GHI Historic District Forum
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Council and Greenway Center Discuss Tenant Issues, Covid by Matthew Arbach
Inside Stories GREENBELT Artist Pragati Art: Hopes and News ReviewAn Independent Newspaper Godbole, p.12 Dreams, p.12 VOL. 84, No. 4 15 Crescent Rd., Suite 100, Greenbelt, MD 20770-1887 DECEMBER 17, 2020 Council and Greenway Center Discuss Tenant Issues, Covid by Matthew Arbach Este artículo está disponible while Covid-19 was a factor, PetSmart, have had to make seri- en español en nuestra página several of the recent closings ous adjustments to accommodate web www.greenbeltnewsreview. resulted from vicissitudes in the pandemic restrictions. com. retail environment, with Hunan CP and its staff of 65 man- Combined Properties (CP), Treasure closing before March ages around 550 tenants on both owner of Greenway Center, is and Modell’s at the beginning of the East and West Coasts. Of committed to making sure the March. this portfolio, around 380 ten- center remains a vibrant and Currently, there are five vacan- ants have made requests for rent healthy city stakeholder in the cies at the property, with three relief, which is now maxed out. face of the nation’s recent eco- new prospects in negotiations to According to Executive Vice nomic challenges. On December replace them. Property Manage- President of Acquisitions and 7, representatives met with the ment Vice President Holly Haley Development Andrew McIntyre, Greenbelt City Council to pro- said that while certain tenants “cash flow has greatly dimin- RECREATION GREENBELT COURTESY PHOTO vide a picture of Greenway’s like Capitol One and M&T Bank, ished,” yet many tenants are Megan Young places a candle in the Greenbelt Museum win- struggles, victories and short- and Safeway and various medical of- “still well capitalized,” with the dow as part of the video A Candle in the Window, directed by long-term future. -
Smoothly Run Council Meeting Navigates Polarizing Agenda FEMA Vax Site at Metro Gives Its 100,000Th Shot on May 13
Inside Stories GREENBELT Greenbelters at GAC presents Dr. News ReviewAn Independent Newspaper Faith Event, p.4 Faustus, p.3 VOL. 84, No. 26 15 Crescent Rd., Suite 100, Greenbelt, MD 20770-1887 MAY 20, 2021 Budget 2022 With Three Weeks to Go, FEMA Vax Site at Metro Gives Budget Is Still Up in Air Its 100,000th Shot on May 13 by Diane Oberg Este artículo está disponible Ana said when asked why she en español en nuestra página got vaccinated. In recent years, the Greenbelt the city’s budget must balance. web www.greenbeltnewsreview. “The FEMA Community Vac- City Council has worked out its And the city’s reserves were just com. cination Center in Greenbelt has desired changes to the city man- 17.8 percent of expenditures, Although the site is now played a key role in the state’s ager’s proposed budget at a final on the low side of the 17 to 20 scheduled to close down on efforts to fight Covid-19,” said budget worksession in advance percent recommended by Green- Tuesday, June 1, the FEMA site Maryland Emergency Manage- of the second public hearing on belt’s financial advisors. After at the Greenbelt Metro Com- ment Agency Executive Director the budget so that citizens are not the budget presentation, the city munity Vaccination Center has Russ Strickland. “This is a truly surprised by what is presented for learned that its workers compen- administered more than 100,000 rewarding partnership between adoption and have an opportunity sation premiums are going up by shots to help bring the world state, local and federal agencies to comment before passage. -
Orson Welles: CHIMES at MIDNIGHT (1965), 115 Min
October 18, 2016 (XXXIII:8) Orson Welles: CHIMES AT MIDNIGHT (1965), 115 min. Directed by Orson Welles Written by William Shakespeare (plays), Raphael Holinshed (book), Orson Welles (screenplay) Produced by Ángel Escolano, Emiliano Piedra, Harry Saltzman Music Angelo Francesco Lavagnino Cinematography Edmond Richard Film Editing Elena Jaumandreu , Frederick Muller, Peter Parasheles Production Design Mariano Erdoiza Set Decoration José Antonio de la Guerra Costume Design Orson Welles Cast Orson Welles…Falstaff Jeanne Moreau…Doll Tearsheet Worlds" panicked thousands of listeners. His made his Margaret Rutherford…Mistress Quickly first film Citizen Kane (1941), which tops nearly all lists John Gielgud ... Henry IV of the world's greatest films, when he was only 25. Marina Vlady ... Kate Percy Despite his reputation as an actor and master filmmaker, Walter Chiari ... Mr. Silence he maintained his memberships in the International Michael Aldridge ...Pistol Brotherhood of Magicians and the Society of American Tony Beckley ... Ned Poins and regularly practiced sleight-of-hand magic in case his Jeremy Rowe ... Prince John career came to an abrupt end. Welles occasionally Alan Webb ... Shallow performed at the annual conventions of each organization, Fernando Rey ... Worcester and was considered by fellow magicians to be extremely Keith Baxter...Prince Hal accomplished. Laurence Olivier had wanted to cast him as Norman Rodway ... Henry 'Hotspur' Percy Buckingham in Richard III (1955), his film of William José Nieto ... Northumberland Shakespeare's play "Richard III", but gave the role to Andrew Faulds ... Westmoreland Ralph Richardson, his oldest friend, because Richardson Patrick Bedford ... Bardolph (as Paddy Bedford) wanted it. In his autobiography, Olivier says he wishes he Beatrice Welles .. -
Reading in the Dark: Using Film As a Tool in the English Classroom. INSTITUTION National Council of Teachers of English, Urbana, IL
DOCUMENT RESUME ED 456 446 CS 217 685 AUTHOR Golden, John TITLE Reading in the Dark: Using Film as a Tool in the English Classroom. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3872-1 PUB DATE 2001-00-00 NOTE 199p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 38721-1659: $19.95, members; $26.95, nonmembers). Tel: 800-369-6283 (Toll Free); Web site http://www.ncte.org. PUB TYPE Books (010) Guides Non-Classroom (055) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Classroom Techniques; *Critical Viewing; *English Instruction; *Film Study; *Films; High Schools; Instructional Effectiveness; Language Arts; *Reading Strategies; Units of Study IDENTIFIERS *Film Viewing; *Textual Analysis ABSTRACT To believe that students are not using reading and analytical skills when they watch or "read" a movie is to miss the power and complexities of film--and of students' viewing processes. This book encourages teachers to harness students' interest in film to help them engage critically with a range of media, including visual and printed texts. Toward this end, the book provides a practical guide to enabling teachers to ,feel comfortable and confident about using film in new and different ways. It addresses film as a compelling medium in itself by using examples from more than 30 films to explain key terminology and cinematic effects. And it then makes direct links between film and literary study by addressing "reading strategies" (e.g., predicting, responding, questioning, and storyboarding) and key aspects of "textual analysis" (e.g., characterization, point of view, irony, and connections between directorial and authorial choices) .The book concludes with classroom-tested suggestions for putting it all together in teaching units on 11 films ranging from "Elizabeth" to "Crooklyn" to "Smoke Signals." Some other films examined are "E.T.," "Life Is Beautiful," "Rocky," "The Lion King," and "Frankenstein." (Contains 35 figures. -
Oconnor Conversations Spread
CONVERSATIONS WITH ORSON COLLEEN O’CONNOR #86 ESSAY PRESS NEXT SERIES Authors in the Next series have received finalist Contents recognition for book-length manuscripts that we think deserve swift publication. We offer an excerpt from those manuscripts here. Series Editors Maria Anderson Introduction vii Andy Fitch by David Lazar Ellen Fogelman Aimee Harrison War of the Worlds 1 Courtney Mandryk Grover’s Mill, New Jersey, 1938 Victoria A. Sanz Travis A. Sharp The Third Man 6 Ryan Spooner Vienna, 1949 Alexandra Stanislaw Citizen Kane 11 Series Assistants Cristiana Baik Ryan Ikeda Xanadu, Florida, 1941 Christopher Liek Emily Pifer Touch of Evil 17 Randall Tyrone Mexico/U.S. Border, 1958 Cover Design Ryan Spooner F for Fake 22 Ibiza, Spain, 1975 Composition Aimee Harrison Acknowledgments & Notes 24 Author Bio 26 Introduction — David Lazar “Desire is an acquisition,” Colleen O’Connor writes in her unsettling series, Conversations with Orson. And much of desire is dark and escapable, the original noir of noir. The narrator is and isn’t O’Connor. Just as Orson is and isn’t Welles. Orson/O’Connor. O, the plasticity of persona. There is a perverse desire to be both known and unknown in these pieces, fragments of essay, prose poems, bad dreams. How to wrap around a signifier that big, that messy, spilling out so many shadows! Colleen O’Connor pierces her Orson Welles with pity and recognition. We imagine them on Corsica thanks to a time machine, her vivid imagination, and a kind of bad cinematic hangover. The hair of the dog is the deconstruction of the male gaze. -
An Educational Guide Filled with Youthful Bravado, Welles Is a Genius Who Is in Love with and Welles Began His Short-Lived Reign Over the World of Film
Welcome to StageDirect Continued from cover Woollcott and Thornton Wilder. He later became associated with StageDirect is dedicated to capturing top-quality live performance It’s now 1942 and the 27 year old Orson Welles is in Rio de Janeiro John Houseman, and together, they took New York theater by (primarily contemporary theater) on digital video. We know that there is on behalf of the State Department, making a goodwill film for the storm with their work for the Federal Theatre Project. In 1937 their tremendous work going on every day in small theaters all over the world. war effort. Still struggling to satisfy RKO with a final edit, Welles is production of The Cradle Will Rock led to controversy and they were This is entertainment that challenges, provokes, takes risks, explodes forced to entrust Ambersons to his editor, Robert Wise, and oversee fired. Soon after Houseman and Welles founded the Mercury Theater. conventions - because the actors, writers, and stage companies are not its completion from afar. The company soon made the leap from stage to radio. slaves to the Hollywood/Broadway formula machine. These productions It’s a hot, loud night in Rio as Orson Welles (actor: Marcus In 1938, the Mercury Theater’s War of the Worlds made appear for a few weeks, usually with little marketing, then they disappear. Wolland) settles in to relate to us his ‘memoir,’ summarizing the broadcast history when thousands of listeners mistakenly believed Unless you’re a real fanatic, you’ll miss even the top performances in your early years of his career in theater and radio. -
Current Issue
Inside Stories GREENBELT From its earliest days, Greenbelt was created with a City Limits reverence for non-motorized modes of transporta- Historic Greenbelt Inner tion. The inner walkway system was created as a Walkway System means for people to walk to almost any destination Roadside Pedestrian Trail Raiders Girls Retro Town Fair without having to cross a street at grade. Street (Includes Sidewalks) underpasses allowed pedestrians to avoid interac- Public Off-Road Pedestrian Trail Soccer, p.11 Winners, p.2 tion with automobiles. An Independent Newspaper eviewHistoric Greenbelt Inner As the city has grown to areas east of the FOREST Walkway Underpass Baltimore-Washington Parkway and west of the PRESERVE Capital Beltway, some of the planning features which Walking Tour were built into old Greenbelt have been lost. The ews American Discovery Trail Capital Beltway and Baltimore-Washington Parkway Use Metro N R VOL. 84, No. 44 15 Crescent Rd., Suite 100, Greenbelt, MD 20770-1887 SEPTEMBER 23, 2021 have divided the city in thirds and have limited the Underpass East Coast Greenway opportunities for getting from one area to another. Caution (Busy Intersection) In an effort to unite Greenbelt’s disparate sections and rekindle the spirit of free non-motorized move- Public Facility ment throughout the city, the Greenbelt City Council has worked with its advisory boards and interested Retail Facility/Dining citizens to develop a comprhensive city-wide master trails map for pedestrians and bicyclists. FOREST ElectionCampground 2021 PRESERVE Walking or bicycling for transportation or recreation enhances the quality of life for Greenbelt residents Council Tackles Park Issues, Picnic Area by reducing pollution and congestion, enhancing 16-, 17-Year-olds Can Vote health and fitness, and promoting a sense of FOREST School community. -
1 Orson Welles' Three Shakespeare Films: Macbeth, Othello, Chimes At
1 Orson Welles’ three Shakespeare films: Macbeth, Othello, Chimes at Midnight Macbeth To make any film, aware that there are plenty of people about who’d rather you weren’t doing so, and will be quite happy if you fail, must be a strain. To make films of Shakespeare plays under the same constraint requires a nature driven and thick-skinned above and beyond the normal, but it’s clear that Welles had it. His Macbeth was done cheaply in a studio in less than a month in 1948. His Othello was made over the years 1949-1952, on a variety of locations, and with huge gaps between shootings, as he sold himself as an actor to other film- makers so as to raise the money for the next sequence. I’m going to argue that the later movie shows evidence that he learned all kinds of lessons from the mistakes he made when shooting the first, and that there is a huge gain in quality as a consequence. Othello is a minor masterpiece: Macbeth is an almost unredeemed cock-up. We all know that the opening shot of Touch of Evil is a virtuoso piece of camerawork: a single unedited crane-shot lasting over three minutes. What is not often stressed is that there’s another continuous shot, less spectacular but no less well-crafted, in the middle of that film (it’s when the henchmen of Quinlan, the corrupt cop, plant evidence in the fall-guy’s hotel room). What is never mentioned is that there are two shots still longer in the middle of Macbeth . -
August 14, 2008
GREENBELT News ReviewAn Independent Newspaper VOL. 71, No. 39 15 Crescent Rd., Suite 100, Greenbelt, MD 20770-1887 AUGUST 14, 2008 Greenbriar Is Site for Second Council Focuses Attention Elections Forum on Monday On Schrom Hills Pond by James Giese by Bay Woods The only item creating any according to Councilmember Ed On Monday, August 18 at 7 currently elected in November of meeting, like council itself, were great interest and discussion at Putens, added $10,000 to the p.m. in the Greenbriar Commu- odd years by means of a system largely white and, to use Jeon’s the August 11 Greenbelt City price of nearby new homes hav- nity Room at 7600 Hanover Park- where every member of council phrase, were not “fully repre- Council meeting, a meeting that ing lakeside views. way, the American Civil Liberties is elected at-large by the votes of sentative of Greenbelt’s racially otherwise consisted of non-con- Besides being a scenic amenity Union (ACLU), the National all participating. The ACLU and diverse citizenry.” troversial pro-forma agenda items, to a new city park, the pond was Association for the Advancement the NAACP have argued that this Many citizens in attendance was what to do about maintaining to serve as a required storm water of Colored People (NAACP) and system has produced an all-white stressed the city’s civic pride and the pond at Schrom Hills Park detention facility for development Fair Vote will participate in a city council. activist spirit and expressed a and who should do it. After of the Greenbrook and Ora Glen community forum they are calling They proposed moving elec- sense of betrayal. -
Touch of Evil by Michael Sragow “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002
Touch of Evil By Michael Sragow “The A List: The National Society of Film Critics’ 100 Essential Films,” 2002 Reprinted by permission of the author Orson Welles’s “Touch of Evil” takes view- ers on a jolting ride through a seedy town on the U.S.–Mexico border, circa 1957. At every turn, the glamorous stars — Charlton Heston and Janet Leigh, as a de- termined Mexican prosecutor and his new American wife — come up against a cou- ple of charismatic grotesques: a baggy- pants crime boss named Grandi, played by Akim Tamiroff, and a tainted American police captain named Quinlan, played by Welles himself. Their jeopardy-riddled Charlton Heston grimaces at a bullying Orson Welles. Courtesy Library of Congress journey makes for one of the freest, riskiest, and raciest melodramas ever financed by a Hollywood sequence — one of the most influential in movie history studio. — without opening credits and with an ominous aural backdrop, including the doomed vehicle’s car radio that The picture opens with a mind-blowing traveling shot operates like a tracer in the viewer’s mind. that starts at the level of the belt-buckle and then swings left and right and up, as a quick and shadowy figure sets a When this keen-witted version opened theatrically, some time bomb and places the device in the trunk of a car. fans missed the Universal-cum-Mancini credit sequence; Continuing in one unbroken shot, the camera pulls away the hardscrabble splendor of the reediting didn’t jibe into a panoramic view of the border town of Los Robles, with their memories of the cheap-to-sublime thrills they then floats down to follow Mr. -
SEPTEMBER 25, 2008 Opposition to ICC Construction State Transportation Cuts Continues, Gains Momentum Could Affect Greenbelt by Barbara Hopkins by Thomas X
GREENBELT News ReviewAn Independent Newspaper VOL. 71, No. 45 15 Crescent Rd., Suite 100, Greenbelt, MD 20770-1887 SEPTEMBER 25, 2008 Opposition to ICC Construction State Transportation Cuts Continues, Gains Momentum Could Affect Greenbelt by Barbara Hopkins by Thomas X. White Scheduled road improvements and a number of other county Controversy about the Inter- for the halt are the Maryland Chap- stop-gap bill that provides an emer- and transit projects in or near lawmakers called on the governor county Connector (ICC) between ter of the Sierra Club, Community gency injection of $8 billion from Greenbelt were shelved recent- to halt funding for the ICC. the I-270 corridor in Montgomery Research, the Audubon Naturalist the general fund to keep the trust ly when the State of Maryland She said, “Some of us were County and the I-95 corridor in Society and the Coalition for Smart fund solvent.) Transportation Authority acted to skeptical and now our worst fear northern Prince George’s County Growth. Separately, a group of A press release from the Sierra reduce the state’s transportation – State Highway’s admission continues apace. Last year, the Prince George’s County elected Club and other organizations said budget by $1.1 billion over six that the ICC will eat up all of Maryland Department of Transpor- officials has requested a formal that the deep cuts in funding “came years. Dedicated transportation our transportation funding – has tation (MDOT), after beating back meeting with the governor to dis- sharply on the heels of reports funds have declined in the state proven true.” The local lawmak- opposition, awarded contracts to cuss cutbacks for their long-sought that the construction contract for from reductions in gas tax rev- ers agreed that canceling funding begin construction of the highway projects and to convey their resolve a seven-mile segment of the ICC enues and car sales titling taxes. -
XIV:8 TOUCH of EVIL (112 Minutes) 1958
March 6, 2007: XIV:8 TOUCH OF EVIL (112 minutes) 1958 Director Orson Welles Script Paul Monash and Orson Welles, based on Whit Masterson’s novel Badge of Evil Producer Albert Zug Smith Original music Henry Mancini Cinematographer Russell Metty (uncredited director of reshots–Harry Keller) Film Editor Edward Curtiss, Walter Murch (director's cut), Aaron Stell, Virgil W. Vogel Orson Welles…Hank Quinlan Marlene Dietrich…Tanya Charlton Heston… Ramon Miguel 'Mike' Vargas Dennis Weaver…Motel Manager Janet Leigh…Susan Vargas Mercedes McCambridge…Leader of the gang Joseph Calleia…Pete Menzies Zsa Zsa Gabor…Nightclub Owner Akim Tamiroff…"Uncle Joe" Grandi Joseph Cotton…Police surgeon Joanna Cook Moore…Marcia Linnekar Keenan Wynn…Bit Part (uncredited) ORSON WELLES (George Orson Welles, 6 May 1915, Kenosha, Wisconsin— 10 October 1985, Hollywood, sometimes credited as O.W. Jeeves and G.O. Spelvin) did it all: actor, director, writer, producer, editor, cinematographer, shill for Gallo Wines. In his later years he played himself, but he got to do that only because the self he created was so interesting. His bio lists 133 acting credits, beginning as Death in the 1934 film Hearts of Death. Many of those credits were as “narrator”: he was the offscreen voice of the narrator in “Shogun” and Robin Masters “Magnum P.I.” He played some of history’s great characters: Cardinal Wolsey in A Man for All Seasons 1966, Falstaff in Chimes at Midnight 1965, Harry Lime in Third Man 1949, Cesare Borgia in Prince of Foxes 1949, and Macbeth 1948. Not one of the 28 films he directed is uninteresting and several are masterpieces, among them It’s All True (1993), The Lady from Shanghai (1948), Macbeth (1948), The Magnificent Ambersons (1942), and Citizen Kane (1941).