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Continue This article does not provide any sources. Please help improve this article by adding quotes to reliable sources. Non-sources of materials can be challenged and removed. Find sources: Peru Constituent Assembly - newspaper news book scientist JSTOR (May 2013) (Learn how and when to delete this message template) Constituent Assembly Asamblea ConstituyenteRepublic PeruTypeUnicameral HistoryReconsiveds28 July 1978Disaided13 July 1979President Of the Republic of PeruSpresesioncongress of the Republic of PeruLeaderPresident of the Constituent AssemblyVtor Raul Haya de la Torre, The Peruvian Party of Apres seats100The SeatLigia Palace (Peru) Constituent Assembly was the tenth Constituent Assembly of Peru, convened by the government of General Francisco Morales Bermudez to promote the return of democracy after a decade of self-styled revolutionary government of the armed forces. It was settled on July 28, 1978 and was led by Victor Raul Gaya de la Torre, the historic leader of the American People's Revolutionary Alliance. His main mission was to draft a new constitution to replace the old Constitution of 1933. This new Constitution was adopted and adopted on 12 July 1979 and came into force on 28 July 1980, following the opening of the constitutional government of architect Fernando Belaende Terry. Fourteen years later, it was replaced by the 1993 Constitution. The composition and structure of the Council Victor Raul Gaya de la Torre, President Luis Alberto Sanchez, First Vice President and Chairman of the Constitutional Committee Ernesto Alaiza Grandi, Second Vice President Jorge Lozada Stanbury, First Secretary Rafael Vega Garcia, Second Secretary Manuel Adrian pricecen Castillo, pro Secretary Carlos Roca Caceres, Librarian Pro Secretary Mois Victor Raul Aire de la Torre 2. Ramiro Priale 3. Andres Townsend 4. Fernando Leon de Vivero 5. Carlos Manuel Cox Rouse 6. Luis Heisen 7. Carlos Enrique Melgar 8. Carlos Enrique Ferreiros 9. Javier Valle Ristra 10. Luis Rodriguez Vildosola 11. Hector Vargas Hea 12. Humberto Carranza Piedra 13. Eulogio Tapia Olatte 14. Lucio Muniz Flores 15. Luis Rivera Tamayo 16. Jorge Lozada Stanbury 17. Alfonso Ramos Alva 18. Alan Garcia Perez 19. Gustavo Garcia Mundaka 20. Mario Pelaez Bazan 21. Julio Cruzado zavala 22. Luis Alberto Sanchez 23. Romualdo Biaggi Rodriguez 24. Guillermo Baca Aginaga 25. Jorge Torres Vallejo 26. Saturnino Berraspi Mendes 27. Carlos Roca 28. Urbina Julve Chiriaco 29. Lucio Galarza Villar 30. Arnaldo Alvarado DeGregort 31. Luis Negreiros 32. Josemel Munoz Cordova 33. Enrique Chirinos Soto 34. Francisco Chirinos Soto 35. Arturo Miranda Valenzuela 36. Pedro Arana Chiros 37. Cesar Vizcarra Vargas Christian People's Party 38. Luis Bedoya Reyes 39. Federico Tovar Freire Xavier Barron Cebreros 41. Alberto Thorndick Elmore 42. Andres Aramburu Menchaka 43. Clochaldo Salazar Peniillo 44. Mario Pohler Ugarteche 45. Roberto Ramirez del Villar Beaumont 46. Oscar Olivares Montano 47. Edwin Montesinos Ruiz 48. Rafael Vega Garcia 49. Lauro Munoz Garay 50. Ernesto Alaiza Grandi 51. Moises Wall Devil 52. Manuel Kawacito Nagana 53. Pedro Gotuzzo Fernandeni 54. Gabriela Porto Cardenas de Power 55. Rafael Risko Boado 56. Genix Ruiz Hidalgo 57. Miguel Angel Arevalo del Valle 58. Jorge Neira Bisso 59. Celso Sotomarino Chavez 60. Armando Buendia Gutierrez 61. Miguel Angel Mufareh Nemi 62. Ruben Chang Gamarra Popular Workers Student Farmers Front 63. Hugo Blanco Galdos 64. Genaro Ledesma Isquita 65. Magda Benavides Morales 66. Hernan Kuentas Anchi 67. German Chamba Calle 68. Ricardo Napuri Shapiro 69. Enrique Fernandez Chacon 70. Juan Cornejo Gomez 71. Cesar Augusto Mateu Moya 72. Romain Ovidio Montoya Chavez 73. Victoriano Lazaro Gutierrez 74. Saturnino Paredes Macedo Peruvian Communist Party 75. Raul Acosta Salas 76. Eduardo Castillo Sanchez 77. Luis Alberto Delgado Behar 78. Jorge del Prado 79. Isodoro Gamarra Ramirez 80. Alejandro Olivera Vila Revolutionary Socialist Party 81. Antonio Aragon Gallegos 82. Miguel Echeandia Urbina 83. Averino Mar Arias 84. Antonio Mesa Cuadra 85. Leonidas Rodriguez Figueras 86. Alberto Ruiz Eldredge people's Democratic Union 87. Carlos Malpica Silva Santisteban 88. Javier Diez Canseco 89. Ricardo Diaz Chavez 90. Victor Cuadros Paredes workers and farmers National Front 91. Pedro Caceres Velazquez 92. Roger Caceres Velazquez 93. Ernesto Sanchez Fajardo 94. Jesus Velis Lizarraga Christian Democratic Party 95. Hector Cornejo Chavez 96. Carlos Arturo Moretti Riccardi Peruvian Democratic Movement 97. Marco Antonio Garrido Malo 98. Javier Ortez de Sevallos Adriast National Union 99. Manuel Adrian Castrolo 100. Victor Freundt Innovations of the Constitution The main innovations of this Constitution, compared to its predecessor, were: The President, two vice-presidents and members of Congress (deputies and senators) will be elected jointly every five years in the general election (previous repairs were canceled by parliamentary by a third or half) Created a second round of presidential elections, should not reach more than half (50% plus one) of the votes indeed of the Republic. It can be seen in full or in part bills passed in Congress and can dissolve the Chamber of Deputies if it is condemned by three of the presidential cabinet. May also grant clemency and commute sentences. It also gave him more power over the budget, which allowed him more opportunities to implement his policies. Corrected parliamentary excessive powers mentioned in the 1933 Constitution Limited death penalty for cases of treason in a foreign war. It was abolished for crimes such as murder and others included in the law. Established citizenship for all Peruvians from the age of 18 (until the minimum age of 21) it abolished the restriction on voting by illiterate, watching the right of the rebels (obviously to defend the constitutional order, not to change or bruise) created the Constitutional Tribunal of Peru, as the controlling body of the Constitution on the economic side, The rules would be a social market economy, corporate pluralism and freedom of trade and industry extracted from the 2017 Spanish television crime drama Money HeistPart 1 and 2 title cardSpanishLa casa de papel genre crime drama PinaStarring Ersula Corbero Alvaro Morte Itsyar I Itunyaro Pedro Alonso Paco Tus Miguel Erran Jaime Lorente Esther Asebo Enrique Arcaza Darco Perich Kiti Hukerian Rodrigo de la Serna Luca Happens Cecilia KrullCompozer (s) Manel Santisteban Ivan Martinez Lakamara Country Origin Seasons2 (4 parts) episodes31 (episode list)ProductionExectoral producer (s) Lex Pina Sonia Martinez Jesus Colmenar Esther Martinez Lobato Nacho Manubens Production Place (s) Italy Thailand Panama CinemaMig AmoedoEditor (s) David Pe Luis Miguel Gonz Bedmar Veronica Callon Spalon Raul Mora Regino Hernandez Raquel Marraco Patricia Rubio Camera setSingle-cameraRunning time67-77 minutes (Antena 3)41-59 minutes ()Production company (s) Atresmedia DistributorAntena3 Televisi'nNetflixReleaseReginal Network Antena 3 (2017) Netflix (2019-present) Image format1080p (16:9 HDTV) 4K (16:9 UHDTV) Audio format5.1 volume soundOrigin release2 May 2017 (2017-05-02) - presentInsive linksWebsite La casa de papel wordmark (Spanish: La casa de papel, House of Paper) - Spanish TV series, created by Olex Pina. The series traces two long-trained heists led by a (Alvaro Morte), one at the of Spain, and one at the . The series was originally intended as a limited series, which will be narrated in two parts. It had its initial launch of 15 episodes on the Spanish network Antena 3 from May 2, 2017 to November 23, 2017. Netflix acquired the rights to global streaming at the end of 2017. He shortened the series to 22 short episodes and released them worldwide, starting with the first part on December 20, 2017, and the second part on April 6, 2018. In April 2018, Netflix extended the series with a significantly increased new episodes of everything. Part 3 with eight episodes was released on July 19, 2019. Part 4, also with eight episodes, was released on April 3, 2020. A documentary featuring producers and actors premiered on Netflix on the same day, titled Money Heist: Phenomenon (Spanish: La casa de Papel: El Fenemeno). In July 2020, Netflix renewed the show for the fifth and final installment. The series was filmed in , Spain. Much of Part 3 and 4 were also filmed in Panama, Thailand and Italy (Florence). The narrative is told in real time as fashion and draws on memories, time jumps, ulterior character motifs, and an unreliable narrator for complexity. The series undermines the genre of robbery when it is spoken from the point of view of a woman, (Ersula Corber), and having a strong Spanish identity, where emotional dynamics compensates for the ideal strategic crime. The series has won several awards, including best drama series at the 46th International Emmy Awards, as well as critical acclaim for complex plot, interpersonal drama, directing and for attempting to innovate Spanish television. Italian anti-fascist song , which plays several times throughout the series, has become a summer hit across Europe in 2018. By 2018, the series has become the most popular non-talking series and one of the most popular series in general on Netflix, with a special resonance coming from viewers from the Mediterranean Europe and the Latin world. Premise Set in Madrid, a mysterious man known as The Professor recruits a group of eight people who choose cities for code names to implement an ambitious plan that includes commissioning the Royal Mint of Spain, and escaping with 2.4 billion pounds. After taking 67 people hostage inside the Mint, the team plans to stay inside for 11 days to print out the money as they deal with elite police forces. In the events that follow the initial robbery, the group is forced to hide and find themselves preparing for a second robbery, this time at the Bank of Spain, as they are again dealing with hostages and police forces. Actors and Characters See also: List of Money Heist actors Home Ersul Corber as Silen Oliveira (Tokyo): a fugitive robber who scouted a professor to take part in his plan; also acts as an unreliable storyteller. Alvaro Morte as Sergio Marchina (Professor) / Salvador Salva Martin: the mastermind of the robbery, the band member, and the younger brother of . Itziar Itunio as (Lisbon): Inspector of the National Police Corps, who is responsible for this case until she joins the group in Part 3. Pedro Alonso as Andres de Fonollos (Berlin): A terminally ill jewel thief and second in the team is a professor and older brother. Paco Tous in Augustan Ramos (Moscow; part 1-2; part 3-4): The former miner became a criminal and father of Denver. Alba Alba as Agatha Jimenez (): An expert on counterfeiting and forgery, responsible for printing money and overseeing the melting of gold. Miguel Herran as Anibal Cortez (Rio): a young hacker. Jaime Lorente - Ricardo /Danieleb Ramos (Denver): the son of Moscow, who joins him in the robberies. Esther Achebo as Monica Gaztambide (Stockholm): one of the hostages who is the secretary and mistress of Arturo Roman, taking his child out of wedlock. During the robbery, she falls in love with Denver and becomes an accomplice of the group. Enrique Arce as Arturo Roman, hostage and former director of the Royal Mint of Spain. Maria Pedraza as Alison Parker (part 1-2): hostage and daughter of the British ambassador to Spain. Darko Peric as Mirko Dragic (Helsinki): a veteran Serbian soldier and cousin of Oslo. Kitty Marver as Marive Fuentes (part 1-2; part 3-4): Raquel's mother. Ovik Keuchkerian - Bogota (part 3-4): a metallurgy expert who joins the bank of Spain robbery. Rodrigo de la Serna as Martin Berrot (Palermo / Engineer; Part 3-4): an old Argentine friend of Berlin who planned to rob the Bank of Spain with him and took his place as commander. Najwa Nimri as Alicia Sierra (part 3-4): A pregnant National Police Corps inspector who led the case after Raquel left the police force. Luca Peros in Marseille (part 4; part 3): a gang member who joins the Bank of Spain robbery. Belen Cuesta as Julia (Manila; Part 4; Part 3): The godson of Moscow and a childhood friend of Denver. She is a trans woman who joins a gang and is posing as one of the hostages during the bank robbery of Spain. Fernando Cayo as Colonel Luis Tamayo (part 4; part 3): a member of the Spanish intelligence service who oversees Alicia's work on the case. Recurring Roberto Garcia Ruiz as Dimitri Mostov'i / Radko Dragic (Oslo; Parts 1-2; Featured Parts 3-4): Veteran Serbian soldier and cousin of Helsinki. Fernando Soto as Angel Rubio (part 1-2; part 3-4): Deputy Inspector and Second Commander Raquel. Juan Fernandez as Colonel Luis Prieto (part 1-2; part 3-4): a member of Spanish intelligence who oversees Raquel's work on the case. Anna Gras as Mercedes Coleman (part 1-2): teacher Alison and one of the hostages. Fran Morcillo as Pablo Ruiz (part 1): Alison's classmate and one of the hostages. Clara Alvarado as Ariadne Kazakov (part 1-2): one of the hostages who works at the Mint. Mario de la Rosa as Suarez: Chief Grupo Especial de Operaciones. Mikel Garcia Borda as Alberto Vicuna (part 1-2; part 4): Raquel's ex- husband and medical examiner. Naya Goose as Paula Vikunya Murillo: Raquel and daughter Alberto. Jose Manuel Poga as Cesar Gandia (part 4; part 3): Chief of Security Bank of Spain, which escapes from the hostages and causes chaos for the group. Antonio Romero vs. Benito Antoanzas (part 3-4): Assistant Colonel Luis Tamayo, whom the professor persuades to perform tasks for him. Pep Munne vs Mario Urbana (part 3-4): Bank of Spain yearbooks. Olalla Hernandez as Amanda (part 3-4): The hostage arturo is raped. Marie Carmen Sanchez as Pakita (part 3-4): hostage and nurse, who is usually in Nairobi while she recovers. Carlos Suarez as Miguel Fernandez (part 3-4): nervous hostage. Ramon Aguirre in the role of Benjamin (part 4): the father of Manila, who helps the professor in his plan. Ahikar Azcona as Mathias Canho (part 3-4): a member of a group that mainly guards hostages. Antonio Garcia Ferreras as himself (part 4): journalist. Production Concept and Writing Additional Information: - Topics and analysis We wanted to make a very small project in a simple way; we wanted to cross borders that we could not cross in previous projects, in terms of storytelling and structure without any intermediaries. - Writer Esther Martinez Lobato, October 2018, series was conceived by screenwriter Okex Pina and director Jesus Coleman for years of collaboration since 2008. After finishing their work on the Spanish prison drama Vis a vis (), they left Globomedia to start their own production company called Vancouver Media in 2016. For their first project, they considered either shooting a comedy or developing a robbery story for television, with the latter never trying before on Spanish television. Together with former colleagues locked Up, they developed Money Heist as a passionate project to try new things without outside interference. Pina was firm in making it a limited series, feeling that dilution had become a problem for his previous productions. Originally entitled Los Desahuciados (The Evicted) at conception, the series was designed to undermine conventions about heists and combine elements of the action, thriller and surrealism genre while remaining trustworthy. Pina saw an advantage over typical heist films in that character development can span a much longer narrative arc. Characters had to be shown from different angles to break viewers' prejudices about the villainy and keep their interest throughout the show. Key aspects of the planned storyline were recorded at the beginning, while more subtle plot beats were developed gradually so as not to overwhelm the writers. Writer Javier Gomez Santander compared the writing process to the professor's way of thinking, walking, writing options, advising engineers you can't tell why you ask them about it, but noted that fiction allowed be written dumber when when Filming was scheduled to start in January 2017, allowing for five months. The narrative was divided into two parts for financial reasons. The city-based code names of the robbers, which the Spanish newspaper ABC compared to the color code names in the 1992 film Reservoir Dogs, were randomly chosen in the first part, although the high-viewership sites were also coded by the new robbers in Part 3. The first five lines of the pilot script took a month, as the writers could not make the professor or Moscow work as a storyteller. Tokyo as an unreliable narrator, flashbacks and leaps in time have increased the complexity of the narrative, but also made the story more fluid for the audience. The pilot episode required more than 50 scripted versions until the producers were satisfied. Later scripts ended once a week to keep up with the filming. Casting took place at the end of 2016 and took more than two months. The characters were not fully fleshed out at the beginning of the process, and took a form based on the performance of the actors. Casting directors Eva Leira and Yolanda Serrano were looking for actors, the ability to play empathetic robbers with believable love and family ties. Antena 3 announced the ensemble's cast in March 2017 and released excerpts from most of the actors' auditions in Terser Grado's post-show and on their website. The professor was conceived as a charismatic but shy villain who could convince the robbers to follow him and make the audience sympathize with the resistance of the robbers against the powerful banks. However, the development of the professor's role proved difficult, as the character did not follow archetypal conventions, and the producers were unsure of his degree of brilliance. While producers found his identity at The Salva early, they initially searched for a 50-year-old Harvard university professor with the appearance of Spanish actor Jose Coronado. The role was offered to Javier Gutierrez, but he was already devoted to the role in the film Campeones. Meanwhile, the casting directors were playing for Alvaro Morte, whom they knew from their collaboration over the long-running Spanish soap opera El Secreto de Puente Viejo, although his television experience in prime time was limited at the time. Going through the full casting process and approaching the role through external analysis rather than personal experience, Mort described the professor as a huge box of surprises that ultimately shape this character because he never ceases to generate uncertainty, making it unclear to the audience, good or bad character. The producers also found that his appearance as an elementary school teacher gave the character more Pedro Alonso was cast to play Berlin, whom La Voz de Galicia later described as cold, hypnotic, complex and disturbing, an avid macho with serious empathy problems, a white-collar thief who despises his colleagues and considers them inferior. The character's image was inspired by Alonso's chance encounter the day before his audition script, with a smart man who was provocative or even manipulative to him. Alonso saw a high level of observation and an unusual understanding of his surroundings in Berlin, which led to unconventional and unpredictable behavior of the characters. The similarities between Berlin and Najwa's character Nimri Sulem in Pina's Locked Up series were unintentional. The family connection between the professor and Berlin was not in the original script, but was embedded in the backstory of the characters at the end of the first part after Morte and Alonso repeatedly offered to do so. The producers found the main character and narrator, Tokyo, one of the most difficult characters to develop, as they were initially looking for a senior actress to play a character who had nothing to lose before meeting the professor. Ersula Corber eventually got the role to bring playful energy to the table; her voice was heavily accounted for during the casting, as she was the first voice that viewers hear in the show. Jaime Lorente developed Denver's characteristic laughter during the casting. Two actors appeared in the previous series of Olex Pina: Paco Tous (Moscow) starred in the 2005 TV series Los hombres de Paco, and Alba Flores (Nairobi) starred in the film Locked Up. Flores was asked to play Nairobi without auditioning when Pina realized at the end of the conception stage that the show needed another female gang member. For the role opposite to the robbers, Itziar Itunyo was cast as Inspector Raquel Murillo, whom Itunyo described as a strong and powerful woman in the world of men, but also sensitive in her personal life. She drew inspiration from the character Silence of the Lambs Clarice Starling, an FBI student with a messy family life that develops sympathy for the perpetrator. The actors learned of the resumption of the Netflix show before the producers contacted them to return. In October 2018, Netflix announced the third installment; The return of the main cast included Pedro Alonso, raising speculation about his role in Part 3. Among the new actors were Argentine actor Rodrigo de la Serna, who saw a possible connection between the name of his character and Argentine football legend Martin Palermo and the star of Locked Up Najwa Nimri. A cameo scene of a Brazilian football star and a fan of the series, Neymar as Monk were filmed for Part 3, but were excluded from the stream with no repercussions for the narrative before the trial it was withdrawn at the end of August 2019. The small appearance of Spanish actress Belen Cuesta in two episodes of Part 3 sparked speculation from fans and the media about her role in Part 4. Designed by Spanish surrealist artist Salvador Dali has been selected as the design mask of the robbery team. The look and feel of the show was designed by creator Elex Pina, director Jesus Colmenar, and director of photography Migue Amoedo, according to 's most prolific television trio in recent years. Abdon Alkais served as art director. Their collaborative projects usually take the basic color as the basis; Money Heist was red as one of the distinctive features of the series that stood over the gray sets. Blue, green and yellow were marked as a forbidden color in the production design. To achieve the absolute quality of the film red tones have been tested with different types of fabrics, textures and lighting. The iconography of the robbers' red jumpsuits reflected the yellow prison dress code in Locked Up. For Part 3, Italian clothing retailer Diesel modified red overalls to better match the body, and launched a clothing line inspired by the series. Salvador Dali was chosen as the design of the mask of the robbers because of the recognizable squeal of Dali, which also serves as an iconic cultural reference to Spain; As an alternative design of the mask, Don quixote was discarded. The choice drew criticism from the Gala Salvador Dali Foundation for not seeking the necessary permits. To make the story more realistic, the producers requested and received advice from the National Police and the Spanish Ministry of the Interior. The robbers' banknotes were printed with the permission of the Bank of Spain and were enlarged as a measure to combat counterfeiting. Netflix's strong financial support for Part 3 has enabled it to build more than 50 sets at five major filming locations around the world. Preparing a remote and uninhabited island in Panama to represent a robbery proved difficult, as it had to be cleaned, secure and built on it, as well as participating in hours-long journeys with material transport. The real Bank of Spain was unavailable for safe haven, so the producers recreated the Bank on a two-tier stage on its own imagination, drawing inspiration from the Spanish architecture of the Francisco Franco era. Public information was used to make the Bank's main hall look like a real location. Other interior decorations were inspired by different periods and artificially designed to highlight the history of the building. Bronze and granite sculptures and motifs from valle de los qaidas were recreated for interior, and more than 50 paintings were painted for The Bank to emulate the Ateneo de Madrid. Filming spanish film Research Council Board The main filming location of Part 1 and 2 of Money Heist The , the main location of filming part 3 Money Heist Parts 1 and 2, was filmed in the Greater Madrid region from January to August 2017. The pilot episode was recorded in 26 days, while all other episodes had about 14 shooting days. The production was divided into two units to save time, with one unit filming scenes involving a professor and police and the other filming scenes with robbers. The main storyline is set at the Royal Mint of Spain in Madrid, but the exterior scenes were filmed at the headquarters of the Spanish National Research Council (CSIC) for its fleeting resemblance to the Mint, and on the roof of the Graduate Technical School of Aviation Engineers, part of the Technical University of Madrid. The hunting estate where the robbers are planning their coup was filmed at the Finca el-Gasco farm estate in Torrelodon. The internal filming took place on the former set of Locked Up in Coleman Viejo and in the Spanish national daily ABC in Torrejon de Ardos for printed scenes. Since the show was intended as a limited series, all sets were destroyed after the production of Part 2 was finished. Parts 3 and 4 were also filmed one-on-one, from 21 to 23 shooting days in the episode. Netflix announced the start of filming on October 25, 2018, and filming of The Fourth Part ended in August 2019. In 2018, Netflix opened its first European production center in Tres Cantos, near Madrid, for new and existing Netflix productions; The main shoot moved there to the set three times the size of the set used for parts 1 and 2. The main storyline is set at the Bank of Spain in Madrid, but the exterior was filmed in the complex of the Ministry of Development Nuevos Ministerios. The scene where money is clanging from the sky was filmed in Callao Square. Hermita de San Frutos in Carrascal del Rio served as the exterior of an Italian monastery where robbers are planning a robbery. Scenes from The Professor and Lisboa's motorhome were filmed on the deserted beaches of Las Salinas in Almeria to make viewers feel the characters were safe from the police, although their exact location was not initially disclosed. Underwater scenes inside the vault were filmed at Pinewood Studios in the UK. The beginning of Part 3 was also filmed in Thailand, on the Gouna Yala Islands in Panama and in Florence, Italy, which helped to counter the claustrophobia of the first two parts, but was also an expression of the global consequences of the plot. The musical main article: Money Heist (soundtrack) The theme of the series, My Life Is Going On, was written by Manel Santisteban, who was also a composer on Locked Up. Santisteban turned to Spanish singer Cecilia Krull to write perform lyrics that are about having self-confidence and the future. The theme of the song is played behind the title sequence with paper models of the main settings in the series. Krulla's main source of inspiration was the character of Tokyo in the first episode of the series, when the professor offers her a way out of a desperate moment. The lyrics are written in English as a language that naturally came to Krull at the time of writing. The Italian anti-fascist song Bella ciao plays several times throughout the series and accompanies two symbolic key scenes: at the end of the first part, the professor and Berlin sing it in preparation for the heists, embracing themselves as a resistance to the establishment, and in the second part he plays during the escape of thieves from the Mint as a metaphor for freedom. As for the use of the song, Tokyo says in one of his narrations: In the life of the professor, one idea revolved: Resistance. His grandfather, who fought against the Nazis in Italy, taught him the song, and he taught us. The song was brought to the show by writer Javier Gomez Santander. He listened to Bella Ciao at home to cheer him on as he grew frustrated not to find a suitable song for the middle of part one. He knew the meaning and history of the song and felt that it represented positive values. Bella ciao became a summer hit in Europe in 2018, mainly because of the popularity of the series, not because of the serious themes of the song. Episodes Home Article: Money Heist Episodes Review of Money HeistSeason Seasons,a-Part-a-EpisodesOriginally ReleasedFirst Released LatestNetwork1115 2017-05-02)27 June 27 2017 (2017-06-27)Antena 32616 October 2017 (2017-201710-16)November 23, 2017 (2017-11-23)2316819 July 2019 (2019-07-19)Netflix483 April 2020 (2020-04-03) Season 1: Parts 1 and 2 (2017) Part 1 begins with the aftermath of a failed bank robbery by a woman named Tokyo, as a man named Professor saves her from being caught by police and offers her a robbery of a dramatic scale. After a brief plan of a planned robbery, the story goes to the beginning of a multi-day attack on the Royal Mint of Spain in Madrid. The eight robbers are codenamed after cities such as Tokyo, Moscow, Berlin, Nairobi, Rio, Denver, Helsinki and Oslo. Dressed in red jumpsuits with the mask of Spanish artist Salvador Dali, a group of robbers took 67 hostages as part of their plan to print and escape with 2.4 billion euros through a self-built escape tunnel. The professor is leading the robbery from the outside. Flashbacks throughout the series show five months of preparation at an abandoned hunting estate in rural Toledo; robbers should not share personal information and not engage in personal relationships and assault be without bloodshed. Throughout Part 1 and 2, robbers inside the Mint have difficulty sticking to pre-defined rules, and face non-cooperative hostages, violence, isolation and mutiny. Tokyo talks about the events with voice-overs. While Denver pursues a love affair with hostage Monica Gaztambide, Inspector Raquel Murillo of the National Police Corps negotiates with a professor on the street and begins an intimate relationship with his alter ego Salva. The identity of the professor is repeatedly close to being revealed until Raquel realizes his true identity, but is emotionally unable and unwilling to hand it over to the police. At the end of the second part, after 128 hours, the robbers successfully escape from the Mint with 984 million pounds printed, but at the cost of life of Oslo, Moscow and Berlin. A year after the robbery, Raquel finds a series of postcards left by a professor who wrote the coordinates of a place in Palawana, Philippines, where she reunites with him. Season 2: Parts 3 and 4 (2019-20) Part 3 begins two to three years after the robbery at spain's Royal Mint, showing burglars enjoying their lives as a couple in various locations. However, when Europol captures Rio with an intercepted phone, the professor raises Berlin's old plans to attack the Bank of Spain to force Europol to hand over Rio to prevent its torture. He and Raquel (going to Lisbon) get the gang, including Monica (going through Stockholm), back together, and recruit three new members: Bogota, Palermo and Marseille, with Palermo in charge. Flashbacks to the professor and Berlin outline the planned new robbery and their different approaches to love. Masked robbers infiltrate a heavily guarded bank, take hostages and end up with access to gold and state secrets. At the same time, the professor and Lisbon travel to the RV and then an ambulance while communicating with the robbers and the police. The bank breach was foiled, forcing the police, led by Colonel Luis Tamayo, and the pregnant inspector Alicia Sierra to release Rio to the robbers. Nairobi is seriously injured by a police sniper shooting in the chest, and police are catching Lisbon. With another police attack on the bank incoming, and believing Lisbon were executed by the police, the professor radios Palermo and announces DEFCON 2 on the police. Part 3 ends with Lisbon alive and in custody, and Tokyo says the professor has fallen into his own trap and that war has begun. Part 4 begins with the robbers rushing to save Nairobi's life. While Tokyo stages a coup and takes command from Palermo, Professor and Marseille conclude that Lisbon should still be alive and interrogated Sierra in a tent outside the bank. They convince Tamayo's assistant, Antoanzas, to help them, and The Professor truce with the police. As the group manages to save Nairobi's life, a low-key Palermo creates chaos to rebuild its team by colluding with Gandia, the restrained head of security at the Bank of Spain. Gandia escapes, begins communication with the police from the panic room inside the bank, and participates in a brutal game of cat and mouse with the gang. Palermo restores the trust of the group and joins them. Gandia shoots Nairobi in the head, killing her instantly, but the gang later hit him. While police are preparing another attack on the bank, the professor exposes Rio's illegal torture and holding Lisbon to the public. Because of this revelation, Sierra is fired and begins to pursue the professor on her own. The professor enlists external assistance to free Lisbon after it is referred to the Supreme Court. Part 4 ends with Lisbon returning to the gang in the bank, and Sierra finds the professor's refuge, holding him at gunpoint. The theme and analysis of the series was noted for its subversive heisting of the genre. While heist films tend to speak with a rational male Anglo-centric focus, the series reimagines the story of the heist, giving it a strong Spanish identity and telling it from a female perspective through Tokyo. Producers viewed cultural identity as an important part of the show's personality, as it made the story more relatable for viewers. They also avoided adapting the series to international tastes, which helped to separate it from the usual American tv series and raised international awareness of Spanish feelings. Emotional dynamics, such as the passion and impulsiveness of friendship and love, compensates for the perfect strategic crime to increase tension. Almost all the main characters, including the opposite of the professor's relationship, eventually succumb to the love for which the series received comparisons with telenovelas. The comedic elements, which were compared to Back to the Future and black comedy, also compensated for the robbery. The film's robbery formula is undermined by the robbery, starting immediately after the credits are opened instead of lingering on how the gang unites. After the 2007-2008 financial crisis, which led to severe austerity measures in Spain, critics argued that the show was a clear allegory of rebellion against capitalism, including The Globe and Mail, which deemed the series subversive in that it was a robbery for people. This is revenge for the government. According to Le Monde, the professor's teaching scenes at the Toledo hunting estate in particular highlighted how people should strive to develop their own solutions for the wrong capitalist system. Robin Hood's analogy show robbing the rich and giving the poor got different El Espanyol argued that the analogy made it easier for viewers to connect with the show, as modern society tended to be tired of banks and politics, and the New Statesman said the rich were no longer stolen but undermined at their roots. On the other hand, Mireya Maldor of Esquire saw the analogy of Robin Hood as a distraction strategy for robbers, as they initially did not plan to use the money from their first robbery to improve the quality of life of ordinary people; for this reason, Malnor also contends that the large number of those who followed the robbers in Part 3 was incomprehensible, even though they constituted a conduit for discontent among those who suffered economic and political injustice. The characters were designed as multidimensional and complementary antagonists and antiheroes whose morals are constantly changing. Examples include Berlin, which goes from being a robber, a hostage abuser, to one of the show's most beloved characters. There is also a hostage, Monica Gaztambide, and Inspector Raquel Murillo, who eventually joins the case of the robbers. Gonzalez of The Huffington Post believes that the audience may think of robbers as evil at first for committing a crime, but as the series progresses, it marks the financial system as a true evil and assumes that the robbers have an ethical and empathetic justification for stealing from a depressed thief. Najwa Nimri, who plays Inspector Sierra in Part 3, said that the tricky thing about the villain is giving him humanity. That's where everyone gets alarmed when you have to prove that the villain also has a heart. She added that the amount of information and technology that surrounds us allows us to make sure that everyone has a dark side. The series leaves an opportunity for viewers to decide who is good or bad, as the characters are relatively and immoral at different points in the story. Pina argued that it was this ability to change the show that made the series exciting and marked its success. With the relative number of female protagonists in TV shows generally on the rise, 19 the series gives female characters the same attention as men, who the BBC regards as an innovation for Spanish television. While many of the storylines in the heist series still refer to men, female characters are becoming more aware of gender issues, such as Monica, arguing in Part 3 that women, like men, can be robbers and a good parent. Critics went on to explore feminist themes and the rejection of male chauvinism in the series through Nairobi, and her phrase Matriarchy Begins in Part 2, and the comparative scene in Part 3, where Palermo claims to be patriarchy in a moment that, according to CNET, is played for laughs. La Vanguardia disputed any claims that were related to the empowerment of women in the series, how often shown to Ersula Corber (Tokyo) (Tokyo) Dressed, and Esquire criticized how the problems of the relationship of the characters in Part 3 were often portrayed as female wine. Alba Flores (Nairobi) didn't see the series as a feminist plot, as women take control only when it suits the story, while Esther Achebo (Monica) described any feminist subtext in the show as not justified. Broadcast and release of the Original Broadcast Viewers per episode (millions)Source: Part 1 aired on the free Spanish TV channel Antena 3 on Wednesday 22:40 Moscow time from May 2, 2017 to June 27, 2017. Part 2 moved to the time slot on Monday at 10:40 p.m. and aired from October 16, 2017 to November 23, 2017, with the originally scheduled 18-21 episodes reduced to 15. As the series was developed with Spanish prime-time television in mind, the episodes had a length of around 70 minutes, as is typical for Spanish television. The first five episodes of the first part were accompanied by a post-show called Tercer Grado (Third Class). Despite calls for a boycott after Itziar Itunyo (Raquel Murillo) protested against the placement of ETA prisoners in her home Basque Country in March 2016, the show had the best Spanish premiere since April 2015, with more than four million viewers and a greater share of viewers in its time slot, nearly twice as many as at the next highest-end show/show. The show received good reviews and remained a leader in the commercial task force in the first half of the first half, but the audience eventually dropped to lower than expected by Antena 3 executives. The Argentine newspaper La Na fillon attributed the decline in the number of viewers to a change in time slots, late broadcasting times and a summer break between parts. Pina considered commercial breaks responsible, as they disrupted the narrative stream of the series, which otherwise played almost in real time, even though the breaks were taken into account at the time of writing. La Vanguardia saw that interest was only waning among the regular audience, as the plot unfolded too slowly at the rate of one episode a week. Writer Javier Gomez Santander hailed the launch of the series on Antena 3 as a failure in 2019, as ratings dropped to nothing special, but praised Antena 3 for creating a series that didn't rely on typical standalone episodes. The acquisition of Netflix Part 1 was available on Netflix Spain on July 1, 2017, as were other TV series owned by parent media group Antena 3 Atresmedia. In December 2017, Netflix acquired exclusive broadcast rights for the series. Netflix re-cuts the series to 22 episodes lasting about 50 minutes. Cliffhangers and the scenes were to be separated and moved to other episodes, but it turned out radical than expected, because of the eternal plot twists of the series. [82] [82] Dubbed the series and renamed it from La casa de papel to Money Heist for distribution in the English-speaking world, releasing the first part on December 20, 2017 without any publicity. The second part was available to stream on April 6, 2018. Pina rated the audience experience on Antena 3 compared to Netflix as very different, although the essence of the series remained the same. Money Heist had no promotion or anything else. Netflix put it in this bunch of series that it has, which is like a sock box that you never look at and from which only an algorithm can save you, and we didn't think it was a big deal. Sin promosion no nada. Netflix la metic en ese Monton de series que tiene, que es como el caj'n de los calcetines que nunca miras y donde s'le te puede rescatar el algoritmo, y no le dimos ninguna importancia. - Writer Javier Gomez Santander, September 2019 Without Netflix's special marketing campaign, the series became the most popular non-English language series on Netflix in early 2018, four months after it was added to the platform, to the surprise of the creators. This prompted Netflix to sign a global exclusive general deal with Pina shortly thereafter. Diego Ovalos, director of original content for Netflix in Europe, said the series was in being watched in many different profile groups. The general explanations for the stark differences in viewership between Antena 3 and Netflix have been altered by the consumption habits of viewers of the series, and the binge-watching potential of streaming. Pina and Sonia Martinez of Antena 3 later said that the series, with its high demand for audience attention, unknowingly followed the video-on-demand format from the start. Meanwhile, people in Spain would discover the series on Netflix without knowing about its original Antena 3 broadcast. In An update in October 2017, Olex Pina said that Part 2 was a remote but deliberate side-effect, and that his team was open to continuing the story of the robbers in the form of movies or Netflix updates. Following the success of the show on the streaming platform, Netflix turned to Pine and Atresmedia to prepare new chapters for the originally self-published story. The writers split for more than two months to decide on the direction,46 creating a bible with central ideas for new episodes in the process. The creators were decisive factors in accepting the Netflix deal, acknowledging that the characters still had something to say and having the ability to disassociate themselves from the perfectly orchestrated heist of the first two parts. Adamant that the story should be set in Spain again, the producers wanted to make it a sequel, not a direct sequel, and expand the familiarity and affection between the characters rather than the former band Capturing Rio was chosen as the catalyst to get the gang back together because he as a friend of the narrator represents a necessary emotional factor for the update not to be suicidal. On April 18, 2018, Netflix officially extended the series for a third part with a significantly increased budget, which could be part of the 3rd most expensive series in the history of Spanish television, Variety reported. In July 2018, Pina said he appreciated Netflix's decision to make episodes 45 to 50 minutes long, as the narrative could be more concise and international viewers would have more freedom to consume the story in smaller parts. With Netflix's new push to improve the quality and appeal of its English-language versions of foreign shows, and more than 70 percent of viewers in the United States choosing dubs over subtitles for the series, Netflix hired a new dubbing team for Part 3 and crossed the first two parts accordingly. Part 3, consisting of eight episodes, was released on July 19, 2019; The first two episodes of Part 3 also had a limited theatrical release in Spain the day before. In August 2019, Netflix announced that Part 3 had been streamed by 34 million home accounts in the first week after its release, of which 24 million finished the series during that period, making it one of the most popular Netflix productions of all time, regardless of language. Netflix had an estimated 148 million subscribers worldwide in mid-2019. In October 2019, Netflix named Money Heist the third most popular TV series in the last twelve months and named it the most popular TV series in several European markets in 2019, including France, Spain and Italy, though not the UK. Twitter ranked fourth in the Top TV Shows Worldwide ranking of 2019. Filming of the initially unannounced fourth part of the eight episodes ended in August 2019. Lex Pina and writer Javier Gomez Santander stated that unlike Part 3, where the intention was to re-engage an audience with high-energy dramas after moving to Netflix, the story of Part 4 would unfold more slowly and be more character-driven. On another occasion, Pina and executive producer Esther Martinez Lobato teased Part 4 as the most traumatic part of all because this big tension has to explode somewhere. Alba Flores (Nairobi) said that the writers had previously made many concessions to fans in Part 3, but would go against the will of the audience in Part 4 and that anyone who loves Nairobi will suffer. According to Pedro Alonso (Berlin), the focus of Part 4 would be saving Nairobi's life and standing behind each other to survive. Part 4 was released on April 3, 2020; A documentary featuring producers and actors premiered on Netflix later that day, titled Money Heist: The In October 2019, the online editions of the Spanish newspapers ABC and La Vanguardia again reported on the statements of the Spanish site formulatv.com that Netflix extended the series by a fifth, and that pre-production has already begun. In November 2019, La Vanguardia quoted director Jesus Coleman's statement What the Fifth Part Can Say and that the new part would be removed after the new Vancouver Media Sky Rojo project. Coleman also said he was in talks with Netflix about creating a spin-off series as well as Pina. In an interview in December 2019, Pina and Martinez Lobato did not discuss the possibility of a fifth because of confidentiality contracts, and only said that someone knows that there will be Part 5, but we don't. On July 31, 2020, Netflix resumed its fifth and final installment. After switching to Netflix, the series remained the most popular series on Netflix for six consecutive weeks and became one of the most popular TV series on IMDb. He has been regularly trending on Twitter around the world, in large part because he has been commented on by celebrities such as footballers Neymar and Marc Bartra, American singer Romeo Santos and writer Stephen King. While users flooded social media with the news that they were wearing robbers' clothes, the Robbers' costumes were worn at the Rio Carnival, and the icons of Dali were displayed on huge banners at Saudi arabian football stadiums. Real footage of these events will later be shown in Part 3 as a tribute to the show's international success. The Grevin Museum in Paris added statues of robbers to its wax museum in the summer of 2018. The iconography of the show has been widely used by third parties for advertising, sports presentations, as well as in. There have also been negative responses to the impact of the show. In many incidents, the real robbers wore the show's red suits and Dali masks during their attacks or copied plans to infiltrate fictional robbers. The robbers' costumes were banned at the Limassol Carnival Festival in 2019 as a security measure. The series was used in an attack on YouTube when hackers removed the most-played song in the platform's history, Despacito, and left the image of the show instead. In unrelated reports, a journalist for Turkish state TV channel AkitTV and a politician from Ankara warned against the show for allegedly encouraging terrorism and being a dangerous symbol of rebellion. Spanish newspaper saw the public outcry as a reflection of a climate of global frustration where robbers represent perfect antiheroes, while the New Statesman explained the resonance of the show to an international audience as from the social and economic tensions he portrays, and because of the utopian escape he offers. The reaction of the audience was particularly high in the Mediterranean Europe and latin world, in particular in Spain, Italy, France, Portugal, Brazil, Chile and Argentina, so Spanish as a common language was not a unifying reason for the success of the show. Writer Javier Gomez Santander and actor Pedro Alonso (Berlin) rather argued that the Latin world used to feel on the periphery of world importance, but to spite the new view that Spain can compete with global players in terms of the level of media production and give the rest of the world the right to vote. The critical reception of the beginning of the series on Antena 3 was well received by the Spanish media. Nayon Costas of El Confidencial called the premiere a promising start that captivated viewers with adrenaline, good touch humor and great tension, but saw it as a challenge to maintain the dramatic tension for the remainder of the series. Considering the off-screen narration of the pilot unnecessary, as well as the lack of editing of sound and dialogue, Natalia Marcos of El Pa's enjoyed the ensemble's cast and ambitions of the show, saying: It's bold, brazen and interesting, at least when it starts. Now we want more, which is not enough. Considering the full first part, Marcos praised the series for its outstanding direction, musical choice and for trying to innovate Spanish television, but criticized the length and ebb and feel of tension. At the end of the original launch of the series, Kieon Costas of El Confidencial praised the series for its high quality closing, which could make the finale one of the best episodes of the Spanish season, but expressed regret that it was aimed at satisfying viewers with a predictable happy ending rather than risking doing something different, original, ambitious, and that the show could not follow in Pina's footsteps. After moving the show to Netflix for its international release, Adrian Hennigan of Israel's Haaretz said the series was more of a meandering thriller than a soapy telenovela, driven by its ingenious plot, engaging characters, tense flashes, pulsating scores and occasional moments of humor, but teased the English title Money Heist as bland. In a scathing review, Pauline Bock of the British magazine New Statesman questioned the global hype in the series, saying it was full of plot holes, slow motion cliches, banal love stories and gratuitous sex scenes, before continuing to add that music is pompous, voice-over annoying, and it's terribly edited. The Globe and Mail's John Doyle praised Parts 1 and 2 for the subversive genre of robbery; He also said that the series can be deliciously melodramatic at times with outrageous twists and lots of passion like telenovelas. Jennifer Keishin The BBC saw the true appeal of the series in interpersonal dramas arising from a robbery between beautiful robbers, their beautiful hostages and the fine authorities trying to negotiate with them. David Hugendick of Die Zeit found the series sometimes a little sentimental, a bit cartoonesque, and the drama is sometimes too telenovela-like, but all with a good sense for time and spectacle. The review aggregator's website Rotten Tomatoes gave Part 3 an 100% approval rating based on 12 reviews, with an average rating of 7/10. The site's critical consensus reads: Bold's plan said in non-linear fashion keeps the third installment moving as Money Heist refocuses on the relationship between his favorite characters. Praising the technical achievements, Javier Tsurro of El Hispaniola described the third part as first-class entertainment that could not overcome its roots and had no novelty. He felt unaffected by the inner drama between the characters and, in particular, disliked Tokyo's narrative beyond its emptiness. Alex Jimenez of the Spanish newspaper ABC found Part 3, mostly succeeding in its attempts to rethink the show and stay fresh. Euan Ferguson of The Guardian recommended seeing Part 3, as it's still a glorious Peaky Blinders, only with tapas and subtitles, while Pere Sole Gimferr of La Vanguardia found that the number of plot holes in Part 3 can only be sustained with a constant suspension of disbelief. While entertained, Alfonso Rivadeneira Garcia of the Peruvian newspaper El Comercio said the show does what it does best: pretend to be the smartest boy in the class when, in fact, it's only the liveliest. Awards and nominations See also: List of awards and nominations received by Money Heist Year Award Category Nominees Result Ref. 2017 Iris Award (es) Best Screenplay by Lex Pina, Esther Martinez Lobato, David Barrocal, Pablo Roa, Esther Morales, Fernando Sancristobal, Javier Gomez Santander won FesTVal Best Direction in Fiction By Jesus Coleman, Alejandro Bazzano, Miguel Angel Vivas, Lex Rodrigo Nominated for Best Fiction (120) By Critics) Money Heist Nominated fotogramas de Fee Audience Award - Best Spanish TV Series Money He The actor won the 121 Best Television Actor Pedro Alonso Nominated 2018 International Emmy Award For Best Drama Series Money Heist Won the Iris Award (ES) Best Actress Ersula Corber won the Best Tv Series Money Heist Nominated for The MiM Series Best Director Jesus Colmenard, Alejandro Bazzano, Miguel Angel Vivas , Lex Rodrigo won the Golden Nymph Best Drama Series Money Heist Won 124 Spanish Actors Union Best Supporting Actor Pedro Alonso won the 125 Best Supporting Actress Alba Flores Nomination Best Television Actor Alvaro Alvaro Morte Nominated Best Actor TV Actor Jaime Nominated Best Actress Esther Acebo Nominated for Premios Premios Best Series Money Heist Nominated 126 Festival de Luchon Audience Choice Award Money Heist Won (127) Jury Spanish Series Award Money Heist Won Camille Awards Composer Ivan Martinez Lacamara Nomination 128 Composer Manel Santisteban Nominated Producer Vancouver Media nominated the Feroz Award Best Drama Series Money Heist Nomination 129 Best Actress in a Series Ersula Corbero nominated for Best Actor in a Series Alvaro Morte nominated for Best Supporting Actress in a Series Alba Flores nominated for Best Supporting Actor In the Series Paco Tous Nominated 2019 Iris Award (es) Best Actor Alvaro Morte won 130 Best Actress Alba Flores won Best Director for Jesus Colmenard, Lex Rodrigo, Koldo Serra, Javier quintas won Best Fiction Money Heist Won Best Production by Cristina Lopez Ferrar won the Spanish Actors Union Lead Performance, Alvaro Morte , Jaime Lorente Man Nomination 2020 Premios Feroz Best Drama Series Money Heist Nominated Alvaro Morte Nominated Best Supporting Actress in series Alba Flores Nominated Fotogramas de Plata People's Choice Award - Best Spanish TV Series Money Heist Nomination 133 Best Television Actor Alvaro Morte Nominated by the Spanish Union of Actors Performance Man Fernando Cayo won the lead actress, the woman Alba Flores nominated Premios Platinos for the Iberoamerican Film Best Miniseries or TV series Money Heist won 135 Best Male Performance in a Miniseries or the series Alvaro Morte won the best female performance in a mini-series or series Ersula Corber nominated for Best Supporting Actress in a miniseries or TV series Alba Flores won notes (b c with some publications called part season. The official website mentions Denver's name as Daniel, but in the show he named himself Ricardo, Dani and Daniel. The final credits show a picture of an Oslo mug named Dmitri Mostov'i, while his coffin shows the name Radko Dragic. Locked Up and Money Heist is shared by Clex Pina, Esther Martinez Lobato, Pablo Roa and Esther Morales as writers; and Jesus Coleman and Alex Rodrigo as directors. Part 1 was cut and released as 13 episodes on December 20, 2017 on Netflix, and Part 2 was cut and released as a 9 episode on April 6, 2018 on Netflix. Watch Money Heist and Netflix acquisitions. Inquiries: b Goldsmith, Jill (July 19, 2019). Netflix wants to make it called foreign shows less Dubby. The New York Times. Archive from the original on August 12, 2019. Received on August 12, 2019. b c Hennigan, Adrian (April 7, 2018). Netflix's 'Money Heist' Will Steal Yours And your weekend. Haaretz. Archive from the original on August 8, 2019. Received on August 12, 2019. a b Ersula Corbero, Alba Flores and Alvaro Morte, the main characters of fiction fiction La Casa de Papel. antena3.com (in Spanish). March 21, 2017. Archive from the original on August 20, 2019. Received on August 20, 2019. a b c d e f h i j Bock, Pauline (August 24, 2018). Spanish hit series La Casa de Papel captures the mood of Europe ten years after the accident. New York. Archive from the original on August 8, 2019. Received August 11, 2019. Alvarez, Jennifer ,25, 2017). Conoce los verdaderos nombres de la banda de atracadores de 'La casa de papel' (in Spanish). antena3.com archive from the original dated June 26, 2019. Received on August 16, 2019. Part 2, episode 8. Money is a robbery. The event takes place at 36:50. Netflix. Part 4, episode 5. Money is a robbery. The event takes place at 02:38. Netflix. Part 4, episode 6. Money is a robbery. The event takes place at 19:55. Netflix. Part 2, episode 9. Money is a robbery. The event takes place at 43:50. Netflix. Part 2, episode 8. Money is a robbery. The event takes place at 24:00. Netflix. a b Pier pressure. dramaquarterly.com October 15, 2018. Archive from the original September 1, 2019. Received on September 1, 2019. a b c d e f Fernandez, Juan (July 18, 2019). Los de 'La casa de papel' somos unos frikis (in Spanish). elperiodico.com archive from the original dated July 19, 2019. Received on August 17, 2019. a b Jabonero, Daniel (May 22, 2017). Las dificultades que tiene fox para producir una tercera temporada de 'Vis a Vis' (in Spanish). elespanol.com archive from the original dated September 5, 2019. Received on September 8, 2019. a b Galv, Marian (January 3, 2017). 'La Casa de Papel' ficha a Rsula Corbere, Alba flores, Miguel Herr'n y Paco Tous (in Spanish). elconfidencial.com archive from the original dated September 5, 2019. Received on September 8, 2019. a b c d e f g h Gasparyan, Suren (October 16, 2017). Una 'casa de papel' con dos 'profesores'. El Mundo (in Spanish). Spain. Archive from the original on October 10, 2019. Received on September 13, 2019. a b c d e f g h Lang, Jamie; Hopewell, John (July 15, 2019). 'Money Heist' - 'La Casa de Papel' - Creator Alex Pina: 10 takes over Part 3. Different. Archive from the original on July 16, 2019. Received on August 10, 2019. b Elidrissi, Fati (July 19, 2019). La casa de papel: el fen'meno global espa'ol que retroalimenta la ficci'n. El Mundo (in Spanish). Spain. Archive from the original on September 8, 2019. Received on September 8, 2019. a b c d e f h i j k l Diaz-Guerra, Inaco (September 12, 2019). Javier Gomez Santander: Los espa'oles no somos un buen ej'rcito, pen como guerrilla somos la hostia. El Mundo (in Spanish). Spain. Archive from the original on September 24, 2019. Received on September 24, 2019. b c d e f h i j k l n o Pickard, Michael (June 29, 2018). Right on the money. dramaquarterly.com archive from the original dated September 1, 2019. September 1, 2019. Alex Jimenez (July 16, 2019). Las Claves del Oxito Las Claves del Oxito of Paper House, which triumphs around the world with Netflix (in Spanish). elperiodico.com archive from the original dated September 22, 2019. Received on September 22, 2019. For more Netflix confirms the fourth season of Paper House (in Spanish). elperiodico.com June 27, 2019. Archive from the original on August 9, 2019. Received on August 10, 2019. b c d e Muela, Cesar (July 3, 2019). If Paper House wasn't on Netflix, we'd still say we can't compete with external series, Alex Pina, creator of the series (in Spanish). xataka.com archive from the original dated August 24, 2019. Received on September 2, 2019. b c d e f g h i Success Story. elpais.com.co (in Spanish). Archive from the original on September 22, 2019. Received on September 13, 2019. By B Ventura, Laura (June 16, 2019). Visit to the filming of a new paper house (in Spanish). lanacion.com.ar archive from the original dated September 10, 2019. Received on September 23, 2019. b c d e Soage, Noelia (June 28, 2017). Alvaro Morte: Paper House will celebrate before and after in the way fiction is viewed in this country. ABC (in Spanish). Spain. Archive from the original on March 31, 2019. Received on September 2, 2019. b c d e f Third Class (in Spanish). antena3.com archive from the original dated July 18, 2019. Received on September 13, 2019. For the casting of Monica and Arturo, see Third Class 2: We exclusively access the casting of Enrique Arce and Esther Acebo in Paper House (in Spanish). May 9, 2017. Archive from the original on September 24, 2019. Received September 30, 2019.For casting in Helsinki and Denver, see Grade Iii 3: Yolanda Serrano: Denver existed as soon as Jaime Lorente played a role in the casting (in Spanish). May 16, 2017. Archive from the original september 29, 2019. Received 30 September 2019.For the casting of Tokyo and Rio, see Third Class 4: Ursula Corbere and Miguel Herron face their casting tests (in Spanish). May 25, 2017. Archive from the original on September 24, 2019. Received 30 September 2019.For casting professor and Nairobi, see Grade Iii 5: Casting Professor: Alvaro Makes You Want Character (in Spanish). June 1, 2017. Archive from the original september 29, 2019. Received on September 30, 2019. Eva Leira and Yolanda Serrano look for the soul of the actor for their series (in Spanish). 20 minutes. February 4, 2019. Archive from the original september 29, 2019. Received on September 8, 2019. b c Ruiz de Elvira, Alvaro (July 13, 2018). Paper House, Season 3: Netflix Release Date, Trailer, Story, Summary, Characters, Actors and All About Part 3 (in Spanish). laprensa.peru.com archive from the original dated May 15, 2019. Received on August 10, 2019. K B Perez, Ana (January 25 Hablamos de series con 'El profesor' Alvaro Morte. Esquire (in Spanish). Archive from the original on April 7, 2020. Received on August 29, 2019. La casa de papel: quid es el actor que en realidad iba a ser el profesor en lugar de Lvaro Morte? (in Spanish). elcomercio.pe November 5, 2019. Archive from the original november 5, 2019. Received on November 6, 2019. a b la casa de papel: quein es Berlon?. La Voz de Galicia (in Spanish). May 3, 2017. Archive from the original on December 19, 2019. Received on September 8, 2019. Perrin, Lisabet (June 21, 2018). Pedro Alonso (La casa de papel) : Berlin est a la foie cruel, cheroic and drule. Le Figaro (French). Archive from the original on August 30, 2019. Received on September 29, 2019. Semo se planifica el atraco perfecto de 'La casa de papel'?. La Vanguardia (in Spanish). May 9, 2017. Archive from the original September 5, 2019. Received on September 8, 2019. Bravo, Victria (August 6, 2019). La Casa de Papel: Atores revelam como mudaram o futuro da s'rie mesmo sem o consentimento dos criadores (in Portuguese). metrojornal.com.br archive from the original dated August 12, 2019. Received on August 12, 2019. Echites, Julia (September 23, 2018). L'ispettore Murillo de 'La casa di carta': La mia Raquel, donna forte in un mondo di uomini. la Repubblica (in Italian). Archive from the original september 25, 2019. Received on September 30, 2019. La tercera parte de la serie ser un bombazo: Itziar Itanyo, actresses de la casa de papel (in Spanish). wradio.com.co April 18, 2018. Archive from the original September 1, 2019. Received on September 1, 2019. Libya, Michael (July 9, 2018). La Casa de Papel: Itziar Itu'o confirma que Raquel Murillo estare en la tercera temporada. as.com archive from the original dated September 1, 2019. Received on September 1, 2019. 'La Casa de Papel' Part 3 goes into production: Watch the video. Different. October 25, 2018. Archive from the original on August 19, 2019. Received on August 20, 2019. Jimenez, K. (July 30, 2019). El motivo por el que Palermo se llama as en la casa de papel. Abc. Spain. Archive from the original on September 22, 2019. Received on September 29, 2019. Galarraga Gorthazar, Ryara (September 4, 2019). Neymar makes a cameo in Netflix hit Money Heist after rape case dropped. El Pais. Archive from the original on September 8, 2019. Received on September 8, 2019. Millon, Victor (August 5, 2019). La Casa de Papel: quebec sign el papel de extra de belene cuesta?. as.com archive from the original dated August 5, 2019. Received on September 1, 2019. a b c Sole Gimferrer, Pere (July 19, 2019). Las Claves del Oxito de La Casa de Papel. La Vanguardia (in Spanish). Archive from the original on July 19, 2019. Received on September 8, 2019. b Vignas, Eugenio (June 12, 2018). Abdon Alcais, El Valenciano artistic direction of some of the great Spanish series. El Pais (in Spanish). Archive from the original on September 21, 2019. Received on September 8, 2019. b c Marcos, Natalia (May 3, 2017). The paper house dares. El Pais (in Spanish). Archive from the original September 5, 2019. Received on September 8, 2019. b c d Marcos, Natalia (July 12, 2019). Paper House spends power on its return. El Pais (in Spanish). Archive from the original on August 17, 2019. Received on August 18, 2019. b c d e f Romero, Martha A. (June 17, 2019). Paper House opens its doors to us: we'll tell you how the third season was filmed with Netflix (in Spanish). sensacine.com archive from the original dated August 21, 2019. Received on September 18, 2019. b c Ruiz de Elvira, Alvaro (July 13, 2018). Alex Pina: You have to make progress in fiction, the viewer is becoming more expert. El Pais (in Spanish). Archive from the original dated July 2, 2019. Received on August 10, 2019. a b c d e Gago, Claudia (May 2, 2017). All the money from the Paper House. The world (in Spanish). Spain. Archive from the original september 10, 2019. Received on September 9, 2019. Molina, Berto (May 8, 2017). Mint, annoying plot series Paper House (in Spanish). elconfidencial.com archive from the original dated May 24, 2019. Received on September 8, 2019. b c Cordovez, Karen (July 11, 2019). Paper House: Secrets of filming the third season (in Spanish). publimetro.cl archive from the original dated September 21, 2019. Received on September 18, 2019. a b d Antigone Hall, Molly (August 7, 2019). This is the real Madrid from Paper House. La Vanguardia (in Spanish). Archive from the original on August 24, 2019. Received on September 9, 2019. b c d e f Paper House, season 4: netflix premiere date, what happens, actors, characters, mysteries and theories (in Spanish). elcomercio.pe August 10, 2019. Archive from the original on July 21, 2019. Received on August 10, 2019. b Professor denies leaving The Paper House. elespectador.com September 13, 2019. Archive from the original september 29, 2019. Received on October 1, 2019. Hopewell, John (July 24, 2018). Netflix is launching its first European manufacturing center in Madrid. Country. Archive from the original on April 7, 2020. Received on September 10, 2019. b c d Marcos, Natalia (June 17, 2019). MORE: Inside the new season of Paper House. El Pais (in Spanish). Archive from the original on June 17, 2019. Received on August 18, 2019. B c Director of Paper House: The fourth season will be tougher for the viewer. La Vanguardia (in Spanish). November 17, 2019. Archive from the original on November 17, 2019. Received on November 17, 2019. The Coleman has que Sky Rojos se producir entre la cuarta y la quinta temporada de la Casa de Papel. Ke hay quinta temporada se puede desir, ha concluido entre risas ser advertido por Pedro Alonso. Flores, Alba (October 4, 2019). Eskena Favorite: Alba Flores - La Casa de Papel - Netflix (in Spanish). La Casa De Papel in youtube.com. The event takes place at 0:30. Archive from the original on November 16, 2019. Received on October 7, 2019. a b Contreras Fajardo, Lilian (July 18, 2019). La Casa de Papel 3: robar oro para recuperar el amor (in Spanish). elespectador.com archive from the original dated August 26, 2019. Received on September 2, 2019. a b Fernandez, Celia (July 22, 2019). The theme song for Netflix's La Casa de Papel/Money Heist sends a deliberate message. oprahmag.com archive from the original dated August 25, 2019. Received on August 25, 2019. a b Rojas, Rodrigo (September 17, 2019). Cecilia Krull, la voz por detr's de la canci'n de la casa de papel (in Spanish). vos.lavoz.com.ar archive from the original dated September 25, 2019. Received on September 25, 2019. a b Wizner, Maria (August 2, 2018). Wee Bella Ciao zum Sommerhit wurde. Frankfurter Allgemeine Tseitung (in German). Archive from the original on April 7, 2020. Received on August 14, 2019. a b Pereira, Alien (February 19, 2018). Bella Ciao: m'sica em La Casa de Papel et antiga, mas tem TUDO a ver com a s'rie. vix.com archive from the original dated June 26, 2019. Received on August 14, 2019. Rosado, Juan Carlos (July 19, 2019). 'La casa de papel': ocho art'culos que hay que leer en el estreno de la tercera parte. El Pais (in Spanish). Archive from the original on July 20, 2019. Received on July 30, 2019. Michael Pickard (June 29, 2018). Right on the money. dramaquarterly.com archive from the original dated September 1, 2019. Received on September 1, 2019. a b Vidal, Maria (February 4, 2019). Elex Pina: Con 'El embarcadero' ten'a m'a presi'n que con 'La Casa de Papel' (in Spanish). lavozdeasturias.es archive from the original dated August 9, 2019. Received on August 10, 2019. a b c Curro, Javier (July 24, 2019). Netflix, nos volumes el pelo: 'La Casa de Papel' no es para tanto (in Spanish). elespanol.com archive from the original dated August 25, 2019. Received on September 2, 2019. a b c d Doyle, John (June 22, 2018). Three big foreign dramas on Netflix for summer booze. The Globe and Mail. Archive from the original on April 7, 2020. Received on August 12, 2019. a b c Lang, Jamie; Hopewell, John (August 1, 2019). Netflix 'La Casa de Papel' - 'Money Heist' - Part 3 breaks records. Different. Archive from the original on August 1, 2019. Received on August 1, 2019. a b Cersier, Pierre (March 13, 2018). La Casa de Papel - Allegory of Rebelion. Le Monde (French). Archive from the original on August 8, 2019. Received August 10 Mallor, Mireya (July 29, 2019). Paper House: the pros and cons of the third season on Netflix. Esquire (in Spanish). Archive from the original on July 31, 2019. Received on September 2, 2019. B Gonzalez, Paula M. (June 28, 2019). What 'Paper House' did well to become the most popular non-English speaking series in Netflix history (in Spanish). huffingtonpost.es archive from the original dated August 26, 2019. Received on September 2, 2019. b c d e Keishin Armstrong, Jennifer (March 13, 2019). Paper House: Installing a bar for global television. bbc.com archive from the original dated August 8, 2019. Received on August 10, 2019. B Martin, Cynthia (July 22, 2019). 'La Casa de Papel 3' and his me too to the Spaniards. Esquire (in Spanish). Archive from the original on April 7, 2020. Received on September 14, 2019. For b Cordovez, Karen (July 19, 2019). Nairobi and the return of The Paper House: Now the coup is more ambitious because its is bigger (in Spanish). publimetro.cl archive from the original dated August 24, 2019. Received on September 14, 2019. b Puentes, Patricia (July 19, 2019). Money Heist 3 review: More heist, higher stakes, same red overalls. Cnet. Archive from the original on August 19, 2019. Received on October 7, 2019. For b Solo Gimferrer, Pere (August 9, 2019). Inconvenient Truth Series (I): The Paper House Lesson. La Vanguardia (in Spanish). Archive from the original on August 9, 2019. Received on September 14, 2019. Gonzalez, Paula M. (July 8, 2019). Najwa Nimri ('The Paper House'): I have a very clear experience with success, and if you don't want to expose yourself, don't expose yourself (in Spanish). huffingtonpost.es archive from the original dated July 9, 2019. Received on September 14, 2019. PAPER HOUSE AUDIENCE. formulatv.com (in Spanish). Archive from the original on April 27, 2018. Received on April 27, 2018. Paper House: A Spanish series that devastates the world. 24horas.cl (in Spanish). Archive from the original on April 27, 2018. Received on April 27, 2018. Natalia Marcos (October 15, 2017). The perfect robbery is coming to an end. El Pais (in Spanish). Archive from the original on November 22, 2019. Received on October 4, 2019. Alex Pina presents Paper House: Vis vis was a huge test site. eldiario.es (in Spanish). May 2, 2017. Archive from the original on September 24, 2019. Received on September 24, 2019. b d e f g i j k Marcos, Natalia (March 29, 2018). Why Paper House was an unexpected international success. El Pais (in Spanish). Archive from the original dated July 2, 2019. Received on August 18, 2019. Natalia Marcos (May 4, 2017). They are calling for a boycott of The Paper House for supporting one of otegi's main characters and the approach of eterra prisoners. ABC (in Spanish). Spain. Archive from the original September 22, 2019. Received on October 4, 2019. - b c Una espectacular explosi'n y plan de fuga de los rehenes, en 'La casa de papel'. La Razon. June 21, 2017. Archive from the original September 5, 2019. Received on September 27, 2019. a b Marcos, Natalia (November 24, 2017). La casa de papel' ha ganado. El Pais (in Spanish). Archive from the original on August 8, 2019. Received on August 12, 2019. a b Netflix se fija, de nuevo, en una serie de Atresmedia: compra 'la casa de papel' para emitirla en todo el mundo. La Razon (in Spanish). June 30, 2017. Archive from the original September 5, 2019. Received on September 8, 2019. Letter to Netflix No.1 2018 shareholders (PDF). Netflix has an investor relationship. April 16, 2018. 2-3. Archive from the original on June 26, 2018. Received on April 16, 2018. Hopewell, John (July 12, 2018). Netflix signs a global exclusive general deal with La Casa de Papel creator Alex Pina. Different. Archive from the original on August 9, 2019. Received August 11, 2019. Avendagno, Tom K. (August 2, 2019). 'La casa de papel' logra m's de 34 millones de espectadores y refuerza la estrategia internacional de Netflix. El Pais (in Spanish). Archive from the original on September 8, 2019. Received on September 27, 2019. El creador de 'La casa de papel' se moja sobre su competencia: 'El Ministerio' y Bert'n. elconfidencial.com (in Spanish). October 16, 2017. Archive from the original on October 15, 2019. Received on October 15, 2019. La casa de papel, temporada 3: fecha de estreno en Netflix, c'mo ver online, trailer, actors, personajes y cr'tica. elcomercio.pe (in Spanish). July 20, 2019. Archive from the original on September 24, 2019. Received on September 24, 2019. Tilly Pierce (August 2, 2019). Money Heist breaks records as season 3 becomes Netflix's most popular show ever. Metro. United Kingdom. Archive from the original on August 3, 2019. Received on August 10, 2019. Hopewell, John (July 12, 2019). Netflix's 'La Casa de Papel' Part 3 Wows at the World Premiere. Different. Archive from the original on September 9, 2019. Received on October 2, 2019. John Coblin (October 17, 2019). Netflix top 10 original movies and TV shows, according to Netflix. The New York Times. Archive from the original on October 21, 2019. Received on October 21, 2019. Keslasse, Elsa (December 30, 2019). 'La Casa de Papel' ('Money Heist') tops the Netflix charts in key European markets. Different. Archive from the original on December 31, 2019. Received on January 1, 2020. Elaine Philadelphia (December 9, 2019). #ThisHappened in 2019. Twitter. Archive from the original on December 10, 2019. Received on December 11, 2019. Ortiz, Paola (October 4, 2019). Creadores de la casa de papel nos cuentan semo sera la cuarta temporada. estilodf.tv (in Spanish). Archive from the original 6 2020. Received on December 10, 2019. a b Cortez, Elena (15) (15) 2019). Olex Pina, creador de la casa de papel: Somos unos perturbados de la autocr'tica. ABC (in Spanish). Spain. Archive from the original on December 15, 2019. Received on December 15, 2019. b Oliveira, Joan (December 10, 2019). Kwin kier Nairobi wa soufry: El elenco de la casa de papel promete sorpresas en la nueva temporada. El Pais (in Spanish). Archive from the original on December 10, 2019. Received on December 10, 2019. 'Money Heist' Season 4 coming to Netflix in April 2020. What's on Netflix. December 8, 2019. Archive from the original on December 8, 2019. Received on December 8, 2019. 'Money Heist: Phenomenon' on Netflix is a watch doc 'Money Heist' Fans shouldn't miss out. decider.com April 3, 2020. Archive from the original on April 6, 2020. Received on April 6, 2020. La casa de papel tendre 5a temporada en Netflix. ABC (in Spanish). Spain. October 14, 2019. Archive from the original on October 16, 2019. Received on October 16, 2019. 'La casa de papel', Renovada por una quinta temporada en Netflix. La Vanguardia (in Spanish). October 15, 2019. Archive from the original on October 15, 2019. Received on October 16, 2019. Netflix renueva 'La Casa de Papel' por una quinta temporada que volvere con Alvaro Morte. formulatv.com (in Spanish). October 14, 2019. Archive from the original on October 14, 2019. Received on October 16, 2019. Money Heist seasons 5 and 6 are already scheduled for Netflix before season 4 success. Metro. April 7, 2020. Archive from the original on April 7, 2020. Received on April 7, 2020. Money Heist: Netflix renews Spanish drama for fifth and final season deadline.com July 31, 2020. a b Jimenez, Alex (June 25, 2019). Craytic de la terzera temporada de la casa de papel: Asalto golpe de billete ... Nunka medjor dicho. ABC (in Spanish). Spain. Archive from the original on September 24, 2019. Received on September 28, 2019. Santa Isabel - La Casa del Ahorro (spanish). Santa Isabel through youtube.com. September 24, 2019. Archive from the original on April 7, 2020. Received on October 4, 2019. Alex Jimenez (August 9, 2019). Robaran ? Tlaxcala FC presenta nueva camiseta a 'La Casa de Papel'. am.com.mx (in Spanish). Archive from the original on August 12, 2019. Received on September 28, 2019. Jimenez (September 27, 2019). Llega 'La casa de Raquel', la versi'n porno de la casa de papel (in Spanish). Archive from the original on October 4, 2019. Received on October 4, 2019. I. (August 7, 2019). El efecto t'xico de la casa de papel. ABC (in Spanish). Spain. Archive from the original on September 16, 2019. Received on October 4, 2019. Rodriguez Martinez, Marta (November 14, 2018). Cyprus Carnival bans costumes inspired by Netflix SERIES Money Heist. euronews.com (in Spanish). Archive of November 8, 2019. Received on October 4, 2019. Costas, Costas, (May 2, 2017). 'La casa de papel' sube el list'n con un impecable, y cinematogr'fico, piloto (in Spanish). elconfidencial.com archive from the original dated September 5, 2019. Received on October 5, 2019. Kostas, Ion (November 23, 2017). Final feliz en 'La casa de Papel', un gran caputulo lastrado por la falta de sorpresa (in Spanish). elconfidencial.com archive from the original dated April 7, 2020. Received on October 5, 2019. Hugendick, David (April 10, 2018). Knackt das System!. Die Seit (in German). Archive from the original on October 18, 2019. Received on August 12, 2019. Robbery of money: Part 3 (2019). Rotten tomatoes. Archive from the original on April 7, 2020. Received on April 8, 2020. Ferguson, Euan (July 28, 2019). Week on TV: I'm Nicola; Orange is the new black; Maintaining faith; Money heist. Keeper. Archive from the original on October 7, 2019. Received on October 7, 2019. Rivadeneira Garcia, Alfonso (July 19, 2019). La casa de papel temporada 3: reseamos sin spoilers los primeros 3 episodes (in Spanish). elcomercio.pe archive from the original dated September 5, 2019. Received on October 3, 2019. 19th Prime Minister Iris. academiatv.es (in Spanish). Archive from the original on October 26, 2019. Received on October 26, 2019. Festaval Vitoria Festival de la Telequion. festval.tv (in Spanish). Archive from the original on December 17, 2017. Received on December 16, 2017. Fotogramas de Plata 2018 (in Spanish). fotogramas.es. received on April 21, 2020. Dino-Rey (November 20, 2018). International Emmy Award: Robbery of Money, Nevsky among the winners - a full list of winners. Hollywood deadline. Archive from the original on November 20, 2018. Received on November 20, 2018. 20th Premier Iris. academiatv.es archive from the original dated October 26, 2019. Received on October 26, 2019. - b 'La Casa de Papel' gana el premio a Mejor Serie Dram'tica en el Festival de Montecarlo. La Razon (in Spanish). June 20, 2018. Archive from the original on September 16, 2018. Received on September 16, 2018. Los actores de 'La casa de papel' se llevan la mayor'a de las nominaciones de los Premios de la Uni'n de actores (in Spanish). February 13, 2018. Archive from the original on August 24, 2019. Received on September 16, 2018. Nuevo reconocimiento internacional para 'La Casa de Papel': Mejor Serie en los Premios F'nix (in Spanish). elperiodico.com November 8, 2018. Archive from the original on November 12, 2018. Received on November 12, 2018. La casa de papel - Money Heist: Double prize at the Festival de Lujon. vancouvermedia.es archive from the original dated August 21, 2019. Received on October 26, 2019. Camilla Award - Nominees 2018. camilleawards.eu. received on April 21, 2020. La lista completa de ganadores de los premios Feroz 2018 (in Spanish). huffingtonpost.es. апреля 2020 года. 'The Paper House' wipes out galardones en los premix iris. El Mundo (in Spanish). Spain. November 19, 2019. Archive from the original on November 19, 2019. Received on November 19, 2019. Spanish Actors Union - 2019 Awards. imdb.com. received on April 21, 2020. Aller, Maria (November 29, 2019). Ace Kedan las nominaciones los Premios feroz (in Spanish). fotogramas.es archive from the original dated December 8, 2019. Received on December 6, 2019. La nominaci'n de Mario Casas, novedad de los finalistas los Fotogramas de Plata (in Spanish). cineconene.es. received on April 21, 2020. Spanish Actors Union - 2020 Awards. imdb.com. received on April 21, 2020. Pain and Glory and Paper House, the great winners of the 2020 Platinum Prize. hola.com. Received on 29 June 2020. External links official website (in Spanish) Money Heist on IMDb Money Heist on Rotten Tomatoes extracted from 2Spanish online newspaper This article needs additional quotes to verify. Please help improve this article by adding quotes to reliable sources. Non-sources of materials can be challenged and removed. Find sources: 20 minutos - News newspaper book scientist JSTOR (September 2018) (Learn how and when to delete this message template) logo 20 minutos. 20 minutos is a Spanish free newspaper, with local publications in several Spanish cities published by Multiprensa and Mas S.L. Founded company Multiprensa and Mas S.L. was founded in Madrid in 1999. The founder of 20 minutos is Jose Antonio Martinez Soler. 20 minutos is published under the Attribution-ShareAlike Creative Commons License, which entitles anyone to freely copy, distribute, display, make derivative works and commercial use of the work. In addition, the newspaper can be downloaded from their website. Its majority shareholder is 20 Min Holding, a leader in free daily newspapers in Switzerland (20 minutes in French and 20 minutes in German), France (20 minutes) and Spain. 20 Min Holding majority shareholder is Schibsted, a Norwegian communications group that was founded in 1839 and is listed on the Oslo Stock Exchange, and has a strong presence in Norway, Sweden, Denmark, Switzerland, Estonia, Finland, France and Spain, where it owns both paid and free newspapers, television stations, radio stations, multimedia, etc. The CEO of 20 Min is Sverre Munk, born in 1953. He is a Norwegian economist with a Ph.D. from Stanford and a Yale He is also Executive Vice President (International Operations) at Schibsted ASA, President of Multiprensa Holding, owner of Multiprensa and Mas, publisher of 20 Minutes in Spain, and of the 20 Min Holding Group. External Links 20 minutos website: Links - Creative General Archive 2018-01-02 on Wayback Machine on 20minutos.es Extracted from

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