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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Rough Transcript, Check Against Delivery
1 ED MILIBAND THE ANDREW MARR SHOW 28TH JUNE 2020 ED MILIBAND MP Shadow Business Secretary (Rough transcript, check against delivery) AM: Welcome Mr Miliband. Was it right that Rebecca Long-Bailey was sacked? EM: It was. It’s important to explain why, because Rebecca is a very decent person, but the reason why there was a problem – the Maxine Peake interview, so the original interview Rebecca then tweeted, is not that it had a criticism of the state of Israel. I’m a big critic of what the Israeli government has done on a number of occasions. Instead it was a false criticism of the state of Israel linked – or rather, the Israeli Defence Force – linked to the death of George Floyd, wrongly, saying that somehow the tactics that killed George Floyd had been learnt from the Israelis. Let me explain why this is an important point. And the problem is that over the centuries when calamitous things have happened Jews have been blamed. And that’s why there was an anti-Semitism issue in that – in relation to this. And that’s why I believe Keir took the right decision. AM: Do you think that Rebecca Long-Bailey understood that? Do you think that she is anti-Semitic? EM: No, I don’t think she is anti-Semitic. I think she made a significant error of judgement. I know Rebecca well. I think she’s a decent person. But let me tell you what this underlines. This underlines the fact that Keir recognises the gravity of the hurt that has been caused to the Jewish community over the last few years by our failure to deal properly with issues of anti-Semitism. -
{TEXTBOOK} the Clothes They Stood up in and the Lady and the Van
THE CLOTHES THEY STOOD UP IN AND THE LADY AND THE VAN PDF, EPUB, EBOOK Alan Bennett | 240 pages | 14 Jul 2009 | Random House USA Inc | 9780812969658 | English | New York, United States The Clothes They Stood Up in and the Lady and the Van PDF Book You are commenting using your Twitter account. Quotes from The Clothes They I enjoyed the little nod to Barbara Pym. Refresh and try again. Interest will be charged to your account from the purchase date if the balance is not paid in full within 6 months. Read on the strength of the cover and loved the premise. Saw that the second story in this double feature has been adapted into a film starring Maggie Smith. Other editions. The Ransome's come back from the opera to find they have been burgled, everything has been taken, the carpets, toilet paper, underwear, everything was gone Going Down. He is concerned about her and she eventua Bennett is a British writer and a master of subtle irony, insight, and wit. This amount is subject to change until you make payment. The Ransomes come home from the opera to find that absolutely everything, down the the carpets, toilet paper and holder, to the oven containing the roast has been taken from the carpet. He's incredibly clever. A charming, humorous story with some surprising depth, this is a quick, one sitting read. A Shooting Star. I was captivated mostly all through, an unusual denouement was extremely funny and revealing, the only thing that jarred a little was the wife's naivety. -
Peter Moffat Writer
Peter Moffat Writer Barrister turned writer, Peter Moffat started out writing plays – his first, ‘Fine and Private Place’ was broadcast on BBC Radio – before going on to create several television dramas, including ‘Criminal Justice, ‘Silk’ and ‘North Square,’ which he won the Broadcasting Press Guild Writer’s Award. He was awarded two BAFTAS for ‘Criminal Justice,’ which was the basis for HBO’s Emmy-winning series ‘The Night Of,’ starring Riz Ahmed. His most recent series for Showtime, ‘Your Honour,’ stars Bryan Cranston and ‘61st Street’ with Michael B. Jordan as Executive Producer. Agents Charles Walker Assistant [email protected] Olivia Martin +44 (0) 20 3214 0874 [email protected] +44 (0) 20 3214 0778 Credits Television Production Company Notes 61ST STREET AMC Studios Executive Producer: Michael B. Jordan 2020 YOUR HONOR CBS for Showtime 10 x 60 2020 Producer: Liz Glotzer and Michelle & Robert King Lead Director: Ed Berger Starring: Bryan Cranston and Courtney B. Vance THE LAST POST BBC 6 x 60 2017 Aden 1965. This is the story of a British army unit fighting a Yemeni insurgency in the Middle East and the women and children who were there with them. THE NIGHT OF HBO Executive Producer 2016 Based on the Peter's orginal series Criminal Justice United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes UNDERCOVER BBC1 6 x60' with Sophie Okonedo and Adrian Lester, Denis 2015 Haysbert Director James Hawes, Exec Producer Peter Moffat THE VILLAGE series Company Pictures 6 x 60' with John Simm, Maxine Peake, Juliet Stevenson 1 / BBC1 Producer: Emma Burge; Director: Antonia Bird 2013 SILK 2 BBC1 6 x 60' With Maxine Peake, Rupert Penry Jones, Frances 2012 Barber, and Neil Stuke Producer: Richard Stokes; Directors: Alice Troughton, Jeremy Webb, Peter Hoar SILK BBC1 6 x 60' 2011 With Maxine Peake, Rupert Penry Jones, Natalie Dormer, Tom Hughes and Neil Stuke. -
Playwright DAVID HARE Receives the Guild's 2017 GIELGUD AWARD
But the culminating moments of a richly varied program Playwright DAVID HARE Receives were devoted to the GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS and to the afternoon’s final presentation, for The Guild’s 2017 GIELGUD AWARD OUTSTANDING CONTRIBUTION TO BRITISH THEATRE.. That trophy went to LYN GARDNER, “a renowned theatre journalist, critic, n Sunday, October 15, at a memorable UK THEATRE author, and champion of the industry, whose invaluable O AWARDS luncheon in London’s historic GUILDHALL, one insights can most often be found in The Guardian and The of today’s most versatile dramatic artists received the 2017 Stage, of which she is an associate editor.” GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS. Not only has DAVID HARE enriched our theatrical repertory resenting this year’s GIELGUD AWARD was FREDDIE FOX, with some of the most resonant and challenging stageplays of P an actor of impeccable pedigree who is admired for our era. He has also produced screenplays that have garnered films such as The Three Musketeers, Victor Frankenstein, The Riot Club, Pride, and Worried About the Boy, as well as for such stage roles as Bosie in The Judas Kiss, a David Hare drama about the tragic fall of Oscar Wilde. Mr. Fox talked about how much he’d enjoyed working not only with Sir David but with artistic director Jonathan Kent while co-starring in this Hampstead Theatre production. As he bestowed the 2017 GIELGUD trophy, he shared two messages from admirers of Sir David who were unable to attend the Guildhall luncheon. -
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'. -
Scuttlebutt from the Spermaceti Press 2015
Jan 15 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 161st birthday during the long weekend from Jan. 7 to Jan. 11. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at Annie Moore's, and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morn- ing, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was Alan Bradley, co-author of MS. HOLMES OF BAKER STREET (2004), and author of the award-winning "Flavia de Luce" series; the title of his talk was "Ha! The Stars Are Out and the Wind Has Fallen" (his paper will be published in the next issue of The Baker Street Journal). The William Gillette Luncheon at Moran's Restaurant was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton and An- drew Joffe) entertained the audience with an updated version of "The Sher- lock Holmes Cable Network" (2000). The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber), which honors the most whimsical piece in The Ser- pentine Muse last year: the winner (Jenn Eaker) received a certificate and a check for the Canonical sum of $221.17. And Otto Penzler's traditional open house at the Mysterious Bookshop provided the usual opportunities to browse and buy. -
A Cream Cracker Under the Settee Talking Heads ->->->-> DOWNLOAD
A Cream Cracker Under The Settee Talking Heads ->->->-> DOWNLOAD 1 / 3 Cream Cracker Under the settee, Bed Among the Lentils and . Need essay sample on Cream Cracker Under the settee . Talking Heads broke new dramatic .A Cream Cracker Under the Settee by Alan Bennett. Doris, a widow, lives alone. His television series Talking Heads has become a modern-day classic, .Cream Cracker Under the Settee Audition Piece One I was glad when shed gone, dictating. I sat for a bit looking up at me and Wilfred on the wedding photo.Alan Bennett's A Cream Cracker Under the Settee . as in the Talking Heads series of monologues that was first . PROJECT ON GARNIER FAIRNESS CREAM Prepared by .A Cream Cracker Under The Settee is a dramatic monologue written by Alan Bennett in 1987 for television, as part of his Talking Heads series for the BBC.How does Alan Bennett Create Sympathy for Doris in A cream cracker under the Settee.'Cream Cracker under the Settee', written by Alan Bennett comes from a series of 1980s monologues called 'Talking Heads'.Cream Cracker Under the Settee: All about Doris A handy resource helping to develop understanding of the ways in which we are encouraged to feel empathy for Doris.A Cream Cracker Under The Settee has 12 ratings and 0 reviews: Published February 13th 2014 by Samuel French Ltd, 11 pages, PaperbackMonologue Of The Cracker Under The Settee. Print . is significant is the cream cracker under the settee. explore is when Doris starts talking about .Sue Wallace, who is currently making audiences go from out-loud laughter to profound sadness in 'A Cream Cracker under the Settee', has worked on Alan Bennet.A Cream Cracker Under the Settee by Alan Bennett. -
Multicultural Identity in Londonstani
27 IMP PAGANONI-PEDRETTI 12-11-2010 15:32 Pagina 421 421 Maria Cristina Paganoni – Roberto Pedretti I AM WHAT I SPEAK: MULTICULTURAL IDENTITY IN LONDONSTANI 1. Study background At the beginning of the 21st century the definition of diasporic group identity is still an open question in Great Britain, especially if one considers the backlash against the project of a multicultural soci- ety that has occurred in the wake of the 9/11 catastrophe in 2001 and the 7/7 London bombings in 2005 (Modood: 2005). The implications of the ‘war on terror’ and the following ‘clash of cultures’ have posed further obstacles to the implementation of integration policies, while the promotion of a public debate about inclusive forms of civic na- tionalism (Goodhart: 2006) has been almost ousted from the political agenda, above all among younger generations, white, African or Asian1. Nonetheless, understanding identity-building processes in the face of individual and social needs remains a challenging question in contemporary societies, affected as they are by cultural, ideological, political and economic tensions between the speed of globalisation and a growing need to find refuge in a local dimension, often more imagined than real. How do individuals cope with negotiating differ- ence in a changing world? How do they manage to solve, or at least to adapt to, its contradictions? What cultural stratagems and adaptive discourses emerge from this present global contingency? How are identities produced by linguistic and semiotic practices? Quite understandably, these questions cannot be answered uni- vocally. Within a general but inevitably vague assessment of multi- cultural dynamics, the answers vary according to the diasporic com- munities examined and the context within which they are positioned and evolve. -
Rosencrantz & Guildenstern Are Dead
ROSENCRANTZ & GUILDENSTERN ARE DEAD TEACHING RESOURCES F E B 2 017–APR 2017 CONTENTS Company 3 Old Vic Education The Old Vic The Cut Creative team 5 London SE1 8NB Characters 7 E [email protected] @oldvictheatre Synopsis 9 © The Old Vic, 2017 All information is correct at the Themes 13 time of going to press, but may be subject to change Timeline: A brief history of Rosencrantz & Guildenstern 15 Teaching resources Are Dead Written by Anne Langford Design Alexander Parsonage & Matt Lane-Dixon Rehearsal room diary by Jason Lawson, Assistant Director 17 Rehearsal and production photography Manuel Harlan An interview with Anna Fleischle, Set and Costume Designer 19 Old Vic New Voices and Loren Elstein, Costume Designer and Associate Set Hannah Fosker Designer Education & Community Manager Liz Bate Education Manager An interview with Daniel Radcliffe and Joshua McGuire 23 Richard Knowles Stage Business Co-ordinator Shakespeare re-purposed: An exploration of the relationship 25 Poppy Walker Old Vic New Voices Intern between Rosencrantz & Guildenstern Are Dead and Hamlet Further details of this production Practical Exercises 28 oldvictheatre.com A day in the life of…Michael Peers, Digital Manager 33 Bibliography and further reading 34 The Old Vic Rosencrantz & Guildenstern Are Dead teaching resources 2 COMPANY HERMEILIO MIGUEL AQUINO MATTHEW DURKAN Courtier, u/s Polonius/Claudius Alfred, u/s Rosencrantz Theatre: Well (West End); One Night in Miami (Donmar); Theatre: Nell Gwynn (West End); The History Boys (UK Early Doors (Lowry/UK tour); A Midsummer Night’s tour); The Lion, the Witch and the Wardrobe (Sherman Dream (Hive Theatre, Off Broadway); The Tempest Theatre). -
The Lady in the Van
BBC Films THE LADY IN THE VAN Directed by Nicholas Hytner Written by Alan Bennett from his memoir 103 min East Coast Publicity West Coast Publicity Distributor Springer Associates PR Block-Korenbrot Sony Pictures Classics Gary Springer Eric Osuna Carmelo Pirrone 1501 Broadway, Suite 506 6100 Wilshire Blvd., Ste 170 Maya Anand New York, NY 10036 Los Angeles, CA 90048 550 Madison Ave. 212-354-4660 tel 323-634-7001 tel New York, NY 10022 [email protected] 323-634-7030 fax 212-833-8833 tel 212-833-8844 fax CREDITS CAST Maggie Smith MISS SHEPHERD Alex Jennings ALAN BENNETT Jim Broadbent UNDERWOOD Frances De La Tour MRS VAUGHAN WILLIAMS Roger Allam RUFUS DIRECTED BY Nicholas Hytner WRITTEN BY Alan Bennett from his memoir EXECUTIVE PRODUCERS Christine Langan, Ed Wethered, Charles Moore, Miles Ketley PRODUCERS Kevin Loader, Nicholas Hytner, Damian Jones DIRECTOR OF PHOTOGRAPHY Andrew Dunn PRODUCTION DESIGNER John Beard EDITOR Tariq Anwar COMPOSER George Fenton COSTUME DESIGNER Natalie Ward HAIR AND MAKE UP DESIGNER Naomi Donne CASTING DIRECTOR Toby Whale SYNOPSIS Alan Bennett’s story is based on the true story of Miss Shepherd (played by a magnificent Maggie Smith), a woman of uncertain origins who “temporarily” parked her van in Bennett’s London driveway and proceeded to live there for 15 years. What begins as a begrudged favor becomes a relationship that will change both their lives. Filmed on the street and in the house where Bennett and Miss Shepherd lived all those years, acclaimed director Nicholas Hytner reunites with iconic writer Alan Bennett (The Madness of King George, The History Boys) to bring this rare and touching portrait to the screen. -
Created and Written by Academy Award-Winner Julian Fellowes Directed by Michael Engler
Created and Written by Academy Award-Winner Julian Fellowes Directed by Michael Engler Press Pack CONTENTS Cast ..................................................................................................................................................6 Guest Cast .......................................................................................................................................7 Filmmakers & Creatives ....................................................................................................................7 Downton Abbey Synopsis ................................................................................................................8 The Genesis of Downton Abbey .......................................................................................................9 The Making of the Downton Abbey Film by Julian Fellowes..........................................................14 Filmmakers & Creative Interviews: Gareth Neame ................................................................................................................................16 Liz Trubridge ...................................................................................................................................21 Michael Engler ................................................................................................................................25 Donal Woods ..................................................................................................................................28 Anna Robbins