Composer Errollyn Wallen Traveling in Syria
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The Big Tent’ Media Report Moveon.Org
‘The Big Tent’ Media Report MoveOn.org September 12, 2008 TABLE OF CONTENTS MEDIA SUMMARY .................................................................................................................... 3 TELEVISION ............................................................................................................................. 13 PRINT ......................................................................................................................................... 73 ONLINE…………………………………………………………………………………………89 2 MEDIA SUMMARY 3 Television CNN, America Votes 2008 The Big Tent mentioned as a blogging facility in Denver, 8/28/08. CNN, The Situation Room Mentioned the Big Tent as the place where 300 credentialed bloggers are working, 8/25/08. CNN, The Situation Room Mentioned how the Denver Nuggets’ weight room would become the Big Tent, 8/19/08. FBN, Countdown to the Closing Bell Josh Cohen interviewed about the Big Tent, 8/28/08. FBN, America’s Nightly Scorecard Mentioned Google doing a good job with the Big Tent, 8/22/08. CSPAN, Campaign 2008 Interviewed blogger Ben Tribbett about the Big Tent and filmed a walk-through of the entire tent, 8/28/08. CSPAN2, Tonight From Washington Leslie Bradshaw from New Media Strategies mentions the Big Tent during her interview, 8/26/08. MSNBC Morning Joe Interviewed several bloggers inside the Big (same clip ran on MSNBC News Live) Tent as part of Morning Joe’s “The Life of Bloggers: Cheetos-Eating, Star Wars Watching, Living in Basements?” 8/27/08. NBC; Denver, CO The Big Tent mentioned as the location of T. Boone Pickens’ event, 8/31/08. NBC; Boston, MA The Big Tent credited with helping Phillip (same clip ran in Cedar Rapids, IA; Anderson of the AlbanyProject.com and Wichita Falls, TX; New York, NY; others get work done at the convention, Cleveland, OH; Seattle, WA; interviewed Phillip Anderson and Markos San Diego, CA; Tuscon, AZ; Moulitsas about the Big Tent, 8/27/08. -
Wag the Dog: a Study on Film and Reality in the Digital Age
Thanouli, Eleftheria. "Conclusion: Wag the Dog and its Universe." Wag the Dog: A Study on Film and Reality in the Digital Age. New York: Bloomsbury Academic, 2013. 143–152. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781628929171.0006>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 17:01 UTC. Copyright © Eleftheria Thanouli 2013. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Conclusion Wag the Dog and its Universe My study on film and reality using Wag the Dog as a pivotal case in the history of cinema is nearing its end. In these concluding pages I would like to revisit the terms and the concepts, the observations and the arguments that stemmed from the close analysis of the film and the surrounding reality in order to provide the reader with an overview as well as a blueprint of this complex relation. To that end, I would like to return to Souriau’s grand scheme to define the principles of filmology, which I presented in Chapter 1, and borrow his typology of the ‘seven levels of existence’ in the structure of the filmic universe. As I reframe my own findings into Souriau’s levels, I hope to shed light into the universe of Wag the Dog and its bearing on the state of cinema in the current age. The afilmic reality. The external reality that exists beyond the filmic text is impossible to contain within a single description, as the multitude of elements that comprise it is essentially infinite. -
Performing the Compositional Act by Creating Intriguing Situations in Which Musical Sound May Occur
Grandchildren of Experimental Music - performing the compositional act by creating intriguing situations in which musical sound may occur Andrew Thomas Ingamells (Andy Ingamells) A portfolio of performances with commentary submitted in partial fulfilment of the requirements of Birmingham City University for the degree of Doctor of Philosophy September 2017 The Faculty of Arts, Design and Media, Birmingham City University (Birmingham Conservatoire) COMMENTARY ABSTRACT This portfolio of work explores alternative methods of musical composition that question the distinction between composer and performer, presenting an integrated and interdisciplinary artistic approach that aims to engage a broader public in the production of experimental music. The seventeen pieces in the portfolio are playful outcomes of a practice that, whilst rooted in musical concerns, does not privilege the sounding result. In the accompanying commentary the heritage of experimental music and Fluxus is used as a starting point to reconsider the traditionally separate roles of composer and performer. I assert that these roles currently remain distinct and separate in contemporary practice, despite the challenge that experimental music and Fluxus posed to conventional music-making. In order to address this I reconfigure the relationships between composer, performer and listener through an interpretation of a diagram by experimental composer George Brecht, and develop a framework in which the act of composition can be performed through ‘reading’, ‘character’ and ‘playing’. -
25 Years of the London Jazz Festival
MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay Published in Great Britain in 2017 by University of East Anglia, Norwich NR4 7TJ, UK as part of the Impact of Festivals project, funded by the Arts and Humanities Research Council, under the Connected Communities programme. impactoffestivals.wordpress.com ACKNOWLEDGEMENTS This book is an output of the Arts and Humanities Research Council collaborative project The Impact of Festivals (2015-16), funded under the Connected Communities Programme. The authors are grateful for the research council’s support. At the University of East Anglia, thanks to project administrators CONTENTS Rachel Daniel and Jess Knights, for organising events, picture 1 FOREWORD 50 CHAPTER 4. research, travel and liaison, and really just making it all happen JOHN CUMMING OBE, THE BBC YEARS: smoothly. Thanks to Rhythm Changes and CHIME European jazz DIRECTOR, EFG LONDON 2001-2012 research project teams for, once again, keeping it real. JAZZ FESTIVAL 50 2001: BBC RADIO 3 Some of the ideas were discussed at jazz and improvised music 3 INTRODUCTION 54 2002-2003: THE MUSIC OF TOMORROW festivals and conferences in London, Birmingham, Cheltenham, 6 CHAPTER 1. 59 2004-2007: THE Edinburgh, San Sebastian, Europe Jazz Network Wroclaw and THE EARLY YEARS OF JAZZ FESTIVAL GROWS Ljubljana, and Amsterdam. Some of the ideas and interview AND FESTIVAL IN LONDON 63 2008-2011: PAST, material have been published in the proceedings of the first 7 ANTI-JAZZ PRESENT, FUTURE Continental Drifts conference, Edinburgh, July 2016, in a paper 8 EARLY JAZZ FESTIVALS 69 2012: FROM FEAST called ‘The role of the festival producer in the development of jazz (CULTURAL OLYMPIAD) in Europe’ by Emma Webster. -
Intouch Autumn 2016 (Pdf)
Autumn Issue 2016 WELCOME 02 03 06 ALUMNI OFFICE WELCOME TO THE AUTUMN 2016 I N T H I S INSIDE KING’S CELEBRATING WHAT I’VE LEARNED +44 (0)20 7848 3053 KING’S AT THE 50 YEARS OF FIGHTING GLOBAL PERSPECTIVES [email protected] INTOUCH, THE TRANSFORMATION ISSUE. ISSUE HEART OF CULTURE LIVER DISEASE ON RADICALISM Virginia Woolf Building Autumn 2016 Connecting through culture: Academics and clinicians reflect Dr Shiraz Maher outlines King’s College London Deborah Bull outlines King’s on the research and innovations how greater understanding of 22 Kingsway Since we published the last issue of InTouch, the world as we know London WC2B 6LE it has changed. On 23 June, the UK voted to leave the European plans to share and develop that have made King’s Liver radicalisation can influence cultural projects in London Unit the largest transplant policy and help build peace. © King’s College Union, and in doing so ushered in Theresa May as the new Prime London 2016 Minister. By the time InTouch arrives on your doorstep, the USA and beyond. centre in Europe. will also have elected a new President and, whichever way the InTouch is published by vote goes: the result will be of historic importance. One thing is the university’s Fundraising certain, we are living in a time of great and constant change. & Supporter Development Department. The opinions expressed in it are those Throughout this issue, we address some of the ways in which of the writers and not the world is changing, and highlight how King’s is making a positive necessarily those of impact. -
Wag the Dog: a Study on Film and Reality in the Digital Age
Wag the Dog Wag the Dog: A Study on Film and Reality in the Digital Age Eleftheria Thanouli Bloomsbury Academic An imprint of Bloomsbury Publishing Inc Bloomsbury Academic An imprint of Bloomsbury Publishing Inc 1385 Broadway 50 Bedford Square New York London NY 10018 WC1B 3DP USA UK www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2013 First published in paperback 2015 © Eleftheria Thanouli, 2013, 2015 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author. Library of Congress Cataloging-in-Publication Data Thanouli, Eleftheria. Wag the dog : a study on fi lm and reality in the digital age / by Eleftheria Thanouli. pages cm Includes bibliographical references and index. ISBN 978-1-4411-8936-3 (hardback) – ISBN 978-1-4411-2281-0 (e-pub) – ISBN 978-1-4411-9871-6 (e-pdf) 1. Wag the dog (Motion picture) 2. Motion pictures– Philosophy. 3. Motion pictures–Social aspects–United States. I. Title. PN1997.W25T47 2013 791.43’72–dc23 2013020883 ISBN: HB: 978-1-4411-8936-3 PB: 978-1-5013-0727-0 ePub: 978-1-4411-2281-0 ePDF: 978-1-4411-9871-6 Typeset by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NN Printed and bound in the United States of America To Yannis Tzioumakis Contents Acknowledgements viii Introduction 1 1 Wag the Dog and Narrative Analysis 15 2 Wag the Dog and the Digital 49 3 Wag the Dog and the Media 77 4 Wag the Dog and Politics in Hollywood 105 Conclusion: Wag the Dog and its Universe 143 Bibliography 153 Index 163 Acknowledgements My interest in Wag the Dog goes back to my undergraduate studies in Journalism and Mass Media. -
Radio 3 Listings for 26 December 2020 – 1 January 2021 Page 1 of 17 SATURDAY 26 DECEMBER 2020 Air for String Orchestra 9.30Am Building a Library: Nicholas Kenyon on J
Radio 3 Listings for 26 December 2020 – 1 January 2021 Page 1 of 17 SATURDAY 26 DECEMBER 2020 Air for string orchestra 9.30am Building a Library: Nicholas Kenyon on J. S. Bach’s Danish Radio Concert Orchestra, Borge Wagner (conductor) Christmas Oratorio, BWV 248 SAT 01:00 Through the Night (m000qksr) Bach Brandenburg Concertos 04:50 AM Bach wrote his Christmas Oratorio for performance in church Ludwig van Beethoven (1770-1827) during the Christmas season of 1734. It incorporates music Camerata Variabile Basel at the 2018 Schaffhausen Bach 12 Variations on 'Ein Madchen oder Weibchen' for cello and from earlier compositions and is in six parts, one part for each Festival in Switzerland. With Jonathan Swain. piano (Op.66) of the major feast days of the Christmas period. It is full of Miklos Perenyi (cello), Dezso Ranki (piano) wonderfully invigorating choruses and expressive arias and is a 01:01 AM seasonal favourite. Johann Sebastian Bach (1685-1750) 05:01 AM Brandenburg Concerto no 4 in G major, BWV 1049 Franz Doppler (1821-1883) 10.15am New Releases Camerata Variabile Basel, Helena Winkelman (conductor), L'oiseau des bois (Bird in the woods) - idyll for flute and 4 Helena Winkelman (violin) horns, Op 21 Mariss Jansons: His Last Concert - Live at Carnegie Hall Janos Balint (flute), Jeno Kevehazi (horn), Peter Fuzes (horn), Bavarian Radio Symphony Orchestra 01:17 AM Sandor Endrodi (horn), Tibor Maruzsa (horn) Mariss Jansons (conductor) Dmitry Shostakovich (1906 -1975) BR Klassik 900192 Two Pieces for String Octet, Op 11 05:07 AM https://www.br-klassik.de/orchester-und-chor/br-klassik-cds/sy -
Other Minds 20 Festival of New Music March 6, 7And 8, 2015 SFJAZZ Center 201 Franklin Street (At Fell) San Francisco, CA 94102
For Immediate Release October 2014 Further Info: Blaine Todd Director of Communications (415) 934-8134 ext. 301 office (760) 712-8041 mobile Other Minds 20 Festival of New Music March 6, 7and 8, 2015 SFJAZZ Center 201 Franklin Street (at Fell) San Francisco, CA 94102 Other Minds to Celebrate 20th Anniversary Festival with Unprecedented Retrospective Cast U.S. Premiere of Michael Nyman Symphony No. 2 World Premiere of Pauline Oliveros’ Twins Peeking at Koto Tributes to Australian Composer Peter Sculthorpe and American Maverick Lou Harrison Centennial Commemoration of Armenian Genocide Other Minds (OM) in San Francisco announces its 20th anniversary festival of avant- garde music, taking place in San Francisco on Friday March 6th, 7th and 8th, 2015 at the historically distinguished SFJAZZ Center. This annual event is presented in cooperation with the Djerassi Resident Artists Program. For 20 years Other Minds has searched the world over for the most unconventional and inspiring composers of our time. This March, the Other Minds Festival celebrates its 20th edition, and to mark this occasion, for the first time in its history, will present a retrospective cast from festivals past. Among the many highlights this year are the U.S. premiere of Michael Nyman's Symphony No. 2, featuring the San Francisco School of the Arts Youth Orchestra (SOTA) and accompanied by historical clips from Mexican cinema of the 20th Century; the world-premiere performance of Pauline Oliveros' Twins Peeking at Koto, featuring Oliveros and Norwegian accordion virtuoso Frode Haltli and recent Doris Duke Award recipient Miya Masaoka on koto; Masaoka presents her own world premiere, String Quartet No. -
Mongrel Media Presents
Mongrel Media Presents A film by François Girard (109 min., Canada/USA, 2014) Language: English Official Selection 2014 TORONTO INTERNATIONAL FILM FESTIVAL Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/boychoir BOYCHOIR Director: Francois Girard (Oscar winning The Red Violin, Thirty Two Shorts Films about Glenn Gould) Producers: Judy Cairo (Oscar winning Crazy Heart), Carol Baum (Father of the Bride), Jane Goldenring (My First Mister) Production Company: Informant Media (Crazy Heart, Hysteria, Erased, Stuck in Love) Cast: Dustin Hoffman, Kathy Bates, Eddie Izzard, Josh Lucas, Debra Winger and Kevin McHale Logline: A troubled 11-yr-old young boy’s life is changed when he’s challenged to be his best by the choir director, Carvelle, at the country’s most prestigious music school for boys. SYNOPSIS: STET CATES (11) is a tough kid living a hard life in Odessa, Texas. Time and time again, Stet gets into trouble for fighting. He sings in the shower and his mother – though she disapproves of the choice of music – is impressed by his amazing singing voice. Despite his talent, Stet’s performance in his school choir is compromised by his insolence. He’s the kind of kid who seeks out trouble. The American Boy Choir comes to perform at his school, led by their stern and formidable Choir Master, MR. -
Production Notes
During his lifetime, J. Edgar Hoover would rise to be the most powerful man in America. As head of the Federal Bureau of Investigation for nearly 50 years, he would stop at nothing to protect his country. Through eight presidents and three wars, Hoover waged battle against threats both real and perceived, often bending the rules to keep his countrymen safe. His methods were at once ruthless and heroic, with the admiration of the world his most coveted, if ever elusive, prize. Hoover was a man who placed great value on secrets—particularly those of others—and was not afraid to use that information to exert authority over the leading figures in the nation. Understanding that knowledge is power and fear poses opportunity, he used both to gain unprecedented influence and to build a reputation that was both formidable and untouchable. He was as guarded in his private life as he was in his public one, allowing only a small and protective inner circle into his confidence. His closest colleague, Clyde Tolson, was also his constant companion. His secretary, Helen Gandy, who was perhaps most privy to Hoover’s designs, remained loyal to the end…and beyond. Only Hoover’s mother, who served as his inspiration and his conscience, would leave him, her passing truly crushing to the son who forever sought her love and approval. As seen through the eyes of Hoover himself, “J. Edgar” explores the personal and public life and relationships of a man who could distort the truth as easily as he upheld it during a life devoted to his own idea of justice, often swayed by the darker side of power. -
Concert Programme Read
Available to stream online from 7:30pm, 7 May 2021 until midnight, 16 May 2021 A Centenary Celebration 100 years of the London Chamber Orchestra Programme With Christopher Warren-Green, conductor Handel Arrival of the Queen of Sheba Jess Gillam, presenter Mozart Divertimento in D Major, K205, I. Largo – Allegro Debussy Danses Sacrée et Profane Maconchy Concertino for Clarinet and Orchestra, III. Allegro Soloists Mozart Eine Kleine Nachtmusik, I. Allegro Anne Denholm, harp Britten Courtly Dance No. 5 Mark van de Wiel, clarinet Maxwell Davies Farewell to Stromness Various A Century of Music (premiere) Soloists, A Century of Music Elgar Introduction and Allegro Mary Bevan, soprano Pekka Kuusisto, violin London Chamber Orchestra Alison Balsom, trumpet Ksenija Sidorova, accordion Violin 1 Viola Flute & Piccolo Benjamin Beilman, violin Clio Gould Rosemary Warren-Green Harry Winstanley Jess Gillam, saxophone Manon Derome Kate Musker Gina McCormack Becky Low Oboe Sophie Lockett Jenny Coombes Gordon Hunt Imogen East Alison Alty Composers, A Century of Music Eunsley Park Cello Rob Yeomans Robert Max Clarinet & Bass Clarinet John Rutter Edward Bale Joely Koos Mark van de Wiel Freya Waley-Cohen Julia Graham Violin 2 Rachael Lander Bassoon Paul Max Edlin Charles Sewart Meyrick Alexander George Morton Anna Harpham Bass Alexandra Caldon Andy Marshall Horn Tim Jackson Guy Button Ben Daniel-Greep Richard Watkins Jo Godden Michael Thompson Gabriel Prokofiev Harriet Murray Percussion Cheryl Frances-Hoad Julian Poole Trumpet Ross Brown If you’re joining us in the virtual concert hall, we’d love to know about it! Tag us on your social media using the hashtag #LCOTogether George Frideric Handel Wolfgang Amadeus Mozart Arrival of the Queen of Sheba Divertimento in D Major, K205 I. -
MUSIC from out THERE, in HERE: 25 YEARS of the LONDON JAZZ FESTIVAL Emma Webster and George Mckay
MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay Published in Great Britain in 2017 by University of East Anglia, Norwich NR4 7TJ, UK as part of the Impact of Festivals project, funded by the Arts and Humanities Research Council, under the Connected Communities programme. impactoffestivals.wordpress.com Acknowledgements This book is an output of the Arts and Humanities Research Council collaborative project The Impact of Festivals (2015-16), funded under the Connected Communities Programme. The authors are grateful for the research council’s support. At the University of East Anglia, thanks to project administrators Rachel Daniel and Jess Knights, for organising events, picture research, travel and liaison, and really just making it all happen smoothly. Thanks to Rhythm Changes and CHIME European jazz research project teams for, once again, keeping it real. Some of the ideas were discussed at jazz and improvised music festivals and conferences in London, Birmingham, Cheltenham, Edinburgh, San Sebastian, Europe Jazz Network Wroclaw and Ljubljana, and Amsterdam. Some of the ideas and interview material have been published in the proceedings of the first Continental Drifts conference, Edinburgh, July 2016, in a paper called ‘The role of the festival producer in the development of jazz in Europe’ by Emma Webster. George McKay has drawn on this research for a chapter called ‘Festivals’ in Francesco Martinelli (ed.) The History of European Jazz: The Music, Musicians and Audience in Context (Equinox, 2018). At Serious and the EFG London Jazz Festival, thanks to John Cumming, David Jones, Claire Whitaker; Ope Igbinyemi, Martel Ollerenshaw and Amy Pearce; and other Serious staff members past and present, particularly Louise Dennison and Piers Mason, for all their help in facilitating the research.