Technoculture and Critical Theory
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The Mellon Mays Undergraduate Fellowship Journal 2018
The Mellon Mays Undergraduate Fellowship Journal 2018 Through subtle shades of color, the cover design represents the layers of richness and diversity that flourish within minority communities. The Mellon Mays Undergraduate Fellowship Journal 2018 A collection of scholarly research by fellows of the Mellon Mays Undergraduate Fellowship Program Preface We are proud to present to you the 2018 edition of the Mellon Mays Undergraduate Fellowship Journal. For more than 30 years, the Mellon Mays Undergraduate Fellowship (MMUF) program has endeavored to promote diversity in the faculty of higher education, specifically by supporting thousands of students from underrepresented minority groups in their goal of obtaining PhDs. With the MMUF Journal, we provide an additional opportunity for students to experience academia through exposure to the publishing process. In addition to providing an audience for student work, the journal offers an introduction to the publishing process, including peer review and editor-guided revision of scholarly work. For the majority of students, the MMUF Journal is their first experience in publishing a scholarly article. The 2018 Journal features writing by 27 authors from 22 colleges and universities that are part of the program’s member institutions. The scholarship represented in the journal ranges from research conducted under the MMUF program, introductions to senior theses, and papers written for university courses. The work presented here includes scholarship from a wide range of disciples, from history to linguistics to political science. The papers presented here will take the reader on a journey. Readers will travel across the U.S., from Texas to South Carolina to California, and to countries ranging from Brazil and Nicaragua to Germany and South Korea, as they learn about theater, race relations, and the refugee experience. -
Panel Proposal: the Necessity of Critique II Organizer: Darryl Cressman, Maastricht University
Panel Proposal: The Necessity of Critique II Organizer: Darryl Cressman, Maastricht University Functionalization and the World – Causality, Culture, and Planetary Technology Jochem Zweer University of Twente My contribution focusses on Feenberg’s recent rearticulation of his widely discussed instrumentalization theory, in which the pairing of primary and secondary instrumentalization is addressed in terms of causal and cultural functionalization. First, I show how this conceptualization of functionalization aligns with existing approaches in contemporary philosophy of technology and STS inasmuch as it departs from technological artefacts, but contrasts with such approaches inasmuch as it attends to how such artefacts reveal a world, which is to say a political world of formal biases, operational autonomy, and democratic potential. Secondly, in following Feenberg’s explicit association of philosophy of technology and environmental thought, I inquire after his understanding of the technological world as an outcome of social conditions. Via a phenomenological interpretation of the Anthropocene and associated planetary functionalization, I argue that Feenberg’s treatment of causal functionalization tends to reduce to cultural functionalization. While the resulting critical constructivist account of is both urgent and worthwhile in light of today’s ecological emergency, I suggest that it does not exhaust the implications of the advent of the Anthropocene. I therefore conclude by discussing causal functionalization in light of the analysis of causality that Heidegger develops in the Question concerning Technology, thereby drawing attention to the ontological conditioning of functionalization. I suggest that attending to such ontological conditioning must have a place in the critical constructivist project of uncovering the biases of contemporary functional rationality. -
The Victorian Body
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications -- Department of English English, Department of 3-2018 The icV torian Body Peter J. Capuano University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/englishfacpubs Part of the Comparative Literature Commons, English Language and Literature Commons, Modern Literature Commons, Reading and Language Commons, and the Women's Studies Commons Capuano, Peter J., "The ictV orian Body" (2018). Faculty Publications -- Department of English. 201. https://digitalcommons.unl.edu/englishfacpubs/201 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. digitalcommons.unl.edu The Victorian Body Peter J. Capuano University of Nebraska–Lincoln Introduction The nineteenth century is extremely important for the study of embodiment be- cause it is the period in which the modern body, as we currently understand it, was most thoroughly explored. This was the era when modern medical models of the body were developed and disseminated, when modern political relations to the body were instantiated, and when modern identities in relation to class, race, and gender were inscribed. While questions about the distinctions between personhood and the body were studied -
Otak-Who? Technoculture, Youth, Consumption, and Resistance
Lawrence Eng Research Seminar Methods in STS Spring, 2002 Otak-who? Technoculture, youth, consumption, and resistance. American representations of a Japanese youth subculture. Abstract The otaku are a youth subculture first characterized in Japan, but beyond that basic definition of the term, there have been numerous, often contradictory and routinely contested, ways the otaku have been represented by various segments of Japanese society over the course of the last 2 decades. The otaku in Japan (and abroad) have attracted non- Japanese attention as well, and the otaku have been studied, mimicked, ridiculed, romanticized, etc. by Americans who have become interested in this apparently fascinating Japanese (sub)cultural export. Influenced by Japanese conceptions of otaku as obsessed fans, technological fetishists, avid collectors, antisocial outcasts, and/or borderline psychopaths, but informed by American attitudes toward geek culture, hackers, cyberpunks, individualism, and lay expertise, representations of otaku by American observers of the culture have been equally varied (and contested) over the last decade. This paper will examine the various and changing representations of otaku culture by Americans, and attempt to unpack the context behind and the implications of those representations. Drawing upon themes uncovered in this critical discourse analysis, I will suggest a new way of defining otaku as 'reluctant insiders' engaged in the appropriation of technology and science as a means of cultural resistance. I will argue that their activities are informed by a particular otaku ethic that distinguishes them from other subcultures with similar motivations. Introduction My paper is divided into three parts. In Part 1, I ask: Why do we care about otaku, and how will we study them? In Part 2, I will critically analyze the various ways otaku have been represented since they were first characterized as a subculture in the early 80s. -
ICIR 227 Approaches to Culture and Society
ICIR 227 Approaches to Culture and Society Course Description & Aims ‘Culture’ is foundational for the human condition – it distinguishes us from other primates, and – as ‘cultural identity’ – from fellow humans in other societies. Consequently, ‘culture’ is also a perilous idea: together with history it provides a basis for nationalist ideologies and inter-group conflict. It facilitates communication and understanding by devising symbols and value systems, and at the same time it divides in- from out-group based on the very same frameworks of meaning. It can be regarded as the expression of collective identities, a set of customs and mores, values and ideas – or as a tool of domination and exploitation. What exactly is ‘culture’? And how can cultural variation be explained and assessed? This course introduces and discusses a range of foundational anthropological approaches to the study of culture and society. Students will compare different conceptualizations of ‘culture’ and develop a critical understanding of related issues, ranging from value systems and language use to the understanding of rituals, social drama and cultural identities. The course examines early paradigms in the study of social life and outlines the development of more critical approaches to the configurations of culture. Students will learn to distinguish evolutionist and diffusionist approaches to cultural variation, and discuss the merits and challenges of cultural relativism. They will compare functionalist and cultural materialist theories and contrast them with the insights of symbolist and interpretive reasoning. The relationship of methodology and epistemology in the study of culture and society are explored and students will engage with an application of anthropological theory to selected case studies. -
Media Ecologies: Materialist Energies in Art and Technoculture, Matthew Fuller, 2005 Media Ecologies
M796883front.qxd 8/1/05 11:15 AM Page 1 Media Ecologies Media Ecologies Materialist Energies in Art and Technoculture Matthew Fuller In Media Ecologies, Matthew Fuller asks what happens when media systems interact. Complex objects such as media systems—understood here as processes, or ele- ments in a composition as much as “things”—have become informational as much as physical, but without losing any of their fundamental materiality. Fuller looks at this multi- plicitous materiality—how it can be sensed, made use of, and how it makes other possibilities tangible. He investi- gates the ways the different qualities in media systems can be said to mix and interrelate, and, as he writes, “to produce patterns, dangers, and potentials.” Fuller draws on texts by Félix Guattari and Gilles Deleuze, as well as writings by Friedrich Nietzsche, Marshall McLuhan, Donna Haraway, Friedrich Kittler, and others, to define and extend the idea of “media ecology.” Arguing that the only way to find out about what happens new media/technology when media systems interact is to carry out such interac- tions, Fuller traces a series of media ecologies—“taking every path in a labyrinth simultaneously,” as he describes one chapter. He looks at contemporary London-based pirate radio and its interweaving of high- and low-tech “Media Ecologies offers an exciting first map of the mutational body of media systems; the “medial will to power” illustrated by analog and digital media technologies. Fuller rethinks the generation and “the camera that ate itself”; how, as seen in a range of interaction of media by connecting the ethical and aesthetic dimensions compelling interpretations of new media works, the capac- of perception.” ities and behaviors of media objects are affected when —Luciana Parisi, Leader, MA Program in Cybernetic Culture, University of they are in “abnormal” relationships with other objects; East London and each step in a sequence of Web pages, Cctv—world wide watch, that encourages viewers to report crimes seen Media Ecologies via webcams. -
The Containment of Social Change in Western Capitalist Society: Technological Rationality and the Liberation of Humanity
University of Windsor Scholarship at UWindsor Major Papers Theses, Dissertations, and Major Papers 2019 The Containment of Social Change in Western Capitalist Society: Technological Rationality and the Liberation of Humanity Brittany R. Morris University of Windsor, [email protected] Follow this and additional works at: https://scholar.uwindsor.ca/major-papers Part of the Continental Philosophy Commons, Ethics and Political Philosophy Commons, and the Other Philosophy Commons Recommended Citation Morris, Brittany R., "The Containment of Social Change in Western Capitalist Society: Technological Rationality and the Liberation of Humanity" (2019). Major Papers. 117. https://scholar.uwindsor.ca/major-papers/117 This Major Research Paper is brought to you for free and open access by the Theses, Dissertations, and Major Papers at Scholarship at UWindsor. It has been accepted for inclusion in Major Papers by an authorized administrator of Scholarship at UWindsor. For more information, please contact [email protected]. The Containment of Social Change in Western Capitalist Society: Technological Rationality and the Liberation of Humanity By Brittany R. Morris A Major Research Paper Submitted to the Faculty of Graduate Studies through the Department of Philosophy in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario, Canada 2019 © 2019 Brittany Morris The Containment of Social Change in Western Capitalist Society: Technological Rationality and the Liberation of Humanity by Brittany Morris APPROVED BY: ______________________________________________ R. Neculau Department of Philosophy ______________________________________________ J. Noonan, Advisor Department of Philosophy December, 11th 2019, DECLARATION OF ORIGINALITY I hereby certify that I am the sole author of this thesis and that no part of this thesis has been published or submitted for publication. -
Jay Bernstein 167 Vi Contents
The new aestheticism The new aestheticism edited by John J. Joughin and Simon Malpas Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave Copyright © Manchester University Press 2003 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors. This electronic version has been made freely available under a Creative Commons (CC-BY-NC- ND) licence, which permits non-commercial use, distribution and reproduction provided the author(s) and Manchester University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/licenses/by-nc-nd/3.0/ Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York, NY 10010, USA www.manchesteruniversitypress.co.uk British Library Cataloguing-in-Publication Data applied for Library of Congress Cataloging-in-Publication Data applied for ISBN 0 7190 6138 5 hardback 0 7190 6139 3 paperback First published 2003 11 10 09 08 07 06 05 04 03 10987654321 Typeset in Adobe Garamond by Servis Filmsetting Ltd, Manchester Printed in Great Britain by Biddles Ltd, Guildford and King’s Lynn Contents List of contributors page vii The new aestheticism: an introduction John J. Joughin and Simon Malpas 1 Part I Positions 1Aesthetic education and the demise of experience Thomas Docherty 23 2Art in time of war: towards a contemporary aesthetic Jonathan Dollimore 36 3Mimesis in black and white: feminist aesthetics, negativity and semblance Ewa Plonowska Ziarek 51 4 What comes after art? Andrew Bowie 68 5Touching art: aesthetics, fragmentation and community Simon Malpas 83 Part II Readings 6 The Alexandrian aesthetic Howard Caygill 99 7Defending poetry, or, is there an early modern aesthetic? Mark Robson 119 8Shakespeare’s genius: Hamlet, adaptation and the work of following John J. -
CURRICULUM VITAE Andrew Lewis Feenberg Education Employment
CURRICULUM VITAE Andrew Lewis Feenberg Education 1973 University of California, San Diego Ph.D., Philosophy 1967-1968 University of Paris 1965-1967 University of California, San Diego M.A. Philosophy 1963-1964 University of Paris 1961-1965 The Johns Hopkins University B.A., Philosophy Employment January 2008 Ecole Normale de Lyon Visiting Researcher 2003-present Simon Fraser University Canada Research Chair School of Communication in Philosophy of Technology 1969-2003 San Diego State University Professor Department of Philosophy Spring 2002 University of Santa Clara Visiting Professor Austin J. Fagothey, S.J. Professor Department of Philosophy Fall 2001 Harvey Mudd College Visiting Professor Hixon-Riggs Professor Summer 2001 University of Tokyo Visiting Professor Department of Interdisciplinary Cultural Studies March 1998, CETCOPRA, Visiting Professor January 1999, University of Paris I Feb. 2000, January 2001 January 2002 January 1996 Ecole des Hautes Etudes en Visiting Professor Sciences Sociales, University of Paris May-June 1994 University of Oslo, Centre for Visiting Scholar Technology and Culture Spring 1993 University of California, San Diego Visiting Professor Department of Philosophy and Science Studies Program Spring 1989 Université de Paris-Dauphine Visiting Professor & Fall 1987 Département d'Economie Appliqué Fall 1985 New School for Social Research Adjunct Faculty Department of Media Studies (Online class) Winter University of California, Irvine Visiting Lecturer & Spring 1980 School of Social Science Summer 1976 University -
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Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect Simón Calle Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Simón Calle All rights reserved ABSTRACT Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect Simón Calle This dissertation analyses identity formation through music among contemporary Colombian musicians. The work focuses on the emergence of musical fusions in Bogotá, which participant musicians and Colombian media have called “nueva música Colombiana” (new Colombian music). The term describes the work of bands that assimilate and transform North-American music genres such as jazz, rock, and hip-hop, and blend them with music historically associated with Afro-Colombian communities such as cumbia and currulao, to produce several popular and experimental musical styles. In the last decade, these new fusions have begun circulating outside Bogotá, becoming the distinctive sound of young Colombia domestically and internationally. The dissertation focuses on questions of musical circulation, affect, and taste as a means for articulating difference, working on the self, and generating attachments others and therefore social bonds and communities This dissertation considers musical fusion from an ontological perspective influenced by actor-network, non-representational, and assemblage theory. Such theories consider a fluid social world, which emerges from the web of associations between heterogeneous human and material entities. The dissertation traces the actions, interactions, and mediations between places, people, institutions, and recordings that enable the emergence of new Colombian music. In considering those associations, it places close attention to the affective relationships between people and music. -
Andrew Feenberg's Critical Theory of Technology
Technical politics Technical politics Andrew Feenberg’s critical theory of technology Graeme Kirkpatrick Manchester University Press Copyright © Graeme Kirkpatrick 2020 The right of Graeme Kirkpatrick to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. This electronic version has been made freely available under a Creative Commons (CC- BY-NC- ND) licence, which permits non- commercial use, distribution and reproduction provided the author(s) and Manchester University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https:// creativecommons.org/ licenses/ by- nc- nd/ 4.0/ Published by Manchester University Press Altrincham Street, Manchester M1 7JA www.manchesteruniversitypress.co.uk British Library Cataloguing- in- Publication Data A catalogue record for this book is available from the British Library ISBN 978 1 5261 0532 5 hardback ISBN 978 1 5261 0534 9 open access First published 2020 The publisher has no responsibility for the persistence or accuracy of URLs for any external or third- party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Typeset by Newgen Publishing UK Contents Acknowledgements vi Introduction: from critical theory to technical politics 1 1 Critical theory and technology 21 2 The theory of bias and the ethics of technology design 46 3 Technical politics 70 4 Aesthetic critique 96 5 From critique to utopia 122 Beyond critique: utopia 148 References 156 Index 161 v Acknowledgements I could not have written this book without the assistance of many people, principal among them Andrew Feenberg, who, ever since I first turned up on his doorstep in 2002, clutching an apple tart from one of the bakeries near his apartment in Paris, has been unstintingly generous with his time and unbelievably patient when listening to my criticisms of his ideas. -
The Memory of Things: Walter Benjamin's Modernity
The Memory of Things: Walter Benjamin's Modernity by Melanie M. Brannagan A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirements of the degree of DOCTOR OF PHILOSOPHY Depratment of English, Film, and Theatre University of Manitoba Winnipeg Copyright 2013 by Melanie M. Brannagan The Memory of Things ii Abstract In The Memory of Things, I begin by posing the question, what if memory were not merely a human characteristic but also a thingly one. I aproach this thought through the work of Walter Benjamin, for whom things and memories are often juxtaposed, and whose writing of modernity is concerned particularly with the intersection of material traces and memory. I access these questions by means of various theories, among which are psychoanalysis, object-oriented ontology, thing theory, and phenomenology, and, more briefly, through the history of geological science. At their cores, the questions of modernity, of things and people, of trauma and politics, of aura and its decay, of memory and forgetting, of weight are questions of ethics. I demonstrate in the dissertation to follow, objects bear the weight of human memory and ethics. Furthermore, I demonstrate that Benjamin's eclectic writings, most especially his writings on aura, provide the tools we need to re-think objects and our relations to them. The Memory of Things iii Acknowledgements This project would have been unfathomable without many sources of encouragement, support, and inspiration. I want, first, to thank Dr. Mark Libin for his patience and guidance through the years I was researching and writing this thesis.