2011/12 Tommy Award Recipients
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PLAYHOUSE SQUARE January 12-17, 2016
For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut. -
Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: the Musical Katherine B
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2016 "Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The Musical Katherine B. Marcus Reker Scripps College Recommended Citation Marcus Reker, Katherine B., ""Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The usicalM " (2016). Scripps Senior Theses. Paper 876. http://scholarship.claremont.edu/scripps_theses/876 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “CAN WE DO A HAPPY MUSICAL NEXT TIME?”: NAVIGATING BRECHTIAN TRADITION AND SATIRICAL COMEDY THROUGH HOPE’S EYES IN URINETOWN: THE MUSICAL BY KATHERINE MARCUS REKER “Nothing is more revolting than when an actor pretends not to notice that he has left the level of plain speech and started to sing.” – Bertolt Brecht SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS GIOVANNI ORTEGA ARTHUR HOROWITZ THOMAS LEABHART RONNIE BROSTERMAN APRIL 22, 2016 II ACKNOWLEDGEMENTS This thesis would not be possible without the support of the entire Faculty, Staff, and Community of the Pomona College Department of Theatre and Dance. Thank you to Art, Sherry, Betty, Janet, Gio, Tom, Carolyn, and Joyce for teaching and supporting me throughout this process and my time at Scripps College. Thank you, Art, for convincing me to minor and eventually major in this beautiful subject after taking my first theatre class with you my second year here. -
JOSEPH SCHMIDT Musical Direction By: EMILY BENGELS Choreography By: KRISTIN SARBOUKH
Bernards Township Parks & Recreation and Trilogy Repertory present... 2021 Produced by: JAYE BARRE Directed by: JOSEPH SCHMIDT Musical Direction by: EMILY BENGELS Choreography by: KRISTIN SARBOUKH Book by THOMAS MEEHAN Music by CHARLES STROUSE Lyrics by MARTIN CHARNIN Original Broadway production directed by MARTIN CHARNIN. Based on “Little Orphan Annie.” By permission of Tribune Content Agency, LLC. ANNIE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTIShows.com This production is dedicated to the memory of beloved Trilogy Repertory member Chris Winans who gave of his time and spirit for many years and in many performances. Chris was a valued member of our Trilogy family and will be greatly missed. Summer, 2021 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 34th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. You can stay current on all our special events by visiting our website at www.bernards.org. There you will find information on the wide variety of programs we offer. -
Annie Role Breakdown
Adult Roles Oliver Warbucks : Must be able to appear age 40-65, Male. A powerful billionaire, who always has his mind on business, but has a kind heart looking for someone to love. Sings “Something Was Missing” and “I Don’t Need Anything But You”. (Vocal Range: Baritone to a high F.) Must be able to sing and act. The role involves a very small amount of dance. May be required to SHAVE head. Grace Farrell : Must be able to appear age 25-35, Female. Loyal and intelligent private secretary to Oliver Warbucks. She brings Annie and Warbucks together. Sings “I think I’m Gonna Like It Here”, “NYC”, “You Won’t Be an Orphan For Long” and “I Don’t Need Anything But You”. (Vocal Range: Soprano to high G). Must be able to sing, act and dance. Miss Hannigan : Must be able to appear age 35-60, Female. Desperate and unhappy with her lot in life, she is the alcoholic orphanage matron who is Annie’s nemesis. Sings, “Little Girls” and “Easy Street”. (Vocal Range: Alto A to D) Must be able to sing, act and dance. Lily St. Regis : Must be able to appear age 25 – 35, Female. Shady, floozy girlfriend of Rooster. Sings “Easy Street”. (Vocal Range: Soprano up to a high G) Must be able to sing, act, and dance. Rooster : Must be able to appear age 25-45. Male. Miss Hannigan’s greedy and dishonest brother. Sings “Easy Street” (Vocal Range: Tenor to high G). Must be able to sing, act, and dance. Roosevelt : Age 40-65, Male. -
A Chorus Line One Singular Sensation…
FOR IMMEDIATE RELEASE Media Alert for Theatre Editors, Reviewers and Calendar LisȀngs Due to overwhelming demand, five shows have been added for A Chorus Line One singular sensation… This showstopping piece, winner of nine Tony Awards and the Pulitzer Prize just opened and is nearly sold out at the Cripe Stage at Chance Theater @ Bette Aitken theater arts Center June 30, 2016 … Anaheim, California … Anaheim’s official resident theater company, Chance Theater is pleased to the addiȀon of five addiȀonal performances of … A Chorus Line. Book by James Kirkwood and Nicholas Dante, music by Marvin Hamlisch, lyrics by Edward Kleban, directed by Chance’s ArȀsȀc Director Oanh Nguyen, choreographed by Hazel Clarke, with music direcȀon by Ryan O’Connell. A Chorus Line opened last Saturday and will continue through August 7th on the Cripe Stage at Chance Theater @ Bette Aitken t heater arts Center. Before we even broke a sweat the Chance has decided to extend its producȀon of the Tony Award winning and Pulizer Prize winning musical A Chorus Line. The Chance is thrilled to give Orange County more opportuniȀes to witness dancers puĀng it all on the line and creaȀng one singular sensaȀon. A Chorus Line takes place in an empty theater, on a bare stage, where the casȀng session for a new Broadway musical is almost complete. For 24 dancers, this audiȀon is the chance of a lifeȀme. It’s what they’ve worked for—with every drop of sweat, every hour of training, every day of their lives. It’s the one opportunity to do what they’ve always dreamed—to have the chance to dance. -
A Visual Guide to Identifying Cats
A Visual Guide to Identifying Cats When cats have similar colors and patterns, like two gray tabbies, it can seem impossible to tell them apart! That is, until you take note of even the smallest details in their appearance. Knowledge is power, whether you’re an animal control officer or animal Coat Length shelter employee who needs to identify cats regularly, or you want to identify your own cat. This guide covers cats’ traits from their overall looks, like coat pattern, to their tiniest features, like whisker color. Let’s use our office cats as examples: • Oliver (left): neutered male, shorthair, solid black, pale green eyes, black Hairless whiskers, a black nose, and black Hairless cats have no fur. paw pads. • Charles (right): neutered male, shorthair, brown mackerel tabby with spots toward his rear, yellow-green eyes, white whiskers with some black at the roots, a pink-brown nose, and black paw pads. Shorthair Shorthair cats have short fur across As you go through this guide, remember that certain patterns and markings the entire body. originated with specific breeds. However, these traits now appear in many cats because of random mating. This guide covers the following features: Coat Length ...............................................................................................3 Medium hair Coat Color ...................................................................................................4 Medium hair cats have longer fur around the mane, tail, and/or rear. Coat Patterns ..............................................................................................6 -
Lesher Will Hear the People Sing Contra Costa Musical Theatre Closes 53Rd Season with Epic Production
Lesher Will Hear The People Sing Contra Costa Musical Theatre Closes 53rd Season with Epic Production WALNUT CREEK, February 15, 2014 — Contra Costa Musical Theatre (CCMT) will present the epic musical “Les Miserables“at Walnut Creek’s Lesher Center for the Arts, March 21 through April 20, 2014. Tickets for “Les Miserables” range from $45 to $54 (with discounts available for seniors, youth, and groups) and are on sale now at the Lesher Center for the Arts Ticket Office, 1601 Civic Drive in Walnut Creek, 925.943.SHOW (943-7469). Tickets can also be purchased online at www.lesherArtscenter.org. Based on the novel of the same name by Victor Hugo, “Les Miserables” has music by Claude-Michel Schonberg, lyrics by Alain Boublil, Jean-Marc Natel and Herbert Kretzmer and book by Schonberg, Boublil, Trevor Nunn and John Caird. The show premiered in London, where it has been running continuously since 1985, making it the longest-running musical ever in the West End. It opened on Broadway in 1987 and ran for 6,680 performances, closing in 2003, making it the fifth longest-running show on Broadway. A Broadway revival ran from 2008 through 2010. A film version of the musical opened in 2012 and was nominated for eight Academy Awards, winning three statues. “Les Miserables” won eight Tony Awards including Best Musical. Set in early 19th-century France, it follows the story of Jean Valjean, a French peasant, and his quest for redemption after serving nineteen years in jail for having stolen a loaf of bread for his sister’s starving child. -
LES MISERABLES Music by Claude-Michel Schönberg / Lyrics
LES MISERABLES Music by Claude-Michel Schönberg / Lyrics by Herbert Kretzmer Based on the novel by Victor Hugo December 5, 2014 – January 10, 2015 Producer – Susan Jacobson Director – Matt Joslyn Musical Director – Kristin Baltes Choreographer/Movement – Marianne Kubik Assistant Director – Kisha Jarrett Production Stage Manager – Sarah Cain Scenic Designer – David Weiss Lighting Design – Robert Benjamin with David Weiss Costume Designer – Cat Randall Hair & Make-up Designer – Hank Fitzgerald Special Effects Make-up – Mariah Johnson Properties Designer – Daryl Bray Sound Designer – Wren Curtis Dramaturg – Annie Rappeport Assistant Sound Designer – Taylor “Clams” Thomas Assistant Stage Manager – Cage Lambert Light Board Technician – Joe Monaghan Sound Board Technician – Felype Ferro Stage Crew – Lizzie Carp, Brandi Duncan, Jackie Lichtman, Lydia Riddle, Debbie Wong MUSICIANS Piano – Kristin Baltes Percussion – Rob Dunnenberger Piano/Brass – Kip McCharen Bass/Guitar – Jim Polson Audition Accompanist – Erica Umback CAST GRANTAIRE/FARMER/FOREMAN – John Ashley MARIUS – Ian Charles THENARDIER – Jon Cobb COSETTE – Patricia Cougenhour YOUNG COSETTE – Violet Craghead-Way & Elena Witt JAVERT – Chris Estey GAVROCHE – Finn Faulconer & Greyson Taylor JEAN VALJEAN – Hank Fitzgerald COMBEFERRE/BAMATBOIS – Joe Folds JEAN PROUVAIRE/ENSEMBLE – Lou Garcia EPONINE – Lindsay Goodrich FANTINE – Alice Hoover MADAME THENARDIER – Elizabeth Howard YOUNG EPONINE – Libby Janucik & Jane Zahorik FAUCHELEVANT/BRUJON – Tim McNamara LEGLES/ENSEMBLE – Daniel Neale ENJOLRAS/ENSEMBLE – Daniel Owen COURFEYRAC/ENSEMBLE – Jach Showalter BISHOP/CLAQUESOUS/ENSEMBLE – Steve Tharp MONTPARNASSE/ENSEMBLE – Edward Warwick-White JOLY/CONSTABLE/ENSEMBLE – Wesley Webster FEUILLE/ENSEMBLE – Kristopher Yorke ENSEMBLE – Danielle DeAlmiñana, Jayne Gallagher, Kristen Gleason, Laura Heck, Deandra Irving, Lauren Lukow, Michelle Majorin, Mariko Schaper, Miranda Soler, Lynn Thorne . -
Herding Cats: Infosec Follies
Herding Cats: Infosec Follies October 2012 Herding Cats: Infosec Follies 2 Here’s a hot sports opinion for you: I think our industry is terrible at information risk analysis and management. There is a significant gap between what information security professionals consider high risk and what business professionals consider high risk. I’ve been in those meetings where information security has had their legs cut out from under them, but I’ve also been in meetings where open checkbooks for security were passed around like month-old Halloween candy1. There are a number of reasons for this; let’s explore a few here. The most glaring omission is our repeated usage of inaccurate (or inconsistent) historical data. If we are terrible at forecasting when and where events will occur and their impact to our business, we look no better than the sales person who forecasts a 75% miss in the last week of the quarter. So we take an ultra conservative approach to try and cover our bases. There are a bunch of you out there who have done this successfully for a number of years, and so far you haven’t been bit. There used to be an old saying (which probably still exists in some circles, but I’m going to pretend it doesn’t anymore) in the PCI DSS compliance world that went like this: “You are compliant until you are compromised.” Meaning, it didn’t matter what you reported to your processor as long as you were breach free. The moment that breach hit, however, you were in a world of hurt as your misrepresentation of compliance status came to light. -
Monthly Blog/ 117
SEPTEMBER 2020 MONTHLY BLOG/ 117 AN EIGHTEENTH-CENTURY FOLLY-BUILDER & CAT-LOVER If citing, please kindly acknowledge copyright © Penelope J. Corfield (2020) Public monuments to cats – as opposed to literary, artistic and musical celebrations1 – are rare to find, especially dating from the eighteenth century. So this majestic example deserves full appreciation. The lordly cat sits atop a giant Grecian vase, all forming the substantial Cat Monument.2 It was designed in 1749 and built c.1770 in the new weatherproof composite known as Coade Stone.3 Erected at Shugborough Park in Staffordshire, the Monument was commissioned by Thomas Anson (c.1695-1773). He was the felinophile, who owned the estate and had the wealth as well as the space to indulge his taste for architectural patronage in full. Curiously enough, the identity of this publicly honoured cat remains uncertain. One strong possibility is that it commemorates Thomas Anton’s own favoured pet, named Khouli-Khan. This cat was the last of a line of Persian cats owned by the family. Hence, behind the luxuriant mustachios on the Monument’s lordly feline, the statue may show the round face and short muzzle that is characteristic of that particular breed. 1 Another possibility, however, is that the honoured cat was the adventurous moggy who circumnavigated the globe in the years 1740-44 with Admiral George Anson (1697-1762). He was the much admired younger brother of Thomas Anson. And the childless George Anson had bequeathed his great fortune, based upon Spanish treasure, to his older sibling. As a result, some of the monuments and memorabilia at Shugborough Park were devised as fraternal tributes to the circumnavigator. -
Nominations/2006 – 2007 Tamy Awards
NOMINATIONS/2018 – 2019 TAMY AWARDS Theatre at the Mount High School Musical Theatre Competition BEST OVERALL PRODUCTION (Large School Division) Fiddler on the Roof – Bedford High School Fiddler on the Roof – Chelmsford High School Urinetown – Leominster High School Seussical – Shrewsbury High School Godspell – Tewksbury High School Curtains – Wachusett Regional High School BEST OVERALL PRODUCTION (Small School Division) Chicago – Auburn High School Mary Poppins – Hudson High School Young Frankenstein – Montachusett Regional Technical High School Evita – Oakmont Regional High School Les Miserables – Tyngsborough High School BEST ACTOR Derek Brigham (Billy) – Chicago (Auburn) Eran Zelixon (Tevye) – Fiddler on the Roof (Bedford) Philip Ferdinand (Tevye) – Fiddler on the Roof (Chelmsford) Max Charbonneau (Che) – Evita (Oakmont) Jared LeMay (Jean Valjean) – Les Miserables (Tyngsborough) Chris Van Liew (Frank Cioffi) – Curtains (Wachusett) BEST ACTRESS Becca Ford (Esmerelda) – Hunchback of Notre Dame (Acton-Boxborough) Lily Usherwood (Mary Poppins) – Mary Poppins (Hudson) Abby Waterhouse (Hope Cladwell) – Urinetown (Leominster) Mary Mahoney (Young Eva Duarte) – Evita (Oakmont) Belle McNamara (Georgia Hendricks) – Curtains (Wachusett) Hannah Friend (Carmen Bernstein) – Curtains (Wachusett) BEST SUPPORTING ACTOR Matthew Grega (Clopin Trouillefou) – Hunchback of Notre Dame (Acton- Boxborough) Sean Campbell (Amos) – Chicago (Auburn) Ben Woodward (Perchik) – Fiddler on the Roof (Bedford)) Connor Mangan (Judas) – Godspell -
A CHORUS LINE Teaching Resource.Pages
2016-2017 SEASON 2016-2017 SEASON Teacher Resource Guide and Lesson Plan Activities Featuring general information about our production along with some creative activities to Tickets: thalian.org help you make connections to your classroom curriculum before and after the show. 910-251-1788 The production and accompanying activities address North Carolina Essential Standards in Theatre or Arts, Goal A.1: Analyze literary texts & performances. CAC box office 910-341-7860 Look for this symbol for other curriculum connections. A Chorus Line Book, Music & Lyrics by: Jim Jacobs and Warren Casey April 28th - May 7th 7:30 PM Friday - Saturday and 3:00 PM Sunday Hannah Block Historic USO / Community Arts Center Second Street Stage 120 South 2nd Street (Corner of Orange) About this Teaching Resource Resource This Teaching Resource is designed to help build new partnerships that employ theatre and the arts. A major theme that runs through A Chorus Line, is the importance of education and Summary: the influence of teachers in the performers’ lives. In the 2006 Broadway production of A Page 2 Chorus Line, it was stated that the cast had spent, all together, 472 years in dance training with Summary, 637 teachers! The gypsies in A Chorus Line, are judged and graded, just as students are About the Musical, every day. Students know what it’s like to be “on the line.” This study guide for A Chorus Line, explores the Pulitzer Prize winning show in an interdisciplinary curriculum that takes in Vocabulary English/Language Arts, History/Social Studies, Music, Theatre, and Dance. Learning about Page 3 how A Chorus Line, was created will make viewing the show a richer experience for young Gypsies, Writing Prompts, people.