Read Ebook {PDF EPUB} After Hours by Edwin Torres After Hours by Torres Edwin, First Edition

Total Page:16

File Type:pdf, Size:1020Kb

Read Ebook {PDF EPUB} After Hours by Edwin Torres After Hours by Torres Edwin, First Edition Read Ebook {PDF EPUB} After Hours by Edwin Torres After Hours by Torres Edwin, First Edition. AFTER HOURS. THE CLASSIC 70S NEW YORK STREET NOVEL. Torres, Edwin. Published by PRION., LONDON (1999) Used - Softcover. Quantity available: 1. First British edition. Fine in trade-size pictorial printed wrappers. Partial basis for the film "Carlito's Way" directed by Brian de Palma. PRION., LONDON, 1999. Softcover. First Edition; First Printing. Carlito's Way and After Hours. Torres, Edwin. Published by Prion (2002) Used - Softcover Condition: Collectable - Good. Quantity available: 1. VG- 2002 Prion Film Ink omnibus edition of both these blistering novels, also filmed. Light central spine crease, pages tanned, crease fold across edge of front cover due to previous storage else well-preserved and unmarked. More by this author available. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Fiction Classic & Modern; ISBN: 1853754900. ISBN/EAN: 9781853754906. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 080504. Prion, 2002. Softcover. Condition: Collectable - Good. First Edition. After Hours basis for Carlito's Way film with Al Pacino) Torres, Edwin. Published by New York The Dial Press (1979) Used - Softcover Condition: Very Good. Quantity available: 1. First edition as pictured, page corrected Prof, with letter from agent to film company to consider making a film pictured good condition soft cover, with coffee splash tiny tears at cover edge fold gently read clean, 274 pages. Basis for the film Carlito's Way starring Al Pacino) Galley Proof. The letter is from Lit agent Alfonso Tafoya to George Gage Productions, Hollywood , with reviews from Newsweek and a newspaper, dated 1979. New York The Dial Press, 1979. Soft cover. Condition: Very Good. 1st Edition. After Hours. Torres, Edwin. Published by Dial Press, Inc., New York City (1979) Used - Hardcover Condition: Fine. Quantity available: 1. First Printing. Black full-cloth boards with red foil-stamped spine. Flaws: very light shelf-wear at bottom with NO other flaws. Exceptionally clean, square and solid. NO markings throughout - NO rem mark or ex-lib. NO bookplates and NOT a book club edition. DJ has some chipping at spine, minor toning around edges and slight shelf-scuffing with NO other flaws. Protected in Brodart cover. Price intact: $9.95. Photos avail upon request for this rare collectible book in such "Fine" condition. Dial Press, Inc., New York City, 1979. Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. Not Signed. AFTER HOURS. torres,edwin. Published by dial press (1985) Used - Hardcover Condition: Near Fine. Quantity available: 1. hardback book in near fine condition,unclipped dust jacket [$9.95] is very good. dial press, 1985. Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. After Hours. Torres, Edwin. Published by The Dial Press, New York (1979) Used - Hardcover Condition: Near Fine. Quantity available: 1. 1st printing 1979; black boards with very faint two inch thin scrape on back. Book is square, tight and clean except for a very small smug on page ends at top edge near middle.No bumped corners. DJ has one very small crease at top of front fold inside at top, not touching any printing. Age- toning on edges of DJ inside.No tears and one small chip on back at bottom. White area around picture of author on back at the edges of book show signs of rubbing. Book and mylar protected dust jacket are in near fine condition. The Dial Press, New York, 1979. Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. After Hours. Edwin Torres. Published by Dial Press., New York (1979) Used - Hardcover Condition: Fine. Quantity available: 1. First Edition. INSCRIBED in 1981, on second half-title, by Edwin Torres to noted screen writer John Gay "For John Gay: Make me a star! !" Fine in near fine dust jacket. (275pp. ) (Couple short edge tears at crest of spine on jacket. ) Sequel to "Carlito's Way" and together with that novel basis for director Brian De Palma's 1993 film "Carlito's Way" starring Al Pacino. ; 8vo 8" - 9" tall; 275 pages. Dial Press., New York, 1979. Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition; First Printing. AFTER HOURS (signed 1st edition) Torres, Edwin. Published by The Dial Press, New York (1979) Used - Hardcover Condition: Near Fine. Quantity available: 1. The Dial Press. New York. 1979. 275 pages. First Edition, First Printing. Stated First Printing on copyright page. First issue DJ with $9.95 price intact on flap. SIGNED by Edwin Torres directly to the dedication page: For __ __, All the Best. Edwin Torres. Book and DJ are nearly FINE. A beautiful, tight, crisp, unread copy. Black cloth with red endpapers. Both clean and crisp. 4 square corners. Lightest edge rubbing to 1 DJ corner and foot of DJ backstrip. An unreasd copy. Only thing keeping this book from grading fine is a light speckling of red colored spray to bottom page edges and a tiny dent to panel edge. Basis for the film Carlito's Way. Film title was changed in an effort not to be confused with Scorcese's film After Hours. Torres book, Carlito's Way is actually the prequel to the film sharing its name which is actually the AFTER HOURS story. A most uncommon signed copy. Exceptional. The Dial Press, New York, 1979. Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Signed by Author(s). AFTER HOURS (signed 1st edition) Torres, Edwin. Published by The Dial Press, New York (1979) Used - Hardcover Condition: Near Fine. Quantity available: 1. The Dial Press. New York. 1979. 275 pages. First Edition, First Printing. Stated First Printing on copyright page. First issue DJ with $9.95 price intact on flap. SIGNED by Edwin Torres directly to the dedication page: For __ __, Warmest Regards, Edwin Torres. Book is just about FINE. A beautiful, tight, crisp, unread copy. Black cloth with red endpapers. Clean and crisp. 4 square corners. Lightest edge rubbing to DJ and light spotting to DJ along rear flap fold. Rear of DJ shows a couple of small marks. Small white spot on front of DJ. Front inside flap has a couple of creases. An unread copy. Basis for the film Carlito's Way. Film title was changed in an effort not to be confused with Scorcese's film After Hours. Torres' book, Carlito's Way is actually the prequel to the film sharing its name. An uncommon signed copy. The Dial Press, New York, 1979. Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Signed by Author(s). AFTER HOURS (signed 1st edition) Torres, Edwin. Published by The Dial Press, New York (1979) Used - Hardcover Condition: Near Fine. Quantity available: 1. Dial Press, New York. 1979. 275 pages. First Edition, First Printing. Stated First Printing on copyright page. First issue DJ with $9.95 price intact on flap. SIGNED by Edwin Torres directly to the dedication page: For __ __, Warmest regards. Edwin Torres. Book and DJ are nearly FINE. A beautiful, tight, crisp, unread copy. This book is rare without the remainder spray to page edges. This copy has NO remainder spray. Black cloth with red endpapers. Both clean and crisp. 1 corner shows slightest most gentle bump (barely). Interior DJ flaps shows a minor crease. Lightest edge rubbing. Basis for the film Carlito's Way. Film title was changed in an effort not to be confused with Scorcese's film After Hours. Torres book, Carlito's Way is actually the prequel to the film sharing its name which is actually the AFTER HOURS story. A very difficult author to find signed. An exceptional copy!. The Dial Press, New York, 1979. Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Signed by Author(s). Tell us what you're looking for and once a match is found, we'll inform you by e-mail. Can't remember the title or the author of a book? Our BookSleuth is specially designed for you. Carlito's Way! an Illustrated Summary and Behind the Making of the Movie. Based off the novels After Hours and Carlito's Way by Edwin Torres, Carlito's Way is a crime/suspense noir film that was directed by Brian De Palma and released to mixed reviews in 1993. The movie follows the story of a once legendary Puero Rican heroin dealer who is released from prison and vows to go straight and retire to paradise. His past and his own "codes of the street," as well as his unusual sense of loyalty, makes him walk a dangerous fine line between being dragged down by the merciless criminal world he was once on top of or finally being able to escape it by coming up with enough money to retire in the Bahamas. The film's adaptation was scripted by David Koepp, and the movie starred legendary actors Al Pacino and Sean Penn. Supporting actors included Penelope Ann Miller as Gail, Luis Guzman as Pachanga, John Leguizamo as Benny "from the bronx" Blanco, with a short appearance by Viggo Mortensen as Lalin . Brain De Palma masterfully brings you into this fascinating world of Carlito Brigante. Although the character may be fictional, the vibrant and often gritty and merciless streets of East Harlem during the time isn't. This hub will provide an illustrated summary of the movie Carlito's Way as well as facts about the making of it and some behind the scenes look at one of the best crime noir films of the 90s. Carlito's Way - an Illustrated Summary and Making Of.
Recommended publications
  • View Centro's Film List
    About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession.
    [Show full text]
  • Los Puentes Como Argumento Estético En La
    NORBA-ARTE, ISSN 0213-2214, vol. XXX (2010) / 227-246 LOS PUENTES COMO ARGUMENTO ESTÉTICO EN LA TRILOGÍA DEL HAMPA DE BRIAN DE PALMA: EL PRECIO DEL PODER, LOS INTOCABLES DE ELIOT NESS Y ATRAPADO POR SU PASADO Pedro PLASENCIA LOZANO «Ninguna escultura alcanzará nunca la escala de un puente o un edificio, lo que otorga un significado a la arquitectura, especialmente a la arquitectura que se integra con la ingeniería». Santiago Calatrava1 Resumen El presente artículo reflexiona sobre la importancia de los puentes en las películas del di- rector americano Brian De Palma, perteneciente a la generación del New Hollywood. El director es célebre por la potencia visual de sus películas, entendidas como suma de secuencias de gran perfección técnica, y en muchas de ellas los puentes son empleados para realzar la narración. Se esboza, del mismo modo, la relación entre elementos urbanos y cine a partir de la década de 1960, tanto en la introducción como en la conclusión del texto. Palabras clave: Brian De Palma, puente, cine, ingeniería, urbanismo, New Hollywood. Abstract The article deals with the importance of the bridge in the movies of the American film director Brian De Palma, who belongs to the so-called New Hollywood generation. This film director is famous for the visual power of his films, which are understood as a succession of technically highly perfect sequences, in many of which bridges are used in order to enhance the narration. Likewise, there is also an outline of the relationship between urban elements and cinema after the 1960’s, both in the introduction and in the conclusion of the text.
    [Show full text]
  • Literary Miscellany
    Literary Miscellany A Selection from Recent Acquisitions and Stock Including Prose and Poetry from the 17th - 20th Centuries Association Copies and Letters Fine Printing, Illustrated Books, Film Material, And Varia of Other Sorts Catalogue 306 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment.
    [Show full text]
  • Carlito's Way
    Document généré le 27 sept. 2021 22:52 Séquences La revue de cinéma Carlito’s Way Alain Dubeau Brian de Palma Numéro 168, janvier 1994 URI : https://id.erudit.org/iderudit/49990ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Dubeau, A. (1994). Compte rendu de [Carlito’s Way]. Séquences, (168), 32–34. Tous droits réservés © La revue Séquences Inc., 1994 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ la mort de son partenaire et arrêter Capone en appliquant la loi du policier. Malone mort, Ness endosse les motivations de son ami. Cette scène s'avère remarquable à plus d'un égard. Elle regroupe plusieurs éléments de l'art depalmien. D'abord, le sang comme leitmotiv. Chez De Palma, le sang marque les grands moments du récit. Il sert de point de repère annonçant l'effusion à venir et préparant psychologiquement autant le spectateur que les personnages. Dans le plan d'ouverture de The Untouchables, Capone se fait légèrement couper par le barbier qui le rase.
    [Show full text]
  • Carlito's Way
    Document generated on 09/28/2021 6:23 a.m. Séquences La revue de cinéma Carlito’s Way Alain Dubeau Brian de Palma Number 168, January 1994 URI: https://id.erudit.org/iderudit/49990ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Dubeau, A. (1994). Review of [Carlito’s Way]. Séquences, (168), 32–34. Tous droits réservés © La revue Séquences Inc., 1994 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ la mort de son partenaire et arrêter Capone en appliquant la loi du policier. Malone mort, Ness endosse les motivations de son ami. Cette scène s'avère remarquable à plus d'un égard. Elle regroupe plusieurs éléments de l'art depalmien. D'abord, le sang comme leitmotiv. Chez De Palma, le sang marque les grands moments du récit. Il sert de point de repère annonçant l'effusion à venir et préparant psychologiquement autant le spectateur que les personnages. Dans le plan d'ouverture de The Untouchables, Capone se fait légèrement couper par le barbier qui le rase. C'est le point de départ d'une escalade progressive de la violence et du sang renversé, culminant avec la mort de Malone et l'affrontement à la gare centrale qui lui succède.
    [Show full text]
  • After Hitchcock, Influence, Imitation, and Intertextuality
    AFTER HITCHCOCK TT3829.indb3829.indb i 99/27/06/27/06 33:40:03:40:03 PPMM TT3829.indb3829.indb iiii 99/27/06/27/06 33:40:04:40:04 PPMM Edited by David Boyd and R. Barton Palmer INFLUENCE, IMITATION, AND INTERTEXTUALITY University of Texas Press Austin TT3829.indb3829.indb iiiiii 99/27/06/27/06 33:40:04:40:04 PPMM Unless otherwise credited, the photographs in this volume are courtesy of the Academy of Motion Picture Arts and Sciences. A portion of Chapter 2 appears in Crowds, Power, and Transformation in Cinema (2006), by Lesley Brill. Courtesy of Wayne State University Press. “For Ever Hitchcock: Psycho and Its Remakes” by Constantine Verevis appears in altered form in the “Authors” chapter of Film Remakes, by Constantine Verevis, courtesy of Edinburgh University Press (www.eup.ed.ac.uk). Copyright © 2006 by the University of Texas Press All rights reserved Printed in the United States of America First edition, 2006 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ᭺ϱ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). Library of Congress Cataloging-in-Publication After Hitchcock : infl uence, imitation, and intertextuality / edited by David Boyd and R. Barton Palmer. — 1st ed. p. cm. Includes bibliographical references and index. isbn-13: 978-0-292-71337-6 (cl. : alk. paper) isbn-10: 0-292-71337-1 isbn-13: 978-0-292-71338-3 (pbk.
    [Show full text]
  • Moot Points Law Library Newsletter, Nov 2009
    November 2009 • Issue 8 Inside this issue: Director’s Message Faculty Publications 2 As a service organization, the Law Library constantly Library Hours & Schedule 2 seeks ways of adding new programs or improving an Popular Reading and Film 3 existing one to better serve law students and the rest of the Law School community. Along these lines, we‟ve re- Notable New Acquisitions 4 cently begun to offer 20-minute Research Appointments for students. If you are working on a paper, or just Native American History 5 want to learn more about research or information re- References to Reference 5 sources, you can sign up by emailing Charlie Finger, As- sociate Director, at [email protected]. Research Appointments 5 Last spring, we brought in a drink vending machine in the Student Lounge up- Law Library Conference 6 stairs so that students may get drinks within the building. At the suggestion of The Law in Pop Culture 6 students, we are looking into the possibility of having a snack vending machine. Regarding snacks and food, the student lounge, including the balcony, is the most appropriate place for eating. Ants and other bugs, which can cause seri- Library Hours and ous damage to books, have been seen in the reading rooms, so we encourage Schedule of Events students to consume food outside the reading rooms. Spill-proof drinks are al- Monday-Thursday lowed in the reading rooms, however. In any event, no food/drinks are permit- 7am—12am ted in the Computer Lab for the protection of the equipment. Friday 7am—10pm We look forward to serving you.
    [Show full text]