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Vistas De Los Mayores
April 2010 The Senior Scene Vistas de los Mayores Division of Senior Services April 2010 Photo by Donald Bell April 2010 CITY OF SANTA FE, DIVISION OF SENIOR SERVICES Administration Office 1121 Alto Street, Santa Fe, New Mexico www.santafenm.gov Front Desk Reception In Home Support Services, Respite Care From Santa Fe 955-4721 Homemaker, Non-Medical Personal Care From outside Santa Fe (toll-free) 1-866-824-8714 Theresa Trujillo, Program Supervisor 955-4745 Administration Katie Ortiz, Clerk Typist 955-4746 Patricia Rodriguez, DSS Director 955-4799 Senior Membership Registration Ron Vialpando, DSS Assistant Director 955-4710 Brenda Ortiz, Database Specialist 955-4722 Mary Dean, Administrative Supervisor 955-4777 Connie Valencia, Database Clerk 955-4734 Cristy Montoya, Administrative Secretary 955-4721 Transportation Ride Reservations 955-4700 Sadie Marquez, Receptionist 955-4741 Fran Rodriguez, Transportation Dispatcher 955-4702 Dianne Dean, Receptionist 955-4733 Linda Quesada, Administrative Secretary 955-4756 Nutrition Foster Grandparent/Senior Companion Program Ron Vialpando, DSS Assistant Director 955-4710 Melanie Montoya, Volunteer Prog. Admin. 955-4761 Thomas Vigil, Program Administrator 955-4740 Louise Kippert, FGP/SCP Admin. Secretary 955-4744 Enrique DeLora, Inventory Supervisor 955-4750 Retired Senior Volunteer Program (RSVP) Mark Velasquez, Inventory Specialist 955-4749 Kristin Slater-Huff, Program Coordinator 955-4760 Meals On Wheels Marisa Romero, Administrative Secretary 955-4743 Carlos Sandoval, Program Supervisor 955-4748 FAX Machine - RSVP Office 955-4765 Yvette Sweeney, Administrative Assistant 955-4739 Miscellaneous Robert Duran, MOW Assessments 955-4747 Lobby Area 955-4735 Senior Center Programming Craft Room 955-4736 Lugi Gonzales, Center Program Manager 955-4711 Pool Room 955-4737 M.E.G. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Safety Data Sheet ULTRATOP LOFT F SECTION 1
Safety Data Sheet ULTRATOP LOFT F Safety Data Sheet dated: 06/02/2020 - version 2 SECTION 1: Identification of the substance/mixture and of the company/undertaking 1.1. Product identifier Mixture identification: Trade name: ULTRATOP LOFT F Trade code: 905S900 1.2. Relevant identified uses of the substance or mixture and uses advised against Recommended use: Cement based levelling mortar Uses advised against: Data not available 1.3. Details of the supplier of the safety data sheet Company: MAPEI U.K. Ltd - Mapei House Steel Park Road Halesowen - West Midlands B62 8HD www.mapei.co.uk (office hour 8:30-17:30) Responsable: [email protected] 1.4. Emergency telephone number call NHS 111 or a doctor/OHES Environmental Ltd +44(0)1684 299 886 phone: +44(0)121 508 6970 - fax: +44(0)121 5086 960 SECTION 2: Hazards identification 2.1. Classification of the substance or mixture Regulation (EC) n. 1272/2008 (CLP) Eye Dam. 1 Causes serious eye damage. Skin Sens. 1B May cause an allergic skin reaction. Adverse physicochemical, human health and environmental effects: No other hazards 2.2. Label elements Regulation (EC) n. 1272/2008 (CLP) Pictograms and Signal Words Danger Hazard statements: H317 May cause an allergic skin reaction. H318 Causes serious eye damage. Precautionary statements: P261 Avoid breathing dust. P280 Wear protective gloves/protective clothing/eye protection/face protection. P305+P351+P338 IF IN EYES: Rinse cautiously with water for several minutes. Remove contact lenses, if present and easy to do. Continue rinsing. P310 Immediately call a POISON CENTER. P333+P313 If skin irritation or rash occurs: Get medical advice/attention. -
Ultratop® System Polished Effect Ultratop® System Terrazzo Effect Ultratop® System
Ultratop System is made up of a series of special products to create self-levelling cementitious floors, for use in both industrial and domestic environments. The system is made up of special primers, Ultratop and specially-formulated finishing products, to protect the floor and to obtain a variety of aesthetic effects on the surface. Ultratop, the flagship product of the entire system, is a self-levelling, ultra fast-setting self-levelling mortar. It is easy to MK 695930 (GB) 10/09 C.P. apply by hand or by machine, and is available in 6 different colours. When used neat to create industrial floors, where functionality is the main priority,Ultratop must be treated with either transparent or coloured finishing products or with product of theMapefloor range, which apart from offering good protection, also improve its resistance to abrasion. Alternatively, if used to create decorative floors in environments such as homes, showrooms, shops, etc.,Ultratop may be dry-polished to leave an effect that is similar to natural stones, or it may be mixed with Dynastone Color, a range of artificial aggregates patented by MAPEI which, due to their excellent compatibility with the self-levelling mortar, the wide range of colours available and their pleasant rounded shape, they may be polished to leave an effect which is similar to “terrazzo alla veneziana” floor. Ultratop® colour chart Ultratop System is available in 6 ready-to-use colours. The inherent nature of the cementitious binder means that the colours may vary slightly. After treatment with Mapefloor Finish 50, the floor will have a wet-look finish, whereas Mapefloor Finish 52 W has no colouring effect. -
National Song Binder
SONG LIST BINDER ——————————————- REVISED MARCH 2014 SONG LIST BINDER TABLE OF CONTENTS Complete Music GS3 Spotlight Song Suggestions Show Enhancer Listing Icebreakers Problem Solving Troubleshooting Signature Show Example Song List by Title Song List by Artist For booking information and franchise locations, visit us online at www.cmusic.com Song List Updated March 2014 © 2014 Complete Music® All Rights Reserved Good Standard Song Suggestions The following is a list of Complete’s Good Standard Songs Suggestions. They are listed from the 2000’s back to the 1950’s, including polkas, waltzes and other styles. See the footer for reference to music speed and type. 2000 POP NINETIES ROCK NINETIES HIP-HOP / RAP FP Lady Marmalade FR Thunderstruck FX Baby Got Back FP Bootylicious FR More Human Than Human FX C'mon Ride It FP Oops! I Did It Again FR Paradise City FX Whoomp There It Is FP Who Let The Dogs Out FR Give It Away Now FX Rump Shaker FP Ride Wit Me FR New Age Girl FX Gettin' Jiggy Wit It MP Miss Independent FR Down FX Ice Ice Baby SP I Knew I Loved You FR Been Caught Stealin' FS Gonna Make You Sweat SP I Could Not Ask For More SR Bed Of Roses FX Fantastic Voyage SP Back At One SR I Don't Want To Miss A Thing FX Tootsie Roll SR November Rain FX U Can't Touch This SP Closing Time MX California Love 2000 ROCK SR Tears In Heaven MX Shoop FR Pretty Fly (For A White Guy) MX Let Me Clear My Throat FR All The Small Things MX Gangsta Paradise FR I'm A Believer NINETIES POP MX Rappers Delight MR Kryptonite FP Grease Mega Mix MX Whatta Man -
Original Article
Journal of Social, Evolutionary, and Cultural Psychology 2012, 6(4), 480-493. Original Article YOU AIN’T WOMAN ENOUGH TO TAKE MY MAN: FEMALE INTRASEXUAL COMPETITION AS PORTRAYED IN SONGS *Maryanne L. Fisher Department of Psychology, Saint Mary’s University Cristina Candea Max-Planck Institute, Andechs Abstract The goal of the current study was to explore, via qualitative means, female intrasexual competition for mates as documented in the lyrics of popular songs that are sung by female musicians. Similar to the recent Darwinian analyses of art and literature, we sought to explore the various tactics and emotions underlying the female competitive experience by way of examining a selection of these songs. Our review shows a wide array of topics, such as reactions to mate poaching, feelings of ownership for mates, attempts to persuade a mate that the rival is not a suitable alternative, and noting differences in mate value between oneself and a perceived potential rival. Most of these topics fall within the documented strategies for intrasexual competition. We discuss these findings within the context of women’s competition for mates, as well as the applicability of Darwinian literary analysis to other human artifacts. Keywords: Mate value, mate poaching, mate retention, intrasexual competition, women’s mating strategies Introduction Applying Darwinian Literary Analysis to Other Media Recently, there has been much interest in how popular culture can be understood using evolutionary psychological theory and findings. For example, in June 2012, there was a special issue devoted exclusively to this topic for the journal Review of General Psychology. The underlying premise is that if texts can be understood using the framework of Darwinian analysis, whereby one can examine characters and their actions to see how they align with predictions grounded in evolutionary psychology or how they reflect evolved motives (Carroll, 1995), for example, then other media products can also be explored. -
Top 100 Canciones + Streaming
TOP 100 CANCIONES + STREAMING (Las ventas totales corresponden a los datos enviados por colaboradores habituales de venta física y por los siguientes operadores: Amazon, Google Play Music, i-Tunes, Google Play, Movistar,7Digital, Apple Music, Deezer, Spotify, Napster y Tidal) SEMANA 18: del 27.04.2018 al 03.05.2018 Sem. Sem. Pos. Sem. Cert. Actual Ant. Max. Lista Artista Título Sello Promus. 1 ● 1 1 14 AITANA / ANA GUERRA LO MALO UNIVERSAL 2** 2 ● 2 2 3 NIO GARCIA / DARELL / CASPER MAGICOTE BOTE FLOW LA MOVIE, INC. * 3 ● 3 1 9 NICKY JAM / J BALVIN X SONY MUSIC ** 4 ▲ 6 1 15 DADDY YANKEE DURA UNIVERSAL ** 5 ▼ 4 2 11 REIK / OZUNA / WISIN ME NIEGO SONY MUSIC ** 6 ▼ 5 5 11 SOFIA REYES / JASON DERULO / DE LA1, 2, GHETTO 3 WARNER MUSIC * 7 ▲ 28 28 2 BECKY G / NATTI NATASHA SIN PIJAMA SONY MUSIC 8 ▼ 7 7 13 LESLIE GRACE / NORIEL DURO Y SUAVE SONY MUSIC * 9 ▲ 14 14 3 COSCULLUELA / BAD BUNNY MADURA WARNER MUSIC 10 ▼ 8 7 7 DAVID BISBAL / SEBASTIAN YATRA A PARTIR DE HOY UNIVERSAL * 11 ▼ 10 10 8 MALUMA EL PRÉSTAMO SONY MUSIC * 12 ▲ 16 16 6 C. TANGANA / ALIZZZ LLORANDO EN LA LIMO SONY MUSIC 13 ▼ 11 11 4 CARDI B / BAD BUNNY / J BALVIN I LIKE IT WARNER MUSIC 14 ▼ 12 1 24 LUIS FONSI / DEMI LOVATO ÉCHAME LA CULPA UNIVERSAL 3** 15 ▼ 13 8 24 OZUNA SIGUELO BAILANDO SONY MUSIC ** 16 ▼ 15 13 19 WOLFINE BELLA WARNER MUSIC ** 17 ▲ 19 19 11 MARSHMELLO / ANNE-MARIE FRIENDS WARNER MUSIC * 18 ▲ 21 21 5 JUAN MAGÁN / MALA RODRÍGUEZ USTED UNIVERSAL 19 ▼ 17 2 16 ENRIQUE IGLESIAS / BAD BUNNY EL BAÑO SONY MUSIC ** 20 ▼ 9 9 2 ARIANA GRANDE NO TEARS LEFT TO CRY UNIVERSAL -
Spanglish En Canciones Populares Spanglish in Popular Music Magisterská Diplomová Práce
UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická fakulta Katedra romanistiky Spanglish en canciones populares Spanglish in popular music Magisterská diplomová práce Autor: Bc. Markéta Rokosová Vedoucí práce: Mgr. Radim Zámec, Ph. D. Olomouc 2020 Prohlášení Prohlašuji, že jsem tuto bakalářskou diplomovou práci vypracovala samostatně pod odborným vedením Mgr. Radima Zámce, Ph. D. a uvedla v ní veškerou literaturu a ostatní zdroje, které jsem použila. V Olomouci dne ................................. Podpis……………………………… Poděkování Děkuji vedoucímu mé diplomové práce panu Mgr. Radimovi Zámcovi, Ph.D. za odborné vedení, za pomoc a rady při zpracování této práce. Obsah Introducción ........................................................................................................................... 6 1. Spanglish y su definición ............................................................................................. 8 2. Características de Spanglish ....................................................................................... 10 2.1. Fenómenos lingüísticos .................................................................................... 10 2.1.1. Los préstamos ....................................................................................... 10 2.1.2. Calcos .................................................................................................... 11 2.1.3. El cambio de código ............................................................................. 11 2.2. Español vestigial .............................................................................................. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
Universidad Peruana De Ciencias Aplicadas Facultad De Comunicaciones Programa Académico De Comunicación Audiovisual Y Medios I
Nuevas narrativas utilizadas para la representación de la mujer en videoclips de reggaetón de artistas latinoamericanas Item Type info:eu-repo/semantics/bachelorThesis Authors Muñoz Pazo, Fernando Enrique Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 4.0 International Download date 24/09/2021 17:55:13 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/653160 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE COMUNICACIONES PROGRAMA ACADÉMICO DE COMUNICACIÓN AUDIOVISUAL Y MEDIOS INTERACTIVOS Nuevas narrativas utilizadas para la representación de la mujer en videoclips de reggaetón de artistas latinoamericanas TRABAJO DE INVESTIGACIÓN Para optar el grado de bachiller en Comunicación Audiovisual y Medios Interactivos AUTOR Muñoz Pazo, Fernando Enrique (0000-0002-7754-5725) ASESOR Espinoza Robles, Lorena (0000-0002-8919-9647) Lima, 6 de julio de 2020 2 DEDICATORIA Dedico este trabajo a mis padres que a lo largo de 5 años me han apoyado en mi vida universitaria con el único objetivo de cumplir mis sueños. Asimismo, dedico este trabajo a mi hermano por el apoyo moral en momentos más complicados. 3 AGRADECIMIENTOS Agradezco a mi asesora de investigación Lorena Espinoza por la dedicación y voluntad que le ha puesto a cada uno de los proyectos que ha tenido a cargo; también a mis profesores de la universidad que han sido participes de mi formación como universitario. 4 RESUMEN El presente trabajo analiza las nuevas narrativas empleadas en los videoclips de reggaetón con la finalidad de explicar la representación y visibilización de la mujer en dichos productos audiovisuales producidos por artistas de habla hispana desde un enfoque de género. -
Ultratop® System Cementitious London Halesowen Flooring Systems EC1V 0BX West Midlands
Ultratop System is made up of a series of special products to create self-levelling cementitious floors, for use in both industrial and domestic environments. The system is made up of special primers, Ultratop and specially-formulated finishing products, to protect the floor and to obtain a variety of aesthetic effects on the surface. C.P. MK 695930 (GB) 4/19 C.P. Ultratop, the flagship product of the entire system, is a self-levelling, ultra fast-setting self-levelling mortar. It is easy to apply by hand or by machine, and is available in 7 different colours. When creating industrial floors, where functionality is the main priority, Ultratop may be treated with either transparent or coloured finishing products or with products from the Mapefloor range, which apart from offering good protection, also improve its chemical resistance and its resistance to abrasion. Alternatively, if used to create decorative floors in environments such as homes, showrooms, shops, etc., Ultratop may be dry-polished to leave an effect that is similar to natural stones, or it may be mixed with natural aggregates which, after polishing, leave an effect which is similar to “terrazzo alla veneziana” floors. Ultratop® colour chart Ultratop System is available in 7 ready-to-use colours. The inherent nature of the cementitious binder means that the colours may vary slightly. We recommend carrying out a preliminary test before use. White Light grey Standard Extra white MAPEI WORLD LONDON CITY MAPEI UK LTD Beige Rust red Anthracite 6 Great Sutton Street Mapei House Clerkenwell Steel Park Road Ultratop® System Cementitious London Halesowen flooring systems EC1V 0BX West Midlands.