Area Irish Music Events
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Friday 7Th March 2014
Vol. 13 Edition 10: Friday 7th March 2014 : www.killarneyoutlook.com 07.03.14 1 Killarney Outlook Sales: Des 087 659 3427 or Email: [email protected] ARE YOU ONE OF THE 35,000 PEOPLE THAT READ THE BEST FREE PUBLICATION IN KERRY... THE KILLARNEY OUTLOOKDON’T DONT MISS OUT ON COLLECTING YOUR WEEKLY EDITION OF KERRY’S BRIGHTEST AND MOST READ PUBLICATION….. THE KILLARNEY OUTLOOK. THE GLOSSY MAGAZINE IS DELIVERED TO BUSINESS OUTLETS EVERY FRIDAY AND IS SNAPPED UP WITHIN MINUTES OF DELIVERY. FARRANFORE Urban Optics Tru-Care Cleaners Bowler’s Garage BEAUFORT JLT Tiles Torc Travel Daybreak Shop (top of High Street) Our-House.ie Beaufort Bar Farranfore Garden Centre Golden Chopsticks Gallivan Murphy Hooper Dolan MUCKROSS ROAD In-Between Pub Londis Moriarty’s Food Fayre Café NEW STREET Handy Stores Carson’s Supermarket Liam Lynch Garage COLLEGE SQUARE / PLUNKETT Presbytery near Bishop Palace Tom Spillane Kilgobnet Breen’s Shop KILLARNEY STREET Hennigan’s Auctioneers Amber Station Muckross rd quick O’Sullivan’s Shop Murphy’s Garage Sean Leo’s Auctioneers Killarney Photographic pick MILLTOWN Amber Centra O’Leary Electrical Killarney Med Centre Carry Out Licence Londis Top Shop Carry Out Licence White-Heather Florist Pharmacy (O’Sullivan) Ross Golf Course Milltown Farmer’s Market (old Chinese Restaurant Allegro Kennelly’s Pharmacy Randles Court Hotel church) Topaz Centra Music Express Dunnes Stores Randles Nissan Garage Café Beag Maher’s Butchers Joevany Leather Goods Healy’s Newsagents Doyle Shop O’Shea’s Pub Kennelly’s Pharmacy Gallivan Auctioneers Sarah Jane Brehon Hotel Pharmacy Sean Taffee Reens (Chemist) Jasmine Boutique Gleneagle Burke’s Butchers I.C. -
NEWS RELEASE Umass Amherst Fine Arts Center
NEWS RELEASE UMass Amherst Fine Arts Center www.fineartscenter.com CONTACT: Shawn Farley at 413-545-4159 or [email protected] FOR IMMEDIATE RELEASE: November 19, 2007 WHAT: UMass FINE ARTS CENTER Center Series presents: Cherish the Ladies- A Celtic Christmas Celebration WHEN: Wednesday, December 12, 7:30pm WHERE: Fine Arts Center Concert Hall University of Massachusetts Amherst Call 1-800-999-UMAS or 545-2511 for tickets or go online to www.fineartscenter.com/tickets IMAGES: To download images relating to this press release please go online to http://www.umass.edu/fac/centerseries/pressreleases/photo.html (Cherish the Ladies to Bring Celtic Christmas Charm to UMass Fine Arts Center) With their spectacular blend of instrumental talents, beautiful vocals, captivating arrangements and stunning step dancing, Cherish the Ladies combines all facets of Celtic culture in an immensely warm, humorous and entertaining event-- the perfect complement to our New England winter chill. Cherish the Ladies will be performing Wednesday, December 12 at 7:30pm in the Fine Arts Center Concert Hall. This powerhouse group features Grammy Award winner Joanie Madden on whistle, flute and vocals; Mary Coogan on guitar, mandolin and banjo; Heidi Talbot on vocals and bodhrãn; Mirella Murray on accordion piano; and Roisín Dillon on fiddle. Joining the Ladies for this concert are Kathleen Boyle on the accordion and piano, Dan Stacey on fiddle and step dancing, and Eileen Golden, Michael Boyle And Noelle Curran performing the traditional step dancing. The Ladies have done several highly successful Celtic Christmas tours over the past few years. The holiday presentation has quickly become a very popular attraction, in addition to their free-wheeling and funny, fast and furious musical evenings for which they are known worldwide. -
Milwaukee Irish Fest Announces 35Th Anniversary Entertainment Lineup 2015 Festival Brings Together Fan Favorites and Emerging Talent for Largest Celebration Yet
Media Contact: Kristin Paltzer (262) 789-7630, ext. 126 [email protected] FOR IMMEDIATE RELEASE Milwaukee Irish Fest Announces 35th Anniversary Entertainment Lineup 2015 Festival Brings Together Fan Favorites and Emerging Talent for Largest Celebration Yet MILWAUKEE (January 27, 2015) – Milwaukee Irish Fest, the world’s largest celebration of Celtic music and culture, announces the festival’s 2015 entertainment lineup. Celebrating its 35th anniversary Milwaukee Irish Fest is pulling out all the stops for this year’s festival, offering the widest selection of Irish and Celtic music to date. Taking place August 13-16, along Milwaukee’s lakefront, the 2015 festival will honor tradition with some of the biggest and brightest stars, as well as previously undiscovered new artists. “Thirty-five years in the making, we think this is our strongest lineup yet,” said Patrick Boyle, executive director, Milwaukee Irish Fest. “We look forward to shining the spotlight on acts that have influenced – or been influenced by – the growth and popularity of traditional Irish and Celtic music over the past few decades.” Entertainment highlights for the 2015 festival include: Living Tradition Showcase Milwaukee Irish Fest has been introducing American audiences to contemporary traditional music for the past 35 years. In keeping with that tradition, this year’s festival will feature the Living Tradition Showcase which will highlight Irish traditional music with festival favorites, as well as up-and-coming new artists. Living Tradition Showcase performers include: Cherish the Ladies, Dallahan, Eileen Ivers and Immigrant Soul, Flashpoint, FullSet, Goitse, John Whelan, Liz Carroll, Lunasa, Moloney, Keane, and O’Connell, Morga, Pride of New York, Ross Ainslie and Jarlath Henderson, Socks in the Frying Pan, Ten Strings and a Goat Skin, Tim Edey and Brendan Power, and We Banjo 3. -
Area Irish Music Events
MOHAWK VALLEY IRISH CULTURAL Volume 14, Issue 2 EVENTS NEWSLETTER Feb 2017 2017 GAIF Lineup: Old Friends, New Voices The official lineup for the 2017 Great American Irish Festival was announced at the Halfway to GAIF Hooley held January 29th at Hart’s Hill Inn in Whitesboro, with a broad array of veteran GAIF performers and an equal number of acts making their first appearance at the festival, and styles ranging from the delicate to the raucous. Headlining this year’s festival will be two of the Celtic music world’s most sought-after acts: the “Jimi Hendrix of the Violin,” Eileen Ivers, and Toronto-based Celtic roots rockers, Enter the Haggis. Fiery fiddler Eileen Ivers has established herself as the pre-eminent exponent of the Irish fiddle in the world today. Grammy awarded, Emmy nominated, London Symphony Orchestra, Boston Pops, guest starred with over 40 orchestras, original Musical Star of Riverdance, Nine Time All-Ireland Fiddle Champion, Sting, Hall and Oates, The Chieftains, ‘Fiddlers 3’ with Nadja Salerno-Sonnenberg and Regina Carter, Patti Smith, Al Di Meola, Steve Gadd, founding member of Cherish the Ladies, movie soundtracks including Gangs of New York, performed for Presidents and Royalty worldwide…this is a short list of accomplishments, headliners, tours, and affiliations. Making a welcome return to the stage she last commanded in 2015, Eileen Ivers will have her adoring fans on their feet from the first note. Back again at their home away from home for the 11th time, Enter the Haggis is poised to rip it up under the big tent with all the familiar catchy songs that have made fans of Central New Yorkers and Haggisheads alike for over 15 years. -
FW May-June 03.Qxd
IRISH COMICS • KLEZMER • NEW CHILDREN’S COLUMN FREE Volume 3 Number 5 September-October 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Tradition“Don’t you know that Folk Music is Disguisedillegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE FOLK ART OF MASKS BY BROOKE ALBERTS hy do people all over the world end of the mourning period pro- make masks? Poke two eye-holes vided a cut-off for excessive sor- in a piece of paper, hold it up to row and allowed for the resump- your face, and let your voice tion of daily life. growl, “Who wants to know?” The small mask near the cen- The mask is already working its ter at the top of the wall is appar- W transformation, taking you out of ently a rendition of a Javanese yourself, whether assisting you in channeling this Wayang Topeng theater mask. It “other voice,” granting you a new persona to dram- portrays Panji, one of the most atize, or merely disguising you. In any case, the act famous characters in the dance of masking brings the participants and the audience theater of Java. The Panji story is told in a five Alban in Oaxaca. It represents Murcielago, a god (who are indeed the other participants) into an arena part dance cycle that takes Prince Panji through of night and death, also known as the bat god. where all concerned are willing to join in the mys- innocence and adolescence up through old age. -
Volume 1, Issue 2, Samhain 2002
A newsletter of UWM’s Center for Celtic S tudies Volume 1, Issue 2 Samhain, 2002 Failte! Croeso! Mannbet! Kroesan! Welcome! The Center’s First Year Tosnu maith-leath na hoibre (well begun is half-done)! So goes the Irish seanfhocal (proverb) and it comes to mind when we look back over the past year. Nearly 500 students have taken courses in our program and five have already received their Celtic Studies Certificates. We’ve had 52 participants in our Study Abroad programs, including our ‘Saints, Scholars and Scoundrels’ tour. Two of our students (Brian Hart and Aislinn Gagliardi) received Irish Fest scholarships, and put them to good use during their summer studies in Ireland. Twelve of our students spent three glorious weeks in Donegal, learning Irish and studying the unique local culture, some went digging up the Celtic past in Germany. At the end of the academic year, my co-director Bettina Arnold took a well-deserved sabbatical, part of which will be spent developing our relationships in the Celtic regions. We’re all grateful for the tremendous inspiration and Co-directors John Gleeson and leadership she has provided in our first year. While she’s away, Jose Lanters has Jose Lanters kindly stepped in as co-director. Renowned for her scholarship and teaching of Irish literature, Jose currently chairs our Advisory Committee. In late spring, we carried out a successful and groundbreaking experiment in Distance Learning. It involved students and faculty from our program at UWM, and the Irish World Music Centre at U of Limerick. Nancy Walczyk continues to develop our relationship with the University of Limerick. -
[Title of the Collection]
Archives of Irish America, Tamiment Library, New York University Mick Moloney Collection of Irish American Music and Popular Culture AIA31.2 Series A: Interviews & Private Performances (including practice & recording sessions) Folder Date Baker, Duck (guitar). Recording session and interview in Philadelphia, PA for the Jul 23, 1978 1979 Kicking Mule release, ―Irish Reels, Jigs, Hornpipes and Airs.‖ (Two CDs – Total length: 00:13:57) Brittingham, Frank (pub owner). Interview recorded in Brittingham’s Irish Pub and May 15, 1991 Restaurant, Lafayette Hill, PA. Brittingham discusses his personal history and his pub, a venue for Irish music in the Philadelphia area. (Two CDs – Total length: 01:04:17) Britton, Tim (uilleann pipes). Recording session at Mick Moloney’s home, 5321 Jan 29, 1977 Germantown Ave., Philadelphia, PA. for the 1979 Rounder release, ―Light Through the Leaves‖. (One CD – Length: 00:18:36) Britton, Tim (uilleann pipes). Recording session and interview in Philadelphia, PA. Jan 3, 1980 (Four CDs – Total length: 00:42:28) Burke, Joe ―Banjo‖ (banjo and voice, b. 1946, Johnstown, Co. Kilkenny, d. Dec, Feb 18, 1977 2003, Albany, New York). Interview at the Bunratty Pub, Bronx, NY. Burke provides biographical and musical information for the sleeve notes of his 1977 Shanachie recording with fiddler Johnny Cronin. (One CD – Length: 00:19:53) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo). Interview in Cleveland, OH. Byrne Apr 27, 1980 discusses his personal and musical experiences in Ireland and Cleveland. (One CD – Length: 00:52:10) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo), McCaffrey, Tom (fiddle, b. -
Special Offer! for a Limited Time, Get an Extra Discount When You Place an Order on Waltons Products
Waltons has been at the forefront of Irish music since the company was founded by Martin Walton in 1922. Their music publications, bodhráns and tin whistles are of quality design and will give many years of pleasure and satisfaction. Hal Leonard is proud to be the new distributor of Waltons products in North America. Browse through this brochure for more details on these quality songbooks, CDs, DVDs and instruments, then contact your Hal Leonard sales rep to place your order today! Special Offer! For a limited time, get an extra discount when you place an order on Waltons products. Call Today! 1-800-554-0626 SongbookS MELODY INSTRUMENT COLLECTIONS 110 Ireland’s 110 Ireland’s 110 TUNES SERIES BEST SESSION BEST SLOW AIRS Tunes – Volume 3 110 of Ireland’s most beautiful with Guitar Chords Volume 3 includes: After the and haunting melodies, compiled by John Canning Sun Goes Down • The Bag including laments, airs from The cream of Irish traditional music is presented in of Potatoes • The Bashful old Gaelic songs and Carolan three core collections of essential session tunes. Each Bachelor • Comely Jane tunes. Suitable for all melody book includes 110 of the most popular and enduring Downing • The Flannel Jacket instruments, but does not session tunes in Ireland and around the world. Join • Flax in Bloom • The Girl Who include guitar chords. Songs in wherever you go with these collections of jigs, Broke My Heart • Johnny Allen include: Carrickfergus • Death reels, hornpipes, polkas, slides, airs and more. All the • The Kerryman’s Daughter • Lady Townsend’s Delight and the Sinner • Eleanor Plunkett • Brian Boru’s March books feature accurate transcriptions in an easy-to-read • Molly on the Shore • The Pigeon on the Gate • The • Blind Mary • Black-Eyed Susan • Easter Snow • Do format, and include guitar chords. -
March 17: Thoughts of a Patron Saint, Milestones for Boston's Irish Heritage
March 2018 Boston’s hometown VOL. 29 #3 journal of Irish culture. $2.00 Worldwide at All contents copyright © 2018 bostonirish.com Boston Neighborhood News, Inc. March 17: thoughts of a patron saint, Sinn Fein milestones for Boston’s Irish heritage duo has By peter F. StevenS a tough Bir StaFF As St. Patrick’s Day 2018 nears, the “wear- challenge ing of the green” will hold sway in Boston and By Joe Leary environs. Still, amid all SpeciaL to the Bir the genuine or faux pride Political parties fre- on display in pubs, along quently undergo changes parades, and as part of in their leadership, but all other manner of rev- rarely do they completely elry, it’s a sure bet that reverse the face of their a great many celebrants public image. With Mar- are unaware that March tin McGuinness’s death 17 teems with uniquely and Gerry Adams’s res- Boston milestones. ignation as leader of Sinn Fein in Ireland, the The Big Parade: party is embarking on a Landmark Tradition dramatically fresh course “The Parade.” In Bos- in the midst of dangerous ton, the phrase means times. one thing – South Boston’s The party’s new lead- annual St. Patrick’s Day ers, two young women in event. The 2018 march their 40s, will be met in marks the event’s latest the North by the aging fol- incarnation in a tradition lowers of Ian Paisley, and that began in 1901. in the South by competi- The milestone notwith- tors who only remember standing, the procession the violent years, not the that so many enjoy today times of successful peace did not arrive easily for initiatives. -
Flynn 2011 Participatory Music Making and Affinity
ABSTRACT Title of Document: PARTICIPATORY MUSIC MAKING AND AFFINITY IN WASHINGTON, DC IRISH SESSIONS Erin Michele Flynn, M.A., 2011 Directed By: Professor J. Lawrence Witzleben, Department of Ethnomusicology The Washington, DC metropolitan area hosts a vibrant Irish music scene. Like those in many Irish sessions found throughout the world, the District’s network of musicians plays traditional dance tunes at local Irish pubs. This research, centered on ten weekly Irish sessions, explores how DC participants navigate authenticity and develop their skills within a social community. Musicians of varying skill levels perform together and include both those of Irish descent and those with no Irish heritage. Issues such as degrees of strictness with regard to tunes played, instruments permitted, and session etiquette demonstrate each session’s unique characteristics. This thesis discusses the influence of participatory music making and affinity, since Irish session musicians perform primarily for themselves. Based on field research through participant-observation and interviews, and expanding upon recent discussions of tradition and imagination in sessions worldwide, I analyze Irish sessions in DC in terms of participatory music making and socializing. PARTICIPATORY MUSIC MAKING AND AFFINITY IN WASHINGTON, DC IRISH SESSIONS By Erin Michele Flynn Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2011 Advisory Committee: Professor J. Lawrence Witzleben, Chair Professor Robert C. Provine Visiting Assistant Professor Fernando Rios © Copyright by Erin Michele Flynn 2011 Dedication To Linda, Tim, David, Lauren, and Kevin for their endless patience, support, and love. -
February 2019 Boston’S Hometown VOL
February 2019 Boston’s hometown VOL. 30 # 2 journal of Irish culture. $2.00 Worldwide at All contents copyright © 2019 bostonirish.com Boston Neighborhood News, Inc. May wins a Brexit point; Irish prep for ‘no deal’ BiR Staff Speaking late last month after Brit- ish lawmakers had backed a move to reopen negotiations with the European Union over the so-called Northern Ireland “backstop,” Prime Minister Theresa May said that it was now “clear that there is a route that can secure a substantial and sustainable majority in this house for leaving the EU with a deal.” May said she would now seek to deal with concerns – primarily from the right wing of her own Conservative party – over the backstop, an insurance policy in the withdrawal deal to avoid a hard border between the Republic of Ireland (which is in the EU) and Northern Ireland after Brexit. In a statement issued after the votes, the Irish government said its position on the Brexit deal has not changed. Both it and the EU have repeatedly said since the draft deal was published in November, that it cannot be amended. The statement from Taoiseach Leo Varadkar’s office said, “The withdrawal agreement is Cherish the Ladies’ performance in Boston this month comes as the band celebrates its 35th year. “We’ll keep going not open for re-negotiation. We have until the phone stops ringing,” says co-founder Joanie Madden. consistently said that we want the closest possible future relationship between the EU and the UK. A change These ‘Ladies’ are all about cherishing in the UK red lines could lead to a change in the political declaration on the framework for the future relation- the golden chalice passed down to them ship, and a better overall outcome.” The Irish government also said it By Sean Smith National Endowment for the Arts – it had I’ll keep us working.’ I just took up the will continue its preparations for a Special to the BiR gone on to record an album and, with a mantle: I sat home calling around, spend- no-deal scenario. -
Presents Cherish the Ladies
Presents Cherish The Ladies Wednesday, December 12, 2007 10am in the Concert Hall Study Guides for Teachers are also available on our website at www.fineartscenter.com - select For School Audiences under Education, then select Resource Room. Please fill out our online surveys at http://www.umass.edu/fac/centerwide/school/index.html for the Registration Process and each Event. Thank you! The Arts and Education Program of the Fine Arts Center is sponsored by CHERISH THE LADIES When describing Cherish the Ladies – the critics say it best…“It is simply impossible to imagine an audience that wouldn’t enjoy what they do”, the Boston Globe, “An astonishing array of virtuosity”, the Washington Post, “Expands the annals of Irish music in America…the music is passionate, tender and rambunctious”, The New York Times - and for 20 years, Cherish the Ladies have proven themselves worthy to live up to these accolades and in doing so have become one of the most engaging ensembles in the history of Irish music. They have grown from a one-time concert concept to an Irish traditional music sensation, literally the most successful and sought-after Irish-American group in Celtic music. Organized by folklorist/musician Mick Moloney and sponsored by the Ethnic Folk Arts Center and the National Endowment for the Arts, they began as a concert series featuring the brightest lights in Irish traditional music. Taking their name from the name of a traditional Irish jig, the group initially won recognition as the first and only all-women traditional Irish band. In a relatively short time, they soon established themselves as musicians and performers without peer and have won many thousands of listeners and fans of their music.