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Thursday, October 27, 2016 NEWS CHART ACTION Florida Georgia Line Extends Dig Your Roots Tour New On The Chart —Debuting This Week Into 2017 Artist/song/label—chart pos. ! Little Big Town/Better Man/Capitol Nashville— 50 ! Justin Moore/Somebody Else Will/Valory Music Co.— 63 ! Jake McVey/Back Seat— 78 ! Peyton Davis/Nowhere America/Carole Davis Music— 80 ! ! ! Greatest Spin Increase ! Artist/song/label—Spin Increase ! Little Big Town/Better Man/Capitol Nashville— 560 ! Garth Brooks/Baby, Let’s Lay Down And Dance/Pearl Records— 384 ! Blake Shelton/A Guy With A Girl/Warner Bros— 358 ! Kelsea Ballerini/Yeah Boy/Black River Ent— 341 ! !Brad Paisley/Today/Arista Nashville— 308 ! Most Added FGL’s Tyler Hubbard and Brian Kelley will launch a 28-date run of Artist/song/label—No. of Adds shows in January 2017. This past summer, they welcomed Cole Little Big Town/Better Man/Capitol Nashville—42 Swindell, Kane Brown, and The Cadillac Three as openers. Their Kelsea Ballerini/Yeah Boy/Black River Ent—20 winter trek will feature Dustin Lynch and Chris Lane. A full list of cities Justin Moore/Somebody Else Will/Valory Music Co—18 for the Dig Your Roots Tour’s winter trek can be found by clicking here. ! Garth Brooks/Baby, Let’s Lay Down And Dance/Pearl Records—16 Eric Church Teams With Walmart For Live Album Jason Pritchett/Hung Over You/BDMG— 13 While Eric Church is in the Brad Paisley/Today/Arista Nashville— 12 planning stages for his 2017 James Dupree/Stoned To Death/Purfectt Pitch LLC— 9 Holdin’ My Own Tour, the singer- Keith Walker/Me Too— 9 songwriter will give fans some ! early live music, via his upcoming On Deck—Soon To Be Charting album, Mr. -
Kenny Chesney Me and You Mp3, Flac, Wma
Kenny Chesney Me And You mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Me And You Country: Canada Released: 1996 Style: Country MP3 version RAR size: 1540 mb FLAC version RAR size: 1104 mb WMA version RAR size: 1488 mb Rating: 4.5 Votes: 168 Other Formats: APE MP4 MOD MPC AC3 AIFF MP2 Tracklist 1 Back In My Arms Again 3:26 2 Ain't That Love 3:14 3 When I Close My Eyes 3:29 4 Back Where I Come From 3:56 5 Turn For The Worse 2:37 6 Me And You 3:39 7 (Turn Out The Light And) Love Me Tonight 2:11 8 Another Friday Night 2:36 9 No Small Miracle 3:30 10 My Poor Old Heart 3:07 11 It's Never Easy To Say Goodbye 4:42 Companies, etc. Phonographic Copyright (p) – BMG Entertainment Copyright (c) – BMG Entertainment Distributed By – BMG Music Canada Inc. Credits Producer – Barry Beckett Notes (p) & (c) 1996 BMG Entertainment Made In Canada Foldout J-card with Photos/Credits. Barcode and Other Identifiers Barcode: 0 7863-66908-4 1 Other versions Title Category Artist Label Category Country Year (Format) BNA Kenny Me And You BNA07863-66908-2 Records BNA07863-66908-2 US 1996 Chesney (CD, Album) Label BNA Me And You Records 07863 66908-4, Kenny 07863 66908-4, (Cass, Album, Label, BNA US 1996 07863-66908-4 Chesney 07863-66908-4 Dol) Records Label Related Music albums to Me And You by Kenny Chesney Kenny Chesney - CMT Pick Presents Superstar Kenny Chesney Kenny Chesney - Cosmic Hallelujah Celine Dion - A New Day Has Come / Loved Me Back To Life Kellie Coffey - When You Lie Next To Me Kenny Marks - Right Where You Are Kenny Price - Turn On Your Light (And Let It Shine) Kenny Chesney - Greatest Hits Kenny G - Forever In Love: The Best Of Kenny G Vince Gill - Turn Me Loose Kenny Chesney - Hemingway's Whiskey Kenny Chesney - Whatever It Takes Kenny Chesney - Greatest Hits II. -
MOORE CASTING C/O Skyway Studios, 3201 Dickerson Pike - SUITE 110 NASHVILLE, TENNESSEE 37207 (615) 831-0039 & (615) 650-6293
MOORE CASTING c/o Skyway Studios, 3201 Dickerson Pike - SUITE 110 NASHVILLE, TENNESSEE 37207 (615) 831-0039 & (615) 650-6293 Regina Moore Email: [email protected] Web Site: www.moorecasting.com FILM “Run the Race” Principal Casting Run the Race Productions, LLC “Autumn” Principal Casting Autumn Productions “The Road Less Traveled” Featured Extras & Extras Sweet Road,LLC “I Can Only Imagine”- Principals-Regional Casting Assist Beverly Holloway Casting “Sweet, Sweet Summertime” Principals Triple Horse Studios “Love is Alive” Principals & Extras Bella Veritas Productions “The Upside of Down” Principals & Extras Bella Veritas Productions “The Song” Principals, Extras, Audience City on the Hill Productions “Welcome to Inspiration” Principals & Extras For Our Father Films, LLC “Into the Wild” - remote Principal John Kelly “The Green Mile” Casting Support Castle Rock Pictures, Inc. “Grace Unplugged” Assist. w/ Search Coran Deo Studios, Inc. “Civil Brand” Principals & Extras Brand Productions “Pirates Of The Plain” Principal Pirates Production, LLC Neil Young “Heart of Gold” Audience Producer Paramount Classics "10 Seconds" Principals & Extras Bella Veritas Production “Blackbirds and Blazers” Principals & Extras Wa Ya Productions “Bedlam” Principals & Extras Ghostwaters Productions “The Expert” Facilities/Casting Assist. Arch Stanton Productions “Calling All Kids” Principals & Extras Vision Tree Films “Daydreams Are Forever” Specialty Casting Vanaheim Studios “On The Way Home” Principals & Extras Cloudland Filmworks “Piece by Piece” Principals Michael Ashcraft Productions “Forgotten Memories” Principals Tim Ormond Productions “Derailers” (Short) Principals & Extras Honest Images Perry Wallace Documentary Extras Black Sheep Stew TELEVISION CMT “Still the King” Featured Extras & Extras Hideout Pictures, LLC 2016 Series – 1st Season PBS Outdoor Host Host PopFizz “AHA” (TV Mini Series) Principals City on a Hill Productions GAC Host Great American Country “Tracks” Pilot Real People Casting Mission Control Media, Inc. -
The Sound of an Album Cover: Probabilistic Multimedia and IR
The Sound of an Album Cover: Probabilistic Multimedia and IR Eric Brochu Nando de Freitas Kejie Bao Department of Computer Science Department of Computer Science Department of Computer Science University of British Columbia University of British Columbia University of British Columbia Vancouver, BC, Canada Vancouver, BC, Canada Vancouver, BC, Canada [email protected] [email protected] [email protected] Abstract We present a novel, flexible, statistical approach to modeling music, images and text jointly. The technique is based on multi-modal mixture mod- els and efficient computation using online EM. The learned models can be used to browse mul- timedia databases, to query on a multimedia database using any combination of music, im- ages and text (lyrics and other contextual infor- mation), to annotate documents with music and images, and to find documents in a database sim- ilar to input text, music and/or graphics files. 1 INTRODUCTION An essential part of human psychology is the ability to Figure 1: The CD cover art for “Singles” by The Smiths. identify music, text, images or other information based on Using this image as input, our querying method returns associations provided by contextual information of differ- the songs “How Soon is Now?” and “Bigmouth Strikes ent media. Think no further than a well-chosen image on Again” – also by The Smiths – by probabilistically cluster- a book cover, which can instantly establish for the reader ing the query image, finding database images with similar the contents of the book, or how the lyrics to a familiar histograms, and returning songs associated with those im- song can instantly bring the song’s melody to mind. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
Gender on the Billboard Hot Country Songs Chart, 1996-2016
Watson. Manuscript. Gender on the Billboard Hot Country Songs Chart, 1996-2016 Jada Watson (University of Ottawa) [email protected] In May 2015 radio consultant Keith Hill revealed that country radio programmers have strict rules on how many female artists can be included in airplay rotation. Referring to females as the “tomatoes” of the country salad, Hill’s remarks have sparked debate about gender-representation in country music. This paper examines gender-related trends on Billboard’s Hot Country Songs chart between 1996 and 2016, aiming to investigate how female artists have performed on the charts over this two-decade period. Analyzing long-term trends in frequency distribution, this study uses statistical results to unpack assertions made about women’s marginal status in country music. Keywords: country music; gender; Billboard charts; radio Introduction: #TomatoGate In a 26 May 2015 interview with Russ Penuell of Country AirCheck on the subject of country radio scheduling and ratings, consultant Keith Hill spoke candidly about how female artists factor into the format’s airplay rotation: If you want to make ratings in Country radio, take females out. The reason is mainstream Country radio generates more quarter hours from female listeners at a rate of 70 to 75%, and women like male artists. I’m basing that not only on music tests from over the years, but more than 300 client radio stations. The expectation is we’re principally a male format with a smaller female component. I’ve got about 40 music databases in front of me and the percentage of females in the one with the most is 19%. -
Mídia, Texto Cultural E Objeto De Memória Rock Album Cover
Capa de disco de rock: mídia, texto cultural e objeto de memória Rock album cover: media, cultural text and object of memory Portada del disco de rock: medio de comunicación, texto cultural y objeto de memoria 636 Herom Vargas70 Resumo Neste artigo, pretendo refletir sobre três aspectos que caracterizam as capas de disco, em especial as do rock britânico e brasileiro entre final dos anos 1960 e início dos 1970: como mídia – em suas imagens e representações e na própria materialidade de objeto; como texto cultural – que articula dimensões semióticas em vários níveis; e como objeto de memória – por traduzir elementos do passado para o presente e seus respectivos processos comunicacionais. Por meio de tais aspectos, busco compreender essa embalagem, cuja função básica é a mediação entre artista, sua música, a gravadora e o ouvinte, sempre atravessado pelas marcas do consumo. Como bases teóricas, serão usadas a semiótica da cultura, a teoria das materialidades na comunicação e os estudos de memória. Palavras-chave capa de disco; rock; mídia; texto cultural; objeto de memória Abstract 7070 Universidade Metodista de São Paulo – UMESP, Brasil [email protected] In this article, I intend to reflect on three aspects that characterize album covers, especially those of British and Brazilian rock between the late 1960s and early 1970s: as media – in their images and representations and in the materiality of the object itself; as a cultural text – which articulates semiotic dimensions at various levels; and as object of memory – by translating elements from the past into the present and their respective communicational processes. Through such aspects, I 637 seek to understand this packaging, whose basic function is the mediation between artist, his music, the label and the listener, always crossed by the brands of consumption. -
Joy Division and Cultural Collaborators in Popular Music Briana E
Western University Scholarship@Western Electronic Thesis and Dissertation Repository August 2016 Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music Briana E. Morley The University of Western Ontario Supervisor Dr. Keir Keightley The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the requirements for the degree in Master of Arts © Briana E. Morley 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Music Commons Recommended Citation Morley, Briana E., "Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music" (2016). Electronic Thesis and Dissertation Repository. 3991. https://ir.lib.uwo.ca/etd/3991 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected], [email protected]. Abstract There is a dark mythology surrounding the post-punk band Joy Division that tends to foreground the personal history of lead singer Ian Curtis. However, when evaluating the construction of Joy Division’s public image, the contributions of several other important figures must be addressed. This thesis shifts focus onto the peripheral figures who played key roles in the construction and perpetuation of Joy Division’s image. The roles of graphic designer Peter Saville, of television presenter and Factory Records founder Tony Wilson, and of photographers Kevin Cummins and Anton Corbijn will stand as examples in this discussion of cultural intermediaries and collaborators in popular music. -
AWARDS 3X PLATINUM ALBUM February // 2/1/17 - 2/28/17
RIAA GOLD & PLATINUM HAMILTON//BROADWAY CAST AWARDS 3X PLATINUM ALBUM February // 2/1/17 - 2/28/17 BRUNO MARS//24K MAGIC PLATINUM ALBUM In February 2017, RIAA certified 70 Digital Single Awards and 22 Album Awards. All RIAA DIERKS BENTLEY//BLACK GOLD ALBUM Awards dating back to 1958, plus #RIAATopCertified tallies for your favorite artists, are available at DAVID BOWIE//BLACKSTAR GOLD ALBUM riaa.com/gold-platinum! KENNY CHESNEY//THE BIG REVIVAL SONGS GOLD ALBUM www.riaa.com //// //// GOLD & PLATINUM AWARDS FEBRUARY // 2/1/17 - 2/28/17 MULTI PLATINUM SINGLE // 13 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// X 21 Savage & Metro R&B/ 2/22/2017 Slaughter Gang, LLC 7/15/2016 (Feat. Future) Boomin Hip Hop R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic 2/22/2017 This Is How We Roll Florida Georgia Line Country BMLG Records 12/4/2012 Jidenna Feat. Ro- R&B/ 2/2/2017 Classic Man Epic 2/3/2015 man Gianarthur Hip Hop Last Friday Night 2/10/2017 Katy Perry Pop Capitol Records 8/24/2010 (T.G.I.F) 2/3/2017 I Don’t Dance Lee Brice Country Curb Records 2/25/2014 Lil Wayne, Wiz Khal- ifa & Imagine Drag- R&B/ 2/1/2017 Sucker For Pain ons With Logic And Atlantic Records 6/24/2016 Hip Hop Ty Dolla $Ign (Feat. X Ambassadors) My Chemical 2/15/2017 Teenagers Alternative Reprise 10/20/2006 Romance 2/21/2017 Bad Blood Taylor Swift Pop Big Machine Records 10/27/2014 2/21/2017 Die A Happy Man Thomas Rhett Country Valory Music Group 9/18/2015 2/17/2017 Heathens Twenty One Pilots Alternative Atlantic Records 6/17/2016 Or Nah R&B/ 2/1/2017 (Feat. -
Revival in the Hebrides by Duncan Campbell
Revival In The Hebrides by Duncan Campbell Note: This is a transcript of a taped message on the Hebrides Revival which was preached by Duncan Campbell in 1968. The blanked words are those that were difficult to distinguish on the tape. There are two things that I would like to say in speaking about the revival in the Hebrides. First, I would like to make it perfectly clear that I did not bring revival to the Hebrides. It has grieved me beyond words to hear people talk and write about the man who brought revival to the Hebrides. My dear people, I didn't do that. Revival was there before I ever set foot on the island. It began in a gracious awareness of God sweeping through the parish of Barvas. Then I would like to make it perfectly clear what I understand of revival. When I speak of revival, I am not thinking of high-pressure evangelism. I am not thinking of crusades or of special efforts convened and organized by man. That is not in my mind at all. Revival is something altogether different from evangelism on its highest level. Revival is a moving of God in the community and suddenly the community becomes God conscious before a word is said by any man representing any special effort. Now I am sure that you will be interested to know how, in November 1949, this gracious movement began on the island of Lewis. Two old women, one of them 84 years of age and the other 82-one of the stone blind, were greatly burdened because of the appalling state of their own parish. -
Additional Karaoke Listings Updated February 2021! 1
Artist Song Title 1975 Chocolate 1975, The Sincerity is Scary 5 Seconds of Summer Want you back 5 Seconds of Summer Easier ACDC Big Balls Adele All I Ask Adele Cold Shoulder Adele Melt My Heart to Stone Adele Million Years Ago Adele Sweetest Devotion Adele Hello Adele I Can't Make You Love Me Adele Love in The Dark Adele One and Only Adele Send My Love to Your New Lover Adele Take It All Adele When We Were Young Adele Remedy Adele Love Song Afroman Colt 45 AJR Burn the House Down Alabama Angels Among us Alabama Forty Hour Week Alabama Roll on Eighteen Wheeler Alabama Lady down on love Alaina, Lauren Road Less Traveled Alaina, Lauren Wings of an Angel Alaina, Lauren Ladies in the 90s Alaina, Lauren Getting Good Alaina, Lauren Other Side, The Aldean, Jason Tattoos on this town ADDITIONAL KARAOKE LISTINGS UPDATED FEBRUARY 2021! 1 Aldean, Jason Just Getting Started Aldean, Jason Lights Come On Aldean, Jason Little More Summertime, A Aldean, Jason This Plane Don't Go There Aldean, Jason Tonight Looks Good On You Aldean, Jason Gettin Warmed up Aldean, Jason Truth, The Aldean, Jason You make it easy Aldean, Jason Girl Like you Aldean, Jason Camouflage Hat Aldean, Jason We Back Aldean, Jason Rearview Town Aldean, Jason & Miranda Lambert Drowns The Whiskey Alice in Chains Man In The Box Alice in Chains No Excuses Alice in Chains Your Decision Alice in Chains Nutshell Alice in Chains Rooster Allan, Gary Every Storm (Runs Out of Rain) Allan, Gary Runaway Allen, Jimmie Best shot Anderson, John Swingin' Andress, Ingrid Lady Like Andress, Ingrid More Hearts Than Mine Angels and Airwaves Kiss & Tell Angston, Jon When it comes to loving you Animals, The Bring It On Home To Me Arctic Monkeys Do I Wanna Know Ariana Grande Breathin Arthur, James Say You Won't Let Go Arthur, James Naked Arthur, James Empty Space ADDITIONAL KARAOKE LISTINGS UPDATED FEBRUARY 2021! 2 Arthur, James Falling like the stars Arthur, James & Anne Marie Rewrite the Stars Arthur, James & Anne Marie Rewrite The Stars Ashanti Happy Ashanti Helpless (ft. -
Power Gold: Concentration Game CMA Sets Trend for Industry
February 10, 2020, Issue 691 Power Gold: Concentration Game This edition of Country Aircheck’s Power Gold is led by eight artists who combine for 46 of the Top 100 most-heard Gold hits. Luke Bryan and Florida Georgia Line lead the parade with seven songs apiece, followed by Jason Aldean and Zac Brown Band with six each. Rounding out the top PG hit-makers are Kenny Chesney, Thomas Rhett, Blake Shelton and Carrie Underwood, all with five hits in the Top 100. One artist – Dierks Bentley – places four songs in this elite group, meaning that nine acts are responsible for 50% of the current Power Gold. More thoughts on that later. Twenty-three songs from 20 artists are new Luke Bryan to the Top 100 since we ran the list last year (CAW 1/14/19). Interestingly, four songs in that group are more than five years old and are actually making a return appearance to the PG 100. They are Tim McGraw’s “Live Like You Were Dying” (2004), Bentley’s “Free And Easy (Down The Staff Hearted: WNCY/Appleton, WI’s Shotgun Shannon, Luke Road I Go)” (2007), Bryan’s “I See You” (2015) and FGL’s “Sippin’ Reid, Charli McKenzie, Hannah, Dan Stone and PJ (l-r) show On Fire” (2015). off the station’s 23rd annual Y100 Country Cares for St. Jude This Top 100 Power Gold – along with the airplay information in Kids Radiothon total. the previous paragraph – is culled from Mediabase 24/7 and music airplay information from the Country Aircheck/Mediabase reporting panel for the week of January 26-Feb.