Imperial Klingon Expeditionary Forces Warrior Guide
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2020 Annual Report
2020 ANNUAL REPORT Providing a level of excellence that makes the Rosamond Gifford Zoo a national leader in animal care, conservation and visitor experience. 1 A JOINT MESSAGE FROM THE EXECUTIVE DIRECTOR AND THE CHAIR OF THE BOARD TABLE OF CONTENTS Facebook followers increased from 61.3K at the start The year 2020 was undoubtedly the most challenging in our history. However, we can celebrate of 2020 to 65.8K on many successes which proved that perseverance, teamwork and, most importantly, a supportive December 31, 2020, adding community can see us through anything. Navigating a Pandemic 4 followers. Over the past year, our amazing Friends of the Zoo community truly went above and beyond for 4,500 Maintaining Partnerships your zoo. You let us know how much you missed visiting while we were closed, you came back 9 Surpassed as soon as you could, and you contributed to several campaigns to help the zoo recover from the 10 Engaging our Community pandemic. 25,000 Capital Improvements followers on Instagram, When we substituted a fundraising campaign - $50K for 50 Years – for a Friends of the Zoo 50th 12 a huge milestone. anniversary celebration, you pitched in to help us raise more than $20,000 over our $50,000 goal. When we offered a two-month extension on memberships to cover the COVID closure, most 13 2020 Accomplishments of you donated it back to the zoo. When we asked our volunteers to help the zoo acquire more flamingos to expand our flock, you donated to the Fund for Flamingo Flamboyance. Or, you gave 14 Development and Fundraising to our Annual Appeal on behalf of a baby patas monkey named Iniko -- “born during troubled Nearly 9,140 times.” 15 New Leadership children and adults actively participated in conservation education learning programs When, at the end of an already difficult year, we lost our two youngest elephants to another 16 Future Focus deadly virus, you mourned with us, sent messages of encouragement and donated to the Ajay and Batu Memorial Fund to help the new Animal Health Center test for and treat EEHV. -
The Original Series, Star Trek: the Next Generation, and Star Trek: Discovery
Gender and Racial Identity in Star Trek: The Original Series, Star Trek: The Next Generation, and Star Trek: Discovery Hannah van Geffen S1530801 MA thesis - Literary Studies: English Literature and Culture Dr. E.J. van Leeuwen Dr. M.S. Newton 6 July, 2018 van Geffen, ii Table of Contents Introduction............................................................................................................................. 1 1. Notions of Gender and Racial Identity in Post-War American Society............................. 5 1.1. Gender and Racial Identity in the Era of Star Trek: The Original Series........... 6 1.2. Gender and Racial Identity in the Era of Star Trek: The Next Generation......... 10 1.3. Gender and Racial Identity in the Era of Star Trek: Discovery........................... 17 2. Star Trek: The Original Series........................................................................................... 22 2.1. The Inferior and Objectified Position of Women in Star Trek............................ 23 2.1.1. Subordinate Portrayal of Voluptuous Vina........................................... 23 2.1.2. Less Dependent, Still Sexualized Portrayal of Yeoman Janice Rand.. 25 2.1.3. Interracial Star Trek: Captain Kirk and Nyota Uhura.......................... 26 2.2. The Racial Struggle for Equality in Star Trek..................................................... 28 2.2.1. Collaborating With Mr. Spock: Accepting the Other........................... 28 3. Star Trek: The Next Generation........................................................................................ -
Any Gods out There? Perceptions of Religion from Star Wars and Star Trek
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 3 October 2003 Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek John S. Schultes Vanderbilt University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Schultes, John S. (2003) "Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek Abstract Hollywood films and eligionr have an ongoing rocky relationship, especially in the realm of science fiction. A brief comparison study of the two giants of mainstream sci-fi, Star Wars and Star Trek reveals the differing attitudes toward religion expressed in the genre. Star Trek presents an evolving perspective, from critical secular humanism to begrudging personalized faith, while Star Wars presents an ambiguous mythological foundation for mystical experience that is in more ways universal. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 Schultes: Any Gods Out There? Science Fiction has come of age in the 21st century. From its humble beginnings, "Sci- Fi" has been used to express the desires and dreams of those generations who looked up at the stars and imagined life on other planets and space travel, those who actually saw the beginning of the space age, and those who still dare to imagine a universe with wonders beyond what we have today. -
The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory .................................................................................................................... -
Klingon Empire
Original texts and manuscript concept copyright © 2007 by Richard E. Mandel STAR TREK, its on-screen derivatives, and all associated materials are the property of Paramount Pictures Corporation. Multiple references in this document are given under the terms of fair use with regard to international copyright and trademark law. This is a scholarly reference work intended to explain the background and historical aspects of STAR TREK and its spacecraft technology and is not sponsored, approved, or authorized by Paramount Pictures and its affiliated licensees. All visual materials included herein is protected by either implied or statutory copyright and are reproduced either with the permission of the copyright holder or under the terms of fair use as defined under current international copyright law. All visual materials used in this work without clearance were obtained from public sources through public means and were believed to be in the public domain or available for inclusion via the fair use doctrine at the time of printing. Cover illustration by Harry Doddema This work is dedicated to Geoffery Mandel, who started it for all of us. Memory Alpha and SFHQ/Mastercom cataloging data: UFP/SFD DTA HR:217622-A SUPPLEMENT A: THE KLINGON EMPIRE TABLE OF CONTENTS THE KLINGON EMPIRE: A BRIEF HISTORY KLINGON HULL NOMENCLATURE TIMELINE (2150s TO PRESENT) STARSHIPS B-1 JUL’KAR CLASS BATTLESHIP B-10 KAR’HARMER CLASS BATTLESHIP C-8/C-9 K’HERR CLASS DREADNOUGHT D-4 DAMA CLASS BATTLECRUISER K-5 DUPAT CLASS CRUISER D-5 HAK’HYL CLASS “WAR” CRUISER The ambush of the U.S.S. -
Sibling Communication In" Star Trek: the Next Generation": Conflicts
DOCUMENT RESUME ED 364 932 CS 508 412 AUTHOR Fuss-Reineck, Marilyn TITLE Sibling Communication in "Star Trek: The Next Generation": Conflicts between Brothers. PUB DATE Nov 93 NOTE 23p.; Paper presented at the Annual Meeting of the Speech Communication Association (79th, Miami, FL, November 18-21, 1993). PUB TYPE Speeches/Conference Papers (150) Viewpoints (Opinion/Position Papers, Essays, etc.) (120) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Class Activities; Conflict; *Conflict Resolution; Cultural Influences; Higher Education; *Intercultural Communication; *Interpersonal Communication; *Sibling Relationship; Siblings IDENTIFIERS *Communication Behavior; Family Communication; *Star Trek (The Next Generation) ABSTRACT "Star Trek: The Next Generation" depicts sibling relationships between Data and Lore (android), Worf and Kurn (Klingon) and Jean-Luc and Robert (human) that illustrate conflictual communication and suggest teaching applications. The most disturbing empirical communication research on conflict between brothers reports that male sibling pairs are consistently more violent than female sibling pairs. The relationship between Data and Lore is introduced in "Datalore," further developed in "Brothers," and concluded in "Descent II." Despite the almost identical "genetic" similarities between the brothers and the fact that they share the same parent and home, their values are dissimilar. Worf and Kurn's relationship is introduced in "Sins of the Father" and continued in "Redemption I and II." Even though the Klingon culture is violent, arguments between brother are not settled by physical attack because the hierarchy contributes to smooth functioning. In the episode "Family," captain Jean-Luc is able to reveal his frailties to his brother Robert, who is placed in his once familiar role of giving advice and protecting his younger brother. -
Star Trek - We the Living Dead
Star Trek - We the Living Dead [ Note - This is not a canonical episode of Star Trek Deep Space Nine but one invented by Shlomi Fish. Being a piece of Star Trek fan-fiction, Fish does not make a direct claim to some of the characters and concepts presented in this story. ] [ Note - This story is fictitious and the characters in it are fictional. ] [ Introduction - TODO - FILL IN. ] [ Title - Star Trek DS9 - “We, the Living Dead” ] [ Author - Shlomi Fish ] [ Date - 30-March-2007 ] Watching Space [ Bashir, Dax and Jake are standing watching the space. ] Bashir: Ah, space. Dax: Yep, space. Nothing but nothing all around. Jake: Hey look at that. (A ship gets out of warp at the distance). Bashir: Oh no. Jake: What’s wrong? Bashir: I can recognise this ship anywhere. It’s OTF-1 - Othello Task Force. Jake: Othello Task Force? What’s that. Bashir: They’re mercenaries. Only they’re really good mercenaries. Really really good mercenaries. Too good. Too good until the whole of Star Fleet hates their guts. Jake: Why is that? Dax: Jake, not only do we wish all mercenaries were like them, their captain wants us to be certain of this fact, so he keeps scheduling routine checks. And the last thing we need is to check them. Times and again, without ever finding anything interesting there. Dax: However, Jake, you may be interested to know that many of the fighters there are really hot girls, who are about your age. Jake: Heh, do they get shore leave? Dax: Oh, yes, and some of them are wild. -
Popular Culture and Philosophy 2016-2017 Group Leader
Popular Culture and Philosophy A Book and Video Group Hosted by the Unitarian Fellowship of Houston 2016-2017 Star Trek and Philosophy: The Wrath of Kant Jason T. Eberl & Kevin S. Decker, eds. Group Leader Kate Van Cleef Each session will be offered twice, first on a Sunday at 9:45am and again the following Friday at 7:00pm. Simply choose the day and time that’s most convenient for you. The Sunday session will run one hour. The Friday session will run closer to two hours, which will allow us time to watch clips during the session and discuss the topic in more depth. Although the conversation is sure to build on itself through the discussion series, each session will focus on a single, specific subtopic, and we’ll love to have you even if you’re unable to complete the reading or viewing for a particular session. Please feel free to join us as you find us, and as you are willing and able. I have set up a group page at MeWe.com. You will be able to find all readings and links to videos there, and I hope we will also be moved to discuss the topics and share related videos, articles, and so on between sessions. Use the link below to join the group. https://mewe.com/join/popcultureufh1 Sun. 10/16 & Fri 10/21 ST&P Reading • Intro • Ch. 1 “From Shakespeare to Wittgenstein: “Darmok” and Cultural Literacy” Viewing • Next Gen Season 5, Ep. 2 “Darmok” Optional Reading & Viewing • Star Trek VI: The Undiscovered Country (1991) • Henry V, Act III, Scene 4 by William Shakespeare • “Shakespeare in the Original Klingon: Star Trek and the End of History” Sun. -
Klingon D-10 Riskadh Class
Entered Service: 2269 TSTCSOLD&A S All Bradby art R. Torgersen theof Dimensions Length: 302 meters Beam: 183 meters Draft: 40 meters Overview: The Riskadh-class Klingon Assault Cruiser, known to the Federation as the D-10, was first deployed in 2269, not long after the Klingon Empire initiated a brief alliance of technology exchange with the Romulan Star Empire by trading away dozens of D-7 cruisers to the Romulans in exchange for cloaking devices. The Klingons needed a new vessel that would improve on the earlier D-7 by having more powerful weapons and a tougher hull as well as retaining the ability to carry troops into battle. The D-10 was the result and was on its way to supplant the D-7 as the Klingon Empire’s premiere warship. Unfortunately for the Klingons, neither the D-7 nor the new D-10 had the power requirements to accommodate the Romulan cloaking device. Then the Klingon scientist K’tinga discovered that the Romulans were deliberately providing faulty cloaking devices to the Klingons. After K’tinga executed the Romulan ambassador for this treachery (and thus ending the brief Klingon-Romulan alliance), he managed to redesign the D-7 into the new K’tinga class, which was able to properly equip a cloaking device in 2272. No such refit for the D-10 was forthcoming, however. With the K’tinga class now online, the D-10 was deemed too expensive to refit to enable the use of a cloaking device. As a result, production of the Riskadh-class cruiser was retooled to build the K’tinga-class cruiser instead. -
Star Trek: Inquisition #2 Full Script / 22 Pages First Draft: November 14, 2011
CHRISTOPHER PRIEST Star Trek: Inquisition #2 Full Script / 22 Pages First Draft: November 14, 2011 Synopsis: On a training exercise as part of his evaluation for promotion to full Commander, Worf abandons his mission to capture an enigmatic Romulan terrorist leader. Meanwhile, Worf’s former Enterprise crewmates question the fairness of Starfleet’s testing procedure, and openly worry Starfleet is deliberately trying to fail Worf through an unfair and unwinnable set of contrived circumstances. Continuity: Non-canonical. This story takes place somewhere between Star Trek: Nemesis and the Star Trek: Titan series from Pocket Books. Reference: Worf’s parents, Star Trek: Nemesis uniforms, Sovereign Class Enterprise-E, Intrepid-Class (starship Voyager) design specs and bridge layout, Luna-Class U.S.S. Titan. Cover Suggestion Picard and Martok back-to-back, Bat’leths in hand, as deadly Targs close in. STAR TREK and all related characters Copyright © ® CBS Paramount. All Rights Reserved. _____________________________________________ Legend: SPLASH = splash page, usually a full page shot / INSET = a panel within a larger image (often a splash page). Insets are usually small-ish panels / BIG PANEL = payoff shot, money shot. Make a big deal out of these shots (I wouldn’t usually put more than one on a given page), and budget the page so this is the biggest shot on the page / EST = Establishing Shot / EXT = Exterior / INT = Interior / FULL FIGURE = complete figure, head to toe / MED = Medium, usually waist up / MCU or MED C/U = Medium Close-Up, usually -
The Klingon Empire 1.1 – the Homeworld 4 1.2 – Important Places 5 1.3 – History of the Empire 6
INSTITUTE OF ALIEN STUDIES Klingon Warrior Academy Warrior’s Manual This document is a publication of STARFLEET Academy - A department of STARFLEET, The International Star Trek Fan Association, Inc. It is intended for the private use of our members. STARFLEET holds no claims to any trademarks, copyrights, or properties held by CBS Paramount Television, any of its subsidiaries, or on any other company's or person's intellectual properties which may or may not be contained within. The contents of this publication are copyright (c)2008 STARFLEET, The International Star Trek Fan Association, Inc. and the original authors. All rights reserved. No portion of this document may be copied or republished in any or form without the written consent of the Commandant, STARFLEET Academy or the original author(s). All materials drawn in from sources outside of STARFLEET are used per Title 17, Chapter 1, Section 107: Limitations on exclusive rights: Fair Use, of the United States code. The material as used is for educational purposes only and no profit is made from the use of the material. STARFLEET and STARFLEET Academy are granted irrevocable rights of usage of this material by the original author. Contributors: Larry French, Carol Thompson, and Wayne L. Killough, Jr., Gary Hollifield, Jr., Eric Schulman,Dewald de Coning, and George Pimentel Published October 2008 Revised March 2011 Updated October 2014 Material herein was copied or summarized from www.ditl.org , http://en.wikipedia.org/wiki/Klingon and linked pages, http://memory-alpha.org/en/wiki/ , http://startrek.wikia.com/wiki/Klingon , http://en.hiddenfrontier.com/index.php/Klingon , The Klingon Dictionary, Klingon for the Galactic Traveler, Star Trek Encyclopedia: Expanded Version, and various Star Trek episodes and licensed novels. -
Star Trek Reference Books
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