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Film Funding Grants Programme 2013
Film Funding Grants Programme 2013 Film Funding Grants Programme 2013 Doha Film Institute established its Grants We contribute to films that have strong directorial Programme with the vision of fostering creative vision and that are challenging, creative and talent in the Middle East and North Africa (MENA) thought-provoking. Support for grantees is holistic, region. We are proud that over its first three- with financial assistance bolstered by professional and-a-half years the programme supported the development, mentorship and creative development development of more than 137 projects from opportunities that are made available throughout 14 countries. a project’s life cycle. In 2013, the Institute embarked on a new phase of the Grants Programme designed to further the It is our hope that through the Grants Programme goal of nurturing emerging talent. Projects from and the growing number of its alumni, we will all over the world became eligible for funding, continue to widen our flourishing community with a special focus on first- and second-time of filmmakers. As we extend our reach, we also filmmakers. enable professional, cultural and creative exchanges between our local talent and the wider international Alongside this expansion, the Institute’s industry. commitment to talent from the MENA region remains strong, with specific categories and I am honoured to welcome our newest grant criteria in place. Our focus on first- and second- recipients to the Doha Film Institute family. time filmmakers will greatly enhance our ability to discover and nurture new voices, both at home in Abdulaziz Al-Khater Qatar and around the globe. -
The Arab Spring & Social Media: Regime Change Challenges
THE ARAB SPRING & SOCIAL MEDIA: REGIME CHANGE CHALLENGES David Aronofsky & Jacob Griffith TUNISIA World Revolution 2011 - The Arabian Spring! – YouTube A Twitter Snapshot Of The Tunisian Revolution: Over 196K Mentions Of Tunisia, Reaching Over 26M Users | TechCrunch EGYPT Celebrations in Cairo - Mubarak steps down! – YouTube LIBYA Nato uses its own Twitter revolution to track Gaddafi’s forces – Telegraph NATO’s Newest Bombing Tool: Twitter | Danger Room | Wired.com Rebellion 3.0: How Libyan rebels use Twitter to help NATO air strikes · citizenside · Storify 'Muammar Gaddafi' The Last Moments Before Death... Bashar Assad, You Will Be Next! – YouTube NATO chief recommends end of Libyan ops via social media - Technology - GMA News Online - Latest Philippine News SYRIA Syrian protests on video - YouTube US Ambassador Robert Ford Greeted with Roses in Hama Syria - July 8, 2011 – YouTube Arab Spring - Syrian Uprising | Facebook Video: Syrian protesters call on Nato as security forces raid a university - Telegraph BAHRAIN & YEMEN http://abcnews.go.com/International/social-media- fuels-protests-iran-bahrain-yemen/story?id=12926081 BAHRAIN Bahrain protests: Bahrain government battles social media revolution | Crikey Pre-dawn Raid Destroys Bahrain Protest Camp - YouTube http://twitter.com/BahrainFeb14 YEMEN Yemeni youth use social media for change – YouTube http://twitter.com/yousefkaid/yemen-revolution 2011 Yemen Revolution | Facebook TUNISIA ELECTIONS Voting begins in historic election in Tunisia – YouTube Tunisian election -
Karlstad University the Role of Social Media & the Egyptian Uprisings
1 Karlstad University Kelsey J. Williams The Role of Social Media & The Egyptian Uprisings Global Media Master Thesis 30 ECTS Term: Fall 2014 2 ACKNOWLEDGEMENT I would like to thank the April 6 Youth Movement, We Are All Khalad Saaed Facebook and Twitter groups along with the participants from Egypt, Lebanon, Jordan, and Europe for their in depth input and participation in the survey and interviews. Your efforts are greatly appreciated. 3 Abstract The Egyptian Uprisings of 2011 was established as a vastly innovative media event that conjured the nostalgia of a global audience. This study discovered social media’s role and its initial impact depicted over the course of the insurrection in the country. When the Internet was first introduced in Egypt in the early 2000’s it was distinguished as a marginal leisure activity for the elite members of society. However, as time progressed and the Internet became accessible to everyone it fostered an instrument for various groups to call for alterations in their communities. Twitter and Facebook served as a fundamental communication device for protestors and groups who filtered their message of change of leadership amongst the youth demographic. Specifically, in Cairo, Egypt social media was a primary instrument utilized by a number of online communities, such as the April 6 Youth Movement and The We are All Khaleed Saaed groups. Both groups utilized Facebook and Twitter to inform demonstrators of the march on Tahrir Square on January 25th. This event witnessed a vast number of Egyptian activists and residents who gathered calling for the immediate dismissal of President Mubarak. -
Back Door Channels: the Price of Peace (Documentary) by JAY WEISSBERG
November 8, 2010 Back Door Channels: The Price of Peace (Documentary) By JAY WEISSBERG A Channel Prods. production. Produced by Harry Hunkele. Executive producers, Donald Tanselle, Matthew Tollin, Arick Wierson. Co-producer, Vered Kollek-Meisel. Directed, edited by Harry Hunkele. Written by Jonathan Hicks, Hunkele, Matthew Tollin, Arick Wierson. With: Gerry Rafshoon, William Quandt, Wolf Blitzer, Samuel Lewis, Leon Charney, Boutros Boutros-Ghali, Andre Azoulay, Abdel Raouf El Reedy, Nabil El Araby, Mohammed Gohar, Henry Kissinger, Nabil Fahmy, Nabil Shaath, Avraham Tamir, Arye Naor, Yael Dayan, Patricia Kahane, Smadar Perry, David Landau, Dan Pattir, Shlomo Gazit, Hisham Khalil, Zbigniew Brzezinski, Jimmy Carter, Stuart E. Eizenstat, Ahmed Maher, Meir Rosenne, Robert Lipshutz. The behind-the-scenes negotiations leading to the first Camp David Accords between Egypt and Israel are revealed in all their riveting complexity in "Back Door Channels: The Price of Peace." PBS docu helmer Harry Hunkele gained unprecedented access to major players for an enthralling dissection of the unlikely path to the groundbreaking treaty, though he bites off more than he can chew and needs to rein in a tendency toward portentous explication, underscored by the incongruous music of Moby and Whale Hawk. Despite such annoyances, the docu deserves widespread exposure on PBS and satcasters. The Camp David Accords, signed in 1978, marked an unlikely moment when idealism briefly triumphed over obdurate stonewalling. Though never entirely satisfactory, the accords offered the hope of a brighter future in the Middle East; the failure of that initial promise in no way diminishes the achievement, whose memory can still bring a lump to the throat. -
Abu Dhabi Film Festival Opens Submissions for Second Session of SANAD Grants
Press Release Abu Dhabi Film Festival Opens Submissions for Second Session of SANAD Grants • SANAD Supports Arab Film-makers for Fifth Consecutive Year • Projects Receive up to US$20,000 for Development and up to US$60,000 for Post-production Abu Dhabi-UAE: June 3, 2014 – SANAD, the Abu Dhabi Film Festival's (ADFF) development and post-production fund, has called for entries for the second session of grants from across the Arab World. Submissions will be accepted until July 15, 2014 and successful grantees will be informed at the end of August ahead of the Abu Dhabi Film Festival in October 2014. ADFF, powered by twofour54, the commercial arm of Media Zone Authority – Abu Dhabi, offers Arab filmmakers with projects up to US$20,000 for development and up to US$60,000 for post-production. To date, the initiative has funded more than 100 projects as part of its mission to drive the development of a filmmaking hub in the UAE and wider Arab region. In the first session of 2014, approximately 75 percent of all the submissions came from film-makers making their first or second feature length projects. Ali Al Jabri, Director of ADFF, said: “SANAD seeks out bold and remarkable works from both new and established filmmakers either in the development or post-production stage. With intercultural dialogue, creativity and relationship building at its core, SANAD serves as a vehicle for identifying and supporting worthwhile projects while connecting filmmakers to potential partners, funding opportunities and audiences. “Our aim is to spotlight innovative film projects and provide year-round support for new and established filmmakers whose films are essential to the continuing growth and fascinating trends in Arab Cinema. -
Films Ex-Nihilo: Abu Dhabi's Greenfields Film and Media Policy
Films ex-nihilo: Abu Dhabi’s Greenfields Film and Media Policy Model Nolwenn Mingant To cite this version: Nolwenn Mingant. Films ex-nihilo: Abu Dhabi’s Greenfields Film and Media Policy Model. Recon- ceptualising Film Policies, 2018. hal-03031550 HAL Id: hal-03031550 https://hal.archives-ouvertes.fr/hal-03031550 Submitted on 30 Nov 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Contents List of Figures and Tables ix Foreword xi Acknowledgements xiii Introduction 1 NOLWENN MINGAN T AN D CEC ILIA T IRTAIN E PART I The Traditional Film Policy Paradigm 13 1 ‘France needs to position itself on the global media map, as a cultural reference and a production centre’ 16 AN IN TERVIEW WITH STEPHAN BEN DER 2 A Fragile Industry: Government Policy and Dubbing in Quebec 21 A C A SE S TUDY BY CHRIS TIN E YORK 3 Monitored Relations: The US Film Industry, Chinese Film Policy and Soft Power 27 DERON OVERPEC K 4 Cool Japan and Heated Politics: Japanese Film and Media Policies within the Economic Politics of Global Markets 41 JENNIFER DEW I N TER 5 ‘Sophisticated -
Our River…Our Sky
Our River…Our Sky a narrative feature film by Maysoon Pachachi Gala event in Dubai for the IWC Filmmaker Award 2012 INTRODUCTION Our River…Our Sky is the first internationally co-produced narrative feature film written and di- rected by a female filmmaker of Iraqi origin – the London-based film producer / director / editor Maysoon Pachachi. Co-written with Irada Al-Jubori - a Baghdad-based writer of fiction - the film offers an authentic insider’s perspective to the contemporary Iraqi narrative. In 2012, the script won the $100,000 IWC Schaffhausen Gulf Filmmaker Award at Dubai Inter- national Film Festival - presented to the film’s director by Head of Jury, Cate Blanchett. LEAD ARTISTIC & TECHNICAL TEAM Writer & Director Maysoon PACHACHI Co-Writer Irada AL-JUBORI Production, Set & Costume Designer Rayah AASEE Head of Production Ghassan ABDALLAH Cinematographer Jonathan BLOOM Sound Recordist François WALEDISCH Hair Stylist & Makeup Artist Kazem ABBASSHIRAZI Editor Alexandre DONOT Sound Designer André STIEBE VFX Director Luc SERRANO Post-supervisor Laurent VERSINI Music Composers Mario SCHNEIDER Ehsan EMAM Khyam ALLAMI Consulting Producer Chris CURLING Casting Director Leila BERTRAND, CDG 1st Assistant Directors Haidar HAKIM Ahmed YASEEN CAST MEMBERS NAME ROLE Darina AL JOUNDI Sara Zainab JODA Reema Basim HAJAR Kamal Labwa ARAB Mona Amed HASHIMI Yahya Meriam ABBAS Dijla Mahmoud Abo AL ABBAS Abu Haider Badia OBAID Sabiha Zaydun KHALAF Kareem Suzan MUNEAM Khairiya Sami AL-ALI Nabil Siham MUSTAFA Nermeen Kholod MOHAMAD Tamara Ali EL KAREEM Boatman Kameran RAOOF Professor Sami Mustafa MOHAMMED People Smuggler Muslem HASSOUN Haider LOGLINE In a typically mixed Baghdadi neighbourhood, the stories of a novelist and her neighbours unfold and intersect, as their lives are torn apart by extreme sectarian violence while nightly curfews trap them inside their homes. -
THE SUBLIME in CONTEMPORARY ART and POLITICS: “The Post-9/11 Art of the Middle Eastern Diaspora in North America”
THE SUBLIME IN CONTEMPORARY ART AND POLITICS: “The post-9/11 Art of the Middle Eastern Diaspora in North America” TALAT BALCA ARDA GUNEY A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN POLITICAL SCIENCE YORK UNIVERSITY TORONTO, ONTARIO April 2016 © Talat Balca Arda Guney, 2016 Abstract The Sublime in Contemporary Art and Politics: The post-9/11 Art of the Middle Eastern Diaspora in North America This dissertation takes ethnographic approach to researching art with an emphasis on the artistic practices of Middle Eastern diasporic artists in Canada and the USA. This dissertation moves from an account of aesthetic theory to the revival of public interest in art related to the Middle East and the artistic challenges faced by diasporic artists from the Middle East in presenting depictions of their own subjectivity. The Arab Spring, revolutions, bloody protests and riots, as well as the attacks of radical Islamist groups have crowded mainstream news coverage with images of terror and the paradigm of radical destruction. Such reflections of horrific scenery emulate the aesthetics of the sublime in the imagination of contemporary politics. The increasing body of art emphasizing the region of the Middle East has also regenerated this mainstream media focus on the Middle East, Arab lands, and the “Muslim landscape" with the same connotation of sublimity. I argue that these artistic reflections presume a particular Middle Eastern diasporic subjectivity that comes into visibility simultaneously as the translator and the witness, as well as the victim or perpetrator of this catastrophic imagery of the Middle East. -
Festival Guidedownload
7th ABU DHABI FILM FESTIVAL LET'S CELEBRATE FILM Are you ready to celebrate? over the world to participate For 10 days the 7th Abu in the Festival. Between Dhabi Film Festival brings the screenings there are a host of best of Arab and international fun and engaging activities: cinema to the capital. Start encounters with filmmakers and exploring our guide to the talent and free master classes, Festival right away so you workshops and other special don’t miss out! events. E How to Buy Tickets 3 D Locations 5 As well as taking in some Whether it’s sharing new or SI of today’s best and most classic films with the family N Opening Night 7 I ADFF Talks Film 9 exciting films, ADFF gives you or enjoying the excitement of the opportunity to share the the red carpet, everyone has Programme Overview 11 experience with the filmmakers something to celebrate when Feature Films A-Z 12 and talent who come from all the Festival is on. Short Film Competition 26 Emirates Film Competition 29 ABOUT ADFF Special Programmes 32 The Abu Dhabi Film Festival powered by twofour54 was established Our World Award 34 in 2007 with the aim of helping to create a vibrant film culture Child Protection Award 35 throughout the region. ADFF is committed to curating exceptional Film Calendar 37 international programmes to engage and educate the local community, Indexes 46 inspire young filmmakers from the region and nurture the growth of the regional film industry. 7th Abu Dhabi Film Festival | adff.ae 1 THE WORLD IS OUR HOME YOU ARE OUR GUEST Look forward to the sort of relaxed, deep sleep in the air you’d usually only expect on the ground. -
Syrian Artists: Between Freedom and Oppression Most Notable Violations Against Artists in Syria
Syrian Artists: Between Freedom and Oppression 1 Syrian Artists: Between Freedom and Oppression Most Notable Violations against Artists in Syria الشبكــــة السوريــة لحقـوق اإلنســان June 2015 Syrian Network for Human Rights 28 Syrian Artists: Between Freedom and Oppression 2 Contents First: Executive Summary ........................................... 3 Second: Introduction ................................................... 4 Third: Government forces ........................................... 7 Fourth: Armed opposition ........................................... 37 Fifth: Extremist groups ............................................... 39 Sixth: Unidentified Groups ......................................... 42 Seventh: Evidences and Attachments ......................... 44 Acknowledgment ........................................................ 50 الشبكــــة السوريــة لحقـوق اإلنســان June 2015 Syrian Network for Human Rights 28 Syrian Artists: Between Freedom and Oppression 3 First: Executive Summary Violations against artists are as follows: - First: Extrajudicial killing: SNHR documented the killing of 22 artists: - Government forces: killed 14 artists including four artists who were tortured to death - Armed opposition: killed four artists - Extremist groups: Daesh killed one artist -Unidentified armed groups: killed three artists - Second: Arrest and kidnapping: we recording 57 arrest-and-kidnapping cas- es: - Government forces: 50 cases including nine artists who are still un- der arrest or forcibly-disappeared. - Armed opposition: -
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Journal of Historical Fictions 1:1 2017 Natasha Alden – Jacobus Bracker – Joanne Heath – Julia Lajta-Novak – Nina Lubbren – Kate Macdonald The Journal of Historical Fictions 1:1 2017 Editor: Dr Kate Macdonald, University of Reading, UK Department of English Literature University of Reading Whiteknights Reading RG6 6UR United Kingdom Co-Editors: Dr Natasha Alden, Aberystwyth University; Jacobus Bracker, University of Hamburg; Dr Joanne Heath; Dr Julia Lajta-Novak, University of Vienna; Dr Nina Lubbren, Anglia Ruskin University Advisory Board Dr Jerome de Groot, University of Manchester Nicola Griffith Dr Gregory Hampton, Howard University Professor Fiona Price, University of Chichester Professor Martina Seifert, University of Hamburg Professor Diana Wallace, University of South Wales ISSN 2514-2089 The journal is online available in Open Access at historicalfictionsjournal.org © Creative Commons License: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) Reading 2017 Contents Victims, heroes, perpetrators: German art reception and its re-construction of National Socialist persecution Johanna Huthmacher 1 Curating the past: Margins and materiality in Sydney Owenson, Lady Morgan’s The Wild Irish Girl Ruth Knezevich 25 Contentious history in “Egyptian” television: The case of Malek Farouq Tarik Ahmed Elseewi 45 The faces of history. The imagined portraits of the Merovingian kings at the Versailles museum (1837-1842) Margot Renard 65 Masculine crusaders, effeminate Greeks, and the female historian: Relations of power in Sir Walter Scott’s Count Robert of Paris Ioulia Kolovou 89 iii Victims, heroes, perpetrators: German art reception and its re-construction of National Socialist persecution Johanna Huthmacher, Panorama Museum Bad Frankenhausen, Germany Abstract: Shortly after World War II, the German artists Horst Strempel and Hans Grundig created works that depicted National Socialist persecution. -
AMO Cover-F-Eng
1 ss;s; PRODUCTION TABLE OF CONTENTS ACKNOWLEDGEMENTS 02 Project Team Foreword: Dubai Press Club 04 Foreword: Deloitte Maryam Bin Fahad, Executive Director 06 Acknowledgements Nadin Al Lahham, Business Development Supervisor 08 Executive Summary Adel Ibrahim, Senior Manager Operations 12 Methodology Muna Busamra, Deputy Manager Arab Journalism Award Sadiq Jarrar, Communications & PR Manager Section 1: Arab Media in a Global Context 15 Jasim Al Shemsi, Deputy Project Manager Mohab Mazen, Deputy Events Manager 1. Print 25 Afra Matar, Brand Executive 2. TV 41 Khalid Jamal, PR Coordinator 3. Digital 57 Ahmad Khalid, Events Coordinator 4. Other Platforms 77 Khulood Alkhoory, Media Relations Coordinator 5. TV Series 81 Rajeev Kandathil, Administrative Executive 6. Movies 95 Mohamed Al Hosany, Events Coordinator 7. Sports 109 Ahmed Al Muhairbi, Media Relations Coordinator 8. Music 123 Ahmed Al Hashimi, Media Relations Coordinator Abdul Hani Aliouat, Arabic Editor & Proofreader Section 2: Regional Update 135 Dana Beydoun, Senior Editor In-focus countries 137 Sireen Jannoun, Senior Editor Country-by-country update 175 Section 3: The Media Revolution For Feedback and Review 1. Introduction 223 Dr. Hessa Lootah, Assistant Professor Department of Public Media and Communications - Emirates University 2. Social Media 224 Mamoon Sbeih, Managing Director - Arab Region, APCO Worldwide 3. Satellite TV 229 Craig D`Silva, Project Consultant, APCO Worldwide 4. Implications for the Future 232 Musab Zakarya – For translation 5. Conclusion 238 For Deloitte Glossary