DOCSLIB.ORG

Parish Mag 07-12.PUB

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Parish Mag 07-12.PUB Amberley Parish Magazine December 2007/January 2008 For your Cornish Holiday SOUTH TRELOWIA BARNS Peaceful location 4 miles from Looe B&B and self-catering Keith & Beverly Madley Tel: 01503 240709 Email: [email protected] www.southtrelowiabarns.co.uk 2 Services for December & January Sunday 2nd Dec 8 am Holy Communion Advent Sunday 10 am Parish Eucharist (Speaker: Mr John Fox, Trustee of Cecily Fund) 5.30 pm Advent Carol Service Wednesday 5th Dec 8 am Holy Communion Sunday 9th Dec 8 am Holy Communion (Methodist) 10 am Parish Eucharist Wednesday 12th Dec 8 am Holy Communion Sunday 16th Dec 8 am Holy Communion 10 am Family Service Tuesday 18th Dec 10 am Amberley Ridge School Carol Service (Everyone Welcome) Wednesday 19th Dec 8 am Holy Communion 2 pm Amberley Parochial School Carol Service (Everyone Welcome) Thursday 20th Dec 7 pm Amberley Parochial School Carol Service (Everyone Welcome) Friday 21st Dec 6 pm Service of Lessons and Carols Sunday 23rd Dec 8 am Holy Communion (1662) 10 am Parish Eucharist Monday 24th Dec 5.30 pm Christingle Service (see later article) Christmas Eve 11.30 pm Midnight Mass Tuesday 25th Dec 8 am Holy Communion Christmas Day 10 am Parish Eucharist Sunday 30th Dec 8 am Holy Communion 10 am Celtic Eucharist Tuesday 1st Jan 8 am Holy Communion (Circumcision of Jesus) Wednesday 2nd Jan 8 am Holy Communion (Basil & Gregory, bishops) Sunday 6th Jan 8 am Holy Communion Epiphany 10 am Parish Eucharist Wednesday 9th Jan 8 am Holy Communion (Continued on page 4) 3 Sunday 13th Jan 8 am Holy Communion Baptism of Christ 10 am Parish Eucharist (Methodist) Wednesday 16th Jan 8 am Holy Communion Sunday 20th Jan 8 am Holy Communion 10 am Family Service Wednesday 23rd Jan 8 am Holy Communion Friday 25th Jan 8 am Holy Communion (Conversion of Paul) Sunday 27th Jan 8 am Holy Communion (1662) 10 am Parish Eucharist 6 pm Unity Service at Woodchester Priory Wednesday 30th Jan 8 am Holy Communion (Charles, king & martyr) Sunday 2nd Feb 8 am Holy Communion 10 am Parish Eucharist Julian Group (Silent Prayer) every Friday, 9 am - 9.30 am in the Littleworth New Room – Everyone welcome ‘Common Worship’ Morning Prayer every weekday at 8 am. Evening Prayer every Thursday 5 pm. Both in Holy Trinity Church – Everyone welcome Rector’s Letter Last year it was Santa Claus, reindeer, snowmen and Christmas Trees. This year it is angels and Madonnas and Child. I’m talking of course about the Christmas issues of Royal Mail postage stamps. Many of us are pleased that, while not mind- ing our envelopes being gaily decorated as last year with stamps celebrating the secular and commercial side of the festival, this year each letter or card delivered by the postman will bear a stamp reminding us of the deeper significance of Christmas. The first of the Madonnas and Child, that on the second class stamp, is by Wil- liam Dyce, a Victorian artist who was influenced by the Italian Renaissance paint- ers such as Raphael and who was a forerunner of the more famous Pre-Raphaelite brotherhood. Dyce’s painting is of a beautiful young mother standing in a lovely mountainous landscape and affectionately holding her baby son. This is very much in tune with the rather sweet sentiments expressed in many Christmas car- ols. More in its favour, to my mind, is the fact that Jesus is portrayed as a real child, and not as an adult head on a child’s body as in many Renaissance paint- ings. To me the reality of Christ’s childhood points to his real sharing of our hu- manity, from birth to death, rather than his being a heavenly outsider looking in 4 on our earthly existence. The other Madonna and Child stamp is very different. It is an area of detail taken from a larger picture painted around 1400 by the artist Lippo di Dalmasio, not of the mother and child as in the nativity stories in gospels of Matthew and Luke, but rather of the mother and child described in Chapter 12 of the Book of the Revelation, right at the end of the New Testament. This book sets out Saint John’s vision of the end of the world and the establishment of Christ’s kingdom on earth. As depicted in the painting when viewed as a whole, John sees the woman clothed with the sun and wearing a crown of twelve stars, and persecuted by a dragon. The Woman gives birth to a male child, who is carried to heaven by angels before the dragon can devour him. The church has traditionally identified the woman with Mary and the child with Christ, whose return to earth results in the defeat of the dragon, giving way to a millennium of peace. What a contrast between the child born into beauty and safety and the one born into strife and risk. But is this not precisely the tension in Jesus’ life we find in the Gospels? In the wilderness this highly-gifted man is pulled between using his gifts to his own comfort and advantage and using them in the way God intended. Similarly in the Garden of Gethsemane he is pulled between saving his own skin and facing inevitable death for our sake. The other four stamps are of angels, creatures that appear in the scriptures as God’s messengers. These specially commissioned renaissance-style paintings are by the Italian illustrator Marco Ventura, and depict the Angel of Goodwill, the Angel of Peace, the Angel of Joy and the Angel of Glory. These four titles come from the account in Chapter 2 of the St Luke’s Gospel, in which angels appear to the shepherds, bringing “good tidings of great joy, which shall be to all people” and praising God saying “Glory to God in the highest, and on earth peace, good- will toward men”. The title “Goodwill” points to the fact that, through the life and death of this Christchild Jesus, we receive all the benefits of God’s grace, his freely-given love for us despite ourselves. “Peace” implies that he comes to bring freedom to the victims of those who misuse position, those on the edge of society who are excluded by the powerful, in his day by the Roman military occupiers and the Jewish Temple establishment. “Joy” indicates that, through the resurrec- tion that will ultimately come at the end of the child’s earthly life, we his follow- ers will be blessed by the deep-down happiness that comes through faith in the essential goodness of all things and in the ultimate triumph of all that is honest, good and holy. Finally “Glory” describes how the child will come to reveal God’s true and wonderful nature in his own being. Although the events surrounding the Nativity happened two thousand years ago, the significance of them, as I have tried to indicate, is as vital today as it was then. Symbolically the six stamps serve to bring these historic events into the present, in effect as though they are happening now. Could this apply to other issues of stamps, not just Christmas ones? There is an on-going campaign, entitled “Queen (Continued on page 6) 5 (Continued from page 5) and Country” and advertised on the website www.artfund.org, to persuade the Royal Mail to bring out an issue commemorating the British service men and women who have died in the conflict in Iraq. The charity The Art Fund is sup- porting a vision by the artist Steve McQueen for the photographs of those who have died to appear on the stamps, and is asking for all in agreement to add their names to the petition on the website. Some people will no doubt think this inappropriate. But I support the proposal for reasons not dissimilar to those I have described for the Christmas stamps. Each letter we receive would continue to keep alive the memory of that service person and all his or her dead and maimed colleagues, a memory that it would be more comfortable to forget. It would make us continue to face up to the awfulness of the present situation that, on our behalf, our forces are trying to bring to an end. It would continuously appeal to us to seek solutions other than the violence of war to resolve differences and to confront evil. It would continuously impress upon us the need to keep faith “in the essential goodness of all things and in the ultimate triumph of all that is honest, good and holy.” In a way the issue of such stamps would serve to carry the message of Christmas 2007 into the New Year of 2008. May the New Year bring you and those you love every blessing. Young People’s Diary Quest dates (6.45 – 8pm): 16th Dec, 20th Jan Youth Group dates: Junior (6.30 – 8pm): 3rd Dec (7 to 8.30), 7th and 21st Jan, 4th and 25th Feb, 10th Mar Senior (7 – 8.30pm): 3rd Dec, 14th and 28th Jan, 11th Feb, 3rd and 17th Mar Bible Storytime - 9.30am - in church Monday, 10th December 6 ACC Open Meeting There will be an Open Meeting of the ACC on Tuesday 8th January in the Little- worth Hall from 7.30pm on the subject of “The Involvement of Children, Young People and Families in Our Church Life”. We shall be joined by Revd Dr Sandra Millar, the Diocesan Children’s Officer. We hope very much you will be able to join us to meet Sandra and to consider this very important topic.
Load more

Recommended publications
  • DANCING DAY MUSIC FORCHRISTMAS FIFTH AVENUE,NEWYORK JOHN SCOTT CONDUCTOR Matthew Martin (B
    DANCING DAY MUSIC FOR CHRISTMAS SAINT THOMAS CHOIR OF MEN & BOYS, FIFTH AVENUE, NEW YORK JOHN SCOTT CONDUCTOR RES10158 Matthew Martin (b. 1976) John Rutter (b. 1945) Dancing Day 1. Novo profusi gaudio [3:36] Dancing Day Part 1 Music for Christmas Patrick Hadley (1899-1973) 17. Prelude [3:35] 2. I sing of a maiden [2:55] 18. Angelus ad virginem [1:55] 19. A virgin most pure [5:04] Benjamin Britten (1913-1976) 20. Personent hodie [1:57] A Ceremony of Carols, Op. 28 Part 2 Saint Thomas Choir of Men & Boys, Fifth Avenue, New York 3. Procession [1:32] 21. Interlude [4:05] 4. Wolcum Yole! [1:24] 22. There is no rose [1:53] 3-15 & 17-24 5. There is no Rose [2:26] 23. Coventry Carol [3:54] Sara Cutler harp [1:46] 1 & 16 6. That yonge child 24. Tomorrow shall be my Stephen Buzard organ 7. Balulalow [1:21] dancing day [3:03] Benjamin Sheen organ 2 & 25-26 8. As dew in Aprille [1:02] 9. This little babe [1:30] Traditional English 10. Interlude [3:32] arr. Philip Ledger (1937-2012) John Scott conductor 11. In Freezing Winter Night [3:50] 25. On Christmas Night [2:00] 12. Spring Carol [1:14] (Sussex Carol) 13. Adam lay i-bounden [1:12] 14. Recession [1:37] William Mathias (1934-1992) [1:41] 26. Wassail Carol Benjamin Britten 15. A New Year Carol [2:19] Total playing time [63:58] Traditional Dutch arr. John Scott (b. 1956) About the Saint Thomas Choir of Men & Boys: 16.
    [Show full text]
  • CHRISTMAS-CAROLS-Notes-Rev.Pdf
    CHRISTMAS CAROLS Although any Christmas song might be called a ‘carol’ these days, the word actually refers to an ancient English song-form where a refrain or chorus repeated after every stanza (or verse) and is often connected to celebrations like Christmas or Easter. The word carol is derived from the Old French word carole, a circle dance accompanied by singers (in turn derived from the Latin choraula). Carol’s origins are complex and disputed. Some of our familiar Christmas carols were originally pagan songs, sung at the Winter Solstice celebrations They were very popular as dance songs from the 1150s to the 1350s, after which their use expanded as processional songs sung during festivals, while others were written to accompany religious mystery plays. Whatever the origin, composers all over Europe started writing carols but most people could not understand them since they were written and sung in Latin. This changed in the early 13th century when St. Francis of Assisi introduced Christmas songs in church services in Italy for the first time — and true Christmas carols were officially born. In Assisi’s Nativity plays, which began in 1223, actors sang songs that described the scenes in the plays. Although the choruses were sometimes in Latin, the songs were usually written in the language that people could understand. The actors composed Christmas carols to sing during their Nativity plays and, later, they would walk through the streets still singing. It didn’t take long for these plays to spread to France, Spain and the rest of Europe. The tradition of singing Christmas songs in native languages became well established.
    [Show full text]
  • Intercessions Notices Maidstone Wind Symphony
    Intercessions THE PARISH OF Please email [email protected] or phone ALL SAINTS with ST PHILIP, MAIDSTONE 01622 756002 to add/remove names of this list. and ST STEPHEN, TOVIL Please pray for these and their families www.maidstoneallsaints.co.uk Alan Gupwell Carol Winter Pamela Hocking John Coates 18 December 2016 The Fourth Sunday of Advent Brian & Elizabeth Coleman Jeff Fernett Randell Ken and Stella Bridges Jane Sadler At All Saints Jeff & Beryl Foxley Revd Kes Grant Readings at the 8.00am Eucharist begin on page 52 Dawn Gamble Jean Williamson in the BCP and the service starts on page 237. Susan Greenstreet Winnie Thompson Music for the 9.30am Parish Eucharist Daphne Holland Jane Wearne Service: Darke in F Kay Kidney Vera Alflatt NEH 11 1,2,3,4,5&6 O come, O come, Emmanuel Pat Manser Mildred Moss NEH 19 Come, thou Redeemer of the earth John and Diana Caley Daphne Lee NEH 10 Long ago, prophets knew Harry Harbert Audrey Little Communion Motets: John Spencer Angelus ad Virginem The departed and all who mourn their passing Watts Cradle Song Matthew Hall 11.00am Parish Eucharist at St Philip’s Notices 11.00am Cafe Sundae Christingle at St Stephen’s 3.00pm Maidstone Wind Symphony Concert,All Saints Maidstone Wind Symphony Family Concert – th Please note – NO Evensong today The Snowman! Saturday 18 Dec at 3.30pm at All Saints. Pre-Concert children’s activities from St Philip’s and St Stephen’s hymns are announced 2.45pm. See posters for more details and prices.
    [Show full text]
  • Christmas 2012
    WINE CHEESE COFFEE CONFECTIONS SPECIALTY FOODS and BAKED GOODS FROM OUR KITCHEN Join the Chorus! Try digital color at the TREATS 80 MAIN STREET BOX 156 WISCASSET, MAINE 04578 PHONE 207-882-6192 1-800-882-7197 KITCHEN 207-882-8112 WWW.TREATSOFMAINE.COM [email protected] Rt. 144, Wiscasset Check us out online at www.yellowfrontgrocery.com Yellowfront Grocery Coastal Market Place • Upper Main Street Damariscotta • 563-3507 Open 7 Days a Week Visit our website for: Monday-Saturday, • Online Recipes 7AM to 8PM • Coupons Sunday, • Specials 8AM to 7PM • Online Pharmacy For your shopping convenience, we accept Visa and Mastercard s#USTOM &RAMING s2ESTORATIONS s0RINTS s/LD-APS s-IRRORS s'ILDING s0OTTERY !LAN*"ALDWIN FOUNDER YEARSEXPERIENCE !RTSAKE &RAMING'ALLERY 4HE&RENCH"LOCK 0/"OX $AMARISCOTTA -AINE The only weekly newspaper locally owned, printed and published in Lincoln County The next time you have an advertising need, get in touch with a Lincoln County company you know and trust. Your support of is direct support of your community. We’re local and proud of it!! [email protected] • phone: 207-563-3171 • fax: 207-563-3127 Visit us online at www.lincolncountynewsonline.com located at 116 Mills Road, Newcastle • mailing address: PO Box 36, Damariscotta, ME 04543 GREAT FURNITURE FOR THE HOME 63 Main Street, P.O. Box 656 Newcastle, Maine 04553 Phone (207) 563-3292 Maine’s Original One Price Dealer Since 1985 US Route One Wiscasset, ME 882-9431 WIZFORD.COM “As long as we live, there is never enough singing.” Martin Luther We Welcome Your Song in Life Retirement Community www.thorntonoaks.com 207-729-8033 • 800-729-8022 25 Thornton Way, #100 Brunswick, Maine 04011 An Affiliate of MID COAST HEALTH SERVICES Fine Wine.
    [Show full text]
  • Barbara Kowalik
    Studia Anglica Posnaniensia 42, 2006 A POPULAR CODE FOR THE ANNUNCIATION IN MEDIEVAL ENGLISH LYRICS BARBARA KOWALIK University of Warsaw ABSTRACT The paper deals with a popular type of the Annunciation lyric in medieval English poetry. A brief survey of the role of the angelic announcement to Mary in medieval art and culture is given. The argument then pursues several distinctive traits of this kind of lyric in a number of poems from the thirteenth through the sixteenth centuries. The distinguishing features include a tripartite structure, a common set of words, phrases, ideas and images, emphasis on singing, a spring set- ting, tryst between lovers, and the use of popular genres, particularly ballads and carols. By anal- ogy with music, it is argued that a certain popular code for the Annunciation existed, against which interesting artistic transformations of the theme were introduced. For example, the Annun- ciation was evoked in a highly compressed and allusive manner by means of but a few elements of the code. The principal elements of the alleged code derived from popular art and imagination. Their application to theological issues frequently led to the blurring of boundaries between the sacred and the profane, and between the Christian and the pagan. The paper proposes a distinction between Lent and alleluia subtypes of the Annunciation lyric. It also demonstrates how the pas- tourelle, aubade, and chanson d’aventure conventions of secular love poetry were adapted to represent the Annunciation. Finally, it suggests a connection between the lyric “At a spryng wel” and a specific statue of the Blessed Virgin Mary, like the much-reverenced statue of Our Lady at Walsingham.
    [Show full text]
  • 100 Carols for Choirs Table of Contents
    100 Carols for Choirs Table of Contents Adam lay ybounden, Warlock In the bleak mid-winter, Holst All my heart this night rejoices, Ebeling In the bleak mid-winter, Darke Alleluya, a new work is come on hand, Infant holy, infant lowly, Willcocks Wishart The Infant King, Willcocks Angels, from the realms of glory, It came upon the midnight clear, Willcocks Willcocks Jesus child, Rutter Angelus ad virginem, Willcocks Jesus Christ is risen today, Willcocks As with gladness men of old, Willcocks Jesus Christ the apple tree, Poston Ave plena gracia, Maxwell Davies Jingle, bells, Pierpont/Willcocks Away in a manger, Kirkpatrick/Willcocks Joy to the world, Mason/Rutter A babe is born, Mathias Joys seven, Cleobury Birthday Carol, Willcocks King Jesus hath a garden, Wood The cherry tree carol, Willcocks Kings of Orient, Hopkins/Willcocks Child in a manger, Rutter Lo! he comes with clouds descending, A child is born in Bethlehem, Willcocks Willcocks Christmas night, Rutter Lo, how a Rose e'er blooming, Praetorius Coventry carol, Rutter Longfellow's carol, Percival Coventry carol, Shaw Lord of the Dance, Carter/Willcocks Cradle song, Rutter Lute-book lullaby, Ballet/Shaw The crown of roses, Tchaikovsky A maiden most gentle, Carter Deck the hall, Willcocks Mary's Lullaby, Rutter Ding dong! merrily on high, Willcocks A merry Christmas, Warrell Ding dong! merrily on high, Wood Myn lyking, R. R. Terry The first Nowell, Willcocks Nativity carol, Rutter Gabriel to Mary came, Willcocks A New Year carol, Britten Gabriel's message, Willcocks O come, all ye faithful, Wade/Willcocks God rest you merry, gentlemen, Willcocks O come, o come, Emmanuel, Willcocks Good King Wenceslas, Willcocks O little one sweet, J.
    [Show full text]
  • St. Boniface Episcopal Church 5615 Midnight Pass Road • Siesta Key • Sarasota, Florida 34242 (941) 349-5616
    St. Boniface Episcopal Church 5615 Midnight Pass Road • Siesta Key • Sarasota, Florida 34242 (941) 349-5616 www.bonifacechurch.org The Rt. Rev. Dabney T. Smith, DMin., Bishop The Very Rev. Wayne Farrell, Rector The Rev. Jonathan Evans, Associate Rector The Rev. Elisa Hansen, Deacon Dr. James W. Guyer, Organist/Choirmaster Dr. Ann Stephenson-Moe, guest organist Festival of Nine Lessons & Carols ~ December 16, 2020 7:30 p.m. Prelude Noël Suisse Louis-Claude Daquin Advent Responsory I look from afar Giovanni Pierluigi da Palestrina (arr. Wilcocks) Cantor: I look from afar: Solo 1: and lo, I see the power of God coming, and a cloud covering the whole earth. Cantor: Go ye out to meet him and say: Choir: Tell us, art thou he that should come to reign over thy people Israel? Solo 2: High and low, rich and poor, one with another, Choir: Go ye out to meet him and say: Solo 3: Hear, O thou Shepherd of Israel, thou that leadest Joseph like a sheep, Choir: Tell us, art thou he that should come? Sopranos: Stir up thy strength, O Lord, and come Choir: to reign over thy people Israel. Cantor: Glory be to the Father, and to the Son, and to the Holy Ghost. Choir: I look from afar: and lo, I see the power of God coming, and a cloud covering the whole earth. Men: Go ye out to meet him and say: Choir: Tell us, art thou he that should come to reign over thy people Israel? From the First Responsory of Advent Sunday in the Office of Matins (early medieval Roman rite) Hymn 56 vs.
    [Show full text]
  • The Published Works of Eleanor Daley
    THE PUBLISHED WORKS OF ELEANOR DALEY Alliance Music Publications Inc. All This Night – SATB / Organ (The) Angels Will Guide You Home - SSA / Piano Angelus Ad Virginem - SATB a cap Ave Maria - SSAA a cap Ave Verum Corpus - SSAA a cap Balulalow - SATB a cap Bethlehem's Star - SATB a cap Birds are Singing - S, optional descant / Piano (The) Bridge Builder – SATB / Piano By the Waters of Babylon - SATB a cap Canticle to the Spirit - SA / Piano (A) Celtic Blessing of Light – SSA / Piano Chantez a Dieu – SSA / Piano Child with the Starry Crayon - SSA / Piano Christ Whose Glory Fills the Skies - SATB a cap Christmas Morn – SSAA / Organ Christus Factus Est - SATB a cap (The) Cloths of Heaven - SSA / Piano Come and Walk With Me - SATB a cap (The) Crown of Roses - SATB a cap (The) Dream-Ship – SSA / Piano Echo – SSAA / Piano Fill Us, Lord – SATB / Organ For the Fallen - SATB / Trumpet Gabriel’s Message - SATB a cap Gentle Nature – SSA / Piano Gloria in Excelsis Deo - SATB / Optional Brass Here, O My Lord - SATB /Organ Hosanna, Loud Hosanna - SATB / Percussion How the Flowers Came – SSA / Piano (A) Hymn for St. Cecilia – SSA / Piano I Sing of a Maiden - SSAA a cap I Was Glad - SATB / Organ I’ll Give My Love an Apple – SSA / Piano If Ye Love Me - SSAA a cap (An) Irish Blessing - SA / Piano Kneel Always - SSA / Piano Leisure - SSA / Piano Life’s Mirror – SATB / Piano / Oboe Light Looked Down – SATB / Organ Like as the Hart - Unison / Organ Listen to the Sunrise – SATB and Children’s Choir a cap Lullaby Carol - SSA/ Piano or Harp Missa Brevis - SSAA – a cappella Missa Brevis No.
    [Show full text]
  • “Never Mind the Reindeer”
    “Never Mind the Reindeer” Traditional Carols, Songs and Music for Winter, Christmas and New Year Transcribed by George Hinchliffe of The Ukulele Orchestra of Great Britain “Never Mind the Reindeer” was an all instrumental CD released by The Ukulele Orchestra of Great Britain in 1996 In 2020 the Orchestra is releasing this song book of transcriptions for ukulele of the pieces from the original album, with the addition of some extra music. These arrangements for ukulele are copyright but they are being given free in December 2020. In this winter of Covid, amid restrictions and economic difficulties all over the world, when so many people are feeling the economic pinch, the Orchestra is offering this music as a Christmas present to the world. If anyone who finds this music useful is solvent or still working they can of course make a donation via the donation page at UkuleleOrchestra.com. The Orchestra in common with many freelance performers, workers and musicians has had no live work since February 2020. Any donations would be much appreciated but if you are under pressure do feel free to take this as a gift. Most of these pieces are given here with English words, the melody in musical notation, the melody in ukulele tablature for GCEA tuned Ukulele, the chord names and the chord window diagrams for GCEA tuned ukulele. Some of the pieces have latin words or are “macaronic”, such as In Dulci Jubilo, partly in English and partly in latin. There are English words for Angelus ad Virginem, but the time honoured latin words, quoted in Chaucer’s Canterbury Tales, are given here.
    [Show full text]
  • Christmas in Medieval England Friday, December 18 & Saturday, December 19, 2015 First Church in Cambridge, Congregational Sunday, December 20, 2015 S
    CHRISTMAS IN MEDIEVAL ENGLAND Friday, December 18 & Saturday, December 19, 2015 First Church in Cambridge, Congregational Sunday, December 20, 2015 S. Stephen’s Church, Providence CHRISTMAS IN MEDIEVAL ENGLAND I. Advent Veni, veni, Emanuel DM & MEN 13 th-century French? II. Annunciation Angelus ad virginem DT SM Arundel MS (late 13th century) Gabriel fram Heven-King PD MB SM Cotton Fragments (14th century) Gaude virgo salutata / Gaude virgo singularis MN / GP / SR JM / MB MS John Dunstaple (d. 1453) / Isorhythmic motet for Annunciation Hayl Mary, ful of grace MN GP / SR JM / MB MS / SM Trinity Roll (early 15th century) Quam pulcra es MN SR MB Dunstaple / Processional antiphon for the Blessed Virgin Mary Gloria (Old Hall MS, no. 21) JM MS SR DM PG Leonel Power (d. 1445) Ther is no rose of swych vertu DT MB PG SM Trinity Roll Ibo michi ad montem mirre GP JM MS Leonel Power / Antiphon for the Nativity of the Blessed Virgin Mary III. Christmas Eve Veni redemptor gencium PG & men Sarum plainchant / Hymn for first Vespers of the Nativity on Christmas Eve INTERMISSION IV. Christmas Day Dominus dixit ad me DM & men Sarum plainchant / Introit for the Mass at Cock-Crow on Christmas Day Nowel: Owt of your slepe aryse DT PD GP Selden MS (15th century) Gloria (Old Hall MS, no. 27) MN GP PD / SR JM / MB MS Pycard (?fl. 1410-20) Ecce, quod natura PD SR MB Selden MS Sanctus / Missa Veterem hominem Anonymous English, c. 1440 Ave rex angelorum MB DM PG Egerton MS (15th century) Agnus dei / Missa Veterem hominem Anonymous English, c.
    [Show full text]
  • Choral Music 2020
    T60 Choral Music 2020 STA INER & BE LL LTD PO Box 110, Victoria House, 23 Gruneisen Road, London N3 1DZ Including the editions of Telephone: +44 (0) 20 8343 3303 email: [email protected] https://stainer.co.uk AUGENER � GALLIARD � WEEKES � JOSEPH WILLIAMS CHORAL MUSIC Contents Ordering Information.................................................................................2 Anthems and Services..............................................................................3 Christmas Music, Carols and Spirituals ....................................................8 Madrigals, Airs and Partsongs ................................................................12 Mixed Voices ..........................................................................................15 High Voices.............................................................................................19 Male Voices ............................................................................................20 For Children ............................................................................................20 Library Editions: ......................................................................................21 The Byrd Edition ................................................................................21 Early English Church Music ..............................................................21 Musica Britannica ..............................................................................22 Purcell Society Edition ......................................................................23
    [Show full text]
  • Music As Holy Preaching
    THE PARISH OF ST. VINCENT FERRER AND ST. CATHERINE OF SIENA MUSIC AS HOLY PREACHING MUSIC LIST of the SCHOLA CANTORUM and PARISH CONCERT SERIES 2017–2018 SEASON The Very Reverend Walter C. Wagner, O.P., Pastor James D. Wetzel, Director of Music and Organist Alexander Pattavina, Assistant Organist 2 INTRODUCTION TO MUSIC IN THE PARISH elcome to the Parish of St. Vincent Ferrer and St. Catherine Wof Siena in the Roman Catholic Archdiocese of New York which is administered by the Dominican Friars of the Province of St. Joseph. We are blessed with a wonderful, active music program, and we hope that this brochure will be a guide to experiencing our holy preaching more fully through music. The Solemn Mass is at the heart of the Parish’s liturgical and musical life and is the richest expression of the Church’s Holy Sacrifice. As such, it is celebrated with full ceremonial on Sundays (at 12:00 Noon at St. Vincent Ferrer), on major feast days, and to mark important occasions in the community. The Schola Cantorum, the Parish’s professional choir, sings for every Solemn Mass. Schola Cantorum is the official term used by the Catholic Church to denote a liturgical choir and literally means ‘school of singing’. The Schola chants the Latin Propers (the Entrance, Offertory, and Communion Antiphons and the Alleluia) according to the Dominican Graduale, the chant book particular to the Order of Preachers. Offertory and Communion motets follow the respective Antiphons, and on feast days a choral Mass Ordinary is offered. This broad range of repertoire surveys the very best in our treasured Catholic musical patrimony.
    [Show full text]