4JF11PA: 4-H Member Project Guides, Needlework, Embroidery
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Largs & District
CONTACTmonthly01/2021 Largs & District After a difficult year, Largs & District EG challenge pieces are only limited by the We very much hope, however, that by Branch will be starting the New Year members’ imaginations. accepting this challenge it will give us all with optimism as they gear up to meet Needlework has been such a solace for an opportunity to focus, even if only for their ‘21 in 21’ Challenge. many of us during the stressful months a short time, on an activity that brings The aim of the Challenge is to get of 2020. We aim to harness those us so much pleasure. members motivated by producing beneficial effects to kick start our stitch- Our ‘21 in 21’ Challenge will launch 21 small project pieces over the ing and perhaps, over the year, move us at our first Zoom meeting in 2021 on coming year. ever so slightly out of our comfort zones. January 20th, when we look forward to Members can set their own param- The pieces are intended to be small, engaging in a lively discussion on the eters, so may choose to produce 21 roughly postcard size, so as not to be many ideas for meeting the Challenge pieces on a particular theme, relating to stressful in the planning or production. that members will undoubtedly bring. a specific technique or perhaps linked We are a small Branch and the challeng- Fiona Duggan, Largs & District EG by a colour scheme. The options for the es of the past year have been many. Terry Murphy Terry Murphy, the Guild’s CEO, will be retiring from his role as The Board wishes to thank Terry for his support and his of 31st January 2021. -
Cora Ginsburg Catalogue 2015
CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework 2015 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] NEEDLEWORK SWEET BAG OR SACHET English, third quarter of the 17th century For residents of seventeenth-century England, life was pungent. In order to combat the unpleasant odors emanating from open sewers, insufficiently bathed neighbors, and, from time to time, the bodies of plague victims, a variety of perfumed goods such as fans, handkerchiefs, gloves, and “sweet bags” were available for purchase. The tradition of offering embroidered sweet bags containing gifts of small scented objects, herbs, or money began in the mid-sixteenth century. Typically, they are about five inches square with a drawstring closure at the top and two to three covered drops at the bottom. Economical housewives could even create their own perfumed mixtures to put inside. A 1621 recipe “to make sweete bags with little cost” reads: Take the buttons of Roses dryed and watered with Rosewater three or foure times put them Muske powder of cloves Sinamon and a little mace mingle the roses and them together and putt them in little bags of Linnen with Powder. The present object has recently been identified as a rare surviving example of a large-format sweet bag, sometimes referred to as a “sachet.” Lined with blue silk taffeta, the verso of the central canvas section contains two flat slit pockets, opening on the long side, into which sprigs of herbs or sachets filled with perfumed powders could be slipped to scent a wardrobe or chest. -
Expression2038 - 2048
expression2038 - 2048 Owner’s manual This household sewing machine is designed to comply with IEC/EN 60335-2-28 and UL1594 IMPORTANT SAFETY INSTRUCTIONS When using an electrical appliance, basic safety precautions should always be followed, including the following: Read all instructions before using this household sewing machine. DANGER - To reduce the risk of electric shock: • A sewing machine should never be left unattended when plugged in. Always unplug this sewing machine from the electric outlet immediately after using and before cleaning. • Always unplug before relamping. Replace bulb with same type rated 5 Watt. WARNING - To reduce the risk of burns, fi re, electric shock, or injury to persons: • Do not allow to be used as a toy. Close attention is necessary when this sewing machine is used by or near children or infi rm person. • Use this sewing machine only for its intended use as described in this manual. Use only attachments recommended by the manufacturer as contained in this manual. • Never operate this sewing machine if it has a damaged cord or plug, if it is not working properly, if it has been dropped or damaged, or dropped into water. Return the sewing machine to the nearest authorised dealer or service center for examination, repair, electrical or mechanical adjustment. • Never operate the sewing machine with any air openings blocked. Keep ventilation openings of the Sewing machine and foot controller free from the accumulation of lint, dust, and loose cloth. • Keep fi ngers away from all moving parts. Special care is required around the Sewing machine needle. • Always use the proper needle plate. -
Crewel Embroidery 0F Colonial New England
o o . 1‘ ‘ lb ‘ \w‘.‘ v ‘ " O . .1' '-' «7A :1. 90;": “W;ul.\u’$31.?l'“.‘ 1),. 3:10; 'M " d5‘_);”: ”‘22. ‘ '11“. 5"? $0.053“: . ~ .t"""\" 0‘70' ' ‘. ""7"! ( J::T.m4‘u '.""‘:.O-c :cnou ~11 ‘5'. u o. _'.‘ "' "‘:"-: .t-‘. _ n J; :ln'. ‘“:.;.’ ‘u‘ 9“ .‘ A.“ '. .. *“." " V'W‘ ’:".I|\~u"oOI(|‘. ""h’" '...Iigv-I . 01.11 f"-"'-":""‘°uo‘f.‘ .. - . ‘ p...‘ ‘I . ‘ a " . ...<o CREWEL ... EMBROIDERY THE Thesis MICHIGAN ENVIRONMENTAL MARY for 0F LYNNE the STATE COLONIAL 1975 Degree RICHARDS UNIVERSIIY INFLUENCES ovo- Of NEW M. cOc "9...! A ENGLAND -~ 0 ’Ipup~ ”‘0... l 00"! . AND I'ocumnmnwwwvwv- - Q . o . IIIII IIIIIIIOO PLACE II RETURN BOX to remove this Moat from yout record. To AVOID FINES Mum on or More data duo. DATE DUE DATE DUE DATE DUE — LI- * Om MSU Is An Affirmative MINI/Emil Opportunity Institution Wanna-9.1 ABSTRACT CREWEL EMBROIDERY OF COLONIAL NEw ENGLAND AND THE ENVIRONMENTAL INFLUENCES By Mary Lynne Richards The purposes of this study were: 1) to describe the characteristic colors, stitches and designs found in crewel embroidery created within New England during the colonial period, 2) to analyze these characteris- tics in relation to the dates and locations of the sample embroideries, and 3) to analyze the characteristic designs in relation to aspects of the colonial New England physical environment. The sample was composed of fifty crewel embroidered items, believed to have been created between 1620 and 1781, within the geographic boundaries of New England. A data sheet, plus color slides or black and white sketches, were used to record information pertaining to each embroidered item. -
Copy of Graves County 4-H Fair Exhibits and Shows
July 26-31 Graves County 4-H Exhibits & Shows *Enter projects in arts, photography, Monday, July 26th sewing, electricity, forestry, 4-H Exhibit Check-In, 4:00-6:00 pm* needlework, foods, canning, honey, tobacco, horticulture, entomology, Tuesday, July 27th home environment, crops, geology, 4-H Exhibit Judging, 8:00-11:30 am and more! Projects do not have to be 4-H Exhibits on Display, starting at 12:00 pm completed in 4-H to compete. Wednesday, July 28th 4-H Exhibits on Display Thursday, July 29th Rabbit Show, 5:00 pm Please see fair and show information for more Poultry Show, 6:30 pm details on classes, rules, and procedures, and 4-H Exhibits on Display expectations related to COVID-19. To request a copy, please contact the Graves County Friday, July 30th Cooperative Extension Service at 270-247-2334. Goat Show, 5:00 pm Cattle Show, 6:30 pm Animal exhibitors should arrive for 4-H Exhibi ts on Display check-in one hour prior to show start Saturday, July 31st Sheep Show, 5:00 pm Swine Show, 6:30 pm 4-H Exhibits on Display . July 29-31 Graves County 4-H Livestock Shows Thursday, July 29th Please see fair and show information for Rabbit Show, 5:00 pm more details on classes, rules, and procedures Poultry Show, 6:30 pm and expectations related to COVID-19. To request a copy, please contact the Graves Friday, July 30th Goat Show, 5:00 pm County Cooperative Extension Service at 270-247-2334. Cattle Show, 6:30 pm Saturday, July 31st Sheep Show, 5:00 pm Swine Show, 6:30 pm Animal exhibitors should arrive for check-in one hour prior to show start. -
Elegant Table Runner H
Elegant Table Runner Designed By Patty Peterson Featuring Kreinik Metallic Machine Sewing Threads Finished size 11.5" X 40.75" ave you ever wondered how you can use the decorative stitches on H your sewing machine? Well here’s a quick and easy project where you can combine your machine’s decorative stitches with beautiful metallic threads and make an absolutely elegant table accessory. Whether you make it for your own home or as a gift, this table runner project will help you see the possibilities of those decorative machine stitches in a whole new light! ! SUPPLY LIST: 1.!!! Kreinik Metallic Machine Sewing Threads (34 colors available). This project uses:! Fine Twist threads: 0001 SILVER, 0002 PEWTER, 0003 WHITE GOLD, 0006 ANTIQUE DK GOLD 2.!!! Kreinik Silver Metallized Gimp:! 0030 SILVER, 0032 ANTIQUE GOLD, 0033 BRASSY GOLD! 3.!!! Size 14 Topstitch needle 4.!!! Sewing or embroidery machine/combination 5.!!! Walking foot or dual feed foot to construct table runner 6.!!! Tear-away stabilizer (depending on your hoop size) 7.!!! Bobbin thread 8.!!! Scissors 9.!!! Kreinik Custom Corder!™ 10. !If you plan on embroidering out the stitches in your embroidery hoop you will need 3/4 yard of Kona Bay, Black cotton fabric !! 11. If you are sewing the decorative stitches you will need!1/2 yard Kona Bay, Black cotton fabric 12.! Background fabric 13" x 44" (WOF) width of fabric (our model uses light weight patterned nylon)! 13.! Backing fabric: Kona Bay, Black cotton 13" X 44" (WOF) 14. !Extra fabric to sew test stitches, such as a couple of 6" x 6" squares 15. -
The Bayeux Tapestry
The Bayeux Tapestry The Bayeux Tapestry A Critically Annotated Bibliography John F. Szabo Nicholas E. Kuefler ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by John F. Szabo and Nicholas E. Kuefler All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Szabo, John F., 1968– The Bayeux Tapestry : a critically annotated bibliography / John F. Szabo, Nicholas E. Kuefler. pages cm Includes bibliographical references and index. ISBN 978-1-4422-5155-7 (cloth : alk. paper) – ISBN 978-1-4422-5156-4 (ebook) 1. Bayeux tapestry–Bibliography. 2. Great Britain–History–William I, 1066–1087– Bibliography. 3. Hastings, Battle of, England, 1066, in art–Bibliography. I. Kuefler, Nicholas E. II. Title. Z7914.T3S93 2015 [NK3049.B3] 016.74644’204330942–dc23 2015005537 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
Silverwork and Sequins
Session 2: Cornucopia II: Silverwork and sequins In this session you will be learning how to couch metallic threads, both Jap Thread and twist. You will also learn how to stitch sequins in place using a bead. Metallic threads add a touch of sparkle to your embroidery designs. They are made by tightly wrapping a flat metallic strip around a core of cotton or silk thread. This produces a shiny thread which can be bought in a range of sizes. There are particular ways of stitching with metallic threads which you will learn in this session. MATERIALS AND EQUIPMENT NEEDED FOR THIS SESSION: • Embroidery hoop or small frame • Embroidery scissors • Needles: o Crewel/embroidery needle size 10/12 o Large-eyed needle such as a chenille or tapestry needle (large enough to take the metallic threads) • The worked embroidery from Session 1: Cornucopia I: Blackwork Infills • Silver Jap Thread • Silver Twist Thread (or DMC silver metallic stranded thread) • Grey sewing cotton • Silver sequins, 3-4 mm, either round or flower-shaped or both: about 5-6 in total • Silver or clear seed beads, one per sequin plus one spare READ ALL OF THE INSTRUCTIONS THROUGH BEFORE YOU START YOUR EMBROIDERY. WORKING THE EMBROIDERY: HORN-OF-PLENTY SECTIONS 1. Place your worked piece from Session 1: Cornucopia I: Blackwork Infills in your hoop or frame (if it isn’t still there!) 2. You are going to use a technique called COUCHING to stitch the silver threads in position on your embroidery. Metallic threads are often too heavy to stitch through the fabric and the outer metallic cover will separate off if you take them through the fabric too often. -
Owner's Manual
creative 2170 Owner‘s manual This household sewing machine is designed to comply with IEC/EN 60335-2-28 and UL1594 IMPORTANT SAFETY INSTRUCTIONS When using an electrical appliance, basic safety precautions should always be followed, including the following: Read all instructions before using this household sewing machine. DANGER - To reduce the risk of electric shock: • A sewing machine should never be left unattended when plugged in. Always unplug this sewing machine from the electric outlet immediately after using and before cleaning. • Always unplug before relamping. Replace bulb with same type rated 5 Watt. WARNING - To reduce the risk of burns, fi re, electric shock, or injury to persons: • Do not allow to be used as a toy. Close attention is necessary when this sewing machine is used by or near children or infi rm person. • Use this sewing machine only for its intended use as described in this manual. Use only attachments recommended by the manufacturer as contained in this manual. • Never operate this sewing machine if it has a damaged cord or plug, if it is not working properly, if it has been dropped or damaged, or dropped into water. Return the sewing machine to the nearest authorized dealer or service center for examination, repair, electrical or mechanical adjustment. • Never operate the sewing machine with any air openings blocked. Keep ventilation openings of the Sewing machine and foot controller free from the accumulation of lint, dust, and loose cloth. • Keep fi ngers away from all moving parts. Special care is required around the sewing machine needle. • Always use the proper needle plate. -
For the INDUSTRIOUS NEEDLEWOMAN Adelaide Byrd
The San Francisco Sunday Caß For the INDUSTRIOUS NEEDLEWOMAN Adelaide Byrd Daughter's Dresses season ushers In certain dis- a delicate lace yoke without any wear- tinctive marks that stamp Its sim- ing quality. EACHplest frocks as belonging to the year Soutache and heavy cotton star braid In\ question. Sometimes these differ- are effective upon linen, and the latest Centerpiece ences are so slight that an untrained fashion demands a touch of figured eye might pass the garment by as the foulaVdas tie and girdle. The four-in- sanite old gingham dress, but to those hand, looped through slots in the front in who know arid to "sweet sixteen" ,her- of the linen bodice, gives a good self they take on a great deal of im- chance for the touch of ornamental portance, these little changes, and each material of Persian. Indian or Egyp- little twist and turn of the styles gives tian design. the frock a definite position. Ginghams for the young girl are as Decided notes are readily" found, but goo 4styl-a this year as they have ever some of the. more obscure are scarcely been, and their outlines are most nor- discernible. There Is little change in mal. For instance, there Is no un- materials for young girls, there being necessary fulness in bodice, sleeve or ifew- new cottons and linens except skirt, and the belt has dropped to the. homespun "and hopsacklng. which are usual line of the waist. Field Daisies made in both, linen and cotton. The panel has more or less disap- That made of cotton has a burlap ap- peared, and in Paris the princes* ef- pearance and is not be altogether. -
Computer Aided Embroidery & Needle Worker
COMPUTER AIDED EMBROIDERY & NEEDLE WORKER COMPUTER AIDED EMBROIDERY & NEEDLE WORKER COMPETENCY BASED CURRICULUM (Duration: 1 Year 3 Months) APPRENTICESHIP TRAINING SCHEME (ATS) NSQF LEVEL- 4 SECTOR – APPAREL GOVERNMENT OF INDIA MINISTRY OF SKILL DEVELOPMENT & ENTREPRENEURSHIP DIRECTORATE GENERAL OF TRAINING COMPUTER AIDED EMBROIDERY & NEEDLE WORKER COMPUTER AIDED EMBROIDERY & NEEDLE WORKER (Revised in 2018) APPRENTICESHIP TRAINING SCHEME (ATS) NSQF LEVEL - 4 Developed By Ministry of Skill Development and Entrepreneurship Directorate General of Training CENTRAL STAFF TRAINING AND RESEARCH INSTITUTE EN-81, Sector-V, Salt Lake City, Kolkata – 700 091 COMPUTER AIDED EMBROIDERY & NEEDLE WORKER ACKNOWLEDGEMENT The DGT sincerely express appreciation for the contribution of the Industry, State Directorate, Trade Experts and all others who contributed in revising the curriculum. Special acknowledgement to the following industries/organizations who have contributed valuable inputs in revising the curricula through their expert members: Special acknowledgement is expended by DGT to the following expert members who had contributed immensely in this curriculum. Sl. Name & Designation Mentor Council Organization No. Shri/Mr./Ms. Designation Expert group on restructuring of Apprenticeship Training Modules 1. Sandeep Kumar Sharma, SASMIRA SEP DEPT, Mumbai Chairman Manager Production 2. Deepak k Pethar, Manager Body Line Clothing, Mumbai Member 3. Umesh V Kapure, Manager, Body Line Clothing, Mumbai Member Finishing Dept. 4. Mahesh Kumar, Executive SK Enterprise, Mumbai Member Marketing 5. Anil Pachariwar, Executive Creative Garment, Mumbai Member 6. Mrs Pranoti Mhatre, Director Pratitis Fashion Design, Dadar, Member Mumbai 7. Mrs Meena Pokale, Executive Bar Code, Colaba, Mumbai Member 8. SD Prabhu, Designer M/s Tex style International, Lowe Member Parel, Mumbai 9. Rajesh Bukari, Designer M/s Tex Part Syndicate, Andheri, Member Mumbai 10. -
How to Needlepoint
How to Needlepoint A quick guide for the on the go learner to get started stitching By Casey Sheahan What is needlepoint? Needlepoint is a type of embroidery where wool, cotton or silk is threaded through an open weave canvas. Needlepoint can be used to create many different objects, crafts or art canvases. Sources : Colorsheets, Viviva, and Shovava. “What Is Needlepoint? Learn the DIY Basics to Begin This Fun and Colorful Craft.” My Modern Met, 9 Sept. 2018, https://mymodernmet.com/what-is-needlepoint/. The Editors of Encyclopaedia Britannica. “Needlepoint.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 4 Sept. 2019, https://www.britannica.com/art/needlepoint#:~:targetText=Needlepoint as it is known,the foundation for the embroidery Needlework has been around for centuries. Throughout history we have seen a variety of different types History of of stitching. Tapestries have been found dating back to the 15th century Needlepoint and needlepoint was even found in the cave of a Pharaoh. In the 17th century when upholstered furniture became pooular. Source: “The English Needlepoint.” Ghorbany, https://ghorbany.com/inspiration/the-english-needlepoint. Getting Started Now that you know a little more about the history of needlepoint, you will start collecting your materials to begin stitching. Getting Started Material Options: Threads and Yarns Althea DeBrule outlines some of the most common types of threads used in needlepoint. Persian Yarn: By far the most popular yarn used for needlepoint. Persian wool can be be purchased in hundreds of colors from delicate hues to bold shades. Tapestry Yarn: Tapestry wool is a single strand thread that cannot be separated for fine stitching.