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YALE ARCHITECTURE FALL 2011 Constructs Yale Architecture
1 CONSTRUCTS YALE ARCHITECTURE FALL 2011 Constructs Yale Architecture Fall 2011 Contents “Permanent Change” symposium review by Brennan Buck 2 David Chipperfield in Conversation Anne Tyng: Inhabiting Geometry 4 Grafton Architecture: Shelley McNamara exhibition review by Alicia Imperiale and Yvonne Farrell in Conversation New Users Group at Yale by David 6 Agents of Change: Geoff Shearcroft and Sadighian and Daniel Bozhkov Daisy Froud in Conversation Machu Picchu Artifacts 7 Kevin Roche: Architecture as 18 Book Reviews: Environment exhibition review by No More Play review by Andrew Lyon Nicholas Adams Architecture in Uniform review by 8 “Thinking Big” symposium review by Jennifer Leung Jacob Reidel Neo-avant-garde and Postmodern 10 “Middle Ground/Middle East: Religious review by Enrique Ramirez Sites in Urban Contexts” symposium Pride in Modesty review by Britt Eversole review by Erene Rafik Morcos 20 Spring 2011 Lectures 11 Commentaries by Karla Britton and 22 Spring 2011 Advanced Studios Michael J. Crosbie 23 Yale School of Architecture Books 12 Yale’s MED Symposium and Fab Lab 24 Faculty News 13 Fall 2011 Exhibitions: Yale Urban Ecology and Design Lab Ceci n’est pas une reverie: In Praise of the Obsolete by Olympia Kazi The Architecture of Stanley Tigerman 26 Alumni News Gwathmey Siegel: Inspiration and New York Dozen review by John Hill Transformation See Yourself Sensing by Madeline 16 In The Field: Schwartzman Jugaad Urbanism exhibition review by Tributes to Douglas Garofalo by Stanley Cynthia Barton Tigerman and Ed Mitchell 2 CONSTRUCTS YALE ARCHITECTURE FALL 2011 David Chipperfield David Chipperfield Architects, Neues Museum, façade, Berlin, Germany 1997–2009. -
Aspects of Architectural Drawings in the Modern Era
Acknowledgments Fellows of the Program (h Architecture Society 1oiLl13l I /113'1 l~~g \JI ) C,, '"l.,. This exhibition of drawings by European and American archi Darcy Bonner Exhibition tects of the Modern Movement is the fifth in The Art Institute of Laurence Booth The Modern Movement: Selections from the Chicago's Architecture in Context series. The theme of Modern William Drake, Jr. Permanent Collection April 9 - November 20, 1988 ism became a viable exhibition topic as the Department of Archi Lonn Frye Galleries 9 and 10, The Art Institute of Chicago tecture steadily strengthened over the past five years its collection Michael Glass Lectures of drawings dating from the first four decades of this century. In Joseph Gonzales Dennis P. Doordan, Assistant Professor of Architec the case of some architects, such as Ludwig Mies van der Rohe, Bruce Gregga tural History, University of Illinois at Chicago, "The Ludwig Hilberseimer, Paul Schweikher, William Deknatel, and Marilyn and Modern Movement in Architectural Drawin gs," James Edwin Quinn, the drawings represented in this exhibition Wilbert Hasbrouck Wednesday, April 27, 1988,at 2:30 p.m. , at The Art are only a small selection culled from the large archives of their Scott Himmel Institute of Chicago. Admission by ticket only. For reservations, telephone 443-3915. drawings that have been donated to the Art Institute. In the case Helmut Jahn of European Modernists whose drawings rarely come on the mar James L. Nagle Steven Mansbach, Acting Associate Dean of the ket, such as Eric Mendelsohn, J. J. P. Oud, and Le Corbusier, the Gordon Lee Pollock Center for Advanced Study in the Visual Arts, Na Art Institute has acquired drawings on an individual basis as John Schlossman tional Gallery of Art, Washington, D.C., "Reflections works by these renowned architects have become available. -
Aarchitecture 33 Consider Architecture in a Sensual Form
AArchitecture 33 Consider architecture in a sensual form – a form made to seduce you, a form that is not concerned with physicality but potential. A form that arouses you from mere expectation. This is the pleasure of architecture and the architecture of desire. For this issue, AArchitecture presents the position of desire from within the blurred realms of art and architecture. Architecture historian Adrian Forty describes human desire as ‘a single idea, which comes across as so familiar that we find ourselves supposing it to be exactly what we ourselves had always thought’.→ 1 This suggests that with desirability comes intention. It takes a sense of feeling or experience to replicate a particular allegory within an object, building or artefact. Desire In ‘The Pleasure of Architecture’, Bernard Tschumi discusses the idea of pleasure through the 1951 filmA Streetcar Named Desire, writing that ‘desire was never seen. Yet it remained constant’. He characterises the presence of desire in this film as ‘the movement toward something constantly missing, toward absence. Each setting, each fragment, was aimed at seduction but always dissolved at the moment it was approached’. → 2 Tschumi is saying that the very essence of desire is that which cannot be attained. ‘To desire’ is to want or to anticipate, and therefore the moment of satisfaction is also the termination of desire. The ‘architecture of desire’ must then be a choreographed apparatus for anticipation, and the architect or artist becomes the erotic curator. In this issue Penelope Haralambidou writes about her analysis of Marcel Duchamp and her depiction of the architecture of desire through his work and her own drawing technique. -
Applying Design Thinking to Glass Systems in the 18 Septemberplein Redevelopment
Challenging Glass 7 Conference on Architectural and Structural Applications of Glass Belis, Bos & Louter (Eds.), Ghent University, September 2020. Copyright © with the authors. All rights reserved. ISBN 978-94-6366-296-3, https://doi.org/10.7480/cgc.7.4608 Beyond Materiality, Towards Craftsmanship: Applying Design Thinking to Glass Systems in the 18 Septemberplein Redevelopment Ben van Berkel a, Gerard Loozekoot a, Filippo Lodi a, Sitou Akolly a, Atira Ariffin a a UNStudio, The Netherlands, [email protected] This paper describes the design process UNStudio undertook in the redevelopment of the C&A Building on 18 Septemberplein in Eindhoven, the Netherlands. The design brief primarily called for the rebranding of the building while maintaining the building’s façade historic value and aesthetic. Secondarily, the design is meant to activate the urban context where the building is located without competing with the neighboring landmarks. UNStudio saw an opportunity to rethink the transparent layer – the glass window – of the building as a tool to enhance its identity minimizing the aesthetic impact on its historic facade. This case study outlines opportunities to innovate while designing with glass through two often polarized perspectives: contemporary architecture and historic preservation. Architects constantly negotiate the value of private versus public space, transparency versus opacity, and building energy performance in our built environment through the use of glass. Emerging integrated technologies such as LED, photovoltaic, lamination, and touch sensitive layer are enabling new ways of rethinking the roles and applications of glass: as an architectural element, an information layering surface, and an agent for light and transparency. -
Newsletter the Society of Architectural Historians
NEWSLETTER THE SOCIETY OF ARCHITECTURAL HISTORIANS OCTOBER 1976 VOL. XX NO. 5 PUBLISHED BY THE SOCIETY OF ARCHITECTURAL HISTORIANS 1700 Walnut Street, Philadelphia, Pennsylvania 19103 • Marian C. Donnelly, President • Editor: Thomas M. Slade, 3901 Connecticut Avenue, N.W., Washington, D.C. 20008 • Associate Editor: Dora P. Crouch, School of Architecture RPI, Troy, New York 12181 • Assistant Editor: Richard Guy Wilson, 1318 Qxford Place, Charlottesville, Virginia22901. SAH NOTICES 1977 Annual Meeting, Los Angeles-February 2-6. Adolf K. CONTRIBUTIONS OF BACK ISSUES OF SAH Placzek, Columbia University, is general chairman and David JOURNAL REQUESTED Gebhard, University of California, Santa Barbara, is local chairman. The Board of Directors of SAH voted at their May, 1976 Sessions will be held at the Biltmore Hotel February 3, 4 and 5. meeting to request those members who have the back (For a complete listing, please refer to the April1976 issue of the issues of the SAH Journal listed below and are willing to Newsletter.) The College Art Association of America will be part with them to donate them to the central office: Vols. meeting at the Hilton Hotel (a few blocks from the Biltmore) at I-VIII (1940-1949)- all numbers; Vol. IX (1950)-nos. 1, 2, 3; Vol. X (1951) - nos. I & 3; Vol. XI (1952)-nos. I, 2, the same time. As is customary, registration with either organiza tion entitles participants to attend either SAH or CAA sessions, 4; Vol. XII (1953) - no.-2; Vol. XIII (1954) - nos. I & 2; and a fruitful scholarly exchange is anticipated. Vol. XIV (1955)- all numbers; Vol. -
Search for Conceptual Framework in Architectural Works of Muzharullslam .'
:/ • .. Search for Conceptual Framework in Architectural Works of Muzharullslam .' 111111111 1111111111111111111111111 1191725# Mohammad Foyez Ullah This thesis is submitted to the Department of Architecture in partial fulfilment of the requirements for the degree of Master of Architecture August, 1997 • Department of Architecture Bangladesh University of Engineering & Technology Dhaka. Bangladesh . II DEPARTMENT OF ARCHITECTURE BANGLADESH UNIVERSIlY OF ENGINEERING AND TECHNOLOGY Dhaka 1000 On this day, the 14'h August, Thursday, 1997, the undersigned hereby recommends to the Academic Council that the thesis titled "Search for Conceptual Framework in Architectural Works of Muzharul Islam" submitted by Mohammad Foyez Ullah, Roll no. 9202, Session 1990-91-92 is acceptable in partial fulfilment of the requirements for the degree of Master of Architecture. Dr. M. Shahidul Ameen Associate Professor and Supervisor Department of Architecture Bangladesh University of Engineering & Technology Professor Faruque A. U. Khan Dean, Faculty of Architecture and Planning Bangladesh University of Engineering & Technology ~ Professor Khaleda Rashid Member ---------- Head, Department of Architecture Bangladesh University of Engineering & Technology ~<1 ';;5 Member~n*-/. Md. Salim Ullah Senior Research Architect (External) Housing and Building Research Institute Dar-us-Salam, Mirpur III To my Father IV Acknowledgements I would like to express my sincerest thank to Dr. M. Shahidul Ameen for supervising the thesis and for his intellectual impulses that he offered in making the thesis a true critical discourse. lowe my sincerest thank to Professor Meer Mobashsher Ali for his commitment to make the research on this eminent architect a reality. I am extremely grateful to Muzharul Islam. who even at his age of 74 showed his ultimate modesty by sharing his experiences and knowledge with me, which helped me to see his enterprises in a truer enlightened way. -
The Gallery Club Architecture in Photography
Architecture in The Photography Gallery Four generations of Dutch Club architectural photographers The Gallery Club presents Architecture in Photography Four Generations of Dutch Architectural Photographers This exhibition focuses on four generations of Dutch architectural photographers, starting with Jan Versnel, who began working late 1940’s, followed by Jannes Linders and Iwan Baan, and concluding with Ossip van Duivenbode, whose work is from the last decade. The four photographers in this exhibition capture a wide variety of Dutch architecture in their images: from the work of the distinguished Nieuwe Bouwen (Dutch Modernism) architects Brinkman & Van der Vlugt to that of contemporary architects, such as Rem Koolhaas / OMA, Benthem Crouwel Architects, MVRDV and UNStudio / Ben van Berkel. International architects, such as Tadao Ando and SANAA, are also featured in the show. Together these photographers embody more than sixty years of Dutch architectural photography, capturing the development of the urban and architectural landscape. This presents a unique image of time and the special observation of four different photographers, who are inviting the audience to look with a different perspective than the eye of the architect. The Gallery Club is a platform for photography, organized around exhibitions, dinners and events. Every edition of The Gallery Club explores the work of a wide range of Dutch and international photographers through a different theme. www.thegalleryclub.com Jan Versnel 1924-2007 Photographer Jan Versnel is the most influential architectural photographer of his generation, known for his immaculate images of architecture, interiors and products. Contemporary architectural photographers see him as the pioneer of Dutch architectural photography and consider his work an important inspiration for the entire discipline. -
Muzharul Islam- Pioneer of Modern Architecture in Bangladesh
ArchSociety Page 1/9 Muzharul Islam: Pioneer of Modern Architecture in Bangladesh Kaanita Hasan, Wednesday 31 January 2007 - 18:00:00 (This essay was submitted by Architect Kaanita Hasan as a part of the course MA Architecture: Alternative Urbanism & History and Theory in the University of East London School of Architecture) His pioneering works from the 1950 s onward marked the beginning of modernism in Bangladesh (then East Pakistan). He brought about a massive change in the contemporary scene of International Style Architecture of Bangladesh. He is none other than the most influential architects of Bangladesh, Architect Muzharul Islam. Being a teacher, architect, activist and politician he has set up the structure of architectural works in the country through his varied works. His commitment to societal changes and his ethics for practicing architectures is visible in his work. These thoughts are more like a means of progress towards transformation and changes rather than drawing a conclusion by themselves. The existence of Dhaka, the capital of Bangladesh, as a sustainable city is the most critical statement that confronts it today. It is not only difficult but would be quiet inaccurate to judge this issue from its current architectural and planning scenario. Although there is a recent ever growing building activity going on in the city, it hardly compliments the surrounding environment it is being built on. These steel, concrete and brick structures of varied types and heights are growing rapidly, resulting a decrease of open space and water bodies. Roads bear more traffic and congestions and the air we breathe in is becoming more contaminated. -
Making Design Concepts in the Nineties. Theoretical Models of UN
Ŕ periodica polytechnica Making design concepts in the nineties. Architecture Theoretical models of UN Studio 40/2 (2009) 55–63 doi: 10.3311/pp.ar.2009-2.02 Zoltán Bun web: http://www.pp.bme.hu/ar c Periodica Polytechnica 2009 RESEARCH ARTICLE Received 2010-02-18 Abstract At the very end of the 1980s, the previously determinative Attending to the thinking of the second half of the twentieth past that had been incarcerated in the museum and globalisa- century there has been a shift from the related-causal image tion hand in hand with capitalism were to change gear to turbo- of science to a kind of classification (the examination of local boost. ‘Poststructuralism’ was at war with ‘postmodernism’, singularities), from closed disciplines to their in-betweenness, both in general and architectural thinking. Following difference- from abstract views to pragmatic, then in the territory of archi- philosophy and other social studies, architectural deconstruc- tecture from the direct representation of drawings to generative- tion had questioned the logos-centrism of the discipline and it organisational model of a diagram, from reactive-post-critical had success and great influence in the fields of liberating var- theory to a proactive and productive one. Pluralism and rela- ious layers of rigid structures and rules. The abstract theory, tivity has taken the place of dominating and universal modes of a kind of ‘textual organisation’ that meets material world, did thought, discrete-networked models have been playing a lead- not just pose important questions but it caused serious problems ing role beside continuous-linear ones, as have digital aspects itself: theory made an elitist exodus from everyday life, differ- beside analogue ones, as blob forms beside boxes. -
Resolution and Tension
Resolution and Tension Mies van der Rohe and the Myriad Dualities of Architecture by Andrew Ryan Gleeson Resolution and Tension Mies van der Rohe and the Myriad Dualities of Architecture by Andrew Ryan Gleeson Harvard GSD M. Arch. II Thesis Spring 2013 Advisor: Jorge Silvetti Published by LULU © 2013 Andrew Ryan Gleeson for Cover Image is a sketch by Mies van der Rohe of an auditorium concept. Font: Windsor (Lt and Regular) (Popularized by Woody Allen) ~ The symbol above, called a tilde, will be used at various times in the text to connotate complementary and con- tradictory dualistic relationships. I learned of this usage in an essay on neuro-dualities by J.A. Scott Kelso titled Metastable Mind in the newly published book, Cognitive Architec- ture (editors; Hauptman, Deborah, and Neidich, Warren). Page. 119. 2 This book is dedicated to J.B. and my Mother. Acknowledgements: The biggest thanks goes to the pa- tient few who helped edit this thesis. They improved it greatly beyond my own abilities: John Murdock, Jorge Silvetti, Blair Kamin, and K. Michael Hays. I also want to thank the kind en- couragement of: Franz Schulze, Fritz Neumeyer, Claire Zimmerman, Thomas Leslie, Wes Jones, Krzysztof Wodiczko, my family and my M. Arch II. class (I couldn’t have asked for a better group of friends). Also in memory of my Grandmother and Detlef Mertins. 3 Table of Contents Part I: Resolution and Tension---------------------------------7 Introduction-----------------------------------------------------------------------------9 The Struggle of the Architect-------------------------------------9 Apollonian and Dionysian Aesthetcis-------------------------10 Why Study Mies? ------------------------------------------------------12 1. Mies van der Rohe and the Material Spirit--------------------15 2. -
Selected Works Contents
selected works Contents Contact 02 Profile 05 Architecture Cultural 21 Infrastructure 47 Office & Commercial 73 Residential 105 Units Urban 135 Interior 153 Product 163 Innovation Knowledge 177 Futures 189 UNSense 193 Contact UNStudio UNStudio Asia Business Development Business Development Amsterdam Shanghai contacts: contacts: Stadhouderskade 113 Machteld Kors Room 4606 Nora Schueler 1073 AX Amsterdam [email protected] Raffles City, No. 268 [email protected] PO Box 75381 Xizang Middle Road Teun Bimbergen Maggie Sun 1070 AJ Amsterdam Shanghai 200001 [email protected] [email protected] The Netherlands China T +31 (0)20 570 20 40 Marisa Cortright T +86 21 6340 5088 Sarah Zheng F +31 (0)20 570 20 41 [email protected] F +86 21 3366 3302 [email protected] [email protected] [email protected] Giulia Carravieri www.unstudio.com www.unstudio.com [email protected] Niki Pliakogianni 中国上海市西藏中路268号 Frankfurt [email protected] 来福士广场办公楼4606室 邮编 200001 Carleigh Shannon An der Welle 4 #528 [email protected] 60322 Frankfurt Germany Hong Kong T +49 69 6593 7580 [email protected] Room 1102-1105 Yu Yuet Lai Building 43-55 Wyndham Street UNSense Central, Hong Kong T +852 3499 1261 F +852 3563 8200 Plantage Middenlaan 62 [email protected] 1018 DH Amsterdam www.unstudio.com The Netherlands [email protected] www.unsense.com 4 Profile Profile 5 Profile Background About UNStudio Selected Pivotal Projects Founded in 1988 by Ben van Berkel and Acclaimed UNStudio projects include Caroline Bos, UNStudio is an international Arnhem Central Station (The Netherlands), architectural design studio specialising the Mercedes-Benz Museum, Stuttgart in architecture, urban development, (Germany), the Raffles City Hangzhou infrastructure and interior and product mixed-use development (China), the design. -
BNA Kubus for Ben Van Berkel and Caroline Bos of Unstudio
BNA Kubus for Ben van Berkel and Caroline Bos of UNStudio The 2016 BNA Kubus has been awarded to the founders of UNStudio, Ben van Berkel (architect) and Caroline Bos (art historian / urban planner). The aim of the architecture prize, this year bestowed for the 41st time by the Royal Institute of Dutch Architects (abbreviated as BNA), is to express the institute’s appreciation for an exceptional contribution to architecture. The Kubus was awarded on the recommendation of a jury made up of Nathalie de Vries (chair), Steven Nobel, Ton Idsinga, Wienke Bodewes, Willem Hein Schenk and Willem Jan Neutelings. The presentation ceremony will take place on 3 November in Amsterdam. Extract from the jury report The jury concluded that Van Berkel and Bos, together with their UNStudio team, are more than deserved winners of the 2016 BNA Kubus. 'No one controls the creative and technical process better than UNStudio. They prove that in-depth research pays off, as does network-driven collaboration with professionals in the fields of architecture, infrastructure and urban development. The cutting-edge nature and absolute craftsmanship of their body of work makes it both exemplary and innovative.' High quality, iconic buildings and international appeal The jury’s decision was based on three criteria: excellent craftsmanship, a recognisable and innovative body of work, and a relevant contribution to the profession. From the time UNStudio was established in 1988, Van Berkel and Bos have been building up an impressive body of work, according to the jury. Their work is always of high quality, the buildings are iconic and have international appeal.