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Leonard Bernstein
Leonard Bernstein THEATER 17/18 FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. any day of the week. -
Prominent New Retail and Leisure Units to Let in the Filaments, Salford Available October 2020
PROMINENT NEW RETAIL AND LEISURE UNITS TO LET IN THE FILAMENTS, SALFORD AVAILABLE OCTOBER 2020 START > A newHistory of the site neighbourhood The Filaments is a brand new mixed-use development ideally situated next to Salford Central station. This well-connected scheme will comprise of 376 apartments with a mixture of one, two and three bedroom apartments as well as six townhouses to rent. The development comprising of two buildings with six retail and leisure units at ground floor creates an internal pedestrian piazza perfect for outdoor seating. HOME HOME A NEW A NEW SITE PLAN SITE PLAN SEE THE LIGHTSEE THE LIGHT OPPORTUNITY OPPORTUNITY KEY FACTS KEY FACTS CONNECTIVITY CONNECTIVITY DESTINATIONS DESTINATIONS LOCATION LOCATION UNITSCOMMERCIAL AVAILABLE DETAILSPLANS DETAILS NEIGHBOURHOODNEIGHBOURHOOD OVERVIEW < 2 > BLOOM STREET Site plan TRINITY WAY CHAPEL STREET CHAPEL STREET SALFORD CENTRAL STATION GORE STREET Future pedestrian walk way connecting The Filaments to New Bailey NEW BAILEY STR IRWELL STREET EE T HOME A NEW SITE PLAN SEE THE LIGHT OPPORTUNITY KEY FACTS CONNECTIVITY DESTINATIONS LOCATION UNITS AVAILABLE DETAILS NEIGHBOURHOOD < 3 > See the light The Filaments fall within the Salford Central Masterplan, one of the UK’s largest development projects and which has already delivered substantial Grade A office space, hotels and new homes. HOME A NEW SITE PLAN SEE THE LIGHT OPPORTUNITY KEY FACTS CONNECTIVITY DESTINATIONS LOCATION UNITS AVAILABLE DETAILS NEIGHBOURHOOD < 4 > Opportunity The ground floor units benefit from flexible planning use classes (A1-A5, B1 and D2) and are suited to a range of different uses. Commercial occupiers will benefit from the proximity to onsite residents as well as a large daytime office population. -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
Enjoy Free Travel Around Manchester City Centre on a Free
Every 10 minutes Enjoy free travel around (Every 15 minutes after 6:30pm) Monday to Friday: 7am – 10pm GREEN free QUARTER bus Manchester city centre Saturday: 8:30am – 10pm Every 12 minutes Manchester Manchester Victoria on a free bus Sunday and public holidays: Arena 9:30am – 6pm Chetham’s VICTORIA STATION School of Music APPROACH Victoria Every 10 minutes GREENGATE Piccadilly Station Piccadilly Station (Every 15 minutes after 6:30pm) CHAPEL ST TODD NOMA Monday to Friday: 6:30am – 10pm ST VICTORIA MEDIEVAL BRIDGE ST National Whitworth Street Sackville Street Campus Saturday: 8:30am – 10pm QUARTER Chorlton Street The Gay Village ootball Piccadilly Piccadilly Gardens River Irwell Cathedral Chatham Street Manchester Visitor Every 12 minutes useum BAILEYNEW ST Information Centre Whitworth Street Palace Theatre Sunday and public holidays: orn The India House 9:30am – 6pm Exchange Charlotte Street Manchester Art Gallery CHAPEL ST Salford WITHY GROVEPrintworks Chinatown Portico Library Central MARY’S MARKET Whitworth Street West MMU All Saints Campus Peak only ST Shudehill GATE Oxford Road Station Monday to Friday: BRIDGE ST ST Exchange 6:30 – 9:10am People’s Suare King Street Whitworth Street West HOME / First Street IRWELL ST History Royal Cross Street Gloucester Street Bridgewater Hall and 4 – 6:30pm useum Barton Exchange Manchester Craft & Manchester Central DEANSGATE Arcade/ Arndale Design Centre HIGH ST Deansgate Station Castlefield SPINNINGFIELDS St Ann’s Market Street Royal Exchange Theatre Deansgate Locks John Suare Market NEW Centre -
Completed Acquisition by the Ambassador Theatre
Completed acquisition by The Ambassador Theatre Group Limited (ultimately controlled by Exponent Private Equity LLP) of the theatres formerly owned by Live Nation (Venues) UK Ltd The OFT’s decision on reference under section 22(1) given on 10 February 2010. Full text of decision published 24 February 2010. Please note that the square brackets indicate figures or text which have been deleted or replaced in ranges at the request of the parties or third parties for reasons of commercial confidentiality. PARTIES 1. The Ambassador Theatre Group Limited (ATG) (ultimately controlled by funds managed by Exponent Private Equity LLP) (Exponent)1 operates a nationwide portfolio of theatres in the UK.2 It is also a theatre producer and supplies ticketing services to itself and to third parties. 2. The target is the entire issued share capital of Live Nation (Venues) UK Limited (LNT) which owned and operated the UK's largest national portfolio of theatres.3 1 Exponent's activities do not create any substantive horizontal overlap or vertical link with ATG or LNT and, hence its acquisition of a controlling interest over ATG is not considered any further. 2 ATG West End theatres: (i) the Comedy Theatre; (ii) Donmar Warehouse; (iii) Duke of York's Theatre; (iv) Fortune Theatre; (v) Phoenix Theatre; (vi) Piccadilly Theatre; (vii) Playhouse Theatre (50 per cent); (viii) Savoy Theatre (50 per cent); and (ix) Trafalgar Studio 1 and Trafalgar Studio 2; ATG regional theatres: (i) the Ambassadors, Woking (encompassing the New Victoria and Rhoda McGaw theatres); (ii) Theatre Royal Brighton; (iii) the Regent Theatre, Stoke-on-Trent (iv) the Victoria Hall, Stoke-on-Trent; (v) Milton Keynes Theatre; (vi) Churchill Theatre, Bromley; (vii) Richmond Theatre, Surrey; (viii) the King's Theatre, Glasgow; (ix) the Theatre Royal, Glasgow; and (x) New Wimbledon Theatre (and the New Wimbledon Studio). -
St. Mary's Parsonage, Manchester, M3
St. Mary’s Parsonage, Manchester, M3 2LG Work- space at its Best Cardinal House is a premium-quality nine-storey office space, enviably situated in the overlapping focal points of Manchester’s business, legal, retail and cultural districts. All but two of its floors - the first and the eighth - are currently (unoccupied), with tenants ranging from nationwide law firms to Thomas Cook. You’re greeted by a sweeping entrance foyer that boasts double-height glazing and a sleek, understated aesthetic. Heading up to the eighth floor you enter a space in which great thought and effort has been expended on keeping a workforce happily productive. From tech connectivity to desk layout, flexibility is the watchword: however you want to work, Cardinal House works with you. Facilities are generous and intuitive throughout, and include perimeter air-conditioning; secure car-parking and bike racks; three Otis elevators; male and female W/Cs on every floor, alongside disabled W/Cs; showers; and a fully manned reception desk. As the space sits at the very top of Cardinal House – and given the building’s ultra-prime location – the views are, of course, exceptional. Come see them for yourself. Specification • 3 x 10 person Otis passenger lifts • DDA compliant access lift • Perimeter air conditioning (heating and cooling) • Full access raised floors • Suspended ceiling • Mix of LED, LG7 and CAT2 lighting • Male and female W/C’s on each floor • Disabled W/C facilities • High quality finishes throughout • Secure basement and deck parking for 26 vehicles • Basement -
Actor Name PAGE TITLE ! WELCOME
Work Sans 10.5 Actor Name PAGE TITLE ! WELCOME With the songs of Sheffield in our hearts and stories of resilience on our minds, everyone here at the theatres wishes you a warm welcome to this brand new production of The Band Plays On. We’re so excited to be working once again with Chris Bush to create a show full of the spirit of Sheffield, and of course some amazing tunes. We’re delighted to be back in the Crucible and making work for our audiences again, and are looking forward to the day we’ll welcome you back into the building. But this production is much more than just a recording: part-concert, part-play, part-film, I hope this electric production will bring to mind all that we’ve missed and all that we have to look forward to. With our incredible cast of five powerhouse women, a moving script and a brilliant design incorporating the work of Kid Acne, I’m thrilled that this production is our first of 2021. Not only is the show a love letter to Sheffield, it’s a thank you to all our amazing team, the freelancers we work with, and most importantly to you – our audiences. Thank you for your continued support throughout this time. It’s thanks to you that we can continue to make bold and brilliant theatre. Sheffield Theatres Crucible Trust is a registered Charity No. 1120640 and is a company limited by guarantee No. 6035820 CAST! BIOGRAPHIES Anna-Jane Casey For Sheffield Theatres, credits include: Annie Get Your Gun, Flowers For Mrs Harris, Company, Piaf and Sweet Charity. -
Written Evidence Submitted by the Society of Ticket Agents and Retailers (STAR)
Written evidence submitted by the Society of Ticket Agents and Retailers (STAR) Digital, Culture, Media and Sport Committee Inquiry into the Impact of Covid-19 on DCMS Sectors 1. ABOUT STAR 1.1. STAR, the Society of Ticket Agents and Retailers, is the self-regulatory body for the ticket industry formed in 1997 by companies and organisations within the ticketing industry. Its membership encompasses ticket agents, ticketing system suppliers, arenas, sports bodies, promoters, producers, music venues, most West End theatres and many other theatres and venues in London and across the UK. STAR members subscribe to a Code of Practice covering standards of service and information and we estimate that our ticket agent members represent over 90% of that sector. STAR works to help resolve disputes between its members and ticket buyers and is approved by Government under the Alternative Dispute Resolution for Consumer Disputes (Competent Authorities and Information) Regulations 2015. (See list of members below) 2. EXECUTIVE SUMMARY 2.1. Ticketing is a key element of the delicate eco-system that supports the tremendous UK live entertainment and events industries as well as other significant sectors in the remit of the DCMS which have been devastated as a consequence of the Covid-19 pandemic. 2.2. Ticket agents represent a significant proportion of ticket sales for UK events and are an important factor in the success of marketing shows and achieving successful ticket sales. They also play a significant role in helping build new audiences, creating innovation, developing technical resources, finding new distribution channels, marketing and advertising events to both domestic and overseas markets. -
India Company
THE INFLUENCE OF THE EAST INDIA COMPANY And yet — in fact you need only draw a single thread at any point you choose out of the fabric of life and the run will make a pathway across the whole, and down that wider pathway each of the other threads will become successively visible, one by one. — Heimito von Doderer, DIE DÂIMONEN 6,000 BCE Settled agriculture was beginning in the valley of the Nile River. From this point until about 3,000 BCE, settled agriculture would be coming into existence as well on the Indian subcontinent. PLANTS 5,000 BCE In about this period date palms were coming to be cultivated in India. HDT WHAT? INDEX INDIA INDIA 3,200 BCE According to a later story, the Mountain of Light “Kohinoor” diamond turned up in approximately this period as a rock of 793 carats, or nearly six troy ounces, in India in the bed of the river Godavery. At the time the rock couldn’t have been very bright or very pretty — but as it was so large it would be a suitable 2 Copyright 2013 Austin Meredith HDT WHAT? INDEX INDIA INDIA object for people to play keep-away with. WALDEN: White Pond and Walden are great crystals on the surface of the earth, Lakes of Light. If they were permanently congealed, and small enough to be clutched, they would, perchance, be carried off by slaves, like precious stones, to adorn the heads of emperors; but being liquid, and ample, and secured to us and our successors forever, we disregard them, and run after the diamond of Kohinoor. -
Deep Dive Assessment of the Hospitality, Tourism and Sport Sector
Deep Dive: 09 Hospitality, Tourism and Sport Date September 2016 FINAL REPORT Contents Executive Summary .............................................................................................................. 3 1 Introduction ............................................................................................................... 6 2 Definitions ................................................................................................................. 7 3 Significance ............................................................................................................... 8 4 Business and Employment ...................................................................................... 12 5 Skills ........................................................................................................................ 19 6 Key Assets .............................................................................................................. 22 7 Growth Potential ...................................................................................................... 27 8 Spatial Considerations ............................................................................................. 33 September 2016 2 Executive Summary Context The Hospitality, Tourism and Sport sector is broad, encompassing hotels, restaurants, bars, conference and exhibition centres, libraries, museums, entertainment activities, travel agency services, gambling and betting, sports, amusement and recreation. The sector serves both a visitor market, -
Manchester: the Liveable City
Manchester: The Liveable City With a population of 2.7 million, Manchester is widely regarded as Britain’s second city and arguably the most exciting, cultural and forward-thinking. With a rich history and a unique blend of modern developments and historic spaces, Manchester is a fantastic place to live and work, with entertainment, dining, nightlife and leisure options to suit every type of person. Manchester Airport Manchester Transport Links Manchester Airport is the global gateway to the North of England. • Largest UK regional airport Manchester City Council is investing £3 billion in the city's transport network that is • Over 225 direct flights to worldwide destinations aimed at transforming the existing bus network, expanding the tram network by over • 9 direct flights from the US three times its current size, and providing longer trains running through refurbished • Direct rail link into city centre from airport • www.manchesterairport.co.uk stations. With that in mind, it is not surprising that an increasing number of commuters opt to take advantage of the city's highly organised and efficient public transport network. Selected direct flights per week from Manchester Airport Car Bus Manchester city centre lies at the heart of an Greater Manchester has a comprehensive bus expansive motorway network. The M60 ring network offering fast and frequent services to many road makes access in and around the city centre destinations. Tickets can be purchased per journey, straightforward and connects the city region’s inter- or money-saving daily, weekly or monthly passes suburban links. The city centre is also surrounded can be purchased. -
Manchester's Radical History How Hyde
7/1/2021 Manchester's Radical History – Exploring Greater Manchester's Grassroots History Manchester's Radical History Exploring Greater Manchester's Grassroots History NOVEMBER 30, 2013 BY SARAH IRVING How Hyde ‘Spymasters’ looked for Commies on BBC Children’s Hour By Derek Paison Salford born folk singer and song- writer Ewan MacColl is remembered today more for his music than his agit-prop plays. But it was his political activities before the last war and his membership of the Communist Party that led to MI5 opening a file on him in the 1930s and why they kept him, and his friends, under close surveillance. Secret service papers released by the national archives, now in Ashton-under-Lyne central library, offer a clue into how British intelligence (MI5) spied on working-class folk singer Ewan MacColl and his wife playwright, Joan Lilewood, who lived at Oak Coage on Higham Lane, Hyde, Cheshire, during World War II. MI5 opened a file on James Henry Miller (MacColl’s real name) in the early 1930s when he was living in Salford. As an active Communist Party member, he had been involved in the unemployed workers’ campaigns and in the mass trespass of Kinder Scout in Derbyshire. Before enlisting in the army in July 1940, he had wrien for the radio programme Children’s Hour. In Joan Lilewood’s autobiography, she writes: “Jimmie was registered at the Labour Exchange as a motor mechanic, but he did beer busking, singing Hebridean songs to cinema queues. Someone drew Archie Harding’s aention to him and from that time on he appeared in the North Region’s features (BBC) whenever a ‘proletarian’ voice was needed.” As a BBC presenter for Children’s Hour and Communist Party member, Lilewood also came under the watch of MI5.