DOCSLIB.ORG

Japanese House Album Download the 15 Best Pre-00S Deep House Albums

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Japanese House Album Download the 15 Best Pre-00S Deep House Albums japanese house album download The 15 best pre-00s deep house albums. Slower tempo, brooding bass, droning synths, chromatic key changes, swinging percussion and the general feeling of being deep in a rainforest, the ocean or a club bathed in red light at 3 in the morning are its traditional elements and if a track doesn't have them, it's not true deep house. It's warm, inviting, a little trippy, very human and owes more to jazz and soul than the funk and disco of original Chicago house. The 90s witnessed a thriving deep house scene from Chi-town to Detroit, New York to London and Paris and, in a time when the album wasn't dead, produced some stellar LPs. Check out the 20 best pre-00s deep house albums below. Mr Fingers. Where else could we possibly start? Larry Heard is the godfather of deep house. The man from Chicago invented the genre as soon he laid down that first gorgeous Jupiter 8 chord over a boisterous bass line in 1986 on the sublime 'Can You Feel It'. With only his second track, Larry AKA Mr Fingers was a house music star. That track, along with 'Mystery Of Love' and 'Washing Machine', landed on debut album 'Amnesia' which some might think should warrant a place on this list. Instead we've gone for 1992's 'Introduction', a record that took another leap in furthering the genre he had already started. Opener 'Closer', the elegant 'Jazzy' and 'What About This Love' are all direct descendants of his breakout material, but have been refined, made dreamier and sound like the work of a genius fully given his own space to operate. And proven by performances at Dekmantel and Sunfall this year, Heard's material still sounds as fresh as ever. 15 Classic Japanese Techno Albums That Every Head Should Know. The country’s contributions to the sound’s development span from the technological (exhibit a: Roland Corporation, creator of the TR-808, TR- 909, TB-303 and more) to the sonic (exhibit b: the futuristic video game music of Yellow Magic Orchestra and the ’80s synth sheen of city pop). With that in consideration, it’s no wonder that Japan has harbored a particularly creative scene for Japanese techno (and house!) since the genre’s initial boom in the ’90s. As a team of Japanophiles ourselves, we decided to explore this current through some of the notable full-length albums that’ve been released over the years. Takkyu Ishino, Berlin Trax (Ki/oon Music 1998) By loading the video, you agree to YouTube’s privacy policy. Learn more. Always unblock YouTube. Ishino’s Berlin Trax is definitely not worried about living up to the intensity of its namesake. From the first track, this album—Ishino’s second—is rough and banging. As part of the Ki/oon music catalog, it was released in 1998 under the umbrella of Sony Records. It signals not only Ishino’s Japanese interpretation of hard Berlin-style techno, but it also illustrates its distance from Berlin itself. It wouldn’t be long until this kind of intensity became rare in the German capital and paving the way for the minimal revolution. Think hard kick drums, glitch analogue sounds and excited percussion. Fumiya Tanaka, Uknown Possibility Vol. 1 (Torema Records 1997) By loading the video, you agree to YouTube’s privacy policy. Learn more. Always unblock YouTube. Fumiya Tanaka is considered to be one of the Japanese kings of modern minimal, but his sound wasn’t always so stripped back and meandering. His album Unknown Possibility Vol. 1 is a testament to his previously hard and aggressive style of production. Still reduced to a few key elements, it definitely strays from the idea of “listening music.” This is a collection of tracks created for the dance floor. It was released as the debut album of both Tanaka and his label, Torema Records, in 1997. He’s definitely come a long way, but his productions have been timeless since their inception. Ken Ishii, Jelly Tones (R&S Records 1995) By loading the video, you agree to YouTube’s privacy policy. Learn more. Always unblock YouTube. Although R&S Records is renowned for only releasing exquisite tracks, this album is particularly unique. It’s a psychedelic sci-fi musical journey that straddles the line between club and couch listening. Always interested in individuality, the Belgian label knew they’d struck gold with this mid ‘90s classic. It’s Ishii’s second album release on R&S and over an hour in length. At times it’s confusing, wandering and disorienting, but eventually it slides back into rhythm like you slide back onto the couch during your club comedown. Come to think of it, it reminds us of another kind of experience that has peaks and valleys. Want to get really tripped out? Then watch the incredible anime music video for the album single “Extra”. Ebi, Zen (Space Teddy 1994) By loading the video, you agree to YouTube’s privacy policy. Learn more. Always unblock YouTube. This slow-burning acid chill-out album is an invaluable release by Susumu Yokota, here working under his Ebi alias. Initially released in 1994, it’s an ear-pleasing style of ambient techno that blends trippy acid lines with atmospheres that almost sound like they could have come from Aphex Twin’s Selected Ambient Works 85-92 . It’s hazy and a little druggy, but it’s not quite party music in the traditional sense. We’re not at the rave, but we definitely haven’t gone home either. What is this place? And if you like this, you should definitely check out our story on Grinning Cat , one of Yokota’s ambient masterpieces. Rei Harakami, Unrest (Sublime Records 1997) As the new millennium waged a maximalist war upon music, fashion and the internet, some artists decided it was best to refine in retaliation. In 1998, Rei Harakami released one of Japan’s best ambient and minimal-inspired listening albums. Japanese label, Sublime Records—home to artists like Ken Ishii—gave Harakami a platform worthy of his particularly smart style of dance music. It slithers between analog bleeps and acid squelches, softened by graceful percussion and catchy drum patterns. It sounds inherently creative; it’s easy to picture Harakami hidden out in a cabin, producing this incredibly interesting series of modular grooves. DJ Shufflemaster, EXP (Tresor Records 2001) By loading the video, you agree to YouTube’s privacy policy. Learn more. Always unblock YouTube. DJ Shufflemaster has been a key force in Japan’s techno scene since the mid ’90s. His stunning debut album on Berlin’s mighty Tresor Records from 2001 is a criminally underrated classic in the label’s classic-filled discography. EXP is a fast-paced—and at times frantic—techno record with a sharp futuristic edge. Nearly 20 years later, it still sounds as uncompromising and funky as back when it was first released, ready to be rediscovered and to be given all the praise it deserves. Susumu Yokota, The Frankfurt-Tokyo Connection (Harthouse 1993) By loading the video, you agree to YouTube’s privacy policy. Learn more. Always unblock YouTube. Frankfurt meets Tokyo on this early 1990s album by the late ambient and techno master Susumu Yokota. On The Frankfurt-Tokyo Connection , feverish acid modulations collide with majestically trance-inducing synth leads. In a time when early ’90s trance is being rediscovered by a new generation of DJs and ravers, The Frankfurt-Tokyo Connection is one of those albums that sounds pretty fresh again twenty-plus years later. Kaito, Special Life (Kompakt 2002) By loading the video, you agree to YouTube’s privacy policy. Learn more. Always unblock YouTube. Special Life , Kaito’s debut album on Cologne’s Kompakt imprint, is a good example of how to walk the fine line between wide-eyed buoyancy and cheesiness. The record is filled to the brim with uplifting, chord-driven techno, shuffling house rhythms and trance atmospherics. To hear those arching and bending synth arpeggios on Kompakt back then marked a shift and extension of the renowned pop-infused but minimal “Cologne Sound.” FLR, Easy Filters (Reel Musiq 2001) By loading the video, you agree to YouTube’s privacy policy. Learn more. Always unblock YouTube. FLR is one of Ken Ishii’s many alter egos. Released at the turn of the millennium on Reel Musiq, Easy Filters is a hard-hitting tour de force of filter-heavy (hence the title) techno with a tribal touch. While his Ken Ishii stuff is melody-rich, expansive and futuristic, this is no-frills techno squarely aimed at the dance floor—it’s as hard as it is funky. Perfect tools with that raw edge that sets them apart from being just another collection of functional club tunes. DJ Wada, One (Sublime Records 2009) By loading the video, you agree to YouTube’s privacy policy. Learn more. Always unblock YouTube. DJ Wada is one of Tokyo’s undisputed techno trailblazers. He held a long-standing residency at his own party, Sublime, throughout the ’90s and into the ’00s. His 2008 solo debut album, One , is a concept album of sorts. It’s divided into three extended and mixed sequences, with the first and third clocking in well beyond the 20-minute mark. Musically, One is a pretty tracky and bare bones affair. This one’s crunchy minimalist Japanese techno at its best. Takaaki Itoh, Box EP (Majesty Recordings 1999) By loading the video, you agree to YouTube’s privacy policy. Learn more.
Load more

Recommended publications
  • 2020 Brunner Award Recipient ELANA ABRAMS
    2020 Brunner Award Recipient ELANA ABRAMS ACLU Summer Internship Elana Abrams is currently a junior at Bronx Science and is dedicated to creating a more inclusive and accepting environment, whether that be in school or in her larger community. She is immersed in social activism and enjoys taking part in and facilitating dialogue. She is involved in a diverse array of activities in which she has taken on leadership roles. Elana is a part of Bronx Science’s student government, senate, national honors society, and speech and debate team and is the president of her youth group. She is an Anti-Defamation League certified peer trainer and a founding member of Bronx Science’s equity team. She was also a member of the National Organization for Women. She is creative and her desire to create has led to her passion for painting, playing the guitar, and writing. Elana is unafraid to speak her mind and enjoys discussing politics with people who have opposing views. This, coupled with her desire to create a more equitable society, has led to her involvement in politics, specifically through the ACLU National Advocacy Institute. Through her involvement with the ACLU, she hopes to learn more about the inner workings of professional social activists, politicians, and lawyers as well as create meaningful relationships with people who share her goals and aspirations. In the long term, Elana wants to have a role in politics through the fourth branch of government, as believed to be by Thomas Jefferson: the media. Elana will be attending ACLU’s Summer Intensive virtually, where she will work with lawyers, lobbyists and activists to gain real-world experience in social justice.
    [Show full text]
  • Call Me Queer
    Call Me Queer: Queer theory and the Soundtrack of Call Me by Your Name ​ Zora van Harten 4246551 dr. Floris Schuiling bachelor thesis MU3V14004 Musicology University of Utrecht Word count: 5559 Introduction In a culture that classifies the world through binary categories, entities that fall in between those 1 categories are often subjected to fear and anxiety. It is therefore no surprise that two subjects as fluid, undefinable and abstract as music and queer identities both have been occupying 2 controversial positions within Western history. Remarkably, both these subjects are central to the critically acclaimed film Call Me by Your Name. The film, directed by Italian director Luca ​ ​ Guadagnino, is part of his so-called “desire” film trilogy, together with earlier films Il Sono ​ L’Amore (2009) and A Bigger Splash (2015). It tells the story of a summer romance between a ​ ​ ​ ​ ​ ​ seventeen year old boy called Elio, and Oliver, a twenty-eight year old scholar who is invited to work on his doctoral thesis while staying in Elio’s parents’ summer house in Italy. Its narrative features a nuanced and fluid, and therefore queer conception of desire and sexuality; the characters stay out of defined categories through the ambiguous meaning of the film’s dialogue and their sexual identities. In this film, music takes on a remarkable position. Elio uses music to express the multiple outlets regarding his desire for Oliver. Moreover, the songs, and piano works of the soundtrack are often combined with the relatively loud presence of sounds such as the movement of water, crickets or the wind rushing through the trees which could point towards a more affective experience of sound for the audience.
    [Show full text]
  • Seattle Theatre Group Encore Arts Seattle
    MAY 2016 May 27–Jun 26, 2016 Photo Hayley by Photography Young ES066 covers.indd 1 3/24/16 2:27 PM April 2016 Volume 12, No. 6 Paul Heppner Publisher COLLECTABLE Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, COURSES Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Located at Chihuly Garden and Glass, Mike Hathaway Sales Director Collections Café offers artistically Brieanna Bright, inspired dishes amid Dale Chihuly’s Joey Chapman, Ann Manning Seattle Area Account Executives personal collections. The perfect setting Marilyn Kallins, Terri Reed for lunch, dinner or weekend brunch. San Francisco/Bay Area Account Executives Brett Hamil Online Editor Jonathan Shipley Associate Online Editor Ad Services Coordinator Carol Yip Sales Coordinator COLLECTIONSCAFE.COM 305 HARRISON ST / SEATTLE WA Leah Baltus 206.753.4935 Editor-in-Chief Paul Heppner Publisher Dan Paulus Art Director Jonathan Zwickel Senior Editor Gemma Wilson Associate Editor Amanda Manitach Visual Arts Editor Paul Heppner President Mike Hathaway Vice President Genay Genereux Accounting Sara Keats Marketing Coordinator Ryan Devlin Events / Admin Coordinator Corporate Office 425 North 85th Street Seattle, WA 98103 p 206.443.0445 f 206.443.1246 [email protected] 800.308.2898 x105 www.encoremediagroup.com Encore Arts Programs is published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. All rights reserved. ©2016 Encore Media Group. Reproduction without written permission is prohibited. 2 ENCORE STAGES ENCORE ARTS NEWS VISIT EncoreArtsSeattle.com Women Painters of Washington WPW Gallery at the Columbia Center Showcasing art by women since 1930 Snap or Snapped by Kathie Bliss 701 5th Ave #310, M-F 11-4 TICKETS FROM $ 20 CND Q & A with Sarah Rose Davis The actor on singalong music, “second breakfast” and knowing yourself.
    [Show full text]
  • Final Nominations List
    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 61st Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2017 through September 30, 2018 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. THE MIDDLE Record Of The Year Zedd, Maren Morris & Grey Award to the Artist and to the Producer(s), Recording Engineer(s) Grey, Monsters & Strangerz & Zedd, producers; Grey, Tom and/or Mixer(s) and mastering engineer(s), if other than the artist. Norris, Ryan Shanahan & Zedd, engineers/mixers; Mike Marsh, mastering engineer 1. I LIKE IT Cardi B, Bad Bunny & J Balvin Invincible, JWhiteDidIt, Craig Kallman & Tainy, producers; Leslie Brathwaite, Kuk Harrell & Evan LaRay, engineers/mixers; Colin Leonard, mastering engineer 2. THE JOKE Brandi Carlile Dave Cobb & Shooter Jennings, producers; Tom Elmhirst & Eddie Spear, engineers/mixers; Pete Lyman, mastering engineer 3. THIS IS AMERICA Childish Gambino Donald Glover & Ludwig Göransson, producers; Derek “MixedByAli” Ali, Riley Mackin & Shaan Singh, engineers/mixers; Mike Bozzi, mastering engineer 4. GOD'S PLAN Drake Boi-1Da, Cardo & Young Exclusive, producers; Noel Cadastre, Noel "Gadget" Campbell & Noah Shebib, engineers/mixers; Chris Athens, mastering engineer 5. SHALLOW Lady Gaga & Bradley Cooper Lady Gaga & Benjamin Rice, producers; Brandon Bost & Tom Elmhirst, engineers/mixers; Randy Merrill, mastering engineer 6. ALL THE STARS Kendrick Lamar & SZA Al Shux & Sounwave, producers; Sam Ricci & Matt Schaeffer, engineers/mixers; Mike Bozzi, mastering engineer 7. ROCKSTAR Post Malone Featuring 21 Savage Louis Bell & Tank God, producers; Louis Bell, Lorenzo Cardona, Manny Marroquin & Ethan Stevens, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2018 - all rights reserved 1 Not for copy or distribution 61st Finals - Press List General Field Category 2 8.
    [Show full text]
  • Another Roll of the Dice 2019 Extension Release FINAL 7-12
    CONTACT: Nancy Richards – 917-873-6389 (cell) | [email protected] Tim Choy, Davidson & Choy Publicity 323-954-7510 | [email protected] MEDIA PAGE: www.northcoastrep.org/press FOR IMMEDIATE RELEASE, PLEASE: EXTENDED BY POPULAR DEMAND THROUGH AUGUST 11th NORTH COAST REP HAS A SURE-FIRE WINNER WITH DAMON RUNYON-INSPIRED WORLD PREMIERE MUSICAL, ANOTHER ROLL OF THE DICE Book by Mark Saltzman Music and Lyric by Frank Loesser Directed by Larry Sousa Solana Beach, Calif. – North Coast Repertory Theatre has extended through August 11th its highly successful World Premiere of ANOTHER ROLL OF THE DICE, a rollicking musical with book by Mark Saltzman, reuniting the talents of songwriter Frank Loesser and author Damon Runyon, creators of the legendary Guys and Dolls. In Dice, three classic Runyon stories are intertwined with hits from the Loesser songbook, including “Heart and Soul,” “I Hear Music,” “Two Sleepy People,” and “Let’s Get Lost,” performed by iconic Damon Runyon gangland characters. Audiences who may be familiar with Nathan Detroit and Miss Adelaide from "Guys and Dolls" are delighting in meeting some of their colleagues-in-crime from Runyonland: Joey Uptown, Baseball Hattie, Tobias the Terrible, nightclub song bird Georgia St George and the much-in- demand safecracker, Touch Feely. Larry Sousa directs Lance Carter,* Sarah Errington,* Elliot Lazar, Jason Maddy,* Allison Spratt Pearce,* and Darrick Penny* in ANOTHER ROLL OF THE DICE. The design team includes Marty Burnett (Scenic Design), Matthew Novotny (Lighting), Aaron Rumley (Sound Design/Projections), Elisa Benzoni (Costumes), and Phillip Korth (Props). Cindy Rumley* is the stage manager. (*The actor or stage manager appears through the courtesy of Actors’ Equity Association, the union of professional actors and stage managers in the United States).
    [Show full text]
  • The Mystery of Love: Teaching Guide
    The Mystery of Love: Teaching Guide Edited by John Golden Grant High School, Portland, Oregon 1111 W. Kenyon Road, Urbana, IL 61801-1096 The Mystery of Love, a PBS documentary featured in these NCTE materials, is a production of the Independent Production Fund in association with Joan Konner Productions, Inc. Executive Producer Executive Director Joan Konner Alvin H. Perlmutter Senior Producer Writers Christopher Lukas Joan Konner Christopher Lukas Outreach Director Outreach & Research Lisa Zbar Barbara Weber-Floyd Major support for The Mystery of Love is provided by: The Fetzer Institute as part of Additional support is provided by: Southwest Airlines The Betsy Gordon Foundation The Independent Production Fund gratefully acknowledges the Fetzer Institute for supporting this initiative with the National Council of Teachers of English. Additional resources for The Mystery of Love are available at: www.themysteryoflove.org www.pbs.org/themysteryoflove Staff Editor: Judith Deverell ©2006 by the National Council of Teachers of English. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, or any information storage and retrieval system, without permission from the copyright holder. Printed in the United States of America. It is the policy of NCTE in its journals and other publications to provide a forum for the open discussion of ideas concerning the content and the teaching of English and the language arts. Publicity accorded to any particular point of view does not imply endorsement by the Executive Committee, the Board of Directors, or the membership at large, except in announcements of policy, where such endorsement is clearly specified.
    [Show full text]
  • Page 10 Volume 13, Number 1 – January 2002 Christ
    Vol. 13, No. 1 Pilgrims of Faith Marian Center (PFMC) January 2002 ======================================================================== MESSAGE of 12/25/2001 Dear Children! I call you today and encourage you to prayer for peace. Especially today I call you, carrying the newborn Jesus in my arms for you, to unite with Him through prayer and to become a sign to this peaceless world. Encourage each other, little children, to prayer and love. May your faith be an encouragement to others to believe and to love more. I bless you all and call you to be closer to my heart and to the heart of little Jesus. Thank you for having responded to my call. (Message claimed to be given by the Blessed Virgin Mary to Marija Pavlovic Lunetti. The Pilgrims of Faith Marian Center (PFMC) upholds the final decision of the Catholic Church as to the authenticity of this message to an alleged visionary from Medjugorje.) A PRAYER Father Hampsch and many others great speakers, and you have not made your reservations, please consider O Holy Spirit, great Consoler, O doing so as soon as possible. The latest report from Infinite Love that possesses the Hilton Hotel is that we have filled all of the Heavenly secrets to draw forth available rooms containing two double beds. We are happiness from all our sorrows and verifying this information with our own PFMC pain, lift the heavy burdens present before us. registration list. There are still rooms available with a You are the Paraclete from which we are enabled single King size bed. These rooms can accommodate to enter into the deep mystery of Love.
    [Show full text]
  • Our Life in Six Lyrical Poems: William Butler Yeats June 11, 2007 7:00 PM the Philoctetes Center
    Our Life in Six Lyrical Poems: William Butler Yeats June 11, 2007 7:00 PM The Philoctetes Center Levy: Welcome to the final episode of Our Life in Six Lyrical Poems, which was scheduled to coincide with the final episode of the Sopranos. That’s said for the benefit of Tara Moran, who is a great friend of ours and a great fan of the Sopranos. I’m very happy to introduce Mike Braziller, who will in turn introduce our distinguished guest, who is returning to the final session of the Philoctetes Our Life in Six Lyrical Poems. He also presided and was a guest at the first session on the poems of Hardy. Braziller: Thanks. That’s a perfect symmetry, beginning with Hardy and now—actually, when I envisioned this whole program, I was thinking Hardy, Yeats, Hardy, Yeats. We’re planning an ambitious schedule for next year. I will introduce Eamon now and he will read, I believe, two of his own poems at the end of the evening. I’m definitely looking forward to that. Eamon Grennan is from Dublin. He was educated at the University College in Dublin and Harvard, where he received his PhD. He has taught for many years at Vassar College, where he is the recently retired Dexter M. Ferry Jr. Professor of English. He’s published seven volumes of his own poetry, both in Ireland and the US. His Leopardi: Selected Poems won the PEN Award for Poetry in Translation in 1997. He has published numerous essays and reviews. His poems appear regularly in magazines on both sides of the Atlantic, including Poetry, Poetry London, The New Yorker, The Nation, New Republic and many others.
    [Show full text]
  • A Intersecção Da Trilha Musical Com a Emoção Em Call Me by Your Name 7 Bruno César Leal Santos 8 Universidade Estadual De Goiás (UEG)
    A intersecção da trilha musical com a emoção em Call Me By Your Name 7 Bruno César Leal Santos 8 Universidade Estadual de Goiás (UEG) Resumo: Este artigo analisa como a trilha musical se intersecciona com a perspectiva emocional dos personagens principais em Call Me By Your Name (2017). A análise faz o uso de autores como Michel Chion e Claudia Gorbman. Percorre-se o contexto visual e sonoro, explorando argumentos pelo processo de criação, progressão narrativa e como consequência, o desenvolvimento dos personagens, a atmosfera criada com o uso das músicas e a relação existente da trilha com as circunstâncias diegéticas da história. Palavras-chave: Filme. Música. Narrativa. Resumo expandido O artigo investiga a intersecção da trilha musical com a perspectiva emocional dos personagens em Call Me By Your Name (2017). A análise faz uso de autores como Ney Carrasco (2003), Michel Chion (1982), Syd Field (1979), Claudia Gorbman (1987), Marcel Martin (1985), e R. Murray Schafer (1992), baseando-se principalmente nos interações existentes das músicas com os demais fatores cinematográficos. Pensando em como a música comunica-se com a emoção dos personagens, a pesquisa começa analisando o processo de criação delas e como ele deu-se para ser composto e existido na diegese fílmica. “A música age apenas sobre os sentidos, como fator de intensificação e aprofundamento da sensibilidade.” (MARTIN, 1985, p. 120) Nisto, entende-se que existe uma relação do diretor Luca Guadagnino e o artista Sufjan Stevens com a qual foi-se criada uma ligação a partir da concepção narrativa do filme. É explicado um pouco a forma em que foi desenvolvida as músicas e suas respectivas inspirações.
    [Show full text]
  • Her Second Solo Album
    “Whether she’s singing old songs or her own, Chaney turns them into rhapsodic, immediate dramas, giving listeners a reason to hang on every phrase and inflection...in her own way, she’s radical” The New York Times 2018 GRAMMY NOMINEE Her second solo album – out June 15 - focuses on new self- composed material by this London-based singer/songwriter, matching the warm purity of her vocals with gracefully-crafted arrangements featuring acoustic and electric guitar, violin, piano, and an array of keyboard sounds from mellotron and organ to Rhodes and harmonium. Produced by Thomas Bartlett – AKA Doveman (Sufjan Stevens including “Mystery of Love,” the Oscar-nominated song from Call Me By Your Name, The National, Glen Hansard, St Vincent). Focus tracks: IOU (Tk 4) s Roman Holiday (Tk 8) CLICK TITLES TO VIEW VIDEOS DO NOT SHARE s Press coverage in 2017 – as lead singer for The Decemberists’ “Offa Rex” project on Nonesuch – included CBS Saturday Morning, PBS Newshour, NPR Weekend Edition, NPR All Songs Considered, World Café, NY Times and USA Today playlist features, and climaxed in a Grammy nomination for Best Folk Album. s Another 2017 collaboration on Nonesuch was with Natalie Merchant, Rhiannon Giddens, Sam Amidon, and Kronos Quartet in folk song arrangements, dubbed “magnificent” by UK’s Songlines, “Chaney delivers with deathless beauty.” s Performance highlights in 2018 included Newport Folk Festival, Travelers’ Rest and Joe’s Pub NYC, plus support for The Decemberists at Town Hall NYC, XPoNential Festival/Phila, Alladin Theater/Portland and Fox Theater/Oakland. s Her 2015 Nonesuch debut “The Longest River” which The Guardian hailed as ‘an enchanting and stately creation’, was noted in a number of Best Of the Year lists - Uncut, Mojo, PopMatters, Chicago Reader and more - while the Los Angeles Times called it “an album which flows with distinctive beauty.” s 2018 Touring: (le) Poisson Rouge NYC June 10th; U.S.
    [Show full text]
  • Sufjan Stevens Carrie & Lowell Mp3, Flac
    Sufjan Stevens Carrie & Lowell mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Carrie & Lowell Country: US Released: 2015 MP3 version RAR size: 1408 mb FLAC version RAR size: 1514 mb WMA version RAR size: 1762 mb Rating: 4.1 Votes: 420 Other Formats: XM AA AAC AU ASF MP1 VOX Tracklist A1 Death With Dignity A2 Should Have Known Better A3 All Of Me Wants All Of You A4 Drawn To The Blood A5 Fourth Of July B1 The Only Thing B2 Carrie & Lowell B3 Eugene B4 John My Beloved B5 No Shade In The Shadow Of The Cross B6 Blue Bucket Of Gold Notes 500 white tapes available through mail order. Includes a card with an mp3 download code All songs by Sufjan Stevens © New Jerusalem Music/ASCAP ©&℗ Asthmatic Kitty Records P.O. Box 1282 Lander, WY 82520. Other versions Category Artist Title (Format) Label Category Country Year Carrie & Lowell (LP, Asthmatic Kitty AKR099 Sufjan Stevens AKR099 US 2015 Album) Records Carrie & Lowell (Cass, Asthmatic Kitty AKR099 Sufjan Stevens AKR099 US 2015 Album, Cle) Records Carrie & Lowell (CD, Asthmatic Kitty AKR 099 Sufjan Stevens AKR 099 US 2015 Album) Records Carrie & Lowell (Cass, Asthmatic Kitty AKR099 Sufjan Stevens AKR099 US 2015 Album, Bla) Records Carrie & Lowell (Cass, Asthmatic Kitty AKR099 Sufjan Stevens AKR099 US 2015 Album, Gre) Records Related Music albums to Carrie & Lowell by Sufjan Stevens Sufjan Stevens - Greetings From Michigan The Great Lake State Sufjan Stevens - Carrie & Lowell Live (Translucent Blue) Sufjan Stevens - The Age Of Adz Sufjan Stevens - Greetings From Michigan: The Great Lake State Sufjan Stevens - Mystery of Love (from the Original Motion Picture “Call Me By Your Name”) Sufjan Stevens - Illinois Cat Stevens - Kitty / Blackness Of The Night Sufjan Stevens - Sufjan Stevens Invites You To: Come On Feel The Illinoise Sufjan Stevens - Tonya Harding Sufjan Stevens - Illinois (Special 10th Anniversary Blue Marvel Edition).
    [Show full text]
  • Shakespeare on the Mystery of Love
    “It hath no bottom” and is “beyond beyond”: Shakespeare on the Mystery of Love by Marilyn Dorothy Simon A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate English Department University of Toronto © Copyright by Marilyn Dorothy Simon (2016) “It hath no bottom” and is “beyond beyond”: Shakespeare on the Mystery of Love Doctor of Philosophy Marilyn Dorothy Simon Department of English University of Toronto 2016 Abstract This thesis examines how Shakespeare represents love. Love is resistant to definition because its experience is entirely subjective, yet Shakespeare does not retreat from any attempt to represent selfless love, which contrasts to the more easily comprehended mechanisms and effects of desire. Shakespeare’s works suggest that love can be both eros and agape at the same time. The experience of being in love constitutes one’s subjectivity: these works show that to know oneself is to know what is worth dying for, and in this regard love is stronger than death. This thesis argues that Shakespeare views love as a mystery, yet also as something profoundly real and revolutionary. Shakespeare intersects Christianity’s belief in the mystery of divine love with the experience of romantic and sexual love; he uses theology and the experiences of religious faith to express the possibilities of secular love. Shakespeare makes the sacred secular: he reinvents spiritual love as a human experience, and in turn his works elevate human love and characterize it as a religious experience. Further, these texts suggest that secular love can be an access point for the experience of divine love; that is, human love participates in the divine mystery of God’s love.
    [Show full text]