Renaissance Man: Leonardo Da Vinci
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Steve and Janet Ray's Biography
STEVE AND JANET RAY’S BIOGRAPHY Steve and Janet Ray in Jerusalem—they have been to the Holy Land over 170 times Steve’s first book—his conversion story EARLY YEARS CONVERSION PUBLISHED BOOKS Stephen K. Ray was born in 1954 to parents Prior to 1994, neither Steve or Janet had Crossing the Tiber who had just become Christians through a ever set foot in a Catholic Church. After (conversion story) Billy Graham Crusade. studying many books to convince their best friend and recent convert, Al Kresta, that He was raised in a Fundamentalist Baptist Upon this Rock: the early church was evangelical, Steve family and was dedicated to Jesus in the Peter and the Primacy of Rome and Janet backed their way right into the local Baptist Church. At four years old he Catholic Church. “asked Jesus into his heart” and was “born St. John’s Gospel again” according to Baptist tradition. On Pentecost Sunday, 1994, they entered (a Bible Study) the Church at Christ the King Parish in Ann In 1976, Stephen married Janet who Arbor, Michigan. The Papacy: came from a long line of Protestants. Her What the Pope Does and Why it ancestors were pilgrims who came to Steve began writing a letter to his father Matters America on the Mayflower and Moravian explaining why they became Catholic. This Hussite Protestants who joined the letter soon became the book Crossing the Faith for Beginners: Protestant Reformation in the 1600s. Tiber: Evangelical Protestants Discover the A Study of the Creeds Historic Church, published by Ignatius Press. EXPLORING THEIR FOOTPRINTS OF GOD PROTESTANT ROOTS DVD SERIES CURRENT With two small children in tow, Steve and Janet moved to Europe for one year where Since then, Steve’s passion for the depth Abraham: Father of Faith they traveled extensively researching their of truth found within the Catholic tradition and Words reformation roots in Switzerland, Germany, has led him to walk away from his business Moses: Signs, Sacraments, and England. -
The Biographical Turn and the Case for Historical Biography
DOI: 10.1111/hic3.12436 ARTICLE The biographical turn and the case for historical biography Daniel R. Meister Department of History, Queen's University Abstract Correspondence Daniel R. Meister, Department of History, Biography has long been ostracized from the academy while Queen's University, Canada. remaining a popular genre among the general public. Recent height- Email: [email protected] ened interest in biography among academics has some speaking of a Funding information biographical turn, but in Canada historical biography continues to be International Council for Canadian Studies, undervalued. Having not found a home in any one discipline, Biog- Grant/Award Number: Graduate Student Scholarship (2017); Social Sciences and raphy Studies is emerging as an independent discipline, especially Humanities Research Council of Canada, in the Netherlands. This Dutch School of biography is moving biog- Grant/Award Number: 767‐2016‐1905 raphy studies away from the less scholarly life writing tradition and towards history by encouraging its practitioners to utilize an approach adapted from microhistory. In response to these develop- ments, this article contends that the discipline of history should take concrete steps to strengthen the subfield of Historical Biography. It further argues that works written in this tradition ought to chart a middle path between those studies that place undue focus on either the individual life or on broader historical questions. By employing a critical narrative approach, works of Historical Biography will prove valuable to both academic and non‐academic readers alike. The border separating history and biography has always been uncertain and anything but peaceful. (Loriga, 2014, p. 77) Being in the midst of a PhD dissertation that has its roots in extensive biographical research, I was advised to include in my introduction an overview of theoretical approaches to biography. -
Art from the Ancient Mediterranean and Europe Before 1850 Gallery 15
Art from the Ancient Mediterranean and Europe before 1850 Gallery 15 QUESTIONS? Contact us at [email protected] ACKLAND ART MUSEUM The University of North Carolina at Chapel Hill 101 S. Columbia Street Chapel Hill, NC 27514 Phone: 919-966-5736 MUSEUM HOURS Wed - Sat 10 a.m. - 5 p.m. Sun 1 - 5 p.m. Closed Mondays & Tuesdays. Closed July 4th, Thanksgiving, Christmas Eve, Christmas Day, & New Year’s Day. 1 Domenichino Italian, 1581 – 1641 Landscape with Fishermen, Hunters, and Washerwomen, c. 1604 oil on canvas Ackland Fund, 66.18.1 About the Art • Italian art criticism of this period describes the concept of “variety,” in which paintings include multiple kinds of everything. Here we see people of all ages, nude and clothed, performing varied activities in numerous poses, all in a setting that includes different bodies of water, types of architecture, land forms, and animals. • Wealthy Roman patrons liked landscapes like this one, combining natural and human-made elements in an orderly structure. Rather than emphasizing the vast distance between foreground and horizon with a sweeping view, Domenichino placed boundaries between the foreground (the shoreline), middle ground (architecture), and distance. Viewers can then experience the scene’s depth in a more measured way. • For many years, scholars thought this was a copy of a painting by Domenichino, but recently it has been argued that it is an original. The argument is based on careful comparison of many of the picture’s stylistic characteristics, and on the presence of so many figures in complex poses. At this point in Domenichino’s career he wanted more commissions for narrative scenes and knew he needed to demonstrate his skill in depicting human action. -
Nancy Siraisi
CHARLES HOMER HASKINS PRIZE LECTURE FOR 2010 A Life of Learning Nancy Siraisi ACLS OCCASIONAL PAPER, No. 67 ACLS The 2010 Charles Homer Haskins Prize Lecture was presented at the ACLS Annual Meeting in Philadelphia, PA, on May 7, 2010. © 2010 by Nancy Siraisi CONTENTS On Charles Homer Haskins iv Haskins Prize Lecturers v Brief Biography of vi Nancy Siraisi Introduction ix by Pauline Yu A Life of Learning 1 by Nancy Siraisi ON CHARLES HOMER HASKINS Charles Homer Haskins (1870-1937), for whom the ACLS lecture series is named, was the first chairman of the American Council of Learned Societies, from 1920 to 1926. He began his teaching career at the Johns Hopkins University, where he received the B.A. degree in 1887 and the Ph.D. in 1890. He later taught at the University of Wisconsin and at Harvard, where he was Henry Charles Lea Professor of Medieval History at the time of his retirement in 1931, and dean of the Graduate School of Arts and Sciences from 1908 to 1924. He served as president of the American Historical Association in 1922, and was a founder and the second president of the Medieval Academy of America (1926). A great American teacher, Charles Homer Haskins also did much to establish the reputation of American scholarship abroad. His distinction was recognized in honorary degrees from Strasbourg, Padua, Manchester, Paris, Louvain, Caen, Harvard, Wisconsin, and Allegheny College, where in 1883 he had begun his higher education at the age of 13. iv HASKINS PRIZE LECTURERS 2010 Nancy Siraisi 2009 William Labov 2008 Theodor Meron 2007 Linda Nochlin 2006 Martin E. -
Gabriel Metsu (Leiden 1629 – 1667 Amsterdam)
Gabriel Metsu (Leiden 1629 – 1667 Amsterdam) How to cite Bakker, Piet. “Gabriel Metsu” (2017). In The Leiden Collection Catalogue, 3rd ed. Edited by Arthur K. Wheelock Jr. and Lara Yeager-Crasselt. New York, 2020–. https://theleidencollection.com/artists/gabriel- metsu/ (accessed September 28, 2021). A PDF of every version of this biography is available in this Online Catalogue's Archive, and the Archive is managed by a permanent URL. New versions are added only when a substantive change to the narrative occurs. © 2021 The Leiden Collection Powered by TCPDF (www.tcpdf.org) Gabriel Metsu Page 2 of 5 Gabriel Metsu was born sometime in late 1629. His parents were the painter Jacques Metsu (ca. 1588–1629) and the midwife Jacquemijn Garniers (ca. 1590–1651).[1] Before settling in Leiden around 1615, Metsu’s father spent some time in Gouda, earning his living as a painter of patterns for tapestry manufacturers. No work by Jacques is known, nor do paintings attributed to him appear in Leiden inventories.[2] Both of Metsu’s parents came from Southwest Flanders, but when they were still children their families moved to the Dutch Republic. When the couple wed in Leiden in 1625, neither was young and both had previously been married. Jacquemijn’s second husband, Guilliam Fermout (d. ca. 1624) from Dordrecht, had also been a painter. Jacques Metsu never knew his son, for he died eight months before Metsu was born.[3] In 1636 his widow took a fourth husband, Cornelis Bontecraey (d. 1649), an inland water skipper with sufficient means to provide well for Metsu, as well as for his half-brother and two half-sisters—all three from Jacquemijn’s first marriage. -
Medieval Biography Between the Individual and the Collective
Janez Mlinar / Medieval Biography Between the individual and the ColleCtive Janez Mlinar Medieval Biography between the Individual and the Collective In a brief overview of medieval historiography penned by Herbert Grundmann his- torical writings seeking to present individuals are divided into two literary genres. Us- ing a broad semantic term, Grundmann named the first group of texts vita, indicating only with an addition in the title that he had two types of texts in mind. Although he did not draw a clear line between the two, Grundmann placed legends intended for li- turgical use side by side with “profane” biographies (Grundmann, 1987, 29). A similar distinction can be observed with Vollmann, who distinguished between hagiographi- cal and non-hagiographical vitae (Vollmann, 19992, 1751–1752). Grundmann’s and Vollman’s loose divisions point to terminological fluidity, which stems from the medi- eval denomination of biographical texts. Vita, passio, legenda, historiae, translationes, miracula are merely a few terms signifying texts that are similar in terms of content. Historiography and literary history have sought to classify this vast body of texts ac- cording to type and systematize it, although this can be achieved merely to a certain extent. They thus draw upon literary-historical categories or designations that did not become fixed in modern languages until the 18th century (Berschin, 1986, 21–22).1 In terms of content, medieval biographical texts are very diverse. When narrat- ing a story, their authors use different elements of style and literary approaches. It is often impossible to draw a clear and distinct line between different literary genres. -
Knowledge of Polymath Walks, Talks, Makes Waves, Turns Into Deeds
Knowledge of Polymath Walks, Talks, Makes Waves, Turns into Deeds Interviewee: Professor Hamlet Isaxanli Founder of Khazar University, Chairman, Board of Directors and Trustees Founding Member of Eurasian Academy Hamlet Isakhanli is a scientist, poet, social scientist, educator and lecturer, publisher and editor, translator, columnist, broadcaster – TV program presenter, public figure. He has published as author, co-author over 40 books and over 350 articles on a broad range of topics in mathematics and its applications; history of science and culture; poetry and creative writing; language, lexicography and literary studies; theory and history of translation; education policy and management. Interviewer: Waqas Ahmed Head of Special Projects, Global Correspondent, FIRST magazine Author of Polymathy (to be published) Waqas Ahmed: How would you define a polymath? Professor Hamlet Isaxanli:A polymath is a person who displays genuine creative activity in multiple fields that differ from one another. Despite the fact that the dictionary definition of the word “polymath” implies someone with much knowledge or varied learning, not just everyone who knows multiple fields well is called a polymath; to know and to produce are not the same. Understanding many things about physics, mathematics or biology from popular literature is absolutely not the same as being a physicist, mathematician or biologist. If a person contents himself with knowing but cannot turn his knowledge into action or some type of work, he is simply a very knowledgeable, erudite, educated person—he is not a polymath. The knowledge of a polymath does not remain passive or sit in one place. It walks, talks, makes waves, creates practical results, turns into deeds. -
College of the Holy Cross Archives and Special Collections P.O
College of the Holy Cross Archives and Special Collections P.O. Box 3A, Worcester, MA 01610-2395 College of the Holy Cross Archives and Special Collections Collection Inventory Accession Number:SC2000-77 Collection Name (Title): Newman, Cardinal John Henry, Collection Dates of Material: Size of Collection: 2 Boxes Arrangement: Restrictions: Related Material: Preferred Citation: Processed on: Biography/History: Cardinal John Henry Newman was born in London, England on February 21, 1801. He entered Trinity College in Oxford in 1817 and was ordained as an Anglican minister at Christ Church in 1825. Rev. Newman resigned from St. Mary’s and joined the Catholic Church in 1845. He established the English Congregation of the Oratory in 1848, and then he was appointed Rector of the Catholic University of Ireland in 1851. Newman then founded the Oratory School in 1859. On May 12, 1879 Rev. Newman was created Cardinal by Pope Leo XIII. Cardinal Newman died on August 11, 1890. Scope and Content Note: Box 1 contains original and typed copies of correspondence of Rev. Newman. Folder 1 contains letters miscellaneous letters dating from the 1850s through to the 1880s. The majority of these letters are original and handwritten. Folder 2 has a single letter written by Rev. Newman sent to Rev. H.A. Woodgate dated from September 27, 1842. Folder 3 includes 5 letters dated between 1840 and 1879 from Rev. Newman to Cardinal Manning. This folder also has typed copies of the handwritten letters. Folder 4 has a single letter from Rev. Newman, dated August 1, 1884, to “Louisa.” Folder 5 holds 3 letters, dated between 1884 and 1886, written to Rev. -
Honthorst, Gerrit Van Also Known As Honthorst, Gerard Van Gherardo Della Notte Dutch, 1592 - 1656
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Dutch Paintings of the Seventeenth Century Honthorst, Gerrit van Also known as Honthorst, Gerard van Gherardo della Notte Dutch, 1592 - 1656 BIOGRAPHY Gerrit van Honthorst was born in Utrecht in 1592 to a large Catholic family. His father, Herman van Honthorst, was a tapestry designer and a founding member of the Utrecht Guild of St. Luke in 1611. After training with the Utrecht painter Abraham Bloemaert (1566–1651), Honthorst traveled to Rome, where he is first documented in 1616.[1] Honthorst’s trip to Rome had an indelible impact on his painting style. In particular, Honthorst looked to the radical stylistic and thematic innovations of Caravaggio (Roman, 1571 - 1610), adopting the Italian painter’s realism, dramatic chiaroscuro lighting, bold colors, and cropped compositions. Honthorst’s distinctive nocturnal settings and artificial lighting effects attracted commissions from prominent patrons such as Cardinal Scipione Borghese (1577–1633), Cosimo II, the Grand Duke of Tuscany (1590–1621), and the Marcheses Benedetto and Vincenzo Giustiniani (1554–1621 and 1564–1637). He lived for a time in the Palazzo Giustiniani in Rome, where he would have seen paintings by Caravaggio, and works by Annibale Carracci (Bolognese, 1560 - 1609) and Domenichino (1581–-1641), artists whose classicizing tendencies would also inform Honthorst’s style. The contemporary Italian art critic Giulio Mancini noted that Honthorst was able to command high prices for his striking paintings, which decorated -
Dutch Art, 17Th Century
Dutch Art, 17th century The Dutch Golden Age was a period in the history of the Netherlands, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. The first section is characterized by the Thirty Years' War, which ended in 1648. The Golden Age continued in peacetime during the Dutch Republic until the end of the century. The transition by the Netherlands to the foremost maritime and economic power in the world has been called the "Dutch Miracle" by historian K. W. Swart. Adriaen van Ostade (1610 – 1685) was a Dutch Golden Age painter of genre works. He and his brother were pupils of Frans Hals and like him, spent most of their lives in Haarlem. A01 The Painter in his Workshop 1633 A02 Resting Travelers 1671 David Teniers the Younger (1610 – 1690) was a Flemish painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history, genre, landscape, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians. A03 Peasant Wedding 1650 A04 Archduke Leopold Wilhelm in his gallery in Brussels Gerrit Dou (1613 – 1675), also known as Gerard and Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. -
Cicero a Study of Gamesmanship in the Late
CICERO A STUDY OF GAMESMANSHIP IN THE LATE REPUBLIC A Thesis Presented to the faculty of the Department of History California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in History by Eugene H. Boyd FALL 2018 © 2018 Eugene H. Boyd ALL RIGHTS RESERVED ii CICERO A STUDY OF GAMESMAN SHIP IN THE LATE REPUBLIC A Thesis by Eugene H. Boyd Approved by: __________________________________, Committee Chair Nikolaos Lazaridis, PhD. __________________________________, Second Reader Jeffrey Brodd, PhD. ____________________________ Date iii Student: Eugene H. Boyd I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________Graduate Coordinator ___________________ Jeffrey Wilson, PhD Date Department of History iv Abstract of CICERO A STUDY OF GAMESMANSHIP IN THE LATE REPUBLIC by Eugene H. Boyd Roman politics during the final decades of the Late Republic was a vicious process of gamesmanship wherein lives of people, their families and friends were at the mercy of the gamesmen. Cicero’s public and political gamesmanship reflects the politics, class and ethnic biases of Roman society and how random events impacted personal insecurities. ______________________ _, Committee Chair Nikolaos Lazaridis, PhD. ____________________________ Date v ACKNOWLEDGEMENTS The process of obtaining a Master’s degree, I have found, is not an independent, isolated experience. Citing a contemporary adage, “It takes a village.” Truer words have never by spoken. To that end, I would like to recognize in the most warmly and thankful manner, the people in my “village” who helped me through the graduate study program and eventual master’s degree. -
The Philosopher-Prophet in Avicenna's Political Philosophy
The philosopher-prophet in Avicenna's political philosophy Author: James Winston Morris Persistent link: http://hdl.handle.net/2345/4029 This work is posted on eScholarship@BC, Boston College University Libraries. Published in Political aspects of Islamic philosophy, pp. 152-198 Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-Noncommercial-No Derivative Works 3.0 United States" (http:// creativecommons.org/licenses/by-nc-nd/3.0/us/) The P~~losopher-Prophet in. AVic~nna's Political Philosophy. Chapter 4 of The PolItICal Aspects of IslamIc PhIlosophy, ed. C. Butterworth, Cambridge Harvard University Press, 1992, pp. 142-188. ' -FOUR- The Philosopher-Prophet in Avicenna~s Political Philosophy James W. Morris With time, human beings tend to take miracles for granted. Perhaps the most lasting and public of all miracles, those to which Islamic philosophers devoted so much of their reflections, were the political achievements of the prophets: how otherwise obscure figures like Moses, Jesus, and Muhammad came to shape the thoughts and actions of so much of civilized humanity. Within the high culture of Islamic civilization, the thought and writings of an itinerant Persian doctor and court administrator we know as Avicenna (370/980~28/1037) came to play a similarly central role: for almost a millenium, each of the tra ditions of Islamic thought claiming a wider, universal human validity has appealed either directly to his works or to logical and metaphysical disciplines whose Islamic forms were directly grounded in them. This study considers some of the central philosophic under pinnings of that achievement.