Acceptance As a Presenter to the Third IPIRA Conference Online - [email protected] - Email Malikussaleh University
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Hidden Bali Experiences Small-Group Tours That Touch the Heart of Bali
Hidden Bali Experiences small-group tours that touch the heart of Bali Our Hidden Bali Experiences can be arranged at any time to grant you access to authentic culture that honors tradition and avoids commoditization. Building on more than 20 years of experience of leading culturally sensitive tours in Bali and based on deep relationships with local people and communities, these are intimate 3-day or 4-day tours arranged to fit your travel itineraries and led by expert guides for small groups of 2 to 6 guests. Each experience is themed around a specific aspect of Bali’s heritage, including the Textile Arts, the Festival Cycle, the Performing Arts, and the Natural World. For more information on these Experiences, please visit our website at http://www.threadsoflife.com The Textile Arts Experience The Indonesian archipelago was once the crossroads of the world. For over 3500 years, people have come here seeking fragrant spices, and textiles were the central barter objects in this story of trade, conquest and ancient tradition. An exploration of Bali’s textile art traditions grants us access to this story. Spice trade influences juxtapose with indigenous motifs throughout the archipelago: echoes of Indian trade cloths abound; imagery relates to defining aspects of the local environment; history and genealogy entwine. Uses range from traditional dress, to offerings, to the paraphernalia of marriages and funerals. Our gateway to this world is through the island of Bali, where we steep ourselves in the island’s rich traditions while based at the Umajati Retreat near Ubud. Here we will receive insightful introductions to the local culture, and visit several weavers with which Threads of Life is working to help women create high-quality textiles that balance their desires for sustainable incomes and cultural integrity. -
History of Weaving
A Woven World Teaching Youth Diversity through Weaving Joanne Roueche, CFCS USU Extension, Davis County History of Weaving •Archaeologists believe that basket weaving and weaving were the earliest crafts •Weaving in Mesopotamia in Turkey dates back as far as 7000 to 8000 BC •Sealed tombs in Egypt have evidence of fabrics dating back as far as 5000 BC •Evidence of a weavers workshop found in an Egyptian tomb 19th Century BC •Ancient fabrics from the Hebrew world date back as early as 3000 BC History of Weaving (continued) •China – the discovery of silk in the 27th Century BCE •Swiss Lake Dwellers – woven linen scraps 5000 BCE •Early Peruvian textiles and weaving tools dating back to 5800 BCE •The Zapotecs were weaving in Oaxaca as early as 500 BC Weavers From Around the World Master weaver Jose Cotacachi in his studio in Peguche, Ecuador. Jose’s studio is about two and a half miles from Otavalo. Weavers making and selling their fabrics at the Saturday market in Otavalo, Ecuador. This tiny cottage on the small island of Mederia, Portugal is filled with spinning and weaving. Weavers selling their fabrics at an open market in Egypt. The painting depicts making linen cloth, spinning and warping a loom. (Painting in the Royal Ontario Museum.) Malaysian weavers making traditional Songket – fabric woven with gold or silver weft threads. A local Tarahumara Indian weaving on a small backstrap loom at the train station in Los Mochis. Weavers In Our Neighborhood George Aposhian learned Armenian pile carpets from his father and grandparents who immigrated to Salt Lake City in the early 1900’s. -
IJISRT19OCT2005 by Ijisrt19oct2005 Ijisrt19oct2005
IJISRT19OCT2005 by Ijisrt19oct2005 Ijisrt19oct2005 Submission date: 21-Oct-2019 12:49PM (UTC+0530) Submission ID: 1197076621 File name: 1571641883.docx (79.32K) Word count: 6461 Character count: 35442 IJISRT19OCT2005 ORIGINALITY REPORT 44% 25% 18% 41% SIMILARITY INDEX INTERNET SOURCES PUBLICATIONS STUDENT PAPERS PRIMARY SOURCES Submitted to Binus University International 1 Student Paper 2% Submitted to IMI University Centre 2 Student Paper 2% Submitted to Sriwijaya University 3 Student Paper 2% www.emeraldinsight.com 4 Internet Source 2% Submitted to Higher Education Commission 5 % Pakistan 2 Student Paper Submitted to University of Wales Institute, 6 % Cardiff 1 Student Paper Submitted to Universiti Teknologi MARA 7 Student Paper 1% www.um.edu.mt 8 Internet Source 1% Submitted to Universitas Warmadewa 9 Student Paper 1% Submitted to Strayer University 10 Student Paper 1% Submitted to Polytechnic of Namibia 11 Student Paper 1% www.mcser.org 12 Internet Source 1% Submitted to President University 13 Student Paper 1% www.iosrjournals.org 14 Internet Source 1% Submitted to The Chicago School of 15 % Professional Psychology 1 Student Paper pdfs.semanticscholar.org 16 Internet Source 1% Submitted to Universitas Riau 17 Student Paper 1% Submitted to University of Greenwich 18 Student Paper 1% Submitted to University of Northumbria at 19 % Newcastle 1 Student Paper www.todayscience.org 20 Internet Source 1% www.gbmrjournal.com 21 Internet Source 1% journals.sagepub.com 22 Internet Source 1% mucc.mahidol.ac.th 23 Internet Source 1% ijibm.elitehall.com 24 Internet Source <1% www.ijeronline.com 25 Internet Source <1% Submitted to University of Northampton 26 Student Paper <1% aimos.ugm.ac.id 27 Internet Source <1% www.i-scholar.in 28 Internet Source <1% Submitted to Jabatan Pendidikan Politeknik Dan 29 % Kolej Komuniti <1 Student Paper Submitted to 82915 30 Student Paper <1% Submitted to Universitas Terbuka 31 Student Paper <1% Anik Anekawati, Bambang Widjanarko Otok, 32 % Purhadi, Sutikno. -
KUPIAH MEUKEUTOB DI DESA GAROT CUT KECAMATAN INDRAJAYA PIDIE (Kajian Estetika)
KUPIAH MEUKEUTOB DI DESA GAROT CUT KECAMATAN INDRAJAYA PIDIE (Kajian Estetika) Diajukan sebagai salah satu syarat untuk Memperoleh gelar Sarjana Seni Diajukan oleh: AISYAH AMELIA NIM 15124112 PROGRAM STUDI KRIYA SENI JURUSAN SENI RUPA DAN DESAIN INSTITUT SENI BUDAYA INDONESIA ACEH 2019 ABSTRACT Kupiah meukeutob is the one of culture product had been being since the goverment of Sultan Iskandar Muda. The title of this research is kupiah Meukeutob at Garot Cut village In Indrajaya Pidie district that raise the issue about aesthetic of kupiah meukeutob. The research at Garot Cut village in Indrajaya Pidie district aims to discribe about aesthetic subject, aesthetic object and aesthetic value of kupiah Meukeutob at Garot Cut village In Indrajaya Pidie distric. Garot Cut is the one of the village that the aunthentic creator of kupiah meukeutob in Pidie district that producing kupiah meukeutob until now by actively. The method of research use the qualitative method with the type of descriptive research. The technique of data collection used the literature studied, observation, interview and documentation. The technique to collecting the data by using the data reduction, categorization, synthesis and compilation. The result of analysis in this research show the result of type of aesthetic subject, aesthetic object and aesthetic value of kupiah Meukeutob at Garot Cut village In Indrajaya Pidie district. Basically, the aesthetic actors of kupiah meukeutob has two aesthetic actors as the subject that are creator which one the craftman of kupiah meukeutob and spectator is the connoisseur of handicraft of kupiah meukeutob. Beside that in aesthetic object explained the history of kupiah meukeutob, form and accessories. -
Panduan Pendaftaran Pelajar Baharu Sesi 2/2021
LAMPIRAN 3 PANDUAN PENDAFTARAN PELAJAR BAHARU SESI 2/2021 PUSAT LATIHAN TEKNOLOGI TINGGI (ADTEC) KEMAMAN JABATAN TENAGA MANUSIA KEMENTERIAN SUMBER MANUSIA PAYOH, 24210 KEMASIK TERENGGANU DARUL IMAN www.adteckmn.gov.my TEL : 09-8664000 FAKS : 09-8671020 SENARAI KEPERLUAN & BAYARAN BAGI PELAJAR BAHARU SESI JULAI 2021ADTEC KEMAMAN _______________________________________________________________________________________ Sila baca butiran panduan dan keperluan pendaftaran dengan teliti bagi memastikan proses pendaftaran dapat dijalankan dengan cepat dan sempurna. 1. BAYARAN BAGI KEPERLUAN DAN AKTIVITI PELAJAR BAHARU Berikut adalah senarai keperluan dan aktiviti pelajar baharu yang perlu dibayar semasa Hari Pendaftaran : BAYARAN (RM) BIL SENARAI KEPERLUAN & AKTIVITI PELAJAR 2 Tahun 3 Tahun 1. Insurans Berkelompok RM30/tahun 60.00 90.00* 2. Aktiviti Sukan / Riadah 20.00 20.00 JUMLAH BAYARAN (RM) 80.00 110.00 *RM90.00 : Pelajar DT BOM (lepasan SPM) sahaja (tempoh latihan - 3 tahun) 2. BARANGAN KEPERLUAN PELAJAR UNTUK LATIHAN DAN ASRAMA Berikut adalah senarai keperluan pelajar yang boleh didapati di institut pada Hari Pendaftaran : BIL SENARAI KEPERLUAN HARGA (RM) 1. Kad Matrik 15.00 2. Fail Portfolio RM 16.00 x 2 unit 32.00 3. Fail aktiviti MSR 70.00 4. Beg sandang MSR 32.00 5. Jaket Bengkel 56.00 6. Baju Korporat 68.00 7. Kasut keselamatan 66.00 8. Cadar & Sarung Bantal RM 27.00 X 2 set 60.00 9. Token Dobi (1 semester) 50.00 10. Tali Leher JTM (lelaki sahaja) 27.00 11. T-Shirt Latihan RM 32.00 x 2 helai (lelaki sahaja) 64.00 12. T-Shirt Latihan RM 33.00 x 2 helai (perempuan sahaja) 66.00 Jumlah Keperluan Pelajar Lelaki 540.00 Jumlah Keperluan Pelajar Perempuan 515.00 Semua urusniaga pembelian barangan dibuat secara TUNAI pada hari pendaftaran. -
Motif Ragam Hias Kupiah Aceh
Jurnal Ilmiah Mahasiswa Program Studi Pendidikan Seni Drama, Tari dan Musik Fakultas Keguruan dan Ilmu Pendidikan Unsyiah Volume 1, Nomor2:147-154 Mei 2016 MOTIF RAGAM HIAS KUPIAH ACEH T Ikkin Nurmuttaqin1*, Ismawan1, Cut Zuriana1 1 Program Studi Pendidikan Seni Drama Tari dan Musik, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Syiah Kuala ABSTRAK Penelitian ini berjudul “Motif Ragam Hias Kupiah Aceh”. Adapun yang menjadi masalah dalam penelitian ini adalah apa saja macam-macam jenis kupiah Aceh dan motif ragam hias yang terdapat pada kupiah Aceh. Penelitian ini bertujuan untuk mendeskripsikan macam-macam jenis kupiah Aceh dan mendeskripsikan motif ragam hias yang terdapat pada kupiah Aceh. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan kualitatif dengan jenis penelitian deskriptif. Teknik pengumpulan data dalam penelitian ini dilakukan dengan teknik observasi, wawancara, dan dokumentasi. Teknik analisis data dilakukan dengan reduksi data, penyajian data, dan verifikasi data. Hasil penelitian menunjukkan bahwa macam-macam jenis kupiah Aceh terdapat pada koleksi Museum Aceh adalah kupiah Puteh, kupiah Teureuboih, kupiah Ija Tjam, kupiah Gayo Lues, kupiah Aceh Tengah-Bener Meriah, kupiah Beludru Hitam dan kupiah Beludru Motif Aceh). Motif-motif yang ada pada kupiah Aceh tersebut adalah sebagai berikut: Motif Bungong Kundo, Motif Bungong Renue Leue, , Motif Bungong Sise Meuriah, Motif Bungong Johang, Motif Bungong Pucuk Rebung, Motif Buah Delima dan Awan, Motif Putekh Tali, Motif Gelombang, Motif Cecengkuk Anak, Motif Lempang Ketang, Motif Emun Berangkat, Motif Tei Kukor, Motif Putar Tali, Motif Bintang dan Motif Gesek. Kata Kunci: motif ragam hias kupiah Aceh, motif Aceh PENDAHULUAN Aceh adalah sebuah provinsi di Indonesia. Aceh terletak di ujung utara pulau Sumatra dan merupakan provinsi paling barat di Indonesia. -
Materials for a Rejang-Indonesian-English Dictionary
PACIFIC LING U1STICS Series D - No. 58 MATERIALS FOR A REJANG - INDONESIAN - ENGLISH DICTIONARY collected by M.A. Jaspan With a fragmentary sketch of the . Rejang language by W. Aichele, and a preface and additional annotations by P. Voorhoeve (MATERIALS IN LANGUAGES OF INDONESIA, No. 27) W.A.L. Stokhof, Series Editor Department of Linguistics Research School of Pacific Studies THE AUSTRALIAN NATIONAL UNIVERSITY Jaspan, M.A. editor. Materials for a Rejang-Indonesian-English dictionary. D-58, x + 172 pages. Pacific Linguistics, The Australian National University, 1984. DOI:10.15144/PL-D58.cover ©1984 Pacific Linguistics and/or the author(s). Online edition licensed 2015 CC BY-SA 4.0, with permission of PL. A sealang.net/CRCL initiative. PACIFIC LINGUISTICS is issued through the Linguistic Circle of Canberra and consists of four series: SERIES A - Occasional Papers SERIES B - Monographs SERIES C - Books SERIES D - Special Publications EDITOR: S.A. Wurm ASSOCIATE EDITORS: D.C. Laycock, C.L. Voorhoeve, D.T. Tryon, T.E. Dutton EDITORIAL ADVISERS: B.W. Bender K.A. McElhanon University of Hawaii University of Texas David Bradley H.P. McKaughan La Trobe University University of Hawaii A. Capell P. MUhlhiiusler University of Sydney Linacre College, Oxford Michael G. Clyne G.N. O'Grady Monash University University of Victoria, B.C. S.H. Elbert A.K. Pawley University of Hawaii University of Auckland K.J. Franklin K.L. Pike University of Michigan; Summer Institute of Linguistics Summer Institute of Linguistics W.W. Glover E.C. Polome Summer Institute of Linguistics University of Texas G.W. Grace Malcolm Ross University of Hawaii University of Papua New Guinea M.A.K. -
Textile Society of America Newsletter 28:1 — Spring 2016 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Spring 2016 Textile Society of America Newsletter 28:1 — Spring 2016 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 28:1 — Spring 2016" (2016). Textile Society of America Newsletters. 73. https://digitalcommons.unl.edu/tsanews/73 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 28. NUMBER 1. SPRING, 2016 TSA Board Member and Newsletter Editor Wendy Weiss behind the scenes at the UCB Museum of Anthropology in Vancouver, durring the TSA Board meeting in March, 2016 Spring 2016 1 Newsletter Team BOARD OF DIRECTORS Roxane Shaughnessy Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of External Relations) President Designer and Editor: Tali Weinberg (Executive Director) [email protected] Member News Editor: Caroline Charuk (Membership & Communications Coordinator) International Report: Dominique Cardon (International Advisor to the Board) Vita Plume Vice President/President Elect Editorial Assistance: Roxane Shaughnessy (TSA President) [email protected] Elena Phipps Our Mission Past President [email protected] The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, Maleyne Syracuse political, social, and technical perspectives. -
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BAB I PENDAHULUAN A. Latar Belakang Masalah Nanggro Aceh Darussalam adalah sebuah provinsi di Indonesia dengan Ibukota Banda Aceh. Aceh merupakan salah satu provinsi di Indonesia yang diberi status sebagai Daerah Istimewa dan juga kewenangan otonomi khusus.`Aceh terletak diujung utara pulau Sumatera dan merupakan provinsi paling Barat di Indonesia. Masyarakat Aceh dibagi 8 suku yaitu suku Singkil, suku Gayo, suku Aneuk Jame, suku Tamiang, suku Aceh Tenggara (Alas), suku Kluet, suku Pidie, dan suku Aceh. Dalam kehidupan budaya Aceh, Agama Islam membawa pengaruh sangat besar terhadap segala aspek kehidupan masyarakat dan budayanya. Keistimewaan Aceh yaitu adanya berbagai objek wisata yang cocok untuk liburan akhir pekan salah satunya kota Banda Aceh. Kota Banda Aceh adalah kota tempat tinggal raja pada masa dahulu, sehingga peninggalan budayanya dapat menarik wisata yang datang di Banda Aceh, seperti Mesjid Raya Baiturrahman, Mesjid Tua Indra Puri, Rumoh Aceh, Rumoh Cut Nyak Dien, Taman Sari Gunongan, dan lainya. Selain melihat peninggalan raja juga kita dapat melihat berbagai pemandangan alam seperti Pantai Lampuuk, Pantai Lhoknga, Ulee Lheue, Air Terjun Kuta Malaka, Air Terjun Pekan Bilui dan lainnya, juga wisata lain adanya peninggalan bekas bencana Aceh yaitu Museum tsunami dan Kapal Apung. Selain melihat wisata, para wisatawan juga dapat membawa pulang oleh-oleh dalam bentuk makanan khas dan berbagai karya seni khususnya kerajinan khas Banda Aceh. 1 2 Seni kriya adalah karya seni yang dapat digunakan dalam kehidupan sehari- hari yang memiliki nilai dan fungsi tertentu disamping nilai seni yang ada di dalamnya, contohnya seperti : karya batik, topeng, vas bunga, tas rajut, ukiran kayu, pajangan, peralatan rumah tangga, karya seni dari bahan daur ulang, dan kerajinan tangan lainnya. -
Batik, a Beautiful Cultural Heritage That Preserve Culture and Support Economic Development in Indonesia”
“BATIK, A BEAUTIFUL CULTURAL HERITAGE THAT PRESERVE CULTURE AND SUPPORT ECONOMIC DEVELOPMENT IN INDONESIA” Evi Steelyana Accounting Departement, Faculty of Economics and Communication, BINUS University Jln. K.H. Syahdan No. 9, Palmerah, Jakarta Barat 11480 [email protected] ABSTRACT Batik is an icon nation for Indonesia. Batik has awarded as cultural heritage from UNESCO on October 2nd, 2009and it is significantly affected to batik industry afterward.The raising of batik industry caused some multiplier effects to economics and socio cultural in Indonesia. In many areas of industry, banking role has always beenthe man behind the scene. Banking role in Indonesia also gives some encouragement and be part of batik industry development. Many national event has been created by some banks to encourage SME in batik industry to market their product internationally. This paper will give a simple explanation how banking industry and batik industry get along together in Indonesia, especially in financial sector to enhance economics development and to preserve a nation culture.Research methodology in this paper is quantitative method. This paper will give a simple analysis through comparative analysis based on export value from batik industry, domestic use of batik,batik industry development and microcredit or loan from banking industry to SME in batik industry.Many people wearing batik to show how they do appreciate and belong to a culture.Batik also gives other spirit of nationalism which represent in Batik Nationalis.The role of batik in international diplomacy and in the world level gives significant meaning for batik as a commodity which preserve Indonesian culture. In a piece of batik cloth, embodied socio-cultural and economic values that maintain the dignity of a nation. -
Vol. 9, No. 1, January 2021
Vol. 9, No. 1, January 2021 JURNAL ILMIAH PEURADEUN The International Journal of Social Sciences p-ISSN: 2338-8617/ e-ISSN: 2443-2067 www.journal.scadindependent.org Vol. 9, No. 1, January 2021 Pages: 179-188 The Analysis of Student Character Values in the Use of Secondary Metabolic Utilization Lab Module Nurhafidhah1; Hasby2; Sirry Alvina3 1,2 Department of chemical Education Studies, Samudra University, Indonesia 3 Department of chemical Education Studies, Malikussaleh University, Indonesia Article in Jurnal Ilmiah Peuradeun Available at : https://journal.scadindependent.org/index.php/jipeuradeun/article/view/484 DOI : http://dx.doi.org/10.26811/peuradeun.v9i1.484 How to Cite this Article APA : Nurhafidhah, N., Hasby, H., & Alvina, S. (2021). The Analysis of Student Character Values in the Use of Secondary Metabolic Utilization Lab Module. Jurnal Ilmiah Peuradeun, 9(1), 179-188. doi:10.26811/peuradeun.v9i1.484 Others Visit : https://journal.scadindependent.org/index.php/jipeuradeun/article/view/484 Jurnal Ilmiah Peuradeun, the International Journal of Social Sciences, is a leading peer-reviewed and open-access journal, which publishes scholarly work, and specializes in the Social Sciences, consolidates fundamental and applied research activities with a very wide ranging coverage. This can include studies and reviews conducted by multidisciplinary teams, as well as research that evaluates or reports on the results of scientific teams. JIP published 3 times of year (January, May, and September) with p-ISSN: 2338-8617 and e-ISSN: 2443-2067. Jurnal Ilmiah Peuradeun has become a CrossRef Member. Therefore, all articles published will have unique DOI number, and JIP also has been accredited by the Ministry of Research Technology and Higher Education Republic of Indonesia (SK Dirjen PRP RistekDikti No. -
Colonial Collecting and Its Motivations Vattier Kraane, a Businessman in the Dutch East Indies
Colonial Collecting and its Motivations Vattier Kraane, a businessman in the Dutch East Indies Colonial Collecting and its Motivations Vattier Kraane, a businessman in the Dutch East Indies Name: Ervée van der Wilk Student number: S0629758 Email address: [email protected] First reader: W. van Damme Second reader: M.A. Leigh Specialization: Arts and culture; museums and collections Academic year: 2014/2015 Date: 24-07-2015 List of contents Introduction.................................................................................................................................1 Chapter 1: The Dutch Colonial Empire......................................................................................7 1.1 The 19th century...................................................................................................................8 1.2 The early 20th century........................................................................................................12 1.3 Changing colonial culture...................................................................................................15 Chapter 2: Dutch Colonial Collecting.......................................................................................16 2.1 The advancement of knowledge.........................................................................................16 2.2 Commercialism...................................................................................................................18 2.3 Expanding the ethnographic frontier...................................................................................20