In Performance Events Spring-Summer 2016
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Journal of the Short Story in English, 60 | Spring 2013 [Online], Online Since 01 June 2015, Connection on 06 May 2021
Journal of the Short Story in English Les Cahiers de la nouvelle 60 | Spring 2013 Varia Editor: Linda Collinge-Germain Electronic version URL: https://journals.openedition.org/jsse/1333 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 June 2013 ISBN: 0294-0442 ISSN: 0294-04442 Electronic reference Journal of the Short Story in English, 60 | Spring 2013 [Online], Online since 01 June 2015, connection on 06 May 2021. URL: https://journals.openedition.org/jsse/1333 This text was automatically generated on 6 May 2021. © All rights reserved 1 TABLE OF CONTENTS Foreword Linda Collinge-Germain Articles Heavy Nothings in Virginia Woolf’s “Kew Gardens” Mathilde La Cassagnère Being and Time in Ernest Hemingway’s “Cat in the Rain” Daniel Thomières E.H. Young’s “The Stream,” Good Housekeeping, and the Cultivation of Active Readers Stella Deen The Power of Illusion and the Illusion of Power in Mary Orr’s “The Wisdom of Eve” and Mankiewicz’s All About Eve Alice Clark-Wehinger The First Fruits of Literary Rebellion: Flannery O’Connor’s “The Crop” Jolene Hubbs “Pariah” de Joan Williams : Femme invisible, pour qui vis-tu ? Gérald Préher Light and Change: Repressed Escapism in What We Talk About When We Talk About Love Paul Sweeten “He was a shit, to boot”: Abjection, Subjection and Feminism in “Black Venus” Richard Pedot “Spoiled People”: Narcissism and the De-centered Self in Richard Ford’s Women with Men Ian McGuire Loose Canons: Reader, Authors and Consumption in Helen Simpson’s “The Festival of the Immortals” Ailsa Cox Note Parody in “Startling Revelations from the Lost Book of Stan” by Shalom Auslander Morgane Jourdren Journal of the Short Story in English, 60 | Spring 2013 2 Foreword Linda Collinge-Germain 1 The current issue of the Journal of the Short Story in English is a general issue. -
384 • William Faulkner Shreve Ceased, As If He Were Waiting for Them To
384 • William Faulkner Shreve ceased, as if he were waiting for them to cease or perhaps were even listening to them. Quentin lay still too, as if he were listening too, though he was not; he just heard them without listening as he heard Shreve without listening or answering, until they ceased, died away into the icy air delicate and faint and musical as Dearstruck glass. And he, Quentin, could see that too, though he had not been there —the ambulance with Miss Coldfield between the driver and the second man, perhaps a deputy sheriff, in the shawl surely and perhaps even with the umbrella too, though probably no hatchet nor flashlight in it now, entering the gate and picking its way gingerly up the rutted and frozen (and now partially thawed) drive; and it may have been the howling or it may have been the deputy or the driver or it may have been she who cried first: “It’s on fire!” though she would not haveREADER, cried that; she would have said, “Faster. Faster.” leaning forward on this seat too—the small furious grim implacable woman not much larger than a child. But the ambulance could not go fast in that drive; doubtless Clytie knew, counted upon, that; it would be a good three minutes before it could reach the house, the monstrous tinder-dry rotten shell seeping smoke through the warped cracks in the weather-boarding as if it were made of gauze wire and filled with roaring and beyond which somewhere something lurked which bellowed, something human since the bellowing was in human speech, even though the reason for it would not have seemed to be. -
Journal of the Short Story in English, 60 | Spring 2013 “Spoiled People”: Narcissism and the De-Centered Self in Richard Ford’S Women
Journal of the Short Story in English Les Cahiers de la nouvelle 60 | Spring 2013 Varia “Spoiled People”: Narcissism and the De-centered Self in Richard Ford’s Women with Men Ian McGuire Electronic version URL: http://journals.openedition.org/jsse/1357 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 June 2013 ISBN: 0294-0442 ISSN: 0294-04442 Electronic reference Ian McGuire, « “Spoiled People”: Narcissism and the De-centered Self in Richard Ford’s Women with Men », Journal of the Short Story in English [Online], 60 | Spring 2013, Online since 01 June 2015, connection on 03 December 2020. URL : http://journals.openedition.org/jsse/1357 This text was automatically generated on 3 December 2020. © All rights reserved “Spoiled People”: Narcissism and the De-centered Self in Richard Ford’s Women... 1 “Spoiled People”: Narcissism and the De-centered Self in Richard Ford’s Women with Men Ian McGuire 1 In an important moment in “Occidentals,” the third and final story of Richard Ford’s 1997 collection Women with Men, Helen Carmichael asks Charley Matthews, her boyfriend and the story’s protagonist, what he longs for and Matthews answers: “I’d like for things not to center so much on me” (171). Afterwards this phrase is returned to more than once as a way of explaining what Matthews may or may not want. Not to be at the “center of things” we learn means, in part, seeking a “less governed life,” (157) a life not bounded by social or cultural conventions: He longed to be less the center of things. -
Appetites Anthony Bourdain
NOVEMBER 2016 Appetites Anthony Bourdain Brash, wild, original and badass. This is Anthony Bourdain's interpretation of a normal cookbook. Description As a restaurant professional, Bourdain spent his life on the fringes of normality - he worked while normal people played, and played while normal people slept. Since then he has settled (kind of) into family life and is cooking for the people he loves rather than people who pay. These are the recipes he turns to when called in for pancake service at sleepover parties or when preparing a violence-free family dinner. Each and every word is informed by his years in the industry and a life dedicated to food. This is a man who has declared the club sandwich as America's Enemy and wants you to understand the principles of Bad Sandwich Theory. He has distilled his views on dessert to this: it should always be Stilton. Illustrated with photography that somehow manages to be both strangely beautiful and utterly grotesque, this cookbook - Bourdain's first in ten years - is a home-cooking, home-entertaining cookbook like no other. About the Author Anthony Bourdain is the bestselling author of Kitchen Confidential: Adventures in the Culinary Underbelly, and the author of the novels: Bone in the Throat, The Bobby Gold Stories and Gone Bamboo. His work has appeared in the New York Times, the New Yorker and Food Arts magazine. He is the host of the international CNN television series: Parts Unknown. Price: $49.99 (NZ$52.99) ISBN: 9781408883839 Format: Hard Cover Dimensions: 205x255mm Extent: 320 pages Main Category: WB Food And Drink Sub Category: WBB Tv / Celebrity Chefs Illustrations: Previous Titles: Author now living: Bloomsbury NOVEMBER 2016 Appetites 10 copy pack Includes 10 copies Appetites plus free display copy. -
Ian Mcguire's the North Water As a Neo-Victorian Novel
Non-Normative Victorians: Brno Studies in English Volume 46, No. 2, 2020 Ian McGuire’s The North Water ISSN 0524-6881 | e-ISSN 1805-0867 As a Neo-Victorian Novel https://doi.org/10.5817/BSE2020-2-6 Petr Chalupský Abstract Although its roots go back to the 1960s, neo-Victorian fiction has particularly flourished over the past three decades. Naturally, the emerging genre has undergone some development in terms of its delineation. The original, restrictive definition of this fiction as one reflecting the Victorian narrative style and canonical texts, rendering real-life personalities of that age and its crucial socio-cultural issues, gradually gave way to a broader definition which stresses an alternative, non-normative (re)presentation and (re)vision of the Victorian era and also looks for connections and continuities between the period and the contemporary world. This broad- ening of the genre’s scope opened it up to new, enriching contributions which have helped to fuel its internal dynamism. One such novel is Ian McGuire’s The North Water (2016), the story of an ultimate conflict between good and evil on a background of the declining Victorian whaling industry. This paper attempts to show that the novel can be taken as a resourceful example of neo-Victorian fiction as it provides an unorthodox and authentic insight into the undersides of Victorian England in the form of the whalers’ milieu, including their coarse speech, manners and values; and also, through the Conradian and Levinasian ethical queries and dilemmas of the main protagonist, the ship’s surgeon Patrick Sumner, it effectively and inspiringly address- es concerns that are still topical for present-day readers.