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BALLETIN DANCE Directora Y Propietaria: Agustina Llumá

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BALLETIN DANCE Directora Y Propietaria: Agustina Llumá OSCAR ARAIZ Nace la Compañía 2018 MARIANELA NÚÑEZ MARCOS AYALA Dos Décadas Entre Luces Triunfantes y Sombras MARIANELA BOÁN ANTONIO NAJARRO Entrevistas Exclusivas ISSN 1850-6275 . Año 24 . Nº 273 . Marzo 2018 . Revista mensual de distribución gratuita en Capital Federal y Gran Buenos Aires LA REVISTA ARGENTINA DE DANZA FOUETTE Una empresa de artistas para artistas ~ CALZADO lNDUMENTARIA ACCESORIOS r'tú tV#dhrd 9-er~,u-o­ ~ > Nota de Tapa 4 Entre Luces y Sombras > Salud en Danza 8 No es Sólo Sed > Staff > Provincias 10 Jujuy. Hacia el Norte editora general Agustina Llumá > Actualidad 13 Pérdidas editores asociados 32 Breves Diego Llumá Martín Goyburu > Danza Árabe Tango in the Shadows 14 ¡Que los Cumplas de Marcos Ayala escriben en este Foto: Federico Paleo número Feliz! Nahuel Aguirre Folklore María Belén Arendt > 16 El Festival de Baradero Mercedes Borges Bartutis Gustavo Friedenberg > Entrevistas > In memoriam Declarada de Interés Municipal Marcelo Ghioldi por el Honorable Concejo Deli- 18 Antonio Najarro: “En 22 Elisabetta Terabust Juan Cruz Guillén berante de la Ciudad de Buenos los Detalles Está la 22 Noemi Lapzeson Aires. Ordenanza Nº 49.027/95. Paula Lena Grandeza” 22 Galina Gladinkova Auspiciada por la Secretaría de Daniel Sousa Cultura del Gobierno de la Ciudad 20 Oscar Araiz: Nueva 26 Eduardo Gómez de Buenos Aires. Resolución Nº Gabriel Vaudagna Arango Formación 26 Vicky Olivares 12/96. Auspiciada y declarada 34 Marianela Boán: Una de Interés Cultural por la Secre- en nuestra sede Argentinos... taría de Cultura y Comunicación Juan Martín Caset Misión en el Caribe > de la Nación. Resolución Nº 24 Estados Unidos. Difícil, 291/97 y 514/01. Auspiciada por corresponsales Pero Posible la Dirección General de Asun- Mercedes Borges (Cuba) 33 Reino Unido. Dos tos Culturales del Ministerio de Relaciones Exteriores, Comercio Rosa C. Corral (Holanda) Décadas Triunfantes Internacional y Culto desde 1998. Beatriz Cotello (Austria) Auspiciada por la Subsecretaría Fátima Nollén (Inglaterra) > Cartelera de Cultura de la Provincia de Bue- 28/31 Espectáculos nos Aires. Disposición Nº 122/99. diseño Auspiciada por el Instituto Nacio- nal del Teatro (2003/04, 2009/11). Jorge García > Internacionales Auspiciada y declarada de Interés [email protected] 36 Cuba. 70º Aniversario Cultural por la Secretaría de Cul- tura de la Presidencia de la Na- ción. Resolución Nº 2681/12. Ba- INTERIOR DEL PAÍS: $ 25 > Balletin informativo lletin Dance integra la Asociación 38 Audiciones, becas, de Revistas Culturales Indepen- convocatorias, festivales dientes de Argentina (AReCIA). > BALLETIN DANCE Directora y propietaria: Agustina Llumá. Cuit: 27-21765023-8. > REDACCIÓN Reg. Nac. de la Propiedad Inte- Adolfo Alsina 943 - 4º piso lectual: Nº 5338299. Fotocromía: ofi cina 410 (C1088AAA) Trazos Imagen Digital: 4116- 5848. Impresión: Gráfi ca Laf, Buenos Aires - Argentina Monteagudo 741/45, Vª Lynch, Tel/Fax: (# 54 11) 4331-0412 San Martín, Buenos Aires, Tel/ De lunes a viernes de 10 a 17 hs Fax: 4116-5845. Diseño de logo: Jorge García. Queda prohibida la [email protected] reproducción total o parcial de las http://balletindance.com notas sin autorización por escrito de Balletin Dance. Los artículos Balletin Dance, fi rmados no refl ejan necesaria- La Revista Argentina de mente la opinión de la editorial. Balletin Dance no se responsabi- Danza®, SumarioMarzo 2018 liza por el contenido de los avisos es una publicación mensual de Año 24 publicitarios, por su mensaje, ni distribución gra tui ta en Capital por la veracidad de sus ofertas Nº 273 que son de entera responsabili- Federal y Gran Buenos Aires. dad de los anunciantes. ISSN 1850-6275 273 Ayala ganó dos Latin ACE Awards en Nueva York por la dirección de Tango Lovers. Hoy intenta abrir su propio camino Foto . Federico Paleo E NTREVISTAEntre LucesPOR DANIEL SOUSA y SombrasEl bailarín y coreógrafo estrenó en Rusia el segundo espectáculo al frente de su propia compañía de tango. > Serán veinticinco funciones en cinco sema- Seguirá en gira por Israel y sopesa nas las que realice, en gira, la compañía del bai- presentarlo en la Argentina. Busca larín y coreógrafo Marcos Ayala, con el debut darle un nuevo lugar a la mujer en este de su nuevo espectáculo, Tango in the Shadows tipo de propuestas (Tango en las Sombras). El tour, que dio inicio a comienzos de este mes, cumple una primera eta- pa en Rusia (acaba de hacer escala en el Moscow International Performing Arts Center, y seguirá por San Petersburgo y otras grandes ciudades de ese país), para saltar luego a Israel, donde cul- minará con una gran presentación en Tel Aviv. A diferencia de otras propuestas teatrales del género tanguero, incluso del mismo director, Tango in the Shadows adquiere un formato de comedia musical en el que “narramos una histo- ria muy alejada de lo más conocido del tango: el burdel, el cafi shio, la prostituta”, cuenta Ayala en diálogo con Balletin Dance. “Esta es una historia de fantasía protagonizada por dos per- sonajes antagónicos, uno de ellos de mucha luz y el otro, que representa a la oscuridad. En este caso, lo luminoso cobra forma en lo femenino y lo oscuro, en lo masculino. Dos mundos muy diferentes, uno más etéreo y soñado, y el otro marcadamente más sexual”. Ayala, en dupla con Paola Camacho, se pone al frente de un elenco de diez ¿Qué lugar ocupa la mujer en su nueva el bailarín suele estar más desprotegido bailarines para contar una historia donde propuesta? en ese ámbito, siempre propenso a ape- “el amor siempre triunfa” Foto . Federico Paleo Contamos una historia de amor pero con lar al movimiento corporal para contar. otra mirada, desde otro lugar. Hay acá un La quietud, en ocasiones es interpretada confl icto, que se cierra con un mensaje por el bailarín como un ‘no hacer’ y, sin positivo: no importa lo grave que sea el embargo, puede estar contando algo. En- problema, el amor siempre triunfa. No tonces, esta unión de lo coreográfi co y lo ¿Cómo vive esta transición desde un existió una demanda específi ca de par- dramatúrgico se ha constituido en un se- formato a otro de espectáculo? te del espectador para decidir este cam- llo distintivo de este nuevo show. Mis inicios fueron con lo más típico de bio de rumbo, sino que es más bien una Ayala y González Cano ya habían coin- los espectáculos de tango, esos que cuen- necesidad personal. Mi espectáculo ante- cidido en Chantecler, el musical creado y tan la historia del género dividida por rior, Tango Buenos Aires, funcionó muy protagonizado por Mora Godoy. “Nacho bloques, yendo de lo tradicional a lo es- bien en todas las plazas, pero en mi deseo trabaja ahora con Marcelo Lombardero en tilizado. Este cambio tiene que ver con de hallar un lenguaje personal creo que el Colón, y alguien que viene de la ópera mi deseo de salir de esa estructura, ya un este cambio tenía que darse. También por tiene siempre la cabeza más abierta que poco gastada. También, como volvemos esto se da la incorporación al equipo de los tangueros, a menudo muy encerrados con la compañía a algunas plazas donde Ignacio González Cano. en nosotros mismos”, confi esa el bailarín y estuvimos con anterioridad, quería ofre- coreógrafo. “La ópera, sí o sí, te obliga a es- cer algo bien distinto. Y, por otra parte, ¿Cuál ha sido su rol? tudiar, y sabiendo que Nacho maneja bien con los avances que se están dando a ni- Nacho me ayudó, desde la dramaturgia, ese lenguaje, estaba convencido de que vel social, volver sobre la prostitución y a contar mejor, con herramientas que podíamos llegar a ensamblar muy bien”. la denigración de la mujer me resultaba quizás desde lo coreográfi co yo no poseía. Cristian Tateossian, productor ejecutivo de demodé. La obra tiene muchas partes actuadas y la nueva obra, actuó como nexo entre ellos. 6 .. BALLETIN DANCE .. MARZO 2018 > AUTOGESTIVO > INGRATITUD CERTAMEN NACIONAL Tras su paso por una compañía emblema Hay muchas compañías de tango que giran del género como Forever Tango, y después por el mundo con gran éxito pero no tienen DE DANZA 2018 de su desempeño como partenaire de cabida en nuestro país. ¿Podremos ver aquí Premio: ConsejoConsejoConsejo Mora Godoy (en teatro y en el certamen esta nueva obra? Argentino de la Danza Bailando por un Sueño), Marcos Ayala Tengo muchas ganas de hacerla. Pero Paloma Herrera inició con la compañía Tango Lovers su también siento que Buenos Aires es a ve- propio camino en la dirección, recibien- ces un poco ingrata con los espectáculos do dos Latin ACE Awards otorgados por de tango y de folklore. No se los valora la Asociación de Cronistas del Espectácu- como sí lo hacen en otros países. De ha- lo de Nueva York, en 2015. Tango in the cerlo, lo haría sólo para darme un gusto Shadows es ahora su segundo espectáculo personal. autogestivo. La propuesta cuenta con un vestuario di- Sabe que se expone a la remanida frase señado por Walter Delgado, Lidia Benítez ‘eso no es tango’… y el propio Ayala. Junto a un artista plás- Estoy acostumbrado a escucharla. Mi tico, el director bosquejó también unas fuerte es el tango escenario, no lo oculto. máscaras de caballo para un segmento Tengo en la compañía parejas de tango central de la obra. “Los animales son dos salón realmente muy buenas, y entiendo hombres y la que doma a esos caballos es que oponiendo ambos estilos es cuando una mujer. Un mensaje contrario al co- los dos se potencian. Las dos cosas son 40 años de danza mún de los espectáculos de tango, donde tango, se necesitan y se retroalimentan. JURADOJURADOJURADO el poder lo ejerce siempre el varón y el Paloma Herrera · Susan Jones (ABT) sometimiento lo sufren ellas”, parangona.
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