DOCSLIB.ORG

PDF (1002.93 Kib)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

THE TULANE HULLABALOO I SEPTEMBER 20, 1996 I .AYt:.C.d.e 7 OutKast is on the inside track and the Organized Noize family are defi- Alex White tracks like "13th Floor" and "Babylon" map. use strings, piano and acoustic guitar. The nitely where it's at. OutKast gained further exposure last Staff Writer addition of these classical instruments OutKast got its start rapping at East year by adding southern flavor to the adds a smoothness to these tracks that is Point's Tri-Cities High School, where it West Coast-dominated soundtrack for Come down to the dirty South with me, very reminiscent of Curtis Mayfield's was· eventually discovered by the Higher Leaming and to the East Coast's where we find OutKast, whose latest effort work in the 70s. Organized Noize crew. Soon after that, New Jersey Drive soundtrack. ATLiens will have you all moving to a new While ATLiens is one of the best the band was picked up by LaFace With OutKast having gained a follow- kind of groove. No doubt, OutKast's new albums out right now, it is one of the Records, which released the single ing in the North, South, East and West, album is the bomb. It is already nearing darkest records I've heard in a while. "Player's Ball." That song landed at num- chances are it's going to blow up this gold status and is expected to go platinum Throughout the album's 15 cuts you'll ber one on Billboard's rap charts for six year. The group is on tour right now, and soon. While OutKast has apparently hear eerie noises as well as entire tracks consecutive weeks. its latest single, "Elevators," is all over grown lyrically since its last album, that sound more like they belong in a hip- With the hip-hop world anticipating the radio, in the clubs and on the streets, Southernplayalisticadillacmuzik, it has hop horror movie than on an OutKast OutKast's debut album, blasted from low riders and Land still kept that laid-back brand of southern album. Southe mplayalisticadillacmuzik entered Cruisers alike. It is clear that brothers Dre fried funk that has made it popular since Still, ATLiens is the bomb. Of the 15 the R&B charts at number one and went and Big Boi, both 21, have some deep day one. tracks (almost an hour's worth of music) gold in just a few short weeks. Following matters on their minds. And judging by From a lyrical standpoint, OutKast there is not one tired song to be found. the further releases of singles like "Git their latest work on ATLiens, their best is approached ATLiens in a very different The first single off of the album, Up, Git Out" and the title song, the album yet to come. way. Subjects such as spiritualism, the "Elevators," is indicative of what the rest went platinum and put OutKast on the state of the black community, racism, par- of the album. Tracks like "Two Dope tying and your everyday pimp playa-type Boyz in a Cadillac," "Millennium" and stuff are still the group's focal points, but "Wheelz of Steel" will definitely have Jabber} aw everything has been taken to a higher you nodding your head in appreciation. level. OutKast's rhymes are more clear As with the last CD, much of ATLiens CONTINUED FROM PAGE 5 and concise this time around. was produced by Organized Noize Pole Bathtub. Its song, 'The Charm," is band name?), is satisfactory, and their While at times ATLiens may seem to Productions, which produces the work of one of those songs that make me wish I name is crazy. be coming at you from outer space, after fellow southwest Atlantans like the could record over my CDs. Some of you The rest of the disc is ·great. may like it, but the band obviously does- a few repeated listens, you'll find that Goodie MoB, Society of Soul and Rico Jawbreaker comes on with a cool song n't want to sell records. called "Sister" which has one of the best members Dre and Big Boi are about as Wade. In the past few years, Organized Another one of those strange songs is rhythms on the CD. Redd Kross also has well-grounded as you can get. Big Boi's Noize Productions has defined a new behind-the-beat rap flow complements "Heaven isn't Hollywood" by an awesome song with a catchy beat. It sound in the field of hip-hop music that is Godsheadsilo. The band members were is called "Star Lust" and it's pretty good. Dre's rapid-fire southern drawl in such a distinctly southern yet appealing to the way that they are immediately recogniz- probably smoking crack when they hired The Bomboras perform ;'Fiberglass masses. the singer, because his talent is less than Jungle" a nice instrumental with a kick able when you hear them. The Organized Noize sound encom- noteworthy. of cool surf guitar influence to give it Always willing to try new and innova- passes the world of pimps, players, A cool sound comes from the flavor. tive things, OutKast incorporated some activists, poets and preachers and com- Laughing Hyenas. This band's song, This disc is a nice compilation new things here and there on ATLiens that bines them all into one smooth blend of "Shine," is not one of the best songs, but because it showcases many styles of add a certain depth to this CD. This depth politically aware hip-hop funk. Anyone its groove is really individualistic. It music. I enjoyed it when I heard it, and was missing on the band's first release. who has been to a Goodie MoB concert sounds like the band is playing in an air- so can you; Jabberjaw will be going on While a great deal of the album features knows what I mean. As far as hip-hop port lounge or something. Another sale Sept. 24 at most music stores. group, Clickitat Ikatow (how's that for a simple, hard-core beats and rhymes, music in the South is concerned, OutKast ｲ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ ｾ Ｍ Ｍ Ｍ Ｌ ,-- .. Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ ｾ 151v ｾ ｴ ｴ Ｎ ｄ ｌ ｙ JM'j/-· Fun-Loving People to Spend Spectacular (WnotJE 1 Week Cruising the Caribbean I You're invited to find our ju how much fun a I Carnival Crui vacation c n be. I Quad Ra Start t Just ｾ LJ 345.00 Per n Don't go around with hair done badly! Use ｾ ｲ special student discount at any area Supercuts. VOi> Wlllt N« Oll9 Oft'm 95 WITH 5720 Magazine Street COUPON 504 891-8800 REG.$8.85 OMrd • Opturd. ｌ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ ｾ .
Recommended publications
  • Loading up up Loading

    Loading up up Loading

    U-HIGH Volume 76, Number 4 • University High School, 1362 East 59th Street, Chicago, Illinois 60637 • Tuesday , Dec . 12, 2000 Loading up to the max Li-Highers forego open periods as they fill schedules to free up senior year !JyNatalie Hoy ___________ _ Associate editor or years, open periods have represented a badge of honor for U -High. While other F schools plunk kids into faculty-supervised study halls, U-High has considered perio~ when students don't have classes and make their own de ­ cisions about how to best use their time part of the educational program. And that's the irony of it. More and more U-Highers are using those open periods for more classes . At least for the three lower grade levels, open periods may represent an endangered species. The coming win ter break, in fact, for many U-Highers will repre­ sent their first "open" break since school began. A check of schedules indicates that 137 U-Highers out of 463 pack their schedules to course capacity. ''This is the story," said Principal Jack Knapp. ne ofmy "There are two threads ''o that I see at Lab. One is goals is to the A.P.-driven thread create a well­ which seeks the best pos­ rounded sible scores for students so they can get into the education for best colleges; I see a lot of students ... ,, this. The other thread uses more of the Dewey theory of learning and doing . These students seek a more hands-on experi­ mental experience. "These two threads seem to be frequently in competition for the school's soul, but it doesn't need to be this way.
  • Bradley Syllabus for South

    Bradley Syllabus for South

    Special Topics in African American Literature: OutKast and the Rise of the Hip Hop South Regina N. Bradley, Ph.D. Course Description In 1995, Atlanta, GA, duo OutKast attended the Source Hip Hop Awards, where they won the award for best new duo. Mostly attended by bicoastal rappers and hip hop enthusiasts, OutKast was booed off the stage. OutKast member Andre Benjamin, clearly frustrated, emphatically declared what is now known as the rallying cry for young black southerners: “the South got something to say.” For this course, we will use OutKast’s body of work as a case study questioning how we recognize race and identity in the American South after the civil rights movement. Using a variety of post–civil rights era texts including film, fiction, criticism, and music, students will interrogate OutKast’s music as the foundation of what the instructor theorizes as “the hip hop South,” the southern black social-cultural landscape in place over the last twenty-five years. Course Objectives 1. To develop and utilize a multidisciplinary critical framework to successfully engage with conversations revolving around contemporary identity politics and (southern) popular culture 2. To challenge students to engage with unfamiliar texts, cultural expressions, and language in order to learn how to be socially and culturally sensitive and aware of modes of expression outside of their own experiences. 3. To develop research and writing skills to create and/or improve one’s scholarly voice and others via the following assignments: • Critical listening journal • Nerdy hip hop review **Explicit Content Statement** (courtesy: Dr. Treva B. Lindsey) Over the course of the semester students will be introduced to texts that may be explicit in nature (i.e., cursing, sexual content).
  • Identifying Atlanta: John Portman, Postmodernism, and Pop-Culture" (2017)

    Identifying Atlanta: John Portman, Postmodernism, and Pop-Culture" (2017)

    Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Identifying Atlanta: John Portman, Postmodernism, and Pop- Culture August McIntyre Dine Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Architectural History and Criticism Commons, and the Urban, Community and Regional Planning Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Dine, August McIntyre, "Identifying Atlanta: John Portman, Postmodernism, and Pop-Culture" (2017). Senior Projects Spring 2017. 128. https://digitalcommons.bard.edu/senproj_s2017/128 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Identifying Atlanta: John Portman, Postmodernism, and Pop Culture Senior Project Submitted to The Division of Social Studies of Bard College by August Dine Annandale-on-Hudson, New York May 2016 Acknowledgements Thanks to my advisor, Pete L’Official; my friends; and my family. Table of Contents Introduction…………………………………………………………………….…………………1 Chapter 1: Two Atlantas………………………………………………………….………………4 Chapter 2: The Peachtree Center…..…………………………...………………………………..23 Chapter 3: Pop Culture…………………………..……………………………………………....33 1 Introduction In his 1995 text “Atlanta,” architect, theorist, and notorious provocateur1 Rem Koolhaas claims, “Atlanta has culture, or at least it has a Richard Meier Museum.”2 Koolhaas is implying that the collection at Atlanta’s High Museum of Art is a cultural veneer.
  • The Songs of Bob Dylan

    The Songs of Bob Dylan

    The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ...............................................................................................................................
  • Hip-Hop Artists Ali Big Gipp Drop 'Kinfolk' 8-15

    Hip-Hop Artists Ali Big Gipp Drop 'Kinfolk' 8-15

    Hip-Hop Artists Ali Big Gipp Drop 'Kinfolk' 8-15 Written by Robert ID2755 Wednesday, 21 June 2006 00:11 - Rap artist Ali, of the platinum selling hip-hop group St. Lunatics, and "Dirty South" hip-hop impresario Goodie Mob alum rap artist Big Gipp will be releasing their hip-hop collaborative debut album, Kinfolk, August 15th. Kinfolk comes following up their appearance on the #1 hit track ‘Grillz’ with fellow hip-hop artist Nelly and will be on his record label, Derrty Ent., an imprint of Universal Motown Records. The first single off the album, “Go ‘Head,” is an anthemic summer song that combines "midwest swing" with southern crunk and is produced by up and coming St. Louis native Trife. "Gipp and I started hanging out a while back and found that we had a lot in common," says Ali. "We''re both considered leaders in our crews, we''re fathers and even though we have different styles, we respect each other's skills." Gipp describes their collaborative effort as “the best of both worlds-- the St. Lunatics kicked off the midwest movement and Goodie Mob helped establish southern rap, that’s why I say it’s the best of both worlds; Plain and simple." In that spirit, Kinfolk has a mix of songs featuring "St. Louis" hip-hop kin: rap artists Nelly, Murphy Lee and Derrty Ent newcomers, Chocolate Tai and Avery Storm; "Atlanta" hip-hop kin Cee-lo and other southern hip-hop all-stars include rappers Juvenile, David Banner, Three 6 Mafia and Bun B. The album collab also contains a mix of mid-west and southern producers including the St.
  • Outkast Stankonia Album Download Outkast Stankonia Album Download

    Outkast Stankonia Album Download Outkast Stankonia Album Download

    outkast stankonia album download Outkast stankonia album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Cloudflare Ray ID: 67ab1adfff2e15e4 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. MQS Albums Download. Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. OutKast – Stankonia (20th Anniversary Deluxe) (2000/2020) [FLAC 24bit/44,1kHz] OutKast – Stankonia (20th Anniversary Deluxe) (2000/2020) FLAC (tracks) 24-bit/44,1 kHz | Time – 01:37:50 minutes | 1,11 GB | Genre: Hip- Hop, Rap Studio Master, Official Digital Download | Front Cover | © LaFace – Legacy. OutKast is celebrating the 20th-anniversary of their seminal album Stankonia with a set of bonus tracks, previously unreleased remixes, streaming bundles and vinyl and digital editions. According to reports, the digital re-release will arrive in 24-bit and 360 Reality Audio formats, and will feature a total of six bonus tracks that include a remix of “B.O.B. (Bombs Over Baghdad)” by Zack de la Rocha of Rage Against The Machine, a remix of “Ms. Jackson” by Mr. Drunk, a remix of “So Fresh, So Clean” with Snoop Dogg and Sleepy Brown, plus a cappella versions of the three songs.
  • Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)

    Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)

    Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast’s “Mainstream” (1996) MITCHELL OHRINER[1] University of Denver ABSTRACT: Recent years have seen the rise of musical corpus studies, primarily detailing harmonic tendencies of tonal music. This article extends this scholarship by addressing a new genre (rap music) and a new parameter of focus (rhythm). More specifically, I use corpus methods to investigate the relation between metric ambivalence in the instrumental parts of a rap track (i.e., the beat) and an emcee’s rap delivery (i.e., the flow). Unlike virtually every other rap track, the instrumental tracks of Outkast’s “Mainstream” (1996) simultaneously afford hearing both a four-beat and a three-beat metric cycle. Because three-beat durations between rhymes, phrase endings, and reiterated rhythmic patterns are rare in rap music, an abundance of them within a verse of “Mainstream” suggests that an emcee highlights the three-beat cycle, especially if that emcee is not prone to such durations more generally. Through the construction of three corpora, one representative of the genre as a whole, and two that are artist specific, I show how the emcee T-Mo Goodie’s expressive practice highlights the rare three-beat affordances of the track. Submitted 2015 July 15; accepted 2015 December 15. KEYWORDS: corpus studies, rap music, flow, T-Mo Goodie, Outkast THIS article uses methods of corpus studies to address questions of creative practice in rap music, specifically how the material of the rapping voice—what emcees, hip-hop heads, and scholars call “the flow”—relates to the material of the previously recorded instrumental tracks collectively known as the beat.
  • Ceelo Green – Primary Wave Music

    Ceelo Green – Primary Wave Music

    CEELO GREEN facebook.com/ceelogreen twitter.com/CeeLoGreen instagram.com/ceelogreen/ open.spotify.com/artist/5nLYd9ST4Cnwy6NHaCxbj8 Thomas DeCarlo Callaway (born May 30, 1974), known professionally as CeeLo Green (or Cee Lo Green), is an American singer, songwriter, rapper, record producer and actor. Green came to initial prominence as a member of the Southern hip hop group Goodie Mob and later as part of the soul duo Gnarls Barkley, with record producer Danger Mouse. Internationally, Green is best known for his soul work: his most popular was Gnarls Barkley’s 2006 worldwide hit “Crazy”, which reached number 1 in various singles charts worldwide, including the UK. In the United States, “Crazy” reached number two on the Billboard Hot 100. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Goodie Mob Amazing Grays Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Big Rube Amazing Break Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Calm B 4 Da Storm Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Survival Kit Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Back2Back Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Try We Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Off-Road Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Big Rube's Road Break Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob 4 My Ppl Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Dc Young Fly Crowe's Nest Break Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Prey
  • The Evolution of Commercial Rap Music Maurice L

    The Evolution of Commercial Rap Music Maurice L

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
  • Famuan@Famu.Edu Opinions the Famuan, November 13 1997 13

    [email protected] Opinions the Famuan, November 13 1997 13

    he Famuan November 13. 1997 Alumnus inducted as FSMA president BY VALERIE CHAMBERLAIN his post doctoial at the U~nisxci sits of Contributing Editor California-Los Angeles. Society102nd annual.a group meeting ss ithiii andthe scientificI S NI . sessionhad is Webster. a pharmacist and phy sician, said at the Ramada Inn. This is wshere Webster The news president of the Florida State that his new position is going to give him a lot received his title as president of the F.S.M.A. Medical Association is nlone other than a more work. Webster, wsas once an adjunct professor for FAMU alumnus. *"lfeel it's more of a position to wsork than a the division of Health and Information Joseph L. Webster. who graduated from position of honor." Mana cenment in the Allied Health Depaitment FAMU's College of Pharmacy in 1971. swas Webster said that nonetheles~s he is honored at F AMU. He taught Fundamentals of inducted as the new president of the F.S.M.A. at being elected to that position. Medical Science. Saturday at the Ramada Inn on North Monroe. The Monticello native said that it's Rood Dr. Jacqueline Beck. the dean of Allied "I feel great about it. I feel more chal- for blacks to be able to give their news per- Health Sciences, has know n Wsehster for lenged." he said. spective on medicine. years, and believes him to be a good p~erson Webster graduated from the University of a special pull-out Last wseekend the William J. Gunn Medical section Miami Medical School and then wsent on for Please see WEBSTBI3 ,, i Lifestyles p.

  • OUTKAST Are a Ton of Things That Stick MTV and Watched the Vid- Pictures, You Know You're a Out

    - --- -- - ｾ T- Ｍ ｾ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ B4 ARCADE WWW.THEHULLABALOO.COM MOST IMPORTANT BANDS OF THE DECADE BY ZACH YANOWITZ Stankonia dropped in 2000? "Hey Ya!" was hands down STAFF WRITER I was in 5th grade and our the biggest song of the de- teacher was having trou- cade. When you make Pola- When we look back on the ble with the TV controls so roid themselves issue a press last decade in music, there we accidentally ended up on release against shaking their OUTKAST are a ton of things that stick MTV and watched the vid- pictures, you know you're a out. Boy bands, the rise of eo for "Ms. Jackson:' I had no cultural phenomenon. electro, Soulja Boy, the ad- idea what it meant but im- Since then, the two have vent of hipsterdom, etc. Be- mediately knew it was awe- continued to be prolific. Their ing asked to name the most some. "So Fresh So Clean," joint (and silly) film Idlewild important/influential musi- the jungle-rock anthem and other acting gigs gained· cian of the last 10 years is a "B.O.B; guestspots . from mainstream exposure and hard task. especially in a de- Erykah Badu, Gangsta Boo success. Big Boi's recent re- cade so full of form-breaking and Cee-Lo were all major lease Sir Lucious Left Foot: and general weirdness. Upon facets of Outkast's music. A The Son Of Chico Dusty is, further reflection, however, quadruple-platinum album one of the most critically ac- • there's only one real answer and two Grammy Awards claimed albums of 2010.
  • Outkast Idlewild Album Download Zip Outkast Idlewild Album Download Zip

    Outkast Idlewild Album Download Zip Outkast Idlewild Album Download Zip

    outkast idlewild album download zip Outkast idlewild album download zip. 1) Select a file to send by clicking the "Browse" button. You can then select photos, audio, video, documents or anything else you want to send. The maximum file size is 500 MB. 2) Click the "Start Upload" button to start uploading the file. You will see the progress of the file transfer. Please don't close your browser window while uploading or it will cancel the upload. 3) After a succesfull upload you'll receive a unique link to the download site, which you can place anywhere: on your homepage, blog, forum or send it via IM or e-mail to your friends. Outkast idlewild album download zip. “Take a little trip, hater pack up yo' mind, look forward not behind, then you'll see what you find” OutKast “Big Boi and Dre Present… Outkast” (2001) Tracks. Funkin' Around (previously unreleased) So Fresh, So Clean. The Whole World (featuring Killer Mike; previously unreleased) Elevators (Me & You) Git Up, Git Out (Remix) Movin' Cool (The After Party) (featuring Joi; previously unreleased) OutKast‘s first greatest hits album. Release date: December 4, 2001. Big Boi and Dre Present… OutKast is the first OutKast greatest hits album, released on Arista Records in 2001. The compilation consists of five tracks from Southernplayalisticadillacmuzik, one from ATLiens, and three each from the break-out albums Aquemini and Stankonia. Outkast. ALBUM: Outkast – Southernplayalisticadillacmuzik Zip “Southernplayalisticadillacmuzik” is another brand new Album by “Outkast” Stream & Download “ALBUM: Outkast – Southernplayalisticadillacmuzik” “Mp3 Download”. Stream And “Listen […] ALBUM: Outkast – Speakerboxxx/The Love Below.