hills, Lotus-clad engraving; A harlot’s progress: plate Contemporary Collection channel videos, custom-made Radha and Krishna c1700–10, 3 1732, engraving; A harlot’s Benefactors Program 2006 MDF screens. Rudy Komon opaque watercolour on paper. progress: plate 4 1732, engraving; Svetlana Kopystiansky (Russia; Memorial Fund 2007 Purchased 2007 A harlot’s progress: plate 5 1732, United States of America; Germany, Rajasthan probably Sirohi, Jain engraving; A harlot’s progress: plate b1950), Correct figures / incorrect SUB TOTAL 15 WORKS invitation roll c1760, gouache on 6 1732, engraving. Purchased 2006 figures 1979, ink on paper with prepared cotton, Sanskrit in black Jean-Auguste-Dominique Ingres type-written text, unique work, 6 Photography and red Devanagari script; seven (France, 1780–1867), Four portraits panels. Mervyn Horton Bequest Roger Ballen (United States of painted scenes; green border with on one stone: Lady Glenbervie; Fund 2006 America; South Africa, b1950), floral motif. Asian Collection Lord Glenbervie; the Hon Frederick Janet Laurence (Australia, b1949), Untitled 2005, printed 2006, gelatin Benefactors Fund 2006 Sylvester North Douglas; the Hon In stance of memory 2005, 12 silver photograph, selenium toned. Frederick North 1815, lithograph. panels: Duraclear on shinkolite, Purchased with funds provided by SUB TOTAL 2 WORKS Purchased with funds provided by oxides and ash in oil, rusted steel. the Photography Collection the Florence Turner Blake Bequest Contemporary Collection Benefactors Program 2007 INDONESIA and the J S Watkins Bequest 2007 Benefactors Program 2006 with the Elaine Campaner (Australia, Osa’osa seat c1800s, stone. Edouard Manet (France, 1832–83), assistance of The George Institute b1969), Internment #4 2006, Purchased with the assistance of Olympia (published plate) 1865, for International Health, 2 archival inkjet print. Purchased with Terry and Lynn Fern 2006 etching and aquatint. Purchased anonymous donors, Michèle Asprey funds provided by the Photography 2007 & Lindsay Powers, Anita & Luca Collection Benefactors Program SUB TOTAL 1 WORK Samuel Palmer (England, Belgiorno-Nettis, Kemsley Brennan, Ben Cauchi (New Zealand, b1974), 1805–81), The sleeping shepherd Bambi & Derek Blumberg, Natalia Photism 2006, ambrotype. TOTAL ASIAN ART DEPARTMENT 1857, etching on chine collé. Bradshaw, Andrew & Cathy Purchased with the assistance of 8 WORKS Purchased 2007 Cameron, Mark Clark & John Donald Campbell & Stephen Auguste Rodin (France, Pearson, Peter English & Fiona Freiberg, Jill & Neil Wilson, Rupert 1840–1917), Portrait of Victor Hugo McIntosh, James Hill & Jen European art pre-1900 Edwards, Elizabeth George & Dietmar 1885, drypoint. Purchased with Dowling, Michael & Doris Hobbs, William Blake (England, Tucha, the Hon Jane Mathews and funds provided by John Schaeffer Neville Keating McIlroy, Stephen 1757–1827), 17 prints from the Photography Collection 2006 MacMahon & Robyn Norton, Lisa Illustrations to Robert John Benefactors Program 2006 Medardo Rosso (Italy, 1858–1928), & Egil Paulsen, Janet Pennington, Thornton, ‘The Pastorals of Virgil’ Olive Cotton (Australia, The Jewish child 1892, bronze on Vivienne Sharpe, Andrew D Smith, 1821, printed 1977: Frontispiece: 1911–2003), By my window 1930, marble base. Acquired 2006 Miriam and Les Stein, Deborah Thenot and Colinet 1821, printed gelatin silver photograph, vintage. James Tissot (France; England, Thomas, Michael Whitworth & 1977, wood engraving; Thenot Purchased with funds provided by 1836–1902), The widower 1877, Candice Bruce, Corinne and John remonstrates with Colinet 1821, the Photography Collection etching and drypoint. Purchased Young, Brian Zulaikha printed 1977, wood engraving; with funds provided by John Paul McCarthy (United States of Benefactors Program 2006 Thenot under fruit tree 1821, printed Schaeffer 2006 America, b1945), Painter 1995, Sue Ford (Australia, b1943), 1977, wood engraving; Thenot single-channel colour video, sound, Shadow play from the series Last remonstrates with Colinet, Lightfoot SUB TOTAL 30 WORKS 50:01 minutes duration. Gift of light 2007, Chromira print on crystal in background 1821, printed 1977, Geoff and Vicki Ainsworth 2006 archive paper. Purchased with funds wood engraving; Colinet departs in Modern and contemporary Barry McGee (United States of provided by the Photography sorrow: ‘riven trunk’ at right 1821, America, b1966), Drypoint on acid Collection Benefactors Program printed 1977, wood engraving; art 2006, boxed portfolio of 10 prints 2007 Blasted tree and flattened 1821, James Angus (Australia; United incorporating drypoint, etching, spit Petrina Hicks (Australia, b1972), printed 1977, wood engraving; States of America, b1970), Bugatti bite aquatint, and collage, printed Shenae and Jade 2005, printed Shepherd chases away wolf 1821, type 35 2006, steel, aluminium, chine collé on a variety of coloured 2006, lightjet print. Viktoria Marinov printed 1977, wood engraving; fiberglass, rubber, leather, automotive gampi paper on Somerset Satin Bequest 2006 Sabrina’s silvery flood 1821, printed lacquer. Purchased with funds paper. Purchased with assistance Loretta Lux (Germany; , 1977, wood engraving; Colinet’s provided by Andrew Cameron, the from Geoff and Vicki Ainsworth 2006 b1969), The waiting girl 2006, journey: milestone marked lxii miles Contemporary Collection Milenko Prvacki (Yugoslavia; Ilfochrome print. Purchased with to London 1821, printed 1977, Benefactors Program and the Rudy Singapore, b1951), Construction funds provided by the Photography wood engraving; A rolling stone is Komon Memorial Fund 2006 site 2005–06, synthetic polymer Collection Benefactors Program 2007

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 67 AR07_appendices.qxd 24/10/07 12:45 PM Page 68

MORIMURA Yasumasa (Japan, Linda Slutzkin, former head of August Sander (Germany, b1951), Seasons of passion/ Public Programs, Art Gallery of 1876–1964), Maler (Anton A requiem: Mishima 2006, DVD, New South Wales 2006 Raederscheidt) 1926, printed 1978, Lambada print inside wooden Man Ray (United States of America; gelatin silver photograph. Alistair (paulownia) box, 7:47 minutes France, 1890–1976), Mathematical McAlpine Photography Fund 2007 duration. Purchased with funds object 1934–36, gelatin silver provided by the Photography photograph, vintage. Alistair SUB TOTAL 12 WORKS Collection Benefactors Program McAlpine Photography Fund 2007 2007 Jacky Redgate (England; Australia, TOTAL WESTERN ART Trent Parke (Australia, b1971), b1955), Untitled #1 1989, DEPARTMENT 57 WORKS Backyard swing set, Qld from the cibachrome photograph. series Minutes to midnight 2003, Purchased with funds provided TOTAL ALL DEPARTMENTS printed 2006, Chromogenic print. by the Photography Collection 120 WORKS PURCHASED Gift of Albie Thoms in memory of Benefactors Program 2007

COLLECTION – GIFTS

Australian art black ink on ivory Aquarelle Satine (Luna Park and Bridge) 2006, ALAN AND JANCIS REES LEX AITKEN paper; Soft night 4 1995, lithograph, linocut, black ink, hand coloured in Lloyd Rees (Australia, Tony Underhill (Australia, 1923–77), black ink on ivory Aquarelle Satine gouache on Japanese paper; Dent 1895–1988), 14 prints from the 2 paintings: untitled abstract 1961, paper at sea 2006, linocut, black and Sandy Bay set 1983: The sun at oil on canvas; untitled abstract coloured inks on thin cream Sandy Bay, a day on the Derwent 1961, oil on canvas KATE HODGKINSON Japanese tissue 1 1983, lithograph, black ink on Frank Hodgkinson (Australia, Arches Velin 250gsm white wove THE ART GALLERY SOCIETY OF 1919–2001), 4 drawings: (Italian BEQUEST OF MARGARET paper; The dawning, a day on the NEW SOUTH WALES WITH street scene with bicycles) 1995, BROOME MAXWELL Derwent 2 1984, lithograph, yellow ASSISTANCE FROM THE pen and black ink on ivory wove Livingston Hopkins (Australia, and black ink on Arches Velin COLLECTION CIRCLE paper; (Italian street scene with 1846–1927), (Old boats) 1886, 250gsm white wove paper; Early Jeffrey Smart (Australia, b1921), market stalls) 1995, pen and black etching, brown-black ink on cream morning, a day on the Derwent 3 Matisse at Ashford 2004, oil on ink on ivory wove paper; (Italian wove paper 1984, lithograph, yellow, blue and canvas building) 1995, pen and black ink, black ink on Arches Velin 250gsm wash on ivory wove paper; (Italian DANIEL MOYNIHAN white wove paper; Mid morning, a DAMIAN COBLEY-FINCH streetscape) 1995, pen and black Daniel Moynihan (Australia, day on the Derwent 4 1984, A H Fullwood (Australia, ink, wash on ivory wove paper b1948), Mount Pelaco, Peter’s lithograph, yellow, blue and black 1863–1930), Etching plate for ‘Old house with angles 2004, etching, ink on Arches Velin 250gsm white Mosman’s Sydney’ 1890, copper PETER JACKSON AND GREG black ink on off-white Arches BFK wove paper; Midday, a day on the etching plate SMITH Rives paper Derwent 5 1983, lithograph, black (Australia, 1906–92), ink on Arches Velin 250gsm white DOREEN COBURN 3 drawings: Green accent 1972, ANGUS NIVISON wove paper; Early afternoon, a day John Coburn (Australia, gouache on brown card; Design Angus Nivison (Australia, b1953), 2 on the Derwent 6 1983, lithograph, 1925–2006), 14 sketchbooks: class, National Art School 1955, drawings: Untitled (2006), charcoal, black ink on Arches Velin 250gsm Sketchbooks no 1–14 1972–2003 brush and black ink, wash on white pastel, synthetic polymer paint, white wove paper; Early afternoon, paper; Rehearsal 1955, black fibre- scraping out on paper; Untitled a day on the Derwent 6 1983, THE SIR WILLIAM DOBELL ART tipped pen on paper (2006), charcoal, pastel on paper lithograph, black ink on Arches FOUNDATION Velin 250gsm white wove paper; Nick Mourtzakis (Australia, b1951), PETER JACKSON AND YVON TERRY O’DONNELL Mid afternoon, a day on the nature. insects plants flowers. shells GATINEAU Nora Heysen (Australia, Derwent 7 1984, lithograph, yellow fish corals. the microscopic Frank Hinder (Australia, 1906–92), 1911–2003), Native of New Guinea and black ink on Arches Velin creatures. dreams 2006, wax 2 drawings: Portrait of Margel (c1945), pen and red ink, carbon 250gsm white wove paper; Mid crayon, lithographic crayon, pencil, Hinder 1971, oil on paper; Dr E O P, pencil afternoon, a day on the Derwent 7 collage, wash, white gouache, Lake Conjola Mountains 1938, 1984, lithograph, black ink on scraping out on white paper pencil, watercolour on ivory wove ROSS PHILLIPS Arches Velin 250gsm white wove paper Pam Hallandal (Australia, b1929), paper; Late afternoon, a day on JAMES GLEESON IN MEMORY OF Self portrait 1983, charcoal on the Derwent 8 1984, lithograph, FRANK O’KEEFE JOHN KEIGHTLEY paper yellow and black ink on Arches James Gleeson (Australia, b1915), Len Annois (Australia, 1906–66), Velin 250gsm white wove paper; Crater with revenant 1966, oil on Working on a propeller c1945, JOCELYN PLATE Late afternoon, day on the canvas pencil, watercolour Carl Plate (Australia, 1909–77), Derwent 8 1984, lithograph, yellow 14 drawings: Study for ‘Green and black ink on Arches Velin CHRISTOPHER HODGES MICHAEL KEMPSON becomes black’ 1968, gouache on 250gsm white wove paper; Helen Eager (Australia, b1952), Michael Kempson (Australia, white wove paper; (Untitled Sunset, a day on the Derwent 9 N.Y. orange 1991, four-colour b1961), A native feature 2003, maquette for painting) 1950s–60s, 1984, lithograph, brown and black lithograph on white Magnani Pescia etching, aquatint, black, ochre and pastel, gouache, ink, collage on ink on Arches Velin 250gsm white 300gsm paper terracotta ink on cream wove paper paper, 13 all of the same name. wove paper; Night fall, a day on Helen Eager (Australia, b1952), 4 the Derwent 10 1984, lithograph, prints from the series The soft night PETER KINGSTON ROSLYN POIGNANT black ink on Arches Velin 250gsm 1995: Soft night 1 1995, lithograph, Peter Kingston (Australia, b1943), (Australia, white wove paper; Night fall, a day black ink on ivory Aquarelle Satine 3 prints: Coney Island printed 1988, 1906–94), Native cabbage tree, on the Derwent 10 1984, paper; Soft night 2 1995, lithograph, hand coloured 2005, etching, black palm lily or grass palm (Cordyline lithograph, green-grey ink on black ink on ivory Aquarelle Satine ink, hand coloured in watercolour australis) 1953, pen and black ink, Arches Velin 250gsm white wove paper; Soft night 3 1995, lithograph, on white wove BFK Rives paper; watercolour paper

68 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 69

ANNE STARLING colour ilfachrome photograph; lithograph, black and blue ink on the opera ‘Defeated at the town of Anne Starling (Australia, b1967), 7 Above them in the dust storm, Velin Arches 200gsm white wove Jieting’ (‘Shi Jieting’) early 1900s, printing blocks & plates: Lino block an angel appeared I 1998, colour paper woodblock print, colour on paper; for ‘Post-industrial landscape’ 2006, ilfachrome photograph; Everyday Leonie Pootchemunka (Australia, Scene from the opera of Yellow lino block; Lino block for ‘Post- we had to pray, on our knees in b1962), Moon sisters story 2006, Crane Pavilion (‘Huanghe lou’) early industrial landscape’ 2006, lino the dirt 1998, colour ilfachrome linocut, red and black ink on Velin 1900s, woodblock print, colour on block; Lino block for ‘Post-industrial photograph; We looked up and Arches 200gsm white wove paper paper; Scene from the opera ‘Battle landscape’ 2006, lino block; Lino saw a light 1998, colour ilfachrome Pedro Wonaeamirri (Australia, at Beiyuan’ (‘Zhan Beiyuan’) early block for ‘Post-industrial landscape’ photograph; Faith, hope and b1974), Yirrinkiri Jilamara 2006, 1900s, woodblock print, colour on 2006, lino block; Lino block for charity 1998, three colour lithograph, red, orange and black paper; Scene from the opera ‘Post-industrial landscape’ 2006, ilfachrome photographs, three ink on Velin Arches 200gsm white ‘Dongping Prefecture’ (‘Dongping lino block; Lino block for ‘Post- frosted mirrors, three prayer stools; wove paper fu’) early 1900s, woodblock print, industrial landscape’ 2006, lino Jesus wants me for a sunbeam colour on paper; Scene from the block 1998, colour ilfachrome SUB TOTAL 30 WORKS opera ‘Joyful Grove’ (‘Kuaihuo lin’) photograph; Oh look the early 1900s, woodblock print, Antichrist 1998, colour ilfachrome AKKY VAN OGTROP TOTAL AUSTRALIAN ART colour on paper; Scene from the photograph; My mother recognised Earle Backen (Australia, DEPARTMENT 121 WORKS opera ‘The Bala Temple’ early the man in the little boy 1998, 1927–2005), 3 prints: Dream 1900s, woodblock print, colour on landscape 1968, colour aquatint, colour ilfachrome photograph; Asian art paper etching on ivory wove Johannot Don’t go kissing at the garden AFGHANISTAN Unknown, Ink rubbing of an ancient paper; Stony landscape 1968, gate I 1998, colour ilfachrome Chinese astronomy chart, hanging colour photo etching, aquatint on photograph; Suffer the little children ANDREW AND URSULA scroll, ink on paper cream Johannot paper; The late 1998, colour ilfachrome TOMPKINS viewing 1968, colour etching, photograph; A moment’s grace Durga Mahishasuramardini, white ELIZABETH FINCHAM aquatint, engraving on cream wove 1998, colour ilfachrome marble Embroidered skirt late 1800s-early Johannot paper photograph; A calling card 1998, 1900s, embroidered silk Rod Ewins (Australia, b1940), 2 colour ilfachrome photograph; SUB TOTAL 1 WORK prints: Edge of memory 1985, Lifelines 1998, colour ilfachrome photo-etching, black ink on ivory photograph BURMA NANCY AND TERRY LEE IN MEMORY OF NANCY’S HUSBAND Hahnemühle paper; The juggler ANDREW AND URSULA CHARLES, FATHER OF TERRY 1985, photo-etching, black ink on ROSELLA NAMOK TOMPKINS QI Baishi (China, 1863–1957), Two ivory wove paper Rosella Namok (Australia, b1979), Manuscript (Kammavaca) 1900s, mice and an oil lamp 1900s, ink and Elaine Haxton (Australia, 1909–99), My relations 1999, screenprint cotton cloth, lacquer, gold leaf 2 prints: Colour experiment, Atelier colour on paper 17 1969, colour etching, aquatint RABOBANK AUSTRALIA LTD SUB TOTAL 1 WORK on cream laid paper; (Cockatoo) Australian Print Workshop SUB TOTAL 18 WORKS 1982, etching, aquatint, black ink (Australia), 11 prints from Duyfken: CHINA on ivory Arches paper the Aboriginal Print Portfolio 2006: INDIA ALLAN BRITTAIN Jörg Schmeisser (Australia; West Title page 2006, lithograph, black A pair of husband and wife funerary DR J MASSELOS Germany, b1942), (Landscape) and blue ink on Velin Arches Mithila, Bihar, Madhubani style, 200gsm white wove paper portraits, c1700s, Qing dynasty 1985, softground, aquatint, foul bite, Dasha Mahavidyas (Ten great Karen Casey (Australia, b1956), 1644–1911, colour on silk black ink with plate tone on ivory wisdoms) 1980s, pen and ink on wove watermarked paper The record keepers 2006, photo- EDMUND CAPON paper Chris van Otterloo (Austria; lithograph, black ink on Velin Arches HUANG Miaozi (People’s Republic Australia, b1950), 2 prints: Still life 200gsm white wove paper of China, b1913), Calligraphy in seal SUB TOTAL 1 WORK 1988, colour etching, soft ground, Dulamari (Australia, b1954), script 1989, hanging scroll, ink on aquatint, blue and yellow ink on Gawarrk (woman turned into rock) paper INDONESIA ivory wove paper; Still life 1988, 2006, linocut, red and black ink on LI Jinxue (People’s Republic of colour etching, soft ground, Velin Arches 200gsm white wove NOMADIC RUG TRADERS China, b1942), Peony and orchid aquatint, blue and yellow ink on paper East Sumba, ‘Penji’ memorial grave 1987, scroll, ink and colour on ivory wove paper Allan Mansell (Australia, b1957), i marker late 1800s, stone 2006, hard-ground etching, red, paper SUB TOTAL 91 WORKS blue and black ink on Velin Arches SUB TOTAL 1 WORK 200gsm white wove paper ZHAOXIAN DING 4 pieces of metalwork and 1 Aboriginal and Torres Strait Dhuwarrwarr Marika (Australia, JAPAN born c1946), The Macassan prahu ceramic: Coin with cast characters Islander art KURT A GITTER 2006, linocut, black ink on Velin ‘banliang’ (‘half tael’) Qin dynasty JIUN Sonja (Japan, 1718–1804), PETER CLEMENGER Arches 200gsm white wove paper 221-–06 BCE, copper; Coin with YUSHO Zakkean (Japan), Kanzan Bobby West Tjupurrula (Australia, Janice Murray (Australia, b1966), cast characters ‘wuzhu’ (‘five zhu’) and Jittoku, hanging scroll, ink on b1958), Kiwirrkura land claim Jilamara 2006, hard-ground etching 140–87 BCE, Western Han dynasty paper painting 2001, synthetic polymer and aquatint, red, orange and 206 BCE–9 CE, copper; Coin with - paint on canvas brown ink on Velin Arches 200gsm cast characters ‘kaiyuan tongbao’ Nakahara NANTENBO (Japan, white wove paper 713–41, Tang dynasty 618–907, 1839–1925), Zen horse 1921, BRENDA L CROFT Garry Namponan (Australia, copper; Coin with cast characters hanging scroll, ink on paper Brenda L Croft (Australia, b1964), b1960), Untitled 2006, hard-ground Qianlong ‘tongbao’ Qianlong 17 colour ilfachrome photographs etching, black ink and colour roll-up 1736–95, Qing dynasty 1644–1911, KYOU ISEZAKI AND REV from the series In my father’s house on Velin Arches 200gsm white wove copper; Pair of blue and white MUNEHARU KUROZUMI 1998: Only shadows remain 1998, paper dishes Guangxu 1875–1908, Qing Kyou ISEZAKI (Japan, b1970), colour ilfachrome photograph; Laurel Nannup (Australia, b1943), dynasty 1644–1911, porcelain, Bizen ware (Japan), Large sake Attractive to look at, a promising lad Old spirit of the sea 2006, lift- decorated with farewell scene in container, stoneware 1998, colour ilfachrome ground, aquatint and spit-bite underglaze blue photograph; I remember roses etching, black and brown ink with Taohuawu, Suzhou, Jiangsu MITSURU ISEZAKI AND REV 1998, colour ilfachrome hand colouring on Velin Arches Province, 7 prints by unknown MUNEHARU KUROZUMI photograph; She never got used to 200gsm white wove paper artists: Picture of one hundred sons Mitsuru ISEZAKI (Japan, b1934), the heat 1998, colour ilfachrome Chris Pease (Australia, b1969), (‘Baizi tu’) early 1900s, woodblock Inbe ware water jar in the form of a photograph; The messenger 1998, Thoughts on first contact 2006, print; colour on paper; Scene from bucket, stoneware

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 69 AR07_appendices.qxd 24/10/07 12:45 PM Page 70

SHIN ISEZAKI AND REV civil official 1800s, embroidered silk photograph, card with poem; fringe’ publicity, London 1961, MUNEHARU KUROZUMI in satin stitch Fashion, Paris 1959–61, printed printed later, gelatin silver Shin ISEZAKI (Japan, b1965), Rank badge for a 3rd rank civil later, gelatin silver photograph; photograph; Somerset Maugham, Bizen ware (Japan), Large plate, official 1800s, embroidered silk Fashion, Paris 1959–61, printed San Tropez, France 1961, printed stoneware Pair of rank badges for a 3rd rank later, gelatin silver photograph; Sally later, gelatin silver photograph; civil official early 1900s, Greenhill, model, Pont de Grenelle, Arthur Koestler, writer, political SOU ISEZAKI AND REV embroidered silk, gold wrapped Paris 1959–61, printed later, gelatin activist and social philosopher, MUNEHARU KUROZUMI thread, peacock feather work silver photograph; Maggie Eckhardt, Montpelier Square, London 1961, Sou ISEZAKI (Japan, b1968), Bizen model, London 1960, printed later, printed later, gelatin silver ware (Japan), Flower vase, SUB TOTAL 5 WORKS type C photograph; Tinka Paterson, photograph; François Truffaut, stoneware TOTAL ASIAN ART DEPARTMENT model, London 1960, printed later, London 1961, printed later, gelatin 43 WORKS gelatin silver photograph, vintage; silver photograph; Mrs Jonathan TAKU ISEZAKI AND REV Jean Shrimpton and Chris Powell, Miller, Brighton, England 1961, MUNEHARU KUROZUMI European art pre-1900 Racecourse fashion for ‘Go!’ 1961, printed later, gelatin silver Taku ISEZAKI (Japan, b1963), printed later, gelatin silver photograph; Paul Hamlyn, publisher, Bizen ware (Japan), Triangle flower C JOHN KEIGHTLEY photograph; Susannah York, Paris, London c1961, printed later, gelatin vase, stoneware Cornelis de Visscher (Netherlands, for ‘Go!’ 1961, printed later, gelatin silver photograph; Terence Greer, 1629–58), after Anthonie silver photograph; London fashion playwright, outside Gare St Lazare, RYUICHI KAKUREZAKI AND REV Palamedesz (Netherlands, (James Wedge hat) 1962, printed Paris 1952, printed later, gelatin MUNEHARU KUROZUMI 1601–73), Robert Janius, in lettered later, gelatin silver photograph; Anna silver photograph; Roddy Maude Ryuichi KAKUREZAKI (Japan, oval 1654, engraving Lee in front of Eros statue, Piccadilly Roxby, actor, Soho Square, London b1950), Bizen ware (Japan) Flower Circus, London c1963, printed later, 1962, printed later, gelatin silver vase, stoneware SUB TOTAL 1 WORK gelatin silver photograph; Twiggy for photograph; Is this Alfred ‘London Life’ 1965, printed later, Eisenstadt? at John Glenn’s Parade, KOSUKE KANESHIGE AND REV Modern and contemporary gelatin silver photograph; Mog Wall Street, New York 1962, printed MUNEHARU KUROZUMI RICHARD GOODWIN Smith, fashion designer, London later, gelatin silver photograph; Barry Kosuke KANESHIGE (Japan, Richard Goodwin (Australia, 1965, printed later, gelatin silver Humphries, London 1962, printed b1943), Bizen ware (Japan), Vase, b1953), Prosthetic re-thought 2003, photograph; Bobby Moore, captain later, gelatin silver photograph; stoneware stainless steel, steel, timber, cloth of the English soccer team, London, Victor Spinetti, War Memorial, Hyde for ‘She’ 1963–64, printed later, Park, London, publicity shot for ‘Oh! YUHO KANESHIGE AND REV PETER JACKSON AND YVON gelatin silver photograph; Marie-Lise what a lovely war’ 1963, printed MUNEHARU KUROZUMI GATINEAU Grey, for ‘She’ c1965, printed later, 1998, gelatin silver photograph; Yuho KANESHIGE (Japan, b1950), Savanhdary Vongpoothorn (Laos; gelatin silver photograph; Mynah Christine Keeler, London 1963, Inbe ware (Japan), Flower vase, Australia, b1971), Filaments 1998, Bird and Pete Smith on Camber printed later, gelatin silver stoneware watercolour on perforated white Sands, England 1966, printed later, photograph; as the wove paper gelatin silver photograph; Barry Fairy Queen, Frith Street, London, HIKARU SHIMAMURA AND REV Fantoni, Willie Rushton and Diana for ‘’ 1963–64, printed MUNEHARU KUROZUMI PETER JACKSON AND GREG Clark, spoof fashion for ‘Private Eye’ later, gelatin silver photograph; Hikaru SHIMAMURA (Japan, SMITH 1967, printed later, gelatin silver Franco Zefferelli, National Theatre, b1942), Bizen ware (Japan), Incense Savanhdary Vongpoothorn (Laos; photograph; Chain-mail fashion for London 1964, printed later, gelatin burner in the shape of Australia, b1971), Redleaf/Naga ‘She’ 1969, gelatin silver silver photograph; Pauline Boty, ‘noborigama’, stoneware 1997, synthetic polymer paint on photograph; Chain-mail fashion for artist, London c1964, printed later, perforated canvas ‘She’ 1969, printed later, gelatin cibachrome; Donovan, musician, SUB TOTAL 11 WORKS silver photograph; ‘Dolly’ fashion, London 1965, printed later, gelatin MIKE PARR Sydney 1974, printed later, silver photograph; Judi Dench, PAKISTAN Mike Parr (Australia, b1945), 1 cibachrome photograph; Chain-mail actor, London 1965, printed later, ANDREW AND URSULA sculpture, 1 dvd and 2 photographs fashion 1969, printed later, contact gelatin silver photograph; Joe Orton, TOMPKINS from the performance AMERIKA the sheet, gelatin silver photograph; playwright, London 1965, printed Ancient Gandhara, Lion c500, ice is melting … 2006: AMERIKA, Hussein Sheriff, painter, London later, gelatin silver photograph; Joe stucco with some remains of bride dress vitrine 2006, truncated 1958, printed 2003, gelatin silver Orton, playwright, London 1965, pigments wedge vitrine containing gold leaf photograph; Self-portrait in a mirror printed later, gelatin silver Possibly Charsadda, Female figure casting of the artist’s left arm and with Pat, Paris 1959, printed later, photograph; André Previn, c100 BCE, terracotta bride dress; AMERIKA, performance gelatin silver photograph; Cecil conductor/composer, Grosvenor Possibly Mehrgarh, Female figure for as long as possible, 9–12 May Beaton, Royal Hospital Chelsea, Hotel, London 1965, printed later, 3000–2000 BCE, terracotta 2006 2006, videostream, 74 hours, London 1959–60, printed later, gelatin silver photograph; Jeff Beck, stored on hard drive of a compaq gelatin silver photograph; Salvador musician, London 1967, printed SUB TOTAL 3 WORKS computer; Best man 2006, type C Dali, London 1960, printed later, later, gelatin silver photograph; Jude photograph; Primitive gifts 2006, gelatin silver photograph; Geoffrey Kuring, artist, Sydney early 1970s, TIBET type C photograph Fisher, archbishop of Canterbury, printed later, gelatin silver London 1960, printed later, gelatin photograph; Sculptress with SARAH MITCHELL IN MEMORY OF SUB TOTAL 7 WORKS silver photograph; Charlotte macramé body suit, Sydney early HER FATHER RAYMOND Rampling, London early 1960s, 1970s, printed later, gelatin silver MITCHELL Photography printed later, gelatin silver photograph; Pat, Germany late Kubera 1500s, gilt bronze photograph; Lord mayor’s banquet, 1970s, printed 2000, gelatin silver Manuscript cover c1400, wood ANONYMOUS GIFT London mid 1960s, printed later, photograph; Ben Eriksson and Lewis Morley (Hong Kong; gelatin silver photograph, solarised; Rodney Weidland, photographers, SUB TOTAL 2 WORKS England; Australia, b1925), Pont Kenneth Horne, art critic/comedian, Sydney 1972, printed later, gelatin Neuf 1999, printed 1999–2005, for ‘She’, London mid 1960s, silver photograph; Swedish VIETNAM gelatin silver photograph printed later, gelatin silver ambassador and his wife, Sydney JUDITH AND KEN RUTHERFORD photograph; Nancy Spain at the 1972, printed later, gelatin silver Pair of phoenix and dragon badges LEWIS MORLEY Albert Memorial, London, photograph; Sherbet, Sydney 1972, 1900s, embroidered silk Lewis Morley (Hong Kong; annotating Voltaire’s notebook mid printed later, gelatin silver Pair of rank badges for a 1st or 2nd England; Australia, b1925), 149 1960s, printed late 1970s, gelatin photograph; John Firth-Smith, artist, rank official 1800s, embroidered silk, works: Prague 1992, words Shura silver photograph; , Sydney 1974, printed later, gelatin couched gold thread Shihwarg, photograph by Lewis Dudley Moore, Alan Bennett and silver photograph; John Kaldor, Rank badge for a 1st or 2nd rank Morley 1992, gelatin silver Jonathan Miller for ‘Beyond the Sydney 1975, printed later, gelatin

70 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 71

silver photograph; Helen Glad, photograph; Aldermaston march, 1977, printed later, gelatin silver comedy’ by Peter Schaffer, The Norman Lindsay’s granddaughter, Trafalgar Square, London 1958, photograph; Paris 1960s, printed National Theatre, London 1965, Sydney 1975, printed later, printed later, gelatin silver later, gelatin silver photograph; printed later, gelatin silver cibachrome; Self-portrait, Sri Lanka photograph; Luxembourg Gardens, Fossilised flower 1980s, printed photograph; Rodney Bewes, Tim 1977, printed later, gelatin silver Paris 1958, printed later, gelatin later, gelatin silver photograph; Preece, John Hurt and Kenneth photograph; Self-portrait, Sydney silver photograph; Fairground faces, Street sign, Europe 1980s, printed Colley in ‘Little Malcolm and his c1978, printed later, gelatin silver Cavesham, England 1959, printed later, gelatin silver photograph; struggle against the eunuchs’, photograph; Self-portrait with later, gelatin silver photograph; Untitled still life 1981, printed later, Garrick Theatre, London 1966, enamel bacon and eggs, Sydney Richmond station, Surrey, England gelatin silver photograph; Street printed later, gelatin silver c1980, printed later, gelatin silver 1959, printed later, gelatin silver crossing, Tokyo, Japan 1982, photograph; John Hurt in ‘Little photograph; Hunter S Thompson, photograph; Speakers Corner, Hyde printed later, gelatin silver Malcolm and his struggle against writer, Sydney early 1980s, printed Park, London 1960s, printed later, photograph; Garden at the Musée the eunuchs’, Garrick Theatre, later, gelatin silver photograph; Pat gelatin silver photograph; Margarine Rodin, Paris 1985, printed later, London 1966, printed later, gelatin and self-portrait reflection, Sydney advertisement, London 1960s, gelatin silver photograph; Musée silver photograph; Tim Preece, mid 1980s, printed later, gelatin printed later, gelatin silver Rodin, Paris 1985, printed later, Kenneth Farrington and June silver photograph; Lloyd Rees, photograph; Queenie and her gelatin silver photograph; Liversidge in ‘K D Dufford hears K D Sydney 1984–88, printed later, husband, London 1960s, printed Hampstead Heath, London c1990, Dufford ask K D Dufford how K D gelatin silver photograph; Pat at the later, gelatin silver photograph; Cosy printed later, gelatin silver Dufford’ll make K D Dufford’ by Musée Rodin, Paris 1985, printed Cafe, King’s Road, Chelsea, London photograph; Skeleton, David Halliwell, LAMDA Theatre, late 1980s, gelatin silver 1960s, printed 2003, gelatin silver Museum, Tasmania 1990s, gelatin London 1969, printed later, gelatin photograph; Wednesday Kennedy, photograph; Flea market, Paris silver photograph, vintage; Charles silver photograph; Warren Mitchell actor, Sydney 1990, printed later, 1961, printed later, gelatin silver bridge, Prague 1992, printed later, and cast in ‘The council of love’ by gelatin silver photograph; Sarah photograph; Bull fight, Nimes, gelatin silver photograph; Oscar Panizza, Criterion Theatre, Lucas, artist, Berlin late 1990s, France 1962, printed 1988, gelatin Tombstone, Japan 1993, printed London 1970, printed later, gelatin gelatin silver photograph, vintage; silver photograph; The Bowery, New later, gelatin silver photograph; silver photograph; On the set of Kerry Crowley, gallerist, ‘Another York 1962, printed later, gelatin Coco de mer and aubergine 1994, ‘Ferry cross the Mersey’ 1964–65, time, another place, another chair’, silver photograph; American sailors, printed later, gelatin silver gelatin silver photograph, vintage Sydney 1988, gelatin silver Puerto Rico 1962, printed later, photograph; Carousel, Place de la photograph, vintage; Barry gelatin silver photograph; Red Faller, Concord, Paris 2000, printed later, SUB TOTAL PHOTOGRAPHY Humphries on his 60th birthday, photographer, New York 1962, gelatin silver photograph; Albert 150 WORKS Sydney 1994, gelatin silver printed later, gelatin silver Finney in ‘Billy Liar’ by Keith photograph, vintage; Margaret Olley, photograph; The Bowery, New York Waterhouse and Willis Hall, TOTAL WESTERN ART Sydney c1998, gelatin silver 1962, printed later, gelatin silver Cambridge Theatre, London 1960, DEPARTMENT 158 WORKS photograph, vintage; Beth Orton, photograph; Nuns, Paris 1963, printed later, gelatin silver musician, Diss station, Norfolk, printed later, gelatin silver photograph; Zoë Caldwell and TOTAL ALL DEPARTMENT England c2000, gelatin silver photograph; Children, Sierra Leone Lindsay Anderson, during rehersals 322 WORKS GIFTED photograph, vintage; Fritz Gruber 1963, printed later, gelatin silver for ‘Trials’ by Logue, Royal Court and his wife, collector, Cologne photograph; Birmingham, England Theatre, London 1960, printed later, early 2000s, gelatin silver 1963–64, printed 1989, gelatin gelatin silver photograph; Peter photograph, vintage; Tracey Emin, silver photograph; Gorbals, Cook, Dudley Moore, Alan Bennett TOTAL WORKS PURCHASED artist, Sydney 2003, printed 2005, Glasgow 1964, printed later, gelatin and Jonathon Miller in ‘Beyond the AND GIFTED IN 2006–07: 442 digital print on canvas; Christine silver photograph; Anti-Vietnam war fringe’, Fortune Theatre, London Keeler 1963, printed later, contact demonstration, Trafalgar Square, 1961, printed 1988, gelatin silver sheet, gelatin silver photograph; London 1968, printed later, gelatin photograph; Peter O’Toole in ‘Baa’l’ Christine Keeler 1963, printed later, silver photograph; Anti-Vietnam war by Bertold Brecht, Phoenix Theatre, contact sheet, gelatin silver demonstration, London 1968, London 1963, printed later, gelatin photograph; Christine Keeler 1963, printed later, gelatin silver silver photograph; Athol Fugard printed later, contact sheet, gelatin photograph; , Vanessa (author), Zaiks Mokae, John Berry silver photograph; Florence, Italy Redgrave, Noel Tovey and others at (director) and Ian Bannen in 1950s, printed later, gelatin silver the Anti-Vietnam war rehearsals for ‘The blood knot’, New photograph; Corner no 84 Charing demonstration, London 1968, Arts Theatre, London 1963, printed Cross Rd, London late 1950s, printed later, gelatin silver later, gelatin silver photograph; printed later, gelatin silver photograph; Fraser Nash car rally, Michael Caine and Barry Foster in photograph; Rue de Rivoli, Paris late Stelvio Pass, Italy demonstration, ‘Next time I’ll sing to you’ by James 1950s, printed later, gelatin silver London 1969, printed 1995, gelatin Saunders, New Arts Theatre, photograph; Christmas, Regent silver photograph; Dolls, Italy 1970s, London 1963, printed 1992, gelatin Street, London late 1950s, printed printed later, gelatin silver silver photograph; Nicol Williamson later, gelatin silver photograph; One- photograph; Berlin late 1970s, in ‘The ginger man’ by J P handed fiddle player, Regent Street, printed later, gelatin silver Donleavy, Royal Court Theatre, London late 1950s–early 1960s, photograph; Paris late 1970s, London 1963, printed later, gelatin printed later, gelatin silver printed later, gelatin silver silver photograph; Trevor Howard in photograph; Statue yard, Chiswick, photograph; Paris late 1970s, ‘The father’ by August Strindberg, London 1956, printed later, gelatin printed later, gelatin silver Piccadilly Theatre, London 1964, silver photograph; Regent’s Park photograph; John Olsen’s dog in printed later, gelatin silver zoo, London 1957, printed later, front of Nolan’s ‘Ned Kelly’, Sydney photograph; Anthony Hopkins in gelatin silver photograph; Bride in mid–late 1970s, printed later, gelatin ‘Edward II’ by Christopher Marlowe, the rain, Hammersmith, London silver photograph; Nikki South, Arts Theatre, London 1964, printed 1957, printed later, gelatin silver model, Sydney 1971–72, printed later, gelatin silver photograph; photograph; Regent’s Park zoo, later, gelatin silver photograph; Michael Crawford, Hazel Corpen London 1957, printed later, gelatin Kashmir, India 1977, printed later, and Henry H Corbett in ‘Travelling silver photograph; Watching the gelatin silver photograph; light’ by Leonard Kingston, Prince of trooping of the colour, London Observatory area, Centre Wales Theatre, London 1965, 1957, printed later, gelatin silver Pompidou, Paris 1977, printed later, printed later, gelatin silver photograph; Train spotter, gelatin silver photograph; Srinagar, photograph; Louise Purnell, Albert Richmond line, Surrey, England India 1977, printed later, gelatin Finney, Derek Jacobi, Maggie Smith 1957, printed later, gelatin silver silver photograph; Srinagar, India and Graham Crowden in ‘Black

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 71 AR07_appendices.qxd 24/10/07 12:45 PM Page 72

COLLECTION – LOANS

*Renewed loans. Altar vase (‘zun’), c1796–1820, 1949, charcoal ink, watercolour on textured porcelain; monochrome blue enamel Albert Tucker, Antipodean man wallpaper? Works lent to the Gallery glaze. Purchased 1977 (1956), brush and brown house Albert Tucker, Old man seated, Jingdezhen ware, Armorial plate paint? pencil, watercolour bearing the arms of Booth impaling Albert Tucker, Seated female nude Albert Tucker, Starving seated ANONYMOUS LOANS Irvine of Drum, c1723, porcelain (1940s), pencil man, pencil FANG Lijun, (painting), oil on with ‘rouge de fer’ enamel; gilt. Albert Tucker, Leaning female nude Albert Tucker, Bull (early 1950s), canvas Purchased 1972 (1940s), pencil black conté Unknown, Shaivite Saint Seto ware tea caddy, 18th century, Albert Tucker, Female nude Albert Tucker, Hornet, black and Chandesha, c 17th century, bronze stoneware (1940s), pencil yellow crayon Unknown, Buddha, c 18th century, Seto ware tea caddy, 18th century, Albert Tucker, Self portrait as a Albert Tucker, Seated female nude bronze and polychrome stoneware mask (1940s), pencil (1976), conté, pencil, gouache on Unknown, Figure of a ram, Yueyao, Seto ware tea caddy, 18th century, Albert Tucker, Harlequin? (late brown paper stoneware stoneware 1940s–early 1950s), ink, crayon, Albert Tucker, Sidney Nolan 1976, YOSHINORI, Pair of stirrups, iron watercolour, impasto in acrylic? pastel, gouache VICTORIA BRIEN & DEREK with gold and silver inlay Albert Tucker, Cratered head (late Albert Tucker, Explorer 1976, SICKLEN 2007 1950s), brush and brown house crayon on textured paper Unknown, Confucius and his PRIVATE COLLECTIONS, SYDNEY paint? Albert Tucker, On the beach II seventy-two disciples, c 15th Tracey Emin, I do not expect 2002, Albert Tucker, Sculptural head 1977, pastel, gouache century – 17th century, handscroll; mixed media: Appliqué blanket (1950s), black conté Albert Tucker, On the beach I ink and colour on silk Neo Rauch, Gebot 2002, oil on Albert Tucker, Antipodean man 1977, charcoal, watercolour canvas (1950s), brush and green house Albert Tucker, Self portrait 1977, GEORGINA CARNEGIE 2007 Dieter Roth, Insel paint pastel, watercolour Unknown, The peacock king, (Schokoladenpyramide) c1971, Albert Tucker, Study for ‘Head’ Albert Tucker, Explorer with parrot c1903, woodblock print; framed chocolate, iron and plaster on (1956), brush and black and white 1978, pencil, crayon, watercolour Unknown, Torso of Buddha, wooden board in plexiglass box, house paint? Albert Tucker, Sidney Nolan 1978, limestone; carved in the round with mounted to wooden board Albert Tucker, (Kelly) (1956–58), watercolour, pastel a narrow waist and rounded hips Sir Thomas Lawrence, Richard brush and brown house paint? Albert Tucker, Self portrait 1979, Meade, 3rd Earl of Clanwilliam, oil Albert Tucker, Kelly (1956–58), crayon, oil paint? on brown textured DR HUGH GALLAGHER 2007 on canvas black fibre-tipped pen paper Unknown, Ancestor figure (bulul), Lord Frederic Leighton, An athlete Albert Tucker, recto: Explorer Albert Tucker, Antipodean head 19th century, wood wrestling with a python, white verso: Female nude on beach 1981, pencil on yellow paper marble (1958), recto: black pastel, black Albert Tucker, Michael Keon 1982, MAXIMILIAN HUGHES 2007 Brian Blanchflower, Canopy XXXIII ink, watercolour verso: black ink, pastel, watercolour, gouache on Unknown, Marichi, c 16th century, (Skin) 1995–96, micaceous acrylic crayon, watercolour heavy textured paper gilt bronze with powdered pumice on acrylic Albert Tucker, Studies ‘Explorer’ Albert Tucker, Barrett Reid 1983, gesso on laminated hessian heads (late 1950s), pencil pencil, watercolour ROTRAUT KLEIN-MOQUAY AND Brian Blanchflower, Canopy Albert Tucker, Study of a Albert Tucker, Self portrait (1983), DANIEL MOQUAY XXXVIII (blue/sliver) 1997, oils with desiccated horse (1956), black pastel, watercolour Yves Klein, ANT 75 1960, dry powdered pumice on acrylic gesso fibre-tipped pen Albert Tucker, Self portrait (1983), pigment in synthetic resin on paper on laminated hessian Albert Tucker, Study for conté, pencil, white chalk laid down on canvas Tracey Moffatt, Some lads 1986, 5 ‘Apocalyptic horse’ (c 1955), black Albert Tucker, Self portrait 1986, Yves Klein, ANT 54 1960, dry gelatin silver photographs fibre-tipped pen crayon, watercolour pigment in synthetic resin on paper Destiny Deacon, Meloncholy 2000, Albert Tucker, Study for ‘Drought’ Albert Tucker, Study for ‘Bridge’ laid down on canvas Lamda print from Polaroid original (1956), black fibre-tipped pen (1987), charcoal, watercolour Yves Klein, Nouveau realist Destiny Deacon, Where’s Mickey Albert Tucker, Carcase (1956), Albert Tucker, No entry (1987), manifest 1960, dry pigment in 2003, light jet print from Polaroid black fibre-tipped pen conté, pencil, watercolour on heavy synthetic resin on canvas Ben Nicholson, Wharfedale 1972, Albert Tucker, Bathers (late 1950s), watercolour paper Yves Klein, Relief IKB 16c pencil and brown wash black fibre-tipped pen Albert Tucker, Nude 1987, (Maquette for the Gelsenkirchen Ben Nicholson, Wharfedale no 2 Albert Tucker, Sheet of studies charcoal, pastel, gouache theatre)1958, dry pigment in 1972, pencil and blue wash (1950s–60s), black fibre-tipped pen Albert Tucker, (Study for synthetic resin on bronze mounted Oskar Kokoschka, Landscape at Albert Tucker, A face on the street ‘Monumental figures’) (1988), on primed board Ullapool 1945, oil on canvas 1964, charcoal, grey watercolour crayon, watercolour on green/grey Yves Klein, Drip painting c1960, wash Canson Montgolfier paper dry pigment in synthetic resin on PRIVATE COLLECTION UK 2007 Albert Tucker, Dead tree (1966), Albert Tucker, Study for canvas Unknown, Green Tara, 15th century, charcoal, white crayon ‘Monumental figures’ (1988), pencil, Roman Opalka, 1965/1-oo: detail gilt bronze Albert Tucker, Mountain landscape watercolour 3531681-3546420, synthetic 1, black fibre-tipped pen Albert Tucker, (Monumental figures) polymer paint on canvas BARBARA TUCKER Albert Tucker, Head, black fibre- 1988, charcoal, watercolour Albert Tucker, Paddy 1932, pencil tipped pen Albert Tucker, Explorer 1988, black NATIONAL TRUST OF AUSTRALIA on laid paper Albert Tucker, Mountain landscape fibre-tipped pen, crayon, gouache (NSW) Albert Tucker, Father 1935, pencil 2, black fibre-tipped pen Albert Tucker, Nude looking in S H ERVIN GALLERY BEQUEST OF Albert Tucker, Study of feet for Albert Tucker, New man (late mirror (1980s), pastel, watercolour S H ERVIN 1977 ‘Cadaver’ c1943, black conté 1950s-–early 1960s), black fibre- Albert Tucker, Night form (1988), Horse and rider, Tang dynasty, Albert Tucker, Portrait 1 (early tipped pen charcoal, watercolour earthenware covered in chesnut 1940s), black conté, wash Albert Tucker, Antipodean head Albert Tucker, Night image in cream and olive glaze; head hands Albert Tucker, Portrait 2 (early (1950s), blue fibre-tipped pen Melbourne 1989, watercolour and calves of rider unglazed. 1940s), black conté, wash Albert Tucker, Antipodean head Albert Tucker, The torment of love Albert Tucker, Woman’s head (early (1950s), pen and black ink unsatisfied, the great torment of POWERHOUSE MUSEUM 1940s), brush and black ink Albert Tucker, Antipodean head as love satisfied (1989–1990), conté, Neolithic jar, c3000 BCE–1700 Albert Tucker, Self portrait with bed totem, brush and black ink gouache over monotype in black ink BCE, earthenware decorated in iron (1940), pen and blue ink, wash, Albert Tucker, Abstracted Albert Tucker, Abstracted rich pigments of red-brown and black conté on lined writing paper landscape, brush and black ink over Antipodean head, charcoal black Albert Tucker, Self portrait (1940s), monotype Albert Tucker, John Perceval 1990, Cup, c700–750, earthenware with pencil, charcoal Albert Tucker, Squatting man in pen and black ink, pastel, sancai (three colour) glaze Albert Tucker, Mary Dickson, Paris landscape (1960s), brush and black watercolour

72 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 73

Albert Tucker, Death in a suit with Point 1937, watercolour paper 1986, screenprint on heavy white crow 1992, pencil, black fibre- Ure Smith, The Bridge from Potts John Coburn, Sentinel (1962), surfaced card tipped pen, black ink wash, Point 1936, watercolour colour screenprint, five colours on Elizabeth Rooney, Rocks I 1967, gouache Jean Broome Norton, Abundance white wove paper etching with heavy plate tone, Albert Tucker, Wendy Whiteley 1934 & 1987, bronze Vi Collings, Counterpoise 1970, brown-black ink on white Duchesse 1993, pastel, watercolour colour lithograph, grey, blue, red, paper Albert Tucker, Soldier with victory ART GALLERY OF SOUTH purple and magenta ink on grey Elizabeth Rooney, Goodbye girl 1994, carbon pencil, pastel, AUSTRALIA, SA wove paper Macquarie Place 1964, etching watercolour Gladys Reynell retrospective Brian Dunlop, At Pyrmont (1969), Elizabeth Rooney, Macquarie Albert Tucker, Gift bearers 1955, 7/7/06–17/9/06 etching, aquatint dark brown ink on Place revisited 1981, etching synthetic polymer paint on Gladys Reynell, Beaker with ivory wove paper David Rose, Donkey 1978, sugarlift hardboard abstract design 1922, earthenware Helen Eager, Iron on mess 1977, aquatint, drypoint on zinc, black ink Albert Tucker, Thames 1957, with slip and sgraffito decoration colour lithograph on white Velin Arches paper synthetic polymer paint, mixed Gladys Reynell, Beaker (with Joy Ewart, Fever II 1961, lithograph David Rose, Perforated game media on hardboard repeating design of a row of Ruth Faerber, Excavation 3, 1982, 1970, colour screenprint Albert Tucker, Death of an explorer terraces, a dog and a cat on a wall) cast and moulded paper relief, David Rose, Runner I 1966, 1959, synthetic polymer paint, sand 1917, earthenware with slip tinted in earth tones lithograph on hardboard decoration Roy Fluke, Capsicum 1962, colour David Rose, Wistaria still life 1967, Albert Tucker, Bushrangers Gladys Reynell, Vase with abstract linocut, green and black ink on colour screenprint, five colours on 1958–63, synthetic polymer paint design 1921, glazed earthenware white wove paper white Kent paper on hardboard with sgraffito design Thomas Gleghorn, Untitled 1963, Henry Salkauskas, Behind is Albert Tucker, After the bushfire Gladys Reynell, Plate with colour lithograph, black and fawn always the sun 1962, colour linocut 1962–66, synthetic polymer paint, strawberry and leaf design 1921, ink on white laid paper Henry Salkauskas, Windmill 1958, sand, leaves, bark on hardboard glazed earthenware with slip Yvonne Gooding, Ribbon machine colour linocut Albert Tucker, Brolga 1963, decoration 1970, colour lithograph, printed in Henry Salkauskas, Black harbour synthetic polymer paint on Gladys Reynell, Jug with blue and three colours on heavy white wove 1961, linocut, black ink on ivory hardboard brown decoration 1925, glazed paper wove paper Albert Tucker, Trees I 1964, earthenware with slip decoration Strom Gould, Escapeway of a city Anne Starling, Inner city 1999, synthetic polymer paint, sand, bark Gladys Reynell, Broglas, hand- (1961), lithograph, blue/black ink on woodcut, black ink on white rice on hardboard coloured linocut ivory wove paper paper Albert Tucker, Night ladies 1988, Tom Green, Ancient bird 1963, Michael West, Other people’s synthetic polymer paint on canvas S H ERVIN GALLERY, NSW colour screenprint, nine colours on gardens, lithograph Albert Tucker, Thames study 1956, Sydney print cream wove paper Michael West, The Mission monotype, black and brown ink, S H Ervin Gallery, NSW Weaver Hawkins, Cosmos 1958, (1960s), colour woodcut, from four turps wash? 19/8/06–24/9/06 linocut blocks Albert Tucker, Thames study 1956, Hawkesbury Regional Gallery, NSW Weaver Hawkins, Opposite two Rose Vickers, Richard lived here monotype, black ink 9/2/07–11/3/07 1963, woodcut for awhile 1981, colour etching Albert Tucker, Thames study Tamworth City Gallery, NSW Elaine Haxton, The divine archer 1956–1958, monotype, brown ink 24/3/07–29/4/07 1966, aquatint with stopping out, NATIONAL GALLERY OF Albert Tucker, Cratered head (late Joyce Allen, Death in the dump black ink on white wove paper AUSTRALIA, ACT 1950s), monotype, brown ink 1989, linocut, black ink on ivory Leonard Hessing, The night is a Imants Tillers: one world/many Albert Tucker, Antipodean head Japanese mulberry paper long snake1964, colour lithograph, visions (1950s), linocut, black ink Joyce Allen, Within a week 1967, three colours on white wove paper 14/7/06–22/10/06 Albert Tucker, Self portrait (1980s), linocut Frank Hinder, River bank (2) 1947, Imants Tillers, Monaro 1998, monotype, black ink with white Earle Backen, Thunder 1959, soft- lithograph, sepia ink on off-white gouache, synthetic polymer paint gouache highlights ground etching, engraving, aquatint, wove paper on 288 canvas boards, nos Albert Tucker, Self portrait (1980s), stopping out, open bite, deep etch, Eva Kubbos, The sudden wings of 52594–52881 monotype with black and white black and yellow ink on ivory wove blue1962, colour linocut highlights paper Graham Kuo, Reflection I 1973, MANLY REGIONAL ART GALLERY, Earle Backen, London series – screenprint NSW Works lent by the Gallery Smithfield 1977, photo-etching, Bruce Latimer, Black out Social riches: a century of craft. aquatint, coloured inks on three print1977, colour screenprint, The Society of Arts & Crafts of NSW plates on white wove Arches paper collage 28/7/06–3/9/06 McCLELLAND GALLERY AND Earle Backen, Cartiya 1975, colour Eileen Mayo, Pumpkin 1962, Ethel Atkinson, Salad bowl with SCULPTURE PARK, VIC photo-etching, aquatint, brown ink colour linocut gumnut and leaf design 1912, hand Louise Weaver: a survey exhibition on ivory Johannot paper Max Miller, Pure land – Henso painted porcelain 1/7/06–27/8/06 Earle Backen, Metamorphosis of 1989, soft-ground etching, aquatint, Ethel Atkinson, Vase with yellow Louise Weaver, Moonlight the city 1961, engraving, black ink printed in blue, purple, brown and banksia design 1919, hand painted becomes you (Tipsy Bolero) on ivory laid paper green ink from five zinc plates on porcelain 2002–03, antelope: hand crocheted George Barker, Kandinsky’s table five sheets of white wove paper Ethel Atkinson, Cup and saucer lambs wool over high-density foam, 1978, colour screenprint Michael Nicholson, In the depths with flannel flower design 1915, black sequined discs over surface, Margaret Breindel, The chorus (1957), colour lithograph, yellow and hand painted porcelain silk embroidery thread and plastic 1962, colour woodcut, green ink on black ink shiny ivory wove paper Merric Boyd, Bowl 1923, thread; artificial rock: high density white tissue paper Margaret Preston, Australian earthenware foam Sue Buckley, Soldier ants 1961, legend, number 4: Kangaroo dance Vi Eyre, Vase with applied frogs woodcut, printed in black ink on and pointing the bone (c1957), 1929, glazed earthenware HISTORIC HOUSES TRUST OF white laid rice paper colour woodcut on buff Japanese Vi Eyre, Vase with possums and NEW SOUTH WALES/MUSEUM OF Ruth Burgess, Figures in a future paper leaves design 1932, glazed SYDNEY landscape 1995, woodcut, red and Vaclovas Ratas, Fragment in space earthenware with inlaid clays Thoroughly Modern Sydney blue ink on two sheets of Japanese 1966, collagraph, black ink on ivory Violet Mace, Vase with green 1/7/06–15/10/06 mulberry paper wove paper transmutation underglaze 1929, John D Moore, Sydney Harbour Cressida Campbell, Tailor shop Vaclovas Ratas, The garden 1963, earthenware with transmutation 1936, oil on canvas 1984, colour woodcut plaster block print underglaze John D Moore, Chaos 1923, oil on John Coburn, Flame tree 1976, Vaclovas Ratas, The journey 1960, Ada Newman, Jardinière with canvas colour screenprint, maroon and woodcut butterfly design 1912, hand painted Ure Smith, The Harbour from Potts orange ink on ivory Arches wove Sally Robinson, Halley’s comet French porcelain with lustre glaze

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 73 AR07_appendices.qxd 24/10/07 12:45 PM Page 74

Ada Newman, Vase with flower and HAWKESBURY REGIONAL NATIONAL GALLERY OF VICTORIA, rainbow serpent c1985, natural leaf design, hand painted Rosenthal GALLERY, NSW VIC pigments on bark porcelain, deep red and blue The Windsor Group Howard Arkley – the retrospective John Mawurndjul, Yawkyawk Molly Bamberger, Hand mirror 1/9/06–26/11/06 National Gallery of Victoria, VIC 1985, natural pigments on bark frame with flax lily design 1910, Graeme Inson, Roderick Shaw 17/11/06–25/2/07 John Mawurndjul, Yawkyawk hand tooled leather stitched over 1956, oil on hardboard Art Gallery of New South Wales, 1985, natural pigments on bark mirror Roderick Shaw, Capricornia 1945, NSW 10/3/07–6/5/07 John Mawurndjul, Mardayin Molly Bamberger, Stud box with oil on canvas on plywood Queensland Art Gallery, QLD ceremony 2000, natural pigments lillypilly leaf and berry design Roderick Shaw, Cable layers 1946, 6/7/07–16/9/07 on eucalyptus bark (c1914), hand tooled leather oil on plywood Howard Arkley, Superb + solid James Iyuna, Ngalyod 2002, Eirene Mort, The Song of Brother Roderick Shaw, Fishermen 1947, 1998, synthetic polymer paint on natural pigments on eucalyptus bark Sun c1914, handmade book with oil on plywood canvas four pages of calligraphy reciting the NATIONAL GALLERY OF ART, prayer MUSEUM OF CONTEMPORARY LAKE MACQUARIE CITY ART WASHINGTON, USA Mira Mullens, ‘The Anzac Book’ ART, SYDNEY, NSW GALLERY, NSW Prayers and portraits: unfolding the with Waratah, gumnut and leaf and Juan Davila Found object Netherlandish diptych 3/11/06–10/12/06 12/11/06–4/2/07 bird design 1916, hand tooled Museum of Contemporary Art, Peter Atkins, Spanish journal 1998, Ambrosius Benson, Portraits of leather cover Sydney, NSW 9/9/06–12/11/06 20 panels, mixed media Cornelius Duplicius de Scheppere Ethel May Spring, Photograph National Gallery of Victoria, VIC and his wife Elizabeth Donche frame with gumnut and leaf design 30/11/07 NATIONAL LIBRARY OF c1540, diptych: oil on panel c1917, hand tooled leather Art Gallery of Western Australia, WA AUSTRALIA, ACT William Johnson, Eirene Mort, Tea 1/8/07–31/8/07 A charmed life QUEENSLAND ART GALLERY, QLD tray with Sturt’s desert pea design Juan Davila, Mexicanismo 1990, oil, collage on canvas 9/11/06–4/2/07 The Ian Fairweather Room c1914, inlaid wood Donald Friend, Old steps, Hunters 2/12/06–13/05/07 Susan Gether, Wall panel with Hill c1931, etching and aquatint Ian Fairweather, Glasshouse swan and landscape design c1908, MUSEUM OF CONTEMPORARY ART, SYDNEY, NSW Donald Friend, Study for etching Mountains (1958), gouache on handwoven wool ‘Old steps, Hunter’s Hill’ c1931, cardboard Susan Gether, Draw curtain with James Angus Museum of Contemporary Art, pencil cat design 1910, handwoven linen Donald Friend, The incinerator QUEENSLAND ART GALLERY, QLD Eirene Mort, Tablecloth with Sydney, NSW 13/9/06–26/11/06 Institute of Modern Art, QLD 1944, pen, ink, gouache, Asia Pacific Triennial of waratah design c1910, hand watercolour Contemporary Art: APT 2006 2/6/07–28/7/07 stencilled and embroidered organdy Donald Friend, Head of a woman 1/12/06–28/5/07 Art Gallery of Western Australia, WA Eirene Mort, Cushion cover with 1945, pen and brown ink, wash on Djambawa Marawili, Source of fire 24/11/07–2/3/08 gumnut and leaf design c1910, ivory wove paper 2005, natural pigments on James Angus, Bugatti type 35, embroidered silk Donald Friend, Sofala 1947, oil, eucalyptus bark steel, aluminium, fibreglass, rubber, Elizabeth Söderberg, Tankard with pen and ink on canvas leather, automotive lacquer frilled lizard, insect and gumleaf Donald Friend, In the rock temple I BATHURST REGIONAL ART design c1906–08, beaten copper 1961, pen and black and red ink, GALLERY, NSW GLEN EIRA CITY COUNCIL with chased and repoussé watercolour, gouache, pastel survey GALLERY, VIC decoration Donald Friend, Youth, death and Bathurst Regional Art Gallery, NSW The Murrumbeena Boyds Elizabeth Söderberg, Candlestick the maiden c1965, pen and brown, 30/11/06–28/1/07 16/10/06–5/11/06 with dolphin design c1910, brass black and red ink, wash, Drill Hall Gallery Australian National Arthur Boyd, Christ walking on the with repoussé and chased watercolour, white gouache on buff University, ACT 22/2/07–8/4/07 water 1950–52, lead glazes on decoration wove paper S H Ervin Gallery, NSW ceramic Elizabeth Söderberg, Tray with Donald Friend, A view of the 30/4/07–10/6/07 Arthur Boyd, The mockers (1945), harbour (1981), pen and black and Queensland University Art Museum, cicada design handles, beaten oil on canvas on hardboard brass with repoussé design on red ink, watercolour, gouache, QLD 7/7/07–19/8/07 handles pastel on buff wove paper Tasmanian Museum & Art Gallery, COMPLESSO DEL VITTORIANO, Donald Friend, The sentence 1988, TAS 6/9/07–21/10/07 Elizabeth Söderberg, Bowl with ITALY flying fox decoration 1912, beaten pen and black ink, watercolour, Mornington Peninsula Regional Bonnard, Matisse and the gouache, gold leaf on white wove Gallery, VIC 30/10/07–2/12/07 copper with repoussé decoration Mediterranean Rhoda Wager, Opal pendant and paper Janet Dawson, Balgalal Creek 6/10/06–4/2/06 Donald Friend, The fortune teller 1974, synthetic polymer paint on chain c1910, silver and opal Pierre Bonnard, Bust in profile, red 1956, oil on canvas on hardboard canvas Rhoda Wager, Blister pearl brooch background (study) c1920, oil on Janet Dawson, Vers l’ombre 1960, with floral border design (c1917), canvas MUSEUM OF MODERN ART AT colour lithograph from three stones silver and pink blister pearl Pierre Bonnard, Self portrait HEIDE, VIC on ivory wove paper** Rhoda Wager, Blister pearl and c1938–40, oil on canvas Unmasked: Nolan and Kelly Janet Dawson, Italian landscape amethyst pendant and chain 1950–90 drawing 1960, charcoal on thick (c1914), silver, blister pearl and INSTITUTE OF MODERN ART, 11/11/06–4/3/07 ivory wove paper** four amethysts QLD Sidney Nolan, Kelly 1956, synthetic Janet Dawson, Italian landscape Intelligent design polymer paint on hardboard drawing 1960, charcoal on thick INSTITUTE OF MODERN ART, QLD 21/10/06–25/11/06 Sidney Nolan, Policeman floating in ivory wove paper** Richard Bell survey Hany Armanious, Turns in Arabba the river 1964, oil on hardboard **Works on paper to first 3 venues 9/9/06–14/10/06 2005, clay, wax, wick, pewter, only Richard Bell, Devine inspiration plaster, polyurethane, wood, THE DRILL HALL GALLERY, 1993, synthetic polymer paint and formply, silicone, peppercorns, AUSTRALIAN NATIONAL NATIONAL GALLERY OF collage on canvas, text panel ceramic, drums, speaker UNIVERSITY, ACT AUSTRALIA, ACT Mumeka to Milmilgkan Grace Crowley: being modern DUBBO REGIONAL ART GALLERY, MORNINGTON PENINSULA 2/11/06–15/12/06 National Gallery of Australia, ACT NSW REGIONAL GALLERY, VIC Jimmy Njiminjuma, Yawkyawk 23/12/06–6/5/07 Across the black soil plains Sidney Nolan Antarctica 1985, natural pigments on bark Art Gallery of South Australia, SA 1/9/06–31/1/07 29/11/06–25/2/07 Jimmy Njiminjuma, Yawkyawk 27/7/07–28/10/07 George W Lambert, Across the Sidney Nolan, Antarctic explorer 1985, natural pigments on bark Hawkesbury Regional Gallery, NSW black soil plain 1899, oil on canvas 1964, oil on hardboard Jimmy Njiminjuma, Ngalyod – the 21/12/07–3/2/08

74 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 75

Mornington Peninsula Regional HISTORIC HOUSES TRUST OF S H ERVIN GALLERY, NSW Gilbert and George (Italy/England Gallery, VIC 19/3/08–18/5/08 NEW SOUTH WALES / MUSEUM Chris O’Doherty – a survey b1943, England b1942), Reaming Art Gallery of Western Australia, WA OF SYDNEY, NSW exhibition 1982, photo-piece, ink transfer on 14/6/08–21/9/08 Bridging Sydney S. H. Ervin, NSW 6/1/07–25/2/07 paper (30 panels) Tasmanian Museum and Art Gallery, 16/12/06–29/4/07 Mornington Peninsula Regional TAS 2/10/08–23/11/08 , Building the bridge Gallery, VIC 7/03/07–9/4/07 ROBERTSON ARTS PROJECTS, Grace Crowley, Draught horses 1932, oil on canvas Chris O’Doherty, Corner of a VIC (recto) Horse studies (verso) c1918, Grace Cossington Smith, The house and some garden, Tathra The Helen Lempriere centenary pencil on cream paper. curve of the bridge 1928–29, oil on NSW, synthetic polymer paint on exhibition Grace Crowley, recto: Emptying cardboard hardboard The Mansion at Werribee Park, VIC carts, White Bay; verso: Horse and Rose Phipps, Sydney Harbour Chris O’Doherty, Lines of trees, 1/3/07–27/5/07 cart study (1922), pencil on ivory Bridge 1932, bronze medallion near Tathra, synthetic polymer paint Helen Lempriere, Kultana receiving wove paper Henri Mallard, Untitled (The Sydney on hardboard spirits, colour lithograph Grace Crowley, Composition Harbour Bridge in construction: Chris O’Doherty, Self portrait with Helen Lempriere, Conception study: seated female nude (1932), girder on Milson’s Point side) a lumpy coat 1986, oil on totemism (1956), oil on canvas on pencil on ivory wove paper c1928, gelatin silver photograph hardboard hardboard Grace Crowley, Portrait of Lucie Henri Mallard, Untitled Chris O’Doherty, Untitled group Beynis (1929), oil on canvas on (The Sydney Harbour Bridge in (Coogee; Hobart, Tasmania; Princes ORANGE REGIONAL GALLERY, hardboard construction: girder on Milson’s Highway between Ballina and NSW Grace Crowley, Horses by a pond Point side) 1928–29, gelatin silver Grafton; Dunedin, New Zealand; Cuisine and country (Studies for painting?), pencil, photograph Hume Highway between Gundagai Orange Regional Gallery, NSW coloured crayons and wash Henri Mallard, Untitled (The Sydney and Yass; Coogee Beach; Invention, 6/4/07–20/5/07 Grace Crowley, Boy and his dog Harbour Bridge in construction: Princes Highway near Lake Macquarie City Art Gallery, (recto and verso) (Studies for view of Dawes Point pylon) Mullumbimby), synthetic polymer NSW 8/6/07–22/7/07 Harvest?) 1932–34, pen and ink, 1928–29, gelatin silver photograph paint on cardboard Mornington Peninsula Regional coloured pencil, watercolour on Henri Mallard, Untitled Chris O’Doherty, Two young Gallery, VIC 28/8/07–21/10/07 cream paper (The Sydney Harbour Bridge in persons in a modern interior 1974, Wagga Wagga City Art Gallery, Grace Crowley, The artist and his construction: Milson’s Point synthetic polymer paint on NSW 26/10/07–9/12/07 model 1938, oil on hardboard roadway) 1928–29, gelatin silver hardboard Riddoch Art Gallery, VIC Grace Crowley, Abstract drawing photograph Chris O’Doherty, Electricity pylon, 15/12/07–15/2/08 (Compositional schemes) 1947, Henri Mallard, Untitled (The Sydney near Taree, synthetic polymer paint City Art Gallery, NSW black, speckled black and white ink on hardboard 26/3/07–5/5/07 Harbour Bridge in construction: and gouache, some pencil on Manly Regional Art Gallery and view from Milson’s Point of nearly brown paper BALLARAT FINE ART GALLERY, Museum, NSW 16/5/08–15/6/08 completed arch), c1930, gelatin Grace Crowley, Abstract 1953, VIC Cairns Regional Gallery, QLD silver photograph oil on hardboard Criss Canning 1/7/08–15/8/08 Harold Cazneaux, Building the Ballarat Fine Art Gallery, VIC Artspace Mackay, QLD Bridge 1926, gelatin silver INSTITUTE OF MODERN ART, QLD 9/2/07–13/5/07 31/8/08–30/9/08 photograph Bricks are heavy Mornington Peninsula Regional Elaine Haxton, Sweet and sour Harold Cazneaux, Sydney Bridge 2/12/06–3/2/07 Gallery, VIC 4/7/07–19/8/07 1958, oil on hardboard c1934, gelatin silver photograph Scott Redford, PHOTO: The Pizza Criss Canning, Waratah 1999, oil Brett Whiteley, Still life with meat Jessie Traill, The red light, Boy … 1995, vinyl lettering on wall, on canvas 1975–76, synthetic polymer paint, Harbour Bridge, June 1931 1932, Converse trainers, black Doc Martin shell, bone on plywood etching, aquatint, brown ink, boots, black leather jacket, black ART GALLERY OF WESTERN David Strachan, Batterie de cuisine hand-coloured pink highlight on studded leather belt, Silvio’s pizza AUSTRALIA, WA 1956, oil on hardboard warmer, bathroom mirror with surf ivory wove paper Raised by wolves David Strachan, Fish 1953, oil on stickers, car tyre Jessie Traill, The great arch 1932, 9/2/07–17/6/07 wood etching and aquatint in brown ink Maria Kozic, Pulse Mk2 1994, Herbert Badham, Breakfast piece MUSEUM OF CONTEMPORARY on buff 4 incubators and mixed media 1936, oil on hardboard ART, SYDNEY, NSW Jessie Traill, Building the Harbour , Melon (c1926), Paddy Bedford Bridge I, beginnings 1927, etching, FUNDACAO CALOUSTE oil on canvas Museum of Contemporary Art, with foul biting and plate tone, GULBENKIAN, PORTUGAL Margaret Preston, Thea Proctor’s Sydney, NSW 7/12/06–15/4/07 brown ink on cream wove paper Ingenuity – photography and tea party 1924, oil on canvas on Art Gallery of Western Australia, WA Jessie Traill, Building the Harbour enginneering; hardboard 12/5/07–22/7/07 Bridge II, the works north side Nov. Fundacao Calouste Gulbenkian, Margaret Preston, Still life 1926, Bendigo Art Gallery, VIC 1927 1928, etching with foul biting Portugal 1/2/07–30/4/07 oil on canvas 11/8/07–16/9/07 and plate tone, brown ink on cream Palais des Beaux Arts, Belgium Margaret Olley, Still life with pink University Art Museum, University of wove paper 6/7/07–9/9/07 fish 1948, oil on cheesecloth on Queensland, QLD 16/11/07 – Jessie Traill, Building the Harbour Melvin Vaniman, Untitled (Zig Zag hardboard 1/3/08 Bridge III, the granite workers, April Railway, Lithgow) 1903–04, Eric Wilson, Abstract – the kitchen Paddy Bedford, Untitled 1999, 1929 1929, etching with foul biting platinum print stove 1943, oil, paper on plywood watercolour and pastel on black and plate tone, brown ink on cream Steven Lojewski, Untitled (early William Dobell, Pilchards (1953), wove paper wove paper stages of Darling Harbour re- oil on hardboard Paddy Bedford, Untitled 1999, Jessie Traill, Building the Harbour development) 1986, gelatin silver Jean Bellette, Still life with wooden watercolour on white wove paper Bridge V, going up 1930, etching photograph bowl c1954, oil on hardboard Paddy Bedford, Untitled 1999, with foul biting and plate tone, Steven Lojewski, Untitled (Darling watercolour on white wove paper brown ink on cream wove paper. Harbour re-development, harbour NATIONAL GALLERY OF VICTORIA, Paddy Bedford, Untitled 1999, Jessie Traill, Building the Harbour and foreshore) 1986, gelatin silver VIC watercolour on white wove paper Bridge VI, nearly complete 1931, photograph Australian Paddy Bedford, Untitled 1999, etching with foul biting and plate 31/3/07–8/7/07 watercolour on black wove paper tone, brown ink on cream wove TATE MODERN, ENGLAND Charles Conder, Departure of the Paddy Bedford, Untitled 1999, paper Gilbert & George retrospective Orient – Circular Quay 1888, oil on watercolour on white wove paper Jessie Traill, Sydney Bridge IV, the Tate Modern, England canvas **Paddy Bedford, Untitled (emu) ants’ progress November 1929 15/2/07–7/5/07 , An autumn morning, (1999), natural pigments on canvas 1929, etching with foul biting, Haus der Kunst, Munich, Germany Milson’s Point, Sydney 1888, oil on **1st venue only, did not tour brown ink on cream wove paper 9/6/07–16/9/07 canvas

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 75 AR07_appendices.qxd 24/10/07 12:45 PM Page 76

Tom Roberts, Evening train to black and cream/grey ink on white Fred Coventry, Carinthia (1929), George W Lambert, Holiday in Hawthorn (c1889), oil on cedar panel wove paper copper engraving, black ink on Essex 1910, oil on canvas Charles Conder, An Impressionist Bea Maddock, Four by two II cream laid paper George W Lambert, Still life (Pan) (Tom Roberts) c1889, oil on cedar 1977, five-plate photoetching, William Dobell, (City view) (early 1911, oil on canvas panel aquatint, black and cream/grey ink Sydney period) pen and ink George W Lambert, The red shawl Arthur Streeton, The national game on white wove paper Jan Mackay, In memory of Victoria 1913, oil on canvas (1889), oil on cardboard Bea Maddock, Four by two III Street, Kings Cross c1975, George W Lambert, Miss Helen Tom Roberts, Jealousy 1889, oil on 1977, five-plate photoetching, screenprint Beauclerk 1914, oil on canvas canvas on hardboard aquatint, black and cream/grey ink Lorna Nimmo, Tall city window George W Lambert, Woman’s Arthur Streeton, Beach scene on white wove paper 1945, pen and black ink, head 1914, pencil 1890, oil on canvas on paperboard Bea Maddock, Four by two IV watercolour on paper George W Lambert, Important Arthur Streeton, Still glides the 1977, five-plate photoetching, Sydney Ure Smith, Woollahra Point people (1914–1921), oil on canvas stream, and shall for ever glide aquatint, black and cream/grey ink 1941, watercolour, pen, ink George W Lambert, The maid 1890, oil on canvas on white wove paper Adrian Feint, Del Rio, Elizabeth Bay 1915, oil on canvas Tom Roberts, Smike Streeton age Maurice Denis, Tenderness 1893, 1944, oil on canvas George W Lambert, Alfred 24 1891, oil on canvas colour lithograph Will Ashton, Kirribilli Wharf, morning Munnings 1918, pencil Arthur Streeton, Fire’s on 1891, (c1919), oil on canvas George W Lambert, The road to oil on canvas NATIONAL GALLERY OF VICTORIA, Jericho (1918), oil on canvas Tom Roberts, Aboriginal head – VIC MUSEUM OF MODERN ART AT George W Lambert, The white Charlie Turner 1892, oil on canvas Kitty Kantilla Kutuwulumi HEIDE,VIC glove 1921, oil on canvas on paperboard Purawarrumpatu The goddess grins: the female George W Lambert, Light Horse Tom Roberts, Eileen 1892, oil on National Gallery of Victoria, VIC image in the art of Albert Tucker veteran 1925, pencil canvas 27/4/07–19/8/07 29/5/07–29/8/07 George W Lambert, Old man with Arthur Streeton, The railway Art Gallery of New South Wales, Albert Tucker, Woman’s head (early pipe 1926, pencil station, Redfern 1893, oil on canvas NSW 6/9/07–18/11/07 1940s), brush and black ink George W Lambert, Tulips and Arthur Streeton, Pastoral 1894, Kutuwulumi Purawarrumpatu, Albert Tucker, Wendy Whiteley other stimulants 1927, oil on canvas oil on wood Untitled 2001, natural organic 1993, pastel, watercolour George W Lambert, Mrs Lambert, Tom Roberts, The golden fleece pigments on linen canvas Mr Gordon and Mr Snekker 1927, 1894, oil on canvas Kutuwulumi Purawarrumpatu, THE HAGUE SCULPTURE, THE pencil Tom Roberts, 1895/1927, Untitled 2001, natural organic HAGUE, NETHERLANDS George W Lambert, Recumbent oil on canvas pigments on linen canvas De Overkant/Down Under figure 1927, pencil Arthur Streeton, A bush idyll 1896, Kutuwulumi Purawarrumpatu, 1/6/07–31/8/07 George W Lambert, oil on wood Untitled 2000, natural pigments on Ron Mueck, Untitled (Old woman 1928, oil on canvas Frederick McCubbin, On the paper in bed) 2000–2002, mixed media George W Lambert, Self portrait, wallaby track 1896, oil on canvas Kutuwulumi Purawarrumpatu, oil on canvas Arthur Streeton, Cremorne pastoral Untitled 2001, ochres on paper ROCKHAMPTON CITY ART George W Lambert, The letters 1895, oil on canvas Kutuwulumi Purawarrumpatu, GALLERY, QLD 1901, pencil, pen and ink Untitled 1997, ochre on paper Rupert Bunny and music George W Lambert, Arthur MONASH UNIVERSITY MUSEUM Kutuwulumi Purawarrumpatu, 8/6/07–29/7/07 Streeton 1906, pencil on paper OF ART, VIC Untitled 1997, ochres on canvas Rupert Bunny, Salome (c1919), Brook Andrew: eye to eye – oil on canvas MUSEO MADRE, ITALY, a survey exhibition; UNIVERSITY ART MUSEUM, QLD Rupert Bunny, Bell dance (1920s), KUNSTMUSEUM LIECHTENSTEIN, Monash University Museum of Art, Our way: contemporary Aboriginal oil on canvas LIECHTENSTEIN VIC 4/4/07–23/6/07 art from Lockhart River Rupert Bunny, A cradle song Jannis Kounellis retrospective Lewers Bequest and Penrith 5/5/07–1/7/07 1894–96, conté crayon, wash Additional venue approved in Regional Art Gallery, NSW Rosella Namok, That day 1999, Rupert Bunny, Siren c1898, colour 2006–07 18/8/07–14/10/07 synthetic polymer paint on canvas monotype on thick white wove Kunstmuseum Liechtenstein Brook Andrew, Chip on the shoulder paper 20/10/06–21/01/07 1996, high Cibachrome print OLD PARLIAMENT HOUSE, ACT Jannis Kounellis, Untitled Australians in the Great Depression NATIONAL GALLERY OF 1984–87, steel, wood, plaster, cloth, MORNINGTON PENINSULA 1929–1939 AUSTRALIA, ACT gas burner, paint soot marks REGIONAL GALLERY, VIC 17/5/07–27/11/07 George Lambert: retrospective Emotions Noel Counihan, At the start of the exhibition MUSEUM VICTORIA, VIC 18/4/07–24/6/07 march 1932 1944, oil on hardboard 29/6/07–16/9/07 Colliding worlds Francisco Goya Y Lucientes, The George W Lambert, A bush idyll Additional venues approved in sleep of reason produces monsters CENTRO CULTURAL PALACIO LA (1896), oil on canvas 2006–07 1797–98, etching and aquatint MONEDA, SANTIAGO, CHILE George W Lambert, Across the Australian Museum, NSW Max Klinger, Kiss (in the park) Asia–Pacifica Exhibition black soil plains 1899, oil on canvas 6/4/07–19/8/07 1887, etching and aquatint on 9/5/07–1/7/07 George W Lambert, Ada Beattie in Albury Regional Art Gallery, NSW cream wove paper Simryn Gill, Roadkill 2000, found bed with influenza (1898), pencil 11/1/08–24/2/08 Käthe Kollwitz, Woman thinking run-over objects, toy wheels George W Lambert, Hugh Ramsay Araluen Arts Centre, NT 1920, lithograph (c1902), oil on canvas 7/3/08–20/4/08 Käthe Kollwitz, Maria and Elisabeth MUSEUM OF CONTEMPORARY George W Lambert, Miss Thea Willy Tjungurrayi, Tingari story 1928, woodcut ART, TAIPEI (TAIWAN) Proctor 1903, oil on canvas 1986, synthetic polymer paint on Jean Massard, after Jean-Baptiste Fashion accidently George W Lambert, Riding past linen canvas Greuze, The well-beloved mother 26/5/07–22/7/07 1903, pencil, wash, opaque white Uta Uta Tjangala, Untitled 1775, engraving Simryn Gill, Out of my hair 1995, highlights 1975–76, synthetic polymer paint Rembrandt Harmensz van Rijn, four gelatin silver photographs, one George W Lambert, Hugh Ramsay on linen canvas The agony in the garden c 1657, type C photograph (1901–02), pencil etching and drypoint George W Lambert, Equestrian Ludwig Hirschfeld-Mack, HISTORIC HOUSES TRUST OF group (c1905), oil on canvas Desolation, internment camp, NEW SOUTH WALES / MUSEUM George W Lambert, Portrait of Orange, NSW 1941, woodcut, OF SYDNEY Thea Proctor 1905, charcoal on black ink on thin ivory wove paper Homes in the sky – apartment living paper Bea Maddock, Four by two I 1977, in Sydney George W Lambert, The shop five-plate photoetching, aquatint, 12/5/07–26/8/07 1909, oil on canvas

76 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 77

Furnishing loans * SUPREME COURT, CHIEF William Marlow, The Rialto Bridge, JUSTICE SPIGELMAN Venice, oil on canvas Justin O’Brien, Little boy in John Salvana, The road to * LOWY INSTITUTE costume (1957), oil on hardboard Wollombi 1936, oil on canvas Charles Lloyd Jones, Afternoon Jean Appleton, Bush landscape William Marlow, San Giorgio light 1941, oil on canvas on with rocks (1952), oil on hardboard Maggiore, oil on canvas paperboard Jean Appleton, Landscape John Longstaff, Sir George Reid, Sidney Nolan, Ant hills, Australia (c1955), oil on hardboard oil on canvas 1950, synthetic polymer paint on Will Ashton, Pont Philippe IV, Paris, Tom Roberts, Sir Henry Parkes hardboard oil on canvas c1894, oil on canvas Paquita Sabrafen, Australian Robert Campbell, Avenue du George W Lambert, The three wildflowers 1990, oil on canvas Maine, Paris c1930, oil on canvas kimonos, oil on canvas Maud Sherwood, Belladonna Douglas Dundas, Chianti country James R Jackson, The timber lilies, oil on paperboard on (1929), oil on canvas schooner, oil on canvas hardboard George Lawrence, Autumn Charles Wheeler, The Upper Will Ashton, The Cornish coast morning, Hyde Park (1948), oil on Murray, oil on plywood 1932, oil on canvas paperboard John Masquerier, Warren Hastings Lance Solomon, Country lane Seymour Lucas, The Gordon riots (1732–1818), 1810, oil on canvas 1947, oil on canvas on hardboard 1780, 1879, oil on canvas Rupert Bunny, Waterfront, Bandol John Brack, In the corner 1973, Sidney Nolan, Kelly and policeman c1929, oil on canvas oil on canvas 1964, oil on hardboard Howard Ashton, Jamieson Valley Sidney Nolan, Ned Kelly at the river * ROYAL ALEXANDRA HOSPITAL 1931, oil on canvas bank 1964, oil on hardboard FOR CHILDREN, WESTMEAD Will Ashton, Kosciusko, oil on Sidney Nolan, Policeman floating in Sidney Nolan, Broome sunset WA canvas the river 1964, oil on hardboard 1985, synthetic polymer paint on Charles Bush, Landscape near Justin O’Brien, Supper at Emmaus hardboard Tarquinia, Italy 1952, oil on ,oil on hardboard Sam Fullbrook, Ford on the hardboard Desiderius Orban, Village church in Condamine with Jacaranda Sali Herman, Lane at the Cross Hungary (c1925–26), oil on canvas (c1985), oil on canvas 1946, oil on canvas on plywood on paperboard on plywood Guy Grey-Smith, Gascoyne River Charles Bryant, Low tide, St Ives, Lloyd Rees, Dusk at North Ryde country 1958, oil on hardboard 1948, oil on canvas oil on canvas Sam Byrne, Mt Robe, highest Jeffrey Smart, Alma Mahler feeding Kevin Connor, Man on stairs 1963, peak, Barrier Range, oil on the birds (1968), oil on canvas oil on hardboard hardboard Tony Tuckson, Interior with figures Alun Leach-Jones, Monsoon Lawrence Daws, Summer (1954), oil on canvas 1979, synthetic polymer paint on landscape 1994, oil on canvas canvas William Delafield Cook, Waterlilies 1972–73, synthetic polymer paint Albert Rydge, Morning in Neutral * HON NICK GREINER, on canvas Bay 1955, oil on hardboard MACQUARIE STREET OFFICE Fred Williams, Lal-Lal Falls 1976, Douglas Pratt, The old toll house, Kenneth Green, Fallen tree 1963, oil on canvas Rushcutters Bay 1959, oil on oil on hardboard canvas George Lawrence, River suburb * PREMIER’S OFFICE, GOVERNOR Jeffrey Smart, Parkland 1950, 1948, oil on cardboard MACQUARIE TOWER oil on canvas H Enslin Du Plessis, Snow in Paul Partos, Untitled (black-grey) Lawrence Daws, Poinciana Highgate, oil on canvas tree I 1991, oil on hardboard 1990, oil on canvas Charles Bryant, Quayside, St Ives, * LEGISLATIVE COUNCIL, * HISTORIC HOUSES TRUST Cornwall, oil on canvas on PARLIAMENT HOUSE OF NEW SOUTH WALES / paperboard Arthur Streeton, Beneath the peaks, GOVERNMENT HOUSE Russell Drysdale, Rocky landscape Grampians 1921, oil on canvas Adrian Feint, (Flowers) 1949, (early 1960s), oil on canvas Dora Toovey, How does your oil on canvas Max Ragless, Second valley 1954, garden grow (1939), oil on canvas , Acacia and bush oil on canvas on paperboard 1957, oil on hardboard, Eugene Claux, Street scene, François Bossuet, La Place de la Hans Heysen, A bowl of roses oil on canvas constitution 1880, oil on paper over 1924, oil on canvas , Structure with black masonite Will Ashton, Building the bridge peaks 1973, oil, screenprint on George Bell, Lady in black 1932, oil on canvas canvas (c 1923), oil on canvas Clifton Pugh, The eagle and the Dora Meeson, Thames at Chelsea J Browne, Landscape with view of baobab trees 1957, oil on Reach, oil on canvas Salisbury Cathedral 18th century, hardboard Michael Kmit, Woman and girl oil on canvas Rupert Bunny, Flowers c1927–30, 1957, oil on hardboard H A Hanke, Low tide, Balmoral oil on canvas 1947, oil on canvas Albert Sherman, Gordonias (1945), * OFFICE OF THE SPEAKER, Dorothy Thornhill, Morning at oil on canvas PARLIAMENT HOUSE Cremorne 1939, oil on canvas Tom Roberts, Harrow Hill Arthur Boyd, Landscape at James R Jackson, The old road, c1910–12, oil on canvas on Murrumbeena (c1968), oil on South Coast, oil on canvas plywood canvas Gion Pentelei Molnar, Pears, Robert Johnson, Macleay River Sir William Dargie, La Perouse oil on canvas (1958), oil on canvas (1947), oil on canvas Nora Heysen, Petunias 1930, Elioth Gruner, New England (1921), , Spring, St Albans, oil on canvas oil on canvas McDonald River (c1926), McDonald James Kerr-Lawson, Refugees Robert Johnson, Out west, oil on River,oil on canvas returning to Cambrai under canvas Max Ragless, Back of the mill protection of an Australian trooper, Douglas Dundas, The towers of 1941, oil on canvas oil on canvas San Gimignano, oil on canvas

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 77 AR07_appendices.qxd 24/10/07 12:45 PM Page 78

STAFF, INTERN & VOLUNTEER LISTINGS

Staff Senior curator, Photography Archivist Conservators, Paintings Judy Annear BA Steven Miller BA (Hons), B Theol, Paula Dredge B App, Sc (Cons), as at 30 June 2007 Assistant curator Grad Dip IM (Arch) BA (Fine Arts) Elizabeth Maloney BFA, Grad Dip Kristel Smits B App Sc (Cons), MA (Fine Arts) Mus Studies Head, Public Programs Director Brian Ladd Dip Fine Art, Dip Ed Senior conservator, Works on Paper Edmund Capon AM, OBE, M Phil Rosemary Peel BA (Fine Arts) Head curator, Asian Art Senior coordinator, Public Programs Executive personal assistant Conservator, Works on Paper Jackie Menzies BA (Hons), MA and Art After Hours to the director Sheona White BA Post Grad Profl Carolyn Murphy BA, Grad Dip Lisa Franey BA (Hons) Curator, Japanese Art (Museum Studies), B App Sc Khanh Trinh Pompili BA, MA, PhD Art Studies & Visual Arts Curator, Exhibitions (Cons), MA (Writing) Assistant, Art After Hours Terence Maloon BA (Hons), Dip Art Curator, Chinese Art Senior conservator, Objects Ashlie Pellow B (Creative Arts) & Design Yang Liu BA, MA, PhD Donna Hinton MA App Sci (Cons), Curator, South & South East Senior coordinator, Education Dip Museum Tech Programs Asian Art Senior conservator, Frames Benefaction manager Tristan Sharp BA, MA (Arts Admin), Chaya Chandrasekhar BA, MA, Malgorzata (Margaret) Sawicki BA Jane Wynter BA, LLB Dip Ed (Secondary) PhD (Cons), MA App Sci (Materials Development coordinators Senior coordinator, Asian Programs Manager, Information Conservation) Fiona Barbouttis BA, Dip Ed Jonathan Cooper Dip Art, Ed Barbara Cressall Ann MacArthur BA (East Asian Conservators Studies), M Intl Mgmt Administration assistant Victoria Bramwell-Davis Assistant registrar (curatorial) Naomi Morris Matt Cox BA (Indonesian Studies), Head, Business Development Asian Art Museum educator/curator, Special MA (Art History and Theory) Leith Douglas BA Natalie Seiz BA (Hons), M Art Projects Kerry Head (Communications) Admin Ursula Prunster BA (Hons), MA Elizabeth McCarthy MA App Sci Business development coordinator Museum educator, Contemporary (Cons), BFA (Hon) Fine Arts Merryn Schriever BA (Fine Arts) Art Andrea Nottage Head curator, Australian Art (Photography), Post Grad in George Alexander BA (Hons) Conservators, Frames Management Barry Pearce Dip Art Ed Coordinator, K–6 Schools and David Butler Senior curator, Australian Art Family Programs Barbara (Basia) Dabrowa MA Deborah Edwards BA (Hons), (Cons) General manager, Curatorial Victoria Collings MA, BA (Hons), M Phil Services PGCE, Nat Dip Senior conservator, Asian Art Head curator, Western Art Assistant curators, Australian Art Museum educator Sun Yu BA (Art History) Curator, 20th Century Helen Campbell BA (Hons), Grad Jethro Lyne BA (Hons), MA Conservator, Asian Art Dip (Museum Studies) International Art Museum educator Yang Yan Dong Natalie Wilson BA (Visual Arts), MA Anthony Bond B Ed (Hons) Danielle Gullotta (Art History & Theory) Registrar, Collections System Coordinator, Tertiary Programs Senior registrar, Collections Senior curator, Australian Prints, Integration Coordinator, Gifted and Talented Emma Smith BA, Grad Dip Drawings & Watercolours Jesmond Calleja BA programs (Decorative Arts) Hendrik Kolenberg Coordinator, Study Room Sherryl Ryan M Ed (Gifted & Assistant registrars Deborah Jones BA, Grad Dip Curator, Australian Prints Talented), PGD, FA B Ed Clare Germaine BA, MA (Arts Anne Ryan BA (Hons), M Art Admin (Museum Studies) Coordinator, Access Programs Admin) Curatorial projects and research Assistant curators, Australian Art Amanda Peacock BA, Dip Ed Brent Willison BA (Visual Arts) officer Caroline Geraghty Coordinator, Secondary and Asian Registration assistants Donna Brett BA (Visual Arts), MA Denise Mimmocchi BA (Hons) Education Programs Paul Solly (Art History & Theory) (on leave) Leeanne Carr B Ed (Visual Arts) Nick Strike BA (Visual Arts) Maria Concetta Tornatore-Loong Image reproduction officer Clerical manager BA (Art History & Theory), MA Michelle Andringa Liliana Torresan Senior photographer (Curatorship & Modern Art) Bookings officers Jenni Carter Senior curator, European Art, Sienna Brown Photographer Senior curator, Aboriginal and pre-1900 Petra Pattinson Diana Panuccio Torres Strait Islander Art Richard Beresford BA (Hons), MBA, Photographers, Digitisation Hetti Perkins BA Image librarians PhD Dot Kolentsis Dip (Visual Arts), Chilin Gieng Curator, Aboriginal and Torres Strait Curator, European Prints, Drawings Grad Dip (Visual Arts) Miriam Stirling Islander Art & Watercolours Meredith Robinson BA Cara Pinchbeck BA (Visual Arts), Peter Raissis BA (Hons) MA (Visual Arts) General manager, Exhibitions & Senior curator, Contemporary Art Building Management Coordinator, Aboriginal Programs Coordinator, Brett Whiteley Studio Wayne Tunnicliffe BA (Hons), MA, Anne Flanagan Dip Int Design, Dip Jonathan Jones BA (Fine Arts) Alec George Dip Ed M Art Admin Ed, Dip Ed (Visual Arts) Exhibitions manager Assistant registrar (curatorial), Manager, AV Services Head librarian Erica Drew BA (Hons) Western Art Laurence Hall BA (Comm) Judy Peacock BA, Grad Dip App Susan Schmocker BA, Dip Lib Exhibitions assistant Coordinators, AV Services Sc, M Art Admin Senior librarian/technical services Edwina Brennan Brian Blackwell Kay Truelove BA, Dip Lib Exhibitions project officer, Curator, Contemporary Art Simon Branthwaite Natasha Bullock BA (Hons), Librarians Installation Coordinator, Film Program Postgrad Dip (Art Curatorship & Richard Goodwin Stefanie Tarvey Robert Herbert Museum Management) MA Robyn Louey BL Arch, Grad Dip IM Senior registrar, Exhibitions Coordinator, Contemporary (Lib) Charlotte Davy BA (Art History), Collection Benefactor and Aboriginal Valerie Tring Head, Conservation Adv Dip (Fashion Design) Collection Benefactor John Tse Alan Lloyd Registrar, Exhibitions Bambi Blumberg B Econ, Dip Ed, Library technician Senior conservator, Paintings Charlotte Cox BA, Grad Dip (Works Cert Teach English Vivian Huang Assoc Dip Arts Stewart Laidler Dip Cons of Art)

78 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 79

Assistant registrar, Exhibitions Accounts payable supervisor Marketing coordinator Patricia Teece Amanda Green BA, Dip (Prehistoric Graeme Callaghan Kylie Wingrave BA (Visual Arts), B Mary Thom and Historical Archaeology), Grad Accounts payable clerk Comm Steve Triantos Dip (Museum Studies) Maria Montenegro Marketing assistant Mark Turner Ticketing supervisors Molly Waugh BA (Comm) Russell Ward Chris Aronsten Gisella Weber Management accountant Carmel Crisp Paul Woolcock Bernadine Fong, B Bus (Banking Supervisor, Information Desk Lorraine Xuereb Ticketing officer & Finance) Jeanette Klease Prue Watson Accounting clerks Weekend coordinator Rita Briguglio Sally Bates Print production manager/Studio Viva Chelvadurai Receptionist coordinator Michelle Berriman BA (Hons), Cara Hickman B Sc (Arch) Manager, Information & Technology Dip HE Multimedia designer Maurice Cirnigliaro M Bus Information officers Jo Hein (Information Technology) Minette Brewin Senior graphic designer Manager, Network Operations Anna Davis Mark Boxshall BA (Visual Arts) Theo Papalimperis Kate Dorrough Graphic designer Tracey Keogh Help desk officers Karen Hancock Olivia Prunster Adam Dunn Roseann Phillips Manager, Building Services Manager, Security Services Phil Johnstone George Alamanos Manager, Human Resources Manager, Engineering Services Security officers Jenny Capdor Ray Cunico, Adv Dip Mech Emilio Cruz Engineering Human resources coordinators Glenn Gavin Shirley Dunshea B Bus (HRM) Maintenance officer Scott Gulliford Kimberley Milicevic Rob Schumacher Telly Linakis Valita Manu Plant fitter/Operator David Paine JP Julio Angulo Manager, Management Services & Strategic Planning Bob Partridge Trish Kernahan Hudson Qureshi Senior lighting technician Supervisor, Administration services Bryan Reynolds Simm Steel & records co-ordinator Trade assistant Louise Fischer BA, MA Manager, Gallery Services Lindsay Drummond Administrative support officer Michael Bennett Deborah Spek Senior gallery officers Senior installation technician Kuldeep Duhan Nikolaus Rieth Peter Howlett Manager, Retail and Publishing Installation officers Peter Rozario Richard Harling BA (Hons) Mary-Anne Cornford Gallery officers Assistant manager, Retail Brett Cuthbertson Freddi Alam Gillian Williamson B Sc John Freckleton Ian Bolt Alyosha Pearce Book buyer Arthur Boucas Peter Tsangarides Denise Faulkner BA (Fine Arts) Alan Boyd Shop supervisor & merchandising Kevin Callope Stores officer coordinator Anthony Caracoglia Steve Peters JP Rebecca Allport Murray Castles Stock & sales officers Ana Crespi Stephen Davies Senior display technician, Carpentry Carlotta Arias Romeo Domingo Bill Viola Lynne Barwick BA (Visual Arts) MA (Writing) Terry Forde Display technicians, Carpentry Julie Fraser Khaled Ghloum Gary Bennett Marc Hartl David Grech Luke James Janak Kadian BA Ram Mudaliar Daniel McCready Maryanne Marsh Peter Karamanis Senior display technician, Painting Cassandra Willis John Kavallaris Michael Brown Rayson Light Stores officer Display technicians, Painting Juan Lira Bevynn Wilkerson Daniel Green Ramon Lozada Alan Hopkinson Stuart Matheson Venue manager Jamil Mati Caroline Harvey Patrick McBride BA (Hons), MA General manager, Finance & Nigel Milsom Management Services Venue assistant Kevin Nguyen Rosemary Senn B Comm, FCPA, Joanne Oldfield Ray Nguyen MAICD Dip Antonio Ozcan Project officer General manager, Marketing Dominque Pirrie Jackie Bullions Belinda Hanrahan B Comm Peter Rawlins Publicity officers Debasish Ray Financial controller Susanne Briggs Assoc Dip B Sharat Sharma France Du Buisson Perrine B Fin Studies Dip Counselling Peta Sirec B (Visual Arts) Admin, CPA, Grad Dip (Fin Claire Martin BA (Hons), Dip Suzanne Slavec Planning), Fellow of Finsia (F Fin) Marketing Joan Standfield

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 79 AR07_appendices.qxd 24/10/07 12:45 PM Page 80

Internships Helen Holmes; Roslyn Hunyor; Marie James; Patricia James; Maconachie; Alison McDonald; Yaeli Marie Huxtable; Pam Jennings; Heather Jelfs; Jennifer Jenkins; Ohana; Brooke Pepper; Alicia Tertiary internships took place Margot Johnston; Mary Kavanagh; Patricia G Johnson; Karen Poppett; Kate Steel; Ant Thomas across a wide range of Gallery Diane Kempson; Jill Kloster; Kay Johnston; Margaret Johnston; departments, including public and Knight; Daphne Kool; Pat Kreuiter; Margaret J Johnston; Nita Jones; OTHER GALLERY education programs, curatorial, Dorothea Labone; Sharon Lain; Meri Sandra Jones; Noel Jordan; Donna DEPARTMENT VOLUNTEERS: exhibitions, library and archives, Lane; Jenny Latham; Shirley Kelly; Sue Kemp; Vere Kenny; registration, conservation, marketing Joyce Allegretto, Archive Lilienthal; Sue Lowes; Fiona Loxton; Ursula Knight; Miho Kondo; Anneke and the Brett Whiteley Studio. Arnaldo Buch, Library Angela Luessi; Susan Ma; Wendy Kunz; June Lessick; Penny Levette; Fourteen internship placements for Elizabeth Callanan, Australian Art Matthews; Romola McConnachie; Linda Ann Littlemore; Roslyn undergraduate and post-graduate Rylie Keogh, Library Juliet McConochie; Frances Luger; Jan McClelland; Raymond students from Australia and Marilyn Keys, Archive McNally; Cherry McWilliam; Serene J McDonald; Robin McIntyre; overseas took place in 2006–07, Nalini Kumar, Library Miles; Lesley Millar; Norma Milne; Kristine J MacKenzie; Lesley from faculties such as Museum Patrizia Ribul, Contemporary Art Gwyneth Morgan; Janet Morse; Mackintosh; Margaret McLellan; Studies, Arts Administration, Art Paul Solly, Conservation Les Moseley; Maureen Murphy; Marlene McPherson; Suzanne History and Theory, Visual Arts Marsha Svenson, Conservation Diana Northedge; Virginia Osborne; Maddison; Sue Mandelberg; Trish Education and Conservation Dianne Ottley; Ruth Owen; Mandy Mappin; Patrick Marco; Margaret Management. Participating Palmer; Wendy Payne; Audre Marshall; Barbara Martin; Barbara institutions included College of Fine Pedder; Philippa Penman; Carolyn Mason; Heather Mead; Mary Arts, University of New South Penn; Keith Potten; Caroline Meppem; Sheila Milroy; Barry Wales, , Presland; Dilys Renham; Pamela Molloy; Denise Morris; Pat Morton; University of Western Sydney, Rex; Margaret Rich; Pam Rogers; Hilary Moxon; Gael Murphy; Peter University of Technology Sydney, Alison Ross; Lyla Rowe; Christine Nicholls; Kate Noble; Brian Nugent; University of Newcastle and the Rustamzadeh; Louise Samer; Ruth Marlies Oakley; Lyn Oliver; Elizabeth Cologne University of Applied Sams; Pauline Sayle; Lilli Scott; Oomens; Ruth Osen; Diana Page; Sciences. Beverley Shea; Patricia Smith; Susan Pajor; Eveline Paxton; The Artexpress Education Internship Beatrice Sochan; Claire Souillac; Rebecca Pearson; Hetti Penn; initiative continued in 2006–07 for Denyse Spice; Fiona Still; Dianne Maryann Phillips; Dian Pitson; trainee teachers studying at Stinson; Caroline Storch; Dorinda Michael Poole; Penny Porter; Judy university. The ongoing internship Sullivan; Jennifer Sutton; Susan Preshaw; Cynthia Pretty; Marie program assists the Artexpress Swan; Jill Thompson; Prue Todd; Puntigam; Hanne Raad; Margaret curator during the exhibition Lee Tredinnick; Jan Tydd; Patricia Radford; Patricia Reed; Joan selection process in the Wilson; Mary Woodburne; Brenda Roberts; Astrid Robinson; Stana development of related education Woods; Linda Zurnamer Rogac; Charles Rushton; Kim programs and the preparation of Sandford; Zella Sandy; Annette content for the Inside ARTEXPRESS VOLUNTEERS – TASK FORCE Searle; Cassie Sheehan; Margaret 07 website, from October to MEMBERS Sheppard; Irene Shillington; Penny December each year. This highly Shore; Dana Skakavac; Ann Smith; sought-after internship was Betty Allerton; Robin Amm; Greta Joyce Smith; Shirley Smyth; Lesley awarded to three leading students: Archbold; Meredith Aveling; Julia Sommerville; Merrilyn Sowell; Judith Alacoque Dash and Adele Maskiel, Baldo; Alexandra Ballard; Linda Stefanek; May Steilberg; Peter Masters of Education, University of Barnes; Julia Bate; Diana Berlyn; Strand; Barbara Stubberfield; Sydney; and Annette Mauer, Wendy Beverly; Anne Blomfield; Marsha Swenson; Margaret Masters of Art Administration, Georgie Blythe; Joyce Botta; Swinton; Joan Tasker; Irene Thom; College of Fine Arts UNSW. W S Bough OAM; Pamela Bough; Halina Brett;’ Shirley Brettle; Sue Thomas; Fay Thurlow; Susan Tompkins; Judith Twist; Mary Unwin; Volunteers 2006–07 Valda R Brook; John Buchanan; Helen Buckland; Petah Burns; Ursulal Ure; Jill Vaughan; Shirley VOLUNTEER GUIDES Wendy Canning; Annette Carlisle; Vogan; Valerie Vogt; Julie Wallace; Dale Amir; Sidney Anderson; Mary Casey; Faith Charity; June Ellen Watson; Gail Watt; Carolyn Carolyn Andrew; Jan Angus; Chatfield; Maria Cicutto; Jill Clapin; Webb; Rita Weberbauer; Maggie Margaret Anthony; June Armitage; Annie S. Clarke; Lea-Ann Clarke; Weiley; Peter Whawell; Jill White; Phillippa Baird; Pamela Barr; Robyn Anne Cole; Gabrielle Cousins; Annie Wicks; Clarice Wilkins; Bathurst; Annabel Baxter; Janet Patricia Anne Curtis; Beverley Joanne Wilson; Jennifer Wood; Bell; Kay Berryman; Carolyn Darby; Ann Dawson; Gail Dendle; Jill Wunderlich; Margot Yeomans Bethwaite; Dale Bird; Jenny Birt; Lynette Dening-Franklin; Charlotte Rosalie Blackshaw; Vicki Brown; Denison; Francine De Valence; VOLUNTEERS – COMTEMPO Cathy Cameron; Lisa Campbell; Carleen Devine; Ann Dodd; COMMITTEE Norma Castaldi; Licia Cattani; Margaret Doherty; Elizabeth Committee elections are held each Valerie Chidgey; Bella Church; Donnelly; Ruth Dornan; Jutta Dubiel; March. Susie Clark; Anne Cohen; Ann Cole; Judith Duff; Peter Eames; Caroline Mark Andrews, president 2006–08 Helen Cowlishaw; Liz Crenigan; Eburn; Joan Economus; Pam Ellis; Norma Tran, senior vice president Janice Cronly; Sally Cullen; Daile Falconer; Eva Feher; Yvonne 2006–07 Adrienne Dan; Lorraine Davids; Fell; Coralie Fergus; Carol Forsythe; Lynn McColl, senior vice president Jackie de Diana; Ro Dermody; Val Freeman; Kitty Gassner; Yvette 2007–08 Sue Dominguez; Jill Dunlop; Patricia Geczy; Shonie Glasgow; Patricia Sascha Tyson, vice president Elliott; Diane Everett; Susan Farrell; Governor; Leonie Grattan; Lyn Gray; 2006–07 Louise Fennel; Gwen Ferguson; Sheba Greenberg; Beverley Griffiths; Renee Siros, vice president Betty Floyd; Judy Friend; Pam Kirsten Gross; Aiko Hagiwara; 2007–08 Fuller; Caroline Furniss; Jennifer Dagmar Halas; Simone Hancock; Kirby Weston, secretary/treasurer Gardiner; Mary-Lou Gilbert; Inge Susan Hand; Averil Hargreaves; 2006–08 Grant; Deirdre Greatorex; Anna- Jocelyn Harris; Eva Havas; Committee members: Maryke Grey; Joan Grimes; Trish Hay; Frances Hellier; Ann Helen Biles; Brad Buchel; James Alison Gross; Callie Guinness; Henderson; Mary Hillier; Margaret Edmondson; Simone Esamie; Julie Jennifer Harrison; Annie Herron; Hunt; Madeline Hunter; Pamela Flowers; Melanie Goldwater; Martin Shirley Hillman; Joyce Hodges; Hyles; Teresa Jakubowski; Katzler; Emily Lees; Rob

80 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 81

STAFF PUBLICATIONS, PRESENTATIONS AND RELATED ACTIVITIES

Unless otherwise stated all lectures 24 Aug 2006 Article: ‘Miracles of naturalism’, Opened: Drawing exhibition, COFA and presentations were held at the Floortalk: Balnaves (with Hany Look, Feb 2007, pp 22–23 UNSW, 31 Aug 2006 AGNSW. Armanious) Article: ‘Nobility and realism’, Look, Opened: Alan Charlton exh, Abbreviations: Floortalk: Anne Landa Award Feb 2007, pp 22–24 Annandale Gallery, Sydney, 27 Sept AGS: Art Gallery Society of NSW (with all artists), 18 Nov 2006 Lecture: ‘Who is Bartolomeo di 2006 AGNSW: Art Gallery of New South Floortalk: LL2 collection, 7 March Giovanni?’, Decoding the Opened: John Beard exh, Buckley Wales 2007 Renaissance, Sept 2006 Gallery, Melbourne, 8 Nov 2006 CCB: Contemporary Collection Floortalk: Gail Hastings, 2 May 2007 Lecture: ‘Reading Duccio’s Maestà: Opened: Mike Parr exh, Anna Benefactors Floortalk: Anne Zahalka, 4 April forwards and backwards’, Decoding Schwartz Gallery, Melbourne, PCB: Photography Collection 2007 the Renaissance (repeat lectures), 29 March 2007 Benefactors Floortalk: UBS, 13 June 2007 Oct 2006 Opened: John Nixon exh, Tarra Exh: exhibition Paper: ‘Art as transit visa through Lecture: ‘The Sistine Chapel’, warra Museum of Modern Art, UNSW: University of New South zones of contact’, Biennale of Decoding the Renaissance II, Melbourne, 31 March 2007 Wales Sydney, CoFA, 12 Aug 2006 March 2007 Opened: Sigmar Polke exh, SCA USyd: University of Sydney Paper: ‘Giacometti and surrealism’, Floor talk: ‘Francois Boucher’s USyd, 2 May 2007 UWS: University of Western Sydney AGNSW Symposium, Feb 2006 Lady with a pug dog’, July 2006 Judge: Sculpture Society Annual Paper: ‘Paper, scissors, rock: Floor talk: ‘Gatti’s Hungerford Prize, 31 July – 1 Aug 2006 George Alexander (Coordinator, what makes the artworld tick?’ Palace of Varieties: Second turn Judge: Maitland Art Prize, 9 Feb contemporary programs) Roundtable UBS Forum discussion of Miss Katie Lawrence by Walter 2007 Principal writer: Lewis Morley, with Peta Arends, John Young, Sickert’, Aug 2006 Academic review panel for Art Giacometti, Gods & Goddesses Edward Colless, Peter Hill, Amanda Floor talk: ‘Procaccini’s Dead Christ History at Adelaide University, (Focus Fest text), DVD Conversation Rowell, 19 May 2007 on the cross with Sts Mary Sept 2007 with artists booklet Opening speech: Margaret Grafton Magdalen, Augustine and Jerome’, Chair: AAANZ, Reinventing the Article: ‘Noel Sheridan’ Art & survey show, Cross City projects, Aug 2006 medium, session Australia, summer vol 44, no 2, Kings Cross, 9 Sept 2006 ‘Modern/Postmodern 2006 p190 Opening speech: ‘Andrea Stretton Anthony Bond (Head curator, debate in the early Modern period’, Article: ‘State of the Art (Feature): “Books in art”’, AGNSW and International Art) Monash University, Dec 2006 The loaded brush’, ArtAsiaPacific, Sydney Writer’s Festival, 26 May Curator: Anselm Kiefer, White Cube Conference paper: ‘The evolving issue no 52, March/April 2007, 2007 London, Jan 2007; AGNSW, May roles of curator and the role of the pp 46–48 Speaker: Amateur art group in 2007 critic’, AICA 2007 Congress, Paris, Review: ‘Juan Davila’, Erskineville, 7 Feb 2007 Collection rehangs: level LL2, UBS Oct 2006 ArtAsiaPacific, issue no 52, Speaker: Art Gallery Society Tour Contributing author: ‘Fields of Board memberships: chair, NSW March/April 2007, p 102 Talk, 17 Feb 2007 reference’, Anselm Kiefer: Aperiatur branch of AAANZ (Art Historians); Review: ‘Howard Arkley’, ‘Venice Outside assessor, MFA student terra, White Cube London, pp50–69 Treasurer, AICA (International Art Biennale: Australian Pavilion’ (sculpture) at CoFA, 21 Feb 2007 Chapter: ‘International ’, Critics); Power Institute, USyd; ArtAsiaPacific, issue no 53, p 118 Corporate talk: UBS, 5 June 2007 Photography: Art Gallery of New Biennale of Sydney Review: ‘Peter Hill and Gail Australian desk editor for South Wales collection, AGNSW, Hastings: Cue the Sun’, ArtAsiaPacific Sydney 2007 Donna Brett (Curatorial project ArtAsiaPacific, issue no 54, Chapter: ‘Imagining the body’ and and research officer) May/June 2007, p 90, p 118 Judy Annear (Senior curator, ‘Object and associations’, Chapter: ‘Expression and the Review: ‘Peter Lyssiotis’, (Feature), Photography) Contemporary: Art Gallery of New figure’, Contemporary: Art Gallery Art & Australia, spring, vol 44, no 3, Curator: Lewis Morley, 7 July – South Wales contemporary of New South Wales contemporary 2007, p 434 10 Sept 2006 collection, AGNSW, 2006 collection, AGNSW, 2006 Essay: ‘Daniel Crooks, Sherman Co-curator (with Virginia Heckert, Essay: ‘Anselm Kiefer in the studio’, Chapter: ‘The surrealist aesthetic’, Galleries’, Sydney, 2006 associate curator, JPGM): The Art and Australia, March 2007 Photography: Art Gallery of New Chapter: ‘Popism and Screen photographs of August Sander from Article: ‘Anselm Kiefer Aperiatur South Wales collection, AGNSW, Culture’, Contemporary: Art Gallery the J Paul Getty Museum, Los terra’, Look, AGS, May 2007 Sydney 2007 of New South Wales Contemporary Angeles, AGNSW, 17 Nov 2007 – Article: ‘Anselm Kiefer’, Kultur, Chapter: ‘A postwar modernist Collection, AGNSW, 2006 3 Feb 2008, JPGM 6 May – 10 Aug Goethe Institute, April 2007 vision’, Photography: Art Gallery Chapter: ‘Tableaux, memento mori, 2008 Artists’ entries: Tony Cragg, Michael of New South Wales collection, screen culture’, Photography: Art Editor/author: Lewis Morley, Craig Martin, Gerhard Richter and AGNSW, Sydney 2007 Gallery of New South Wales AGNSW, Sydney, 2006 Andy Warhol for the UBS collection Catalogue entries: Nobuyoshi Araki, Collection, AGNSW, Sydney 2007 Editor/author: Photography: Art exhibition catalogue, An incomplete Roy Lichtenstein, Alighiero e Boetti, Entry: ‘Australia’, ArtAsiaPacific Gallery of New South Wales world, AGNSW, Sydney, 2007 An incomplete world: works from Almanac 2007, vol 2, pp 112–113 collection, AGNSW, Sydney, 2007 Workshop: Echigo Tsumari triennial, the UBS art collection, AGNSW, (forthcoming July 2007) Essay: ‘Not careful? The Ewing and Tokyo, 14 July 2006 Sydney 2007 Producer: Conversations with George Paton Galleries Lecture: ‘Why art matters’, Kyoto Article: ‘Yvonne Boag: mapping Australian artists, vol 2 ‘Connecting 1979–1982’, H Vivian (ed), Walls University of Art and Design, place, memory and conversations’, flights’, DVD Video, 2006 sometimes speak: George Paton 10 July 2006 Artlink, vol 26, no 3, 2006, Lecture: ‘Biennale of Sydney Gallery 1971-2006, MacMillan, Lecture: ‘Why art matters’, pp 28–33 lecture’, Auditorium, 23 June 2006 Melbourne [forthcoming] T Nigata University, 21 July 2006 Essay: ‘Yvonne Boag, a Korean Lecture: ‘Art vs death in Member: Photography Collection Lecture: ‘Performance art’, Cofa metonymy: memory, body, place’, contemporary art’, ARTFORUM Benefactors Committee, AGNSW, UNSW, 21 and 22 Aug 2006 Sixth Drawing Biennale, ANU, series, National Art School, Sydney Lecture: ‘Kiefer’, Tweed Heads, , July – Sept 2006 28 March 2007 Jury member: Hasselblad 4 Feb 2007 Essay: ‘Yvonne Boag: unravelling Lecture: ‘Howard Arkley’, Foundation Photography Award, Lecture: ‘Kiefer’, National Art conversations and spaces’, (cat 13 April 2007 Gothenburg, Sweden School, 7 March 2007 essay), Yvonne Boag: Unravelling: Lecture: ‘Andy Warhol’, UBS, Director: Artspace, Sydney Lecture: ‘Kiefer’, Newcastle a survey exhibition, Stonington 25 May 2007 Guest scholar: The J Paul Getty University, 24 April 2007 Stables Museum of Art, Deakin Lecture: Volunteer guides (on Museum, Los Angeles, 2 Jan – Lecture: ‘Kiefer’, Cofa UNSW, University, Oct 2006 Morley, Arkley, UBS) 31 March 2007 15 May 2007 Essay: Laura Matthews, Vista – Lecture: CoFA tertiary orientation, Lecture: ‘Why art matters’, Print Orange 2007, Art Equity, May 2007 8 Feb 2007 Richard Beresford (Senior curator, Council Australia, Tweed Heads, Lecture: ‘Collection provenance and Lecture: SCA tertiary orientation, European Art pre-1900) 6 May 2007 looting issues’, USyd, Museum 23 May 2007 Article: ‘Visitors from Canberra’, Lecture: ‘Kiefer’, Newcastle Studies, Sept 2006 Floortalk: Lewis Morley, 26 July and Look, Sept 2006, pp 24–27 University, 23 May 2007 Lecture: ‘Collecting at the AGNSW’,

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 81 AR07_appendices.qxd 24/10/07 12:45 PM Page 82

USyd, Museum Studies, May 2007 Introduction: Bird in the hand: Floor talk: ‘Visnu and his Avatars’, Charlotte Davy (Senior registrar, Paper: ‘Transformation and paintings by Tony Clark and John curator’s talk, June 2007 exhibitions) resurrection as medium: Cornelia Wolseley, Art After Hours, Jan 2007 Speeches: Goddess: divine energy Workshop: ‘Couriers: the Parker’s suspended metaphors’, Floor talk: Ricky Swallow’s Killing exhibition viewings, AGNSW, Oct management and practice of AAANZ, Reinventing the medium Time, Art After Hours, March 2007 2006 – Jan 2007 accompanying objects in transit’, conference, Monash Uni, Dec 2006 Floor talk: Anne Zahalka, Women Interview: The spirit of things with Full day w/s, Museum of New Floor talk: ‘Post-war modernist in Art group, March 2007 Rachel Kohn, ABC Radio National, Zealand Te Papa Tongarewa, NZ, photography’, Art After Hours, Nov Floor talk: Gail Hastings, UBS young 22 Oct 2006 Aug 2006 and March 2007 2006 achievers program, April 2007 Interview: Sunday arts review, Workshop: ‘Couriers: the Floor talk: ‘Dennis Del Favero’, Floor talk: Anne Zahalka, Govett- ABC-TV, 12 Nov 2006 management and practice of Art After Hours, Feb 2007 Brewster Benefactors Group, NZ, Several other interviews for local, accompanying objects in transit’, Workshop: Digitising the AGNSW April 2007 Melbourne, and Indian newspapers Full day w/s; Auckland Art collection, MA NSW, St George Introduction: Anne Zahalka, CCB Gallery and National Services Regional Museum, March 2007 and PCB groups, April 2007 Victoria Collings (K–6 School and (2 workshops open to participants Member/treasurer: Art Association Introduction: Anne Zahalka, Art After Family Programs Coordinator) from museums and galleries of Australia and New Zealand Hours, April 2007 nationally in New Zealand), NZ, Judge: The Dymocks Golden Paw (Art Historians Association) Curator’s group, AGNSW, Sydney March 2007 Zealand) Award in conjunction with the Member: Museums Australia, Art, Paper: ‘Navigating risk: legislative Foundation for National Parks and craft and design SIG Jesmond Calleja (Senior registrar, parameters for importing and Wildlife, Sept 2006 Committee member: SafARI Collections Systems Integration) exporting loans’, Australasian Education consultant: Albury Member: Editorial Working Group, Conference paper: ‘Managing digital Registrars Committee annual Regional Gallery’s children’s Dictionary of Australian Artists technologies’, DEMHIST’s Managing conference, Hobart, Nov 2006 programs and Kidspace, May 2007 Online, UNSW Sydney the Past for the Future, 10–13 Oct President: Australasian Registrars Member: AICA 2006, Valletta, Malta Committee Workshop: ‘Creating a virtual world Jonathan Cooper (Manager Natasha Bullock (Curator, of information: AGNSW digitisation of Information) Deborah Edwards (Senior curator, Contemporary Art) project’, Digitisation Workshop, MA Lecture: ‘Authority versus Australian Art) Curator and editor: Anne Landa NSW, St George Regional Museum, autonomy: allowing public Curator and author: Bertram Award 06, 17 Nov 2006 – 11 Feb 9 March 2007 participation in a government Mackennal monograph and cd-rom 2007 Training: AGNSW Vernon Collection website’, NSW Government catalogue raisonné, 17 Aug – 4 Nov Curator and editor: Brendan Lee: Management System, produced Website Managers Group, Sydney, 2007 two birds with one stone, 15 Sept – the Vernon user manual 5 Dec 2006 Examiner: Master of Arts degrees, 22 Oct 2006 Coordinator: ARC research Lecture: ‘An introduction to School of Art, University of Managing curator and editor: partnership with the University of myVirtualGallery’, Creative Tasmania, 19–20 July A bird in the hand: paintings by Melbourne, Copyright and industries online forum, Interview: Channel 9, Bronwyn Tony Clark and John Wolseley, Digitisation in Cultural Institutions organised by Arts NSW, Sydney, Oliver, Aug 2006 14 Dec – 28 Jan 2007 23 Jan 2007 Floor talk: Giacometti, Sept 2006 Curator and editor: Struck: Michele Dr Chaya Chandrasekhar (Curator, Floor talk: ‘Unity in blue’ by Floor talk: Permanent Australian Barker and Anna Munster, South and Southeast Asian Art) Godfrey Miller, Art After Hours, collections, Sept–Oct 2006 8 Feb – 22 March 2007 Assistant curator: Goddess: divine 11 Oct 2006 Essay: ‘Janet Dawson retrospective, Curator and editor: Sculptural energy, 13 Oct 2006 – 28 Jan 2007 exhibition cat’, Bathurst Regional Art situations by Gail Hastings, Article: ‘Durga Puja: celebrating the Paper: ‘Digital meta-collections: Gallery, Sept 2006 29 March – 9 May 2007 victorious’, TAASA Review, vol 16, myVirtualGallery as an example of Paper: ‘George Lambert as Curator: Anne Zahalka, Australian no 2, June 2007, pp 26–27 sociable technologies applied to sculptor’, George Lambert Collection Focus, 14 March – 2 May Essays: ‘Vajrayana’; ‘Adi Buddha digitised collections’, National 2007 couples’; ‘Jina Prajnas: Female Summit on Digital Collections, Symposium, Chapter: ‘Time, memory, place’, Buddhas of the Mandala’; ‘Heruka Adelaide, 15 Aug 2006 Canberra 27–29 June 2007 Photography: Art Gallery of New Buddhas’; and with Anu Vedagiri, Judge: Royal Easter Show: Marine Judge: 2007 South Wales collection, AGNSW, ‘Lakshmi, Goddess of well-being’, and Seascape Painting section, Committee member: Power Sydney, 2007 Goddess: divine energy, AGNSW, Homebush Bay, 26 March 2007 Department, University of Sydney Chapter: ‘Landscape, mapping, Sydney, 2006 Member: ‘Dictionary of Australian USyd alumni nature’, Contemporary: Art Gallery Catalogue entries: 33 object entries, Artists Online’, Technical Working of New South Wales contemporary Goddess: divine energy, AGNSW, Group, UNSW, Sydney Alec George (Coordinator, Brett collection, AGNSW, Sydney, 2006 Sydney, 2006 Whiteley Studio) Coordinator and author: 9 Shades Essay: ‘Times of our lives’, Anne Lecture: ‘Jina Prajnas: female Matt Cox (Conservator) education kit (online), Dec 2006 Landa Award 06, AGNSW, Sydney, Buddhas of the Mandala’, Goddess: Exhibition designer: Utility: tacit Alchemy Concertina Card 2006 divine energy Symposium, Oct 2006 tactics, Sydney College of the Arts, (education kit), AGNSW, Feb 2007 Essay: ‘Continuous monumental Lecture: ‘Exhibition analysis, USyd 8 Aug – 9 Sept 2006 Interview: Wendy Whiteley and moments: Damiano Bertoli’, Goddess: divine energy’, Focus Curatorial assistant: Utzon’s Barry Pearce for Brett Whiteley Adventures with form in space, Fest: Annual teacher’s conference, Winning Vision, Sydney Opera AGNSW, Sydney, 2006 Dec 2006 studio handbook and for archival House, 29 Jan – 28 Feb 2007 Entries: ‘John Baldessari’, ‘Damien Lecture: ‘Exhibition case study, purposes, recorded 18 May 2007 Article: ‘The changing face of Hirst’, ‘Maria Kontis’ and ‘Thomas Goddess: divine energy’, for St Mary’s Floor talk: Alchemy, as a self Conservation’, Look, Aug 2006 Ruff’ in J Smith and W Tunnicliffe, Senior College students, Dec 2007 portrait, Art After Hours, Mar 2007 Lecture: Pirates to Prophets: (eds), An incomplete world: works Lecture: ‘Battles, bravery and Legendary heroes and icons of from the UBS Art Collection, beyond: chronicles of the Mughal Donna Hinton (Objects AGNSW, Sydney, 2006 Emperors’, Arts of Asia series, Malaysia, Asian Arts Lecture Series, conservator) Lecture: ‘Contemporary Australian April 2007 15 May 2007 Talk: ‘Couriering the Giacometti photography’, Nanyang Academy of Lecture: ‘Indian sculpture’, Sydney Recipient: Australian Malaysia exhibition between France, Sydney Fine Arts, Singapore, June 2006 Sculptors’ Group supper series, Institute Grant, Cultural and Christchurch NZ’, Australian Floor talk: Anne Landa Award, April 2006 Understandings Program 2007 Institute for Conservation of Cultural Contemporary Collection Floor talk: ‘Tara and the divine Recipient: AGS, Research Material, Dec 2006 Benefactors Group CCB, 16 Nov female’, Goddess: divine energy, scholarship 2007 2006 Nov 2006 Internship: Islamic Arts Museum Vivian Huang (Library technician) Floor talk: Anne Landa Award, Floor talks: Goddess: divine energy, Malaysia, Kuala Lumpur, Malaysia Supervised TAFE Library and curator’s talk, 22 Nov 2006 Oct 2006 – Jan 2007 Feb–March 2007 Information Studies Student

82 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 83

Deborah Jones (Coordinator, Study Judge: Operation Art, Penrith Article: ‘Aroma of fresh ink’, Look, ‘The Gothic Cathedral’, 23 May 2007 Room co-ordinator) Regional Art Gallery, 28 June 2007 Oct 2007, pp 25–27 Lecturer: Department of Art History, Entries: Artist entries for Director: Brett Whiteley Foundation, Interview: The history show, 2BL, & postgraduate coordinator, ‘International documentary Sydney 15 Sept 1988, producer Virginia National Art School; Doctoral photography’ chapter, Photography: Director: William Fletcher Johnston research ongoing, French Medieval Art Gallery of New South Wales Foundation, Sydney Lecture: ‘Prajnaparamita: the sculpture collection, AGNSW, Sydney, 2007 Member: Editorial advisory panel, perfection of wisdom in Buddhist Art and Australia, Sydney religion and art’, Arts of Asia series, Terence Maloon (Curator, Special Hendrik Kolenberg (Senior curator, Steering committee member: Sites July 2006 Exhibitions) Australian Prints, Drawings and of Ccommunication: Art Museums Lecture: ‘22 years collecting at Essay: ‘Tuckson and tradition’, Watercolours) Symposium series, Australia AGNSW’, , Tony Tuckson, 2nd ed, Watters Curator: Albert Tucker Australian Member: Australian National Heads Wollongong, June 2006 Gallery/Craftsman House/Thames Focus, 17 Jan – 11 March 2007 of Education and Public Programs Floor talks: Modern Chinese prints: & Hudson, 2006 Author: Kevin Lincoln, art and life, (NHEPP) Forum Ffrom WE to ME, 21 Oct 2006 – Essay: ‘Out of the web: Aida Melbourne: Niagara Publishing, 2006 Member: Sculpture Curatorium 21 Jan 2007 Tomescu’s drawing’, Sixth Drawing Essay: ‘Stephen Hart, seeking the Member, The Sculpture Park, Paper: ‘Civil service examination and Biennale, ANU, Canberra, July–Sept human’, Stephen Hart - Wild blue Middle Head, Sydney reciprocation: catching a glimpse of 2006 yonder, Jan Martin art, , Interviews: Radio 2SER and 2NSR, the social history of calligraphy art in Translator: ‘The buried and the Sept 2006 2007 Archibald Prize Qing dynasty’, Double Bbeauty II: visible’, by Isabelle Maeght, Interview: ‘Albert Tucker’, ABC 2005–2006: International Conference on Giacometti: sculptures, prints and Radio, 4 Feb 2007 Conference keynote paper: ‘Behind Couplets of the Qing Dynasty, drawings from the Maeght Interview: ‘Albert Tucker’, ABC TV the scenes: the artist as educator’, Chinese University of Hong Kong, Foundation, AGNSW, Sydney, 2006 (Asia Focus), 9 March 2007 Taipei Fine Arts Museum’s 16–17 March 2007, Hong Kong Paper: ‘Giacometti’s drawing’, Floor talk: ‘Albert Tucker’, Art After International Symposium on Art Opening speech: Heaven and earth Giacometti symposium, 19 Aug Hours, 7 Feb 2007 Museum Education, Taiwan, exhibition, Hazelhurst Gallery, Sept 2006 Gallery Guides talk: ‘Albert Tucker’, 10–11 Sept 2005 2005 Paper: ‘Giacometti’s drawing’, 12 Feb 2007 Judge: ‘Operation art’, Penrith Professorial visiting fellow, School of Giacometti symposium, Book launch: Peter Pinson, Jean Regional Art Gallery, 22 July 2005 Art and Art History and Theory, Christchurch, NZ, 10 Dec 2006 Campbell and Peter Laverty (with Judge: ‘Artibald Prize for UNSW, till 2009 Paper: ‘Paul Cézanne and foreword by H Kolenberg), The Portraiture’, Lambton High School, Adjunct senior research fellow, Sensation’, Seminar 9, Sydney Australian Watercolour Institute, 20 June 2006 Department of Chinese and Seminar for the Arts and Phillip Mathews, Sydney, Dec 2006 Director: William Fletcher Indonesian Studies, Philosophy, organised by the Opened: Annual watercolour Foundation, Sydney Faculty of Arts and Social Sciences, University of Western SydneyUWS, exhibition, Australian Watercolour Member: Editorial advisory panel, UNSW, till 2008 19 Nov 2006 Institute, Mosman Art Gallery, Dec Art and Australia Honorary associate, School of Talk: ‘Cézanne centenary’, NSW 2006 Member: Brett Whiteley Foundation, Letters, Arts and Media, USyd, till Medical Arts group, Roseville, Talk: ‘Intensely Dutch’, hosted by Brett Whiteley Studio, Sydney 2008 13 March 2006 the Netherlands Consul-General, Member: Steering Ccommittee, Convened: ‘Giacometti’s drawing Margarita Bot, Dutch Consulate, Sites of communication 2: Art Jethro Lyne and printmaking’ conference, Bondi Junction, 26 March 2007 Museums Symposium, National Lecture: ‘Urbino – a Renaissance 30 Sept 2006 Talk: ‘Dobell Drawing Prize’, Gallery of Victoria 2007 court and studiolo’, Decoding the Host: AGS/Alliance Française ‘Drawing breath’ Symposium, Member: National Heads of Renaissance, AGS, 9 Aug 2006 Giacometti exhibition lecture by National Art School 30 March 2007 Education and Public Programs Lecture: ‘Dürer and the Isabelle Maeght (in French) and film Talk: ‘Intensely Dutch’, collection Forum, Australia Renaissance print’, Decoding the screening, 20 Aug 2006 and exhibition talk, members of Member: Engage, UK Renaissance, AGS, 7 March 2007 Tour: Giacometti exh, for group ‘Dutch Link’, 30 May 2007 Interviews: Radio 2SM, 2NSR, Lecture: ‘Holbein and the modern from the French Consulate, Opened: ‘Sydney printmakers’, Max 2ESR and SBS Radio on selected face’, Decoding the Renaissance, 26 Oct 2006 Taylor Gallery, Sydney, 17 Aug Art Gallery exhibitions and events; AGS, 20 June 2007 Open: exhibition by John Peart, Opened: ‘Sydney prints, 45 years of incl: the Biennale of Sydney; Lecture: ‘The form of the modern Campbelltown Regional Gallery Sydney printmakers’, curator, Anne Celestial Silks; Crossing Country; museum’, AGS Volunteer Guides, & Hadyn Wilson, Manly Art Gallery, Ryan, S H Ervin Gallery, 18 Aug 2006 Bill Henson; Artexpress; Archibald 21 May 2007 April 2007 Judging panel: ‘Margaret Flockton and Photo Portrait Prizes; as well as Floor talk: ‘August Rodin, The AGS Tour: AGS France tour to Award’ for botanical illustration, Art After Hours, film and family Prodigal Son’, 12 July 2006 commemorate the centenary of the Red Box Gallery, Botanic Gardens, programs at the Gallery. Floor talk: ‘Sano di Pietro, Madonna death of Paul Cézanne, Aug–Sept Sydney, 21 Feb and exh opening, and Child’, 19 July 2006 2006 16 March 2007 Dr Liu Yang (Curator, Chinese Art) Floor talk: ‘Jacopo di Cione, AGS Tour: Led a tour of Rome and Judge: ‘Outback Art Prize’, Broken Curator: Modern Chinese prints: Madonna and Child with Saints’, Naples, April 2007 Hill Regional Art Gallery, 22 March from WE to ME, 21 Oct 2006 – 6 June 2007 Residency: Cité Internationale des 2007 21 Jan 2007 Paper: ‘The significance of figurative Arts, conducted research for the Essay: ‘The subversive archivolts in the analysis of early forthcoming exhibition, Paths to Brian Ladd (Head, Public Programs compositional schema in Qing Gothic portals’, version 1, abstraction, June–July 2006 Department) landscape painting’, in Turmoil, ANZAMEMS (Australian & New Conference: Cézanne colloquium, Essay: ‘Ron Robertson-Swann’, representation and trends: modern Zealand Association for Medieval Musée Granet in Aix-en-Provence, Untitled: portraits of Australian Chinese painting, 1796-1949, & Early Modern Studies) Biennial France, 14–15 Sept 2006 artists, Macmillan Art Publishing, Chang Foundation & Kaohsiung Conference, University of Adelaide, Member: Société Paul Cézanne 2007 Museum of Arts, Taiwan 2007, 7–10 Feb 2007 Member: Alliance Française of Conference paper: ‘Successful art pp 297–309 Paper: ‘The significance of figurative Sydney, vice president gallery programs’, ICOM/CECA Essay: Wuliang ci: Zhongguo archivolts in the analysis of early Member: ICOM International Commission on gudai huaxiang yishu de sixiang Gothic portals’, version 2, Museums Conference, Vienna, xing [The Wu Liang Shrine: the International Congress on Medieval Jackie Menzies (Head curator, 22 Aug 2007 ideology of early Chinese pictorial Studies, University of Western Asian Art) Judging panel: Moya Dyring art] by WU Hung, trans, Sanlian Michigan, Kalamazoo, 10–13 May Curator: Goddess: divine energy, Memorial and Denise Hickey Press, Beijing, 2006 2007 13 Oct 2006 – 28 Jan 2007 Memorial Studios, Cité Article: ‘The mirror of pictorial Interviews: ABC 702 Richard Glover Curator/in house: curated by Internationale des Arts, Paris, images’, Reading, 8, 2006, Show: ‘Mona Lisa’, 22 Nov 2006; Michiko Kasahara; Ishiuchi Miyako: 27 June 2007 pp 65–71 ‘Picasso’s Guernica’, 14 Feb 2007; mother’s, 24 May – 5 Aug 2007

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 83 AR07_appendices.qxd 24/10/07 12:45 PM Page 84

Lecture: various relating to Steven Miller (Archivist) Gallery of New South Wales Peter Raissis (Curator, European Goddess: divine energy and Ishiuchi Curator: Liz Jeneid, Alexander Arcus collection, AGNSW, Sydney, 2007 Prints, Drawings & Watercolours) Miyako: mother’s and Steven Miller, Wanderlust: Lecture: ‘Paper power’, Queens Curator: Vorticism: prints and Editor: Godess: divine energy, A travelling exhibition of artists’ Club, Sydney, Feb 2007 drawings, Wedge Room, Nov AGNSW, Sydney, 2007 books on travel by Liz Jeneid and Judge: ‘Flora: the art and science 2006 – Feb 2007 Essays: ‘Concepts of the goddess’ Alexander Arcus, AGNSW Research of the plant’, Sixth annual award Curator: Picasso, Matisse and the and ‘Kali and the wisdom Library and Archive, 7 Sept – 24 exhibition of the Botanical Art School of Paris, Wedge Room, goddesses’, Godess: divine energy, Nov 2007. Toured: Burra Art Gallery, Society of Australia, Palm House, March – July 2007 AGNSW, Sydney, 2007 SA, Jan 2007; Riddoch Gallery, Mt Royal Botanic Gardens, Oct 2006 Floor talk: Vorticism exhibition, Article: ‘Goddess power’, Look, Gambier, SA, 23 Feb – 5 April 2007; Opening speech: Sixth annual Dec 2007 Sept 2006 Flinders University Art Museum, award exhibition of the Botanical Art Lecture: ‘The rise of drawing in Article: ‘Gathering goddesses’, Adelaide, SA, 13 April – 27 May Society of Australia, Palm House, 16th-century Italy’, Decoding the TAASA Review, vol 15, no 4, Dec 2007; Maitland Regional Art Gallery Royal Botanic Gardens, Oct 2006 Renaissance II, AGS, May 2007 2006 NSW, 29 June – 5 Aug 2007; Member: Conservation Benefactors Interview: 2SER, press preview on Article: ‘Memories of an artist’s Goulburn Regional Art Gallery, NSW, Member: PSA workplace committee the donation by Margaret Olley of mother’, Look, May 2007 11 Aug – 8 Sept 2007; New Member: Risk management Cézanne, Picasso, Bonnard and Article: ‘Readers in Frame’ interview, England Regional Art Gallery and committee Vuillard, 13 & 14 July 2006 Art & Australia, Dec 2006 Museum, NSW, 28 Sept – 26 Nov Talk: ‘William Blake’s woodcuts for Judge: Sydney, city of villages art 2007; and Artspace, Mackay, Qld, Hetti Perkins (Curator, Aboriginal the pastorals of Virgil’, Sydney exhibition, 12 June 2006 Feb 2008, and Torres Strait Islander Art) University Literature Society, Oct Lecture: ‘Curatorial practice’, College Curator: Pictorial bookplates from Curator: Gifted: contemporary 2006 of Fine Arts, UNSW, 2 July 2006 the Corrigan collection, AGNSW Aboriginal art and the Mollie Lecture: Masters students in ‘Art Research Library and Archive, Gowing Acquisition Fund Anne Ryan (Curator, Australian museums and cultural change’ 29 Jan – 1 June 2007 Author: Gifted: contemporary Prints) course of the Research School of Article: ‘Daniel Thomas: empathy Aboriginal art, the Mollie Gowing Curator: Frank Hodgkinson, Pacific and Asian Studies, Australian and understanding’, Artlink, vol 26, Acquisition Fund exhibition European sketchbook drawings, National University ANU, 24 Aug 2006 no 4, Dec 2006, pp 28–31 catalogue AGNSW, 19 July – 19 Sept 2006 Lecture: ‘Goddess’, Task Force, Catalogue essay: ‘Cultural capital: Curator: Australian Indigenous Art Curator: Dobell Prize for drawings, 2 Sept; Guides, 25 Sept; Asialink key moments in the collecting of Commission, Musée du quai Branly, AGNSW, 29 Sept – 3 Dec 2006 Leadership Program, 7 Sept 2006; Australian Art & Australia, Books & Australian Curator: Carl Plate, works from the Lecture: ‘Asian collections’, Indigenous art’, One sun, one Council publication collection, 22 Nov 2006 – 14 Jan Asia–Pacific Conference of Friends moon: Aboriginal art in Australia, Author/editor: One sun, one moon: 2007 of Museums, 8 Sept 2006 AGNSW, Sydney, 2007 pp 29–41 Aboriginal art in Australia, AGNSW, Curator: Sydney prints, 45 years of Paper: Forum on Australia–Japan Chapter: ‘In every house and in Sydney, 2007 the Sydney Printmakers, National visual arts ‘futures’, National Arts every tent’, Photography: Art Gallery Article: ‘Rarrking the sky’, Trust S H Ervin Gallery, Sydney, Centre, Tokyo, Australia–Japan Year of New South Wales collection, Art Monthly, June 2007 19 Aug – 24 Sept 2006; of Exchange, 29–30 Sept 2006 AGNSW, Sydney, pp33–51 Essay: ‘Richard Bell’ and ‘John Hawkesbury Regional Gallery, Lecture: ‘Introduction to the Chapter: ‘Australian pictorialism’, Mawurndjul’, National Indigenous 9 Feb – 11 March 2007; Tamworth exhibition’ at the Goddess Photography: Art Gallery of New Art Triennial, NGA, Canberra Regional Gallery, 24 March – symposium, 13–14 Oct 2006 South Wales collection, AGNSW Essay: ‘Michael Riley: common 29 April 2007 Lecture: ‘Goddess’, Australian Sydney pp 71–91 sense’, Brought to light II: Curator: Australian etchings and Centre for Asian Art and Lecture: ‘Tools for art historical contemporary Australian art engravings 1880s–1930s from the Archaeology, USyd, Oct 2006 research’, Postgraduate COFA 1966–2006, QAG, Brisbane 2006 gallery’s collection, 5 May – 22 July Lecture: ‘East Asian values and students, 2 Aug 2006 Chair: Collectors forum presented 2007 identities’ course at UNSW, Lecture: ‘Artists on artists’, Sydney on the occasion of Gifted: Author: Sydney prints, 45 years of 1 Feb 2007 College of the Arts students, contemporary Aboriginal art, the the Sydney Printmakers, National Keynote address: ‘Exhibition 22 Aug 2006 Mollie Gowing Acquisition Fund Trust S H Ervin Gallery, Sydney, challenges’, Museums Australia Lecture: ‘History of the Art Gallery Submission: Senate inquiry ‘Securing 2006 National Conference: Museums in a of New South Wales’, Abbotsleigh the future: Australia’s Indigenous Author: Australian etchings and changing climate, Canberra 17–20 School study day, 25 Jan 2007 visual arts and crafts sector’ and engravings 1880s–1930s from May 2007 Lecture: ‘Publications in the modern appearance as an expert witness the gallery’s collection online Presenter: Goddess, Australia museum environment’, COFA Member: Australian International catalogue, Sydney, 2007 Network Television; speaker on Museum Cultural Council (www.artgallery.nsw.gov.au/ Radio National re Goddess, Nov Management students, 14 March Trustee: Michael Riley Foundation collection/catalogues/australian_ 2006 and Ishiuchi 30 June, plus 2007 etchings_engravings) other radio interviews for Goddess Cara Pinchbeck (Assistant Author: ‘When prints ruled, and Arts of Islam. Denise Mimmochi (Assistant curator, Aboriginal and Torres Australian etchings and engravings Convenor: ‘Representations of curator, Australian Art) Strait Islander Art) from another era’, Look, May 2007, nature across cultures before 20th Chapter: ‘International pictorialism’, Author:, ‘Elaine Russell’, Culture pp 25–27 century’ panel of ‘Crossing cultures’ Photography: Art Gallery of New warriors: National Indigenous Art Article: ‘Preview – Australian conference, 32nd Congress of South Wales collection, AGNSW Triennial 07, National Gallery of etchings and engravings 1880s to International Committee of the Sydney, 2007 Australia, Canberra, 2007 1930s from the gallery’s collection’, History of Art (CIHA) to be held in Author: ‘Strategies of a sculptor: Imprint, vol 42, no 2, pp 4–5 Melbourne Jan 2008 the shifting allegories of Bertram Ursula Prunster (Museum Lecture: ‘Australian art’, AGNSW Member: Australia–Japan Historical Mackennal’s civic sculpture’, educator/curator, Special Projects) Community Ambassadors, 4 Oct Photo Exhibition Committee for Bertram Mackennal monograph, Lecture: ‘Casting fresh light on 2006 2006 Australia–Japan Year of AGNSW, Sydney 2007 Leonardo da Vinci’s Virgin of the Lecture: ‘Collecting works of art Exchange, 2006–07 Rocks’, 20/21 Sept 2006 on paper’, AGS Contempo Lecture Director: VisAsia (The Australian Rosemary Peel (Senior Lecture: ‘Renaissance eccentrics: series, 11 Oct 2006 Institute of Asian Culture and Visual conservator, Works on Paper) Piero di Cosimo and Lucas Floor talk: Sydney prints, Arts) Chapter: ‘Australian postwar photo- Cranach’, Decoding the S H Ervin Gallery, Sydney, Member: Morrissey Bequest documentary’, Photography: Renaissance II, AGS, 14–15 March 27 Aug 2006 Committee, USyd Art Gallery of New South Wales 2007 Floor talk: ‘Fred Williams You Yangs Member: Vice–Chancellor’s Advisory collection, AGNSW, Sydney, 2007 Lecture: ‘Pontormo: visionary or landscape’, Art After Hours, Committee, Nicholson Museum, Entries: ‘Australian postwar photo- stylist?’, Decoding the Renaissance 13 Sept 2006 USyd documentary’, Photography: Art II, AGS, 6–7 June 2007 Floor talk: Dobell Prize, Art After

84 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 85

Hours, 4 Oct 2006 Susan Schmocker (Head librarian) Observatory Hill Environmental NSW and the Museum of Sydney Floor talk: Dobell Prize, AGNSW, Article: ‘Research Library and Education Centre, March 2007 (Historic Houses Trust of NSW), Sydney, 7 Oct 2006 Archive’, Foundation Newsletter #9, Judge: St Vincent’s College, Senior March 2007 Floor talk: Carl Plate, Art After 2006 Art Exhibition Awards, Potts Point, Floor talk: Yirbana Gallery, Hours, 22 Nov 2006 Lecture: ‘Role and function of the Nov 2006 25 Oct 2006 Floor talks: Archibald Prize, various Gallery’s Research Library and Interview: ARTEXPRESS 2007, Interview: Punjab Community Radio, dates, 16 March – 3 May Archive’, Information Management Sydney Morning Herald Online, 5 Nov 2006, producer Harinder Floor talk: Printmaking, AGNSW students, University, 8 Feb 2007 Kaur Children’s guides, 28 May 2007 30 Aug 2006 Interview: ARTEXPRESS 2007, Interview: Secrets of the Sari with Conference paper: ‘The Sydney Lecture: ‘Methods used to preserve 2SER Radio, 15 Feb 2007 Sonia Ali, TVS Curry Culture, printmaking scene’, Past, present, and conserve important and rare Interview: ARTEXPRESS 2007, producer Raj Natarajan, 10 Nov future: Printmaking in Sydney, collections at the Research Library Australia Television, ABC TV, 2006 National Trust S H Ervin Gallery, and Archive’, Art Libraries Society, 14 March 2007 Assisted with Wollongong City Sydney, 18 Sept 2006 Sydney, 27 March 2007 Interview: The forty eight hours Gallery’s fundraising dinner by Co-judge: AGNSW Paris Studio, Talk: ‘Management of special of visual arts festival education arranging Margaret Olley as guest July 2007 collections in an art library’, UTS programs and young people as of honour Judge: Printmaking, Royal Easter students, 30 Aug 2006 artists, ABC Radio North Coast, Judge: Still Life Painting Prize 2007, Show, March 2007 World Library and Information 27 June 2007 Royal Agricultural Society, Sydney, Interview: Art talk, Eastside Radio, Congress: 72nd IFLA General Member: Visual Education Round March 2006 Interviewer Sean O’Brian, 11 Sept Conference and Council, Seoul, Table, National Association for the Corporate talks on Archibald and 2006 Republic of Korea, 20–24 Aug 2006 Visual Arts, Sydney An incomplete world corporate Interview: Sky news, Sky Channel, Conference: Framing the Future: functions on Archibald Prize, 2 March 2007 ARLIS/ANZ Biennial Conference, Kay Truelove (Librarian, Technical Developed and implemented Gallery Interview: ABC Asia Pacific, on 21–23 Sept 2006 Services) Guide training course for the Archibald Prize, 13 March 2007 Chief investigator: ‘Dictionary of Represented the Gallery at NSW Gallery’s Volunteer Guides Interview: RRR FM, on Archibald Australian Artists Online’, UNSW Spun meetings held at Ryde and Prize, 23 March 2007 Treasurer: ARLIS/ANZ executive Wahroonga Natalie Wilson (Assistant curator, Opened: The seed Northside Represented the Gallery at several Australian Art) Printmakers exhibition, Palm House, Tristan Sharp (Senior coordinator, Libraries Australia user group Curator: Notes from the River Royal Botanic Gardens, Sydney, Education Programs) meetings at the State Library of Caves: Peter Kingston and Martin 23 Sept 2006 Project coordinator and writer: Au3: NSW Sharp, Australian Collection Focus Chief investigator: Dictionary of Australians at the Venice Biennale Room, AGNSW, 19 Sept – 19 Nov Australian Artists Online, University 2007 education resource kit, Wayne Tunnicliffe (Curator, 2006, and online exhibition of New South WalesUNSW, Sydney Australia Council for the Arts, Contemporary Australian Art) catalogue on AGNSW website Sydney, June 2007 Curator and editor: Adventures with Curator: Australian abstraction Malgorzata Sawicki (Senior Review: Syllabus validator, Abu form in space, the fourth Balnaves 1965–1985, from the collection, conservator/ Head, Frame Dhabi years 6-9 curriculum project: Foundation Sculpture Project 2006, Project Gallery, AGNSW, 9 Dec Conservation) visual arts syllabus, NSW 9 Aug – 13 Sept 2006 2006 – 24 Jan 2007 Presentation: ‘Monet’s Port- Department of Education and Co-curator and editor: An Curator: Paradise then: Arthur Goulphar, Belle-Ilê revisited: the Training, May 2007 incomplete world: works from the Fleischmann in Bali 1937–39, significance of the frame’, Poster Lecture: ‘ARTEXPRESS: from ideas UBS art collection, with Jason Australian Collection Focus Room, presentation at the IIC Congress, to exhibition’, ARTEXPRESS Smith, NGV, 19 May – 5 Aug 2007 AGNSW, 5 May – 29 Aug 2007 28 Aug – 2 Sept, Munich, Teachers Professional Development Managing editor: Contemporary: Essay: ‘(Works of) Paradise, and Germany, 2006 Symposium, Wagga City Gallery, Art Gallery of New South Wales yet: Stan Moriarty, Tony Tuckson Paper: ‘Losses compensation Wagga Wagga, July 2006 contemporary collection, AGNSW, and the collection of Oceanic Art at in gilded wood conservation: Lecture: ‘Inside ARTEXPRESS: Sydney 2006 the Art Gallery of New South Wales, tendency in aging behaviour of strategies for developing a body of Chapters: ‘Cultural memory, critical Sydney’, in Susan Cochrane and surfaces gilded using selected work’, Student Education Program, distance’, ‘Reality bytes’, and Max Quanchi (eds), Hunting the synthetic polymers’, Upholstery Forty eight hours of visual arts ‘Collecting contemporary at collectors: Pacific collections in + ICOM-CC, interim meeting festival, Bangalow, North Coast, AGNSW’, Contemporary: Art Gallery Australian museums, art galleries of three working groups, textile, June 2007 of New South Wales contemporary and archives, Cambridge Scholars leather and wood, furniture and Lecture: ‘From the classroom to the collection, AGNSW, Sydney 2006 Publishing, Cambridge, 2007 lacquer, Krakow, Poland, Gallery: the value of teaching with Floor talk: Adventures with form in Author: Catalogue of the University 13–18 May 2007 the original art object’, Teacher space, CCB, 7 Aug 2006 & Schools Club art collection, Research: ‘Research into non- Development Program, Forty eight Floor talk: An incomplete world: University & Schools Club, Sydney, traditional gilding techniques as hours of visual arts festival, works from the UBS art collection, 2007 a substitute for traditional matte Bangalow, North Coast, June 2007 18 May 2007 Floor talk: Notes from the River water-gilding’, PhD research Floor talk: ‘Gallery school Caves: Peter Kingston and Martin project, UWS, continuing partnerships’, Dulwich Visual Art Sheona White (Senior Sharp, Art After Hours, AGNSW, Interviews: SBS Polish Radio and Design High School Parents coordinator, Public Programmes) 15 Nov 2006 on the following exhibitions: and Citizens Association, Nov 2007 Curator: Archival photographs from Member: Oceanic Art Society, Giacometti, Archibald Prize 07 Floor talk: ‘The value of the Gallery: the National Archive for Linking Sydney introduction for education’, Dulwich Generations Muslim cultural expo Natalie Seiz Assistant registrar, Visual Art and Design High School for Islamic Council of New South Asian Art (curatorial) Parents and Citizens Association, Wales, Campbelltown Regional Article: ‘The Suda Rose: difficult June 2007 Gallery to tell the real from the art’, Floor talk: ‘ARTEXPRESS 2007’, Tour lecturer: ‘Great cities, art LOOK, Nov 2006, p 37 Sydney Morning Herald, April 2007 and architecture of America’, AGS Paper: ‘The situation of Workshop: Year 12 body of work World Art Tours, Aug/Sept 2006 contemporary Asian art history in critical review, Byron Bay High Lecture: ‘Damien Hirst’, 1 June the museum’, Museums Australia School Visual Arts Department, 2007 National Conference, Canberra, Byron Bay June 2007 Lectures: Australian collection 17–20 May 2007 Opening speech: Sydney Rocks on lecture series Member: Management Committee, Heritage Week exhibition of student Paper: ‘Arts of Islam, The big chill: The Asian Arts Society of Australia, artworks inspired by the self-censorship in an age of TAASA conservation of The Rocks, uncertainty’, Museums & Galleries

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 85 AR07_appendices.qxd 24/10/07 12:45 PM Page 86

COMPLIANCE REPORTING

Major assets Payment performance The Gallery’s major assets are our artwork collections valued at $781.7 Aged creditor analysis at the end of each quarter 2006–07 million (as at 30 June 2007); and the perimeter land and building in the Quarter ended Current Less than Less than Less than More than Domain valued at $133.5 million (as at 30 June 2007). (ie within 30 days 60 days 90 days 90 days due date) overdue overdue overdue overdue $$$$$ Engagement and use of consultants Sept 2006 254 459 – 632 160 – There were three consultancies in 2006–07 costing a total of $36 715. Dec 2006 303 107 4 598 492 – – The main one was as follows: Mar 2007 419 762 17 255 643 – – Consultant Costs June 2007 538 764 21 300 – – – Ross Campbell & Associates Business Continuity Plan $32 315 Accounts paid on time each quarter The remaining two consultancies were each paid less than $30 000 and were engaged in the Management Services category. Total accounts paid on time Total paid Quarter Target Actual Amount Amount %% $ $ Major capital works Sept 2006 90.00 98.63 9 242 636 9 371 151 Capital works projects Cost 2006–07 Completion Overrun Dec 2006 90.00 95.28 6 396 453 6 713 482 $ 000 date $ Mar 2007 90.00 90.35 3 672 607 4 064 909 June 2007 90.00 99.37 6 793 333 6 836 086 Artworks purchased 4738 ongoing nil Building works 1612 ongoing nil Total 90.00 96.74 26 105 028 26 985 627 Plant & equipment replacement 399 ongoing nil Total 6749

EEO statistics

PARLIAMENTARY ANNUAL REPORT TABLES

A TRENDS IN THE REPRESENTATION OF EEO GROUPS

% of total staff EEO group Benchmark or target 2004 2005 2006 2007 Women 50% 50% 53% 51% 53% Aboriginal and Torres Strait Islander people 2% 2.0% 2.5% 1.8% 2.2% People whose first language is not English 20% 18% 19% 20% 19% People with a disability 12% 3% 3% 2% 3% People with a disability requiring work-related adjustment 7% 1.1% 1.1% 0.4% 0.4%

B TRENDS IN THE DISTRIBUTION OF EEO GROUPS Distribution index EEO group Benchmark or target 2004 2005 2006 2007 Women 100 112 113 117 117 Aboriginal and Torres Strait Islander people 100 n/a n/a n/a n/a People whose first language is not English 100 95 93 90 90 People with a disability 100 n/a n/a n/a n/a People with a disability requiring work-related adjustment 100 n/a n/a n/a n/a

Notes: 1 Staff numbers are as at 30 June 2007. 2 Excludes casual staff 3 A distribution index of 100 indicates that the centre of the distribution of the EEO group across salary levels is equivalent to that of other staff. Values less than 100 mean that the EEO group tends to be more concentrated at lower salary levels than is the case for other staff. The more pronounced this tendency is, the lower the index will be. In some cases the index may be more than 100, indicating that the EEO group is less concentrated at lower salary levels. The distribution index is automatically calculated by the software provided by ODEOPE. 4 The distribution index is not calculated where EEO group or non-EEO group numbers are less than 20.

86 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 AR07_appendices.qxd 24/10/07 12:45 PM Page 87

Customer complaints Signage – too small; badly placed services whereby customers order and associated information as at the counter and are given a table accessible as possible to the In accordance with our Pledge of The placement of labels and size number to which their order is general public and we welcome Service visitors are invited to leave and font of text is considered for delivered. public interest and participation in both praise and complaints in the each new major exhibition. However Gallery activities. Gallery’s visitor comments book and often low lighting requirements for Complaints are forwarded to our during 2006–07 there were 198 the conservation of the artworks on contract caterers to assist them in Documents held by the Gallery: comments recorded. This book is display, especially for works on planning future staff requirements Art Gallery of New South Wales regularly reviewed by the Gallery’s paper, make reading labels more and to consider their pricing points. Act 1980; accounts manual; management for appropriate difficult for some people. The Gallery Lack of adequate access administrative policies and generally produces a free printed procedures; agendas and minute of response and further action if This area of concern also includes exhibition guide which includes meetings; collection management appropriate. The majority of praise complaints about lack of adequate details of all works in each of the policy and procedures; annual comments are thanks for the pram access at the front of the major temporary exhibitions. reports; EEO annual report; film and wonderful volunteer guides’ services heritage building and seating photography policy; strategic plan provided free every day. They also Inadequate cloaking facilities throughout the building. The Gallery 2003–2008; financial reports; and cover highlights from the Gallery’s continues to explore better ways Expanding cloaking facilities would human resources policies and collections and also the major for disabled and pram entry into require converting the heritage procedures. temporary exhibitions. Also popular building’s front foyer which is being the building and has developed The gallery publishes a range of and well appreciated are the various considered temporarily for the building plans for a second entrance catalogues and art books for public programs on offer, again upcoming, and anticipated popular, on the northern side of the building. purchase (see appendix – AGNSW many for free, especially on Sidney Nolan exhibition. Also It is envisaged that transferring publications for sale p 59). weekends and during school commencing within the first school the entry by school groups to the Publications prices are regularly holidays. term in 2008, the Gallery will trial back of the building will provide reviewed by the Gallery Shop. bringing school groups into the some relief to the congestion at The major areas of complaint reflect Selected items are available building via the back Yiribana Gallery the front entrance. the high-volume activity of the from the Gallery’s website entrance with provision for cloaking Gallery’s business and heritage (www.artgallery.nsw.gov.au/shop). of school bags at this point. building. And while all complaints Freedom of Information – The Gallery publishes regular are considered critically, the very Food services statement of affairs exhibitions and events bulletins. small volume of complaints in The majority of visitor concerns are The following Statement of Affairs is relation to the total number of presented in accordance with the about the timeliness of service or Freedom of Information visitors (annually over one million prices being too high. Fast service Freedom of Information Act 1989, visitors) reflects the generally high is sometimes difficult to achieve section 14 (1) (b) and (3). The procedures rating of visitor enjoyment. during the Gallery’s busiest Gallery’s statement is correct as at Application for access to Gallery We are able to advise that months, even with additional staff 30 June 2007. The Gallery (FOI documents under the Freedom of complaints relating to our aging engaged for peak periods, Agency no 376) received two formal Information Act 1989 should be escalators will be addressed over especially during the annual requests for information, both accompanied by a $30 application the next 12–18 months as an Archibald Prize exhibition, where classified as ‘other’, under the Act fee and directed in writing to: additional capital funding grant of over 291 000 visitors came to the during 2006–07. All requests were Human Resources Manager $1.8 million was received from the Gallery during March and April completed. No requests were (FOI coordinator) NSW government for the escalator 2007. In response to demand in carried over from the previous Art Gallery of New South Wales replacement works to commence peak periods the Gallery has financial year. Art Gallery Road in the 2007–08 financial year. placed additional tables to The Gallery regularly receives The Domain, NSW 2000 temporarily expand the café area; representations from the public The table below shows details Other key areas of visitor concerns had the caterer operate dual concerning its operations. We of freedom of information (FOI) during 2006–07 include: cashiers; and introduced semi table endeavour to make the collection requests received by the Gallery.

Freedom of Information requests

2006–07 2005–06 FOI requests Personal Other Total Personal Other Total New applications 0 2 2 0 2 2 Completed 0 2 2 0 2 2 Total processed 0 2 2 0 2 2 Unfinished (carried forward) – Nil Results of FOI request Granted in full 0 2 2 0 0 0 Completed 0 2 2 0 2 2 Request details – Nil Fees of requests processed Fees received 0 $30 $30 0 $60 $60 Type of discounts allowed – Nil Days to process 0–21 days 0 2 2 0 0 0 22–35 days 0 0 0 0 2 2 Processing time 0–10 hours 0 2 2 0 2 2 Review of appeals – Nil Basis of internal review grounds on which requested access reviewed – Nil

ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007 87 AR07_appendices.qxd 24/10/07 12:45 PM Page 88

Policy development Domain Sydney NSW 2000 Production costs 2007 provision of the PPIP Act, can be 2. Block of units contacted at: During the year a gifts and benefits annual report Address: 21 Newcastle Street, Rose Human Resources, policy was developed, based on The total external costs incurred in Bay NSW 2029 Art Gallery of New South Wales ICAC guidelines, which requires the production of the 2007 annual Art Gallery Road amongst other things all staff to report is approximately $30 000 The Domain, NSW 2000 declare any material gift or benefit Land disposal (this includes text editor, print Telephone: (02) 9225 1795 or offered to or received by them in the The Gallery did not acquire or management and print production). Fax: (02) 9226 1622 course of their employment. dispose of any land in 2006–07. The report is provided free to key stakeholders and other interested Credit card usage Heritage management parties. It is also available on our The director certifies that credit website in the ‘About us’ section The Gallery’s heritage register (www.artgallery.nsw.gov.au/aboutus) card usage in the Gallery has been is being reviewed to ensure conducted in accordance with . compliance by 2009. An updated Privacy management relevant Premier’s Memorandum conservation plan is under and NSW Treasury Directions. development and will be completed During 2006–07 there were no in 2007–08. The building is internal reviews conducted by Summary of land holdings maintained to serviceable standards or on behalf of the Gallery under The following is a listing of land via an annual capital grant of part 5 of the Privacy and Personal owned by the Art Gallery of New $1.37 million from the NSW Information Protection Act 1988 South Wales as at 30 June 2007: government. The Gallery’s (PPIP Act). 1. Art Gallery of New South Wales collections are maintained to The Gallery’s designated privacy Address: Art Gallery Road, The international museums standards. officer, in accordance with the

ELECTRONIC SERVICE DELIVERY

The Gallery’s main website and its myVirtualGallery A completely new ‘Education’ section been sent by members of the public many sub-sites continue to grow (www.artgallery.nsw.gov.au/ed) was to other people. The site won the The interactive, educational tool that in sophistication and richness of launched in July 2006. Structured Museums Australia Multimedia and allows anyone to create their own content, resulting in more people like a website within a website, Publication Design Awards 2007. virtual exhibitions using works from it features clearer navigation and from Australia and abroad accessing the Gallery’s collection continues A webcam streamed live video of richer content, making it easier for information and interacting with the to grow in popularity and usage. the Durga: creating a goddess teachers, and students, to find Gallery. Over half of the 50 077 visits in event to both the Gallery’s main information. The total number of actual visits for 2006–07 were people logging in website and the Goddess website the year (to all websites) was over to edit their own exhibitions. In the New ‘encapsulated mini-websites’ in January 2007. 1.3 million, with an average of 3685 2007 first university semester it have been created for the Inside ARTEXPRESS 07 visits per day, peaking at 5585 per was used as an assessment tool exhibitions Zen mind Zen brush, (www.insideartexpress.com.au) was day in March 2007. ‘Exhibitions’ for both the University of Newcastle Lewis Morley, Giacometti: launched in February 2007 with an was the most visited section of the and the University of New South sculptures, prints and drawings online audio-tour in conjunction with website (27%), followed by ‘Press Wales College of Fine Arts for their from the Maeght Foundation, an interactive, virtual walkthrough. Office’ (14%), ‘Events’, ‘Education’ Australian Art History course. Notes from the River Caves: Peter Kingston and Martin Sharp and and ‘About us’ (11% each). CD-ROM development Gallerykids website the new contemporary collection Further important development of focus. These are located within the Multimedia content was created for the Gallery’s website constituted The web presence of the ‘Exhibitions’ section of the primary two language education kits (Italian improvements in both the technical Gallerykids program continues website but also have their own and Japanese), featuring general and content aspects of this with its own special mini-site internal navigation menus. The information on the Gallery, its increasingly valuable communication (www.gallerykids.com.au), devoted Giacometti and contemporary collection and services. Programming medium. to the performances, tours, collection mini-websites have their work was done to convert a In early 2006, it was decided to workshops and activities for young own URLs (www.giacometti.com.au catalogue raisonné of the work of upgrade the Gallery’s website children and families in the Gallery. and www.contemporary-art.com.au Bertram Mackennal from a series to a next-generation content The website includes photographs respectively) that redirect to them. of Microsoft Word documents to management system, MySource and images of performers and The River Caves mini-website was HTML, for a CD to accompany the characters, and will continue to be Matrix, with a major restructuring used in lieu of a printed catalogue, Bertram Mackennal monograph. updated regularly. A new section and redesign of the site. In and extended labels within the was added this year called Gallery December 2006, after extensive physical exhibition directed visitors Tots in order to publicise new consultation with key stakeholders to the website for more information. programming for the 3–5 year-old to produce a new, provisional site age group. The Gallery’s new Asian Art website structure, usability testing was (www.asianart.com.au) was soft- conducted. The actual migration launched in August 2006. A website to MySource Matrix has begun, New website content for the Goddess: divine energy with the creation of a new Apart from regular updates to the exhibition (www.goddess-art.com.au) Brett Whiteley Studio website principal website (particularly in the was launched in October 2006, (www.brettwhiteley.org). Work has ‘Events’, ‘Exhibitions’ and ‘Press complete with an animated begun on building a new event office’ sections), the following e-card (that can be personalised) and exhibition calendar functionality significant developments were which promoted the exhibition. for the Gallery’s websites. implemented in 2006–07. To date, over 20 900 copies have

88 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2007