Diskografie Stand: Oktober 2011

Total Page:16

File Type:pdf, Size:1020Kb

Diskografie Stand: Oktober 2011 연광철 Kwangchul Youn – Bass Diskografie Stand: Oktober 2011 Gustav Mahler Symphony No. 8 ORF Radio Symphonie Orchester Wien Wiener Singakademie, Slovak Philharmonic Choir, Wiener Sängerknaben Bertrand de Billy Ricarda Merbeth, Elza van den Heever, Elisabeta Marin, Stella Grigorian Jane Henschel, Johan Botha, Boaz Daniel, Kwangchul Youn 2011 - Oehmsclass (Harmonia Mundi) Richard Wagner Die Walküre Chor und Orchester der Bayreuther Festspiele Christian Thielemann Tankred Dorst Johan Botha, Edith Haller, Albert Dohmen, Kwangchul Youn u.a. 2011 - Opus Arte (Naxos Deutschland GmbH) Richard Wagner Das Rheingold Orchester der Bayreuther Festspiele Christian Thielemann Albert Dohmen, Arnold Bezuyen, Andrew Shore, Kwangchul Youn Hans-Peter König, Edith Haller u.a. 2010 - Opus Arte (Naxos Deutschland GmbH) Charles Gounod Faust Chor und Orchester der Wiener Staatsoper Bertrand de Billy Piotr Beczala, Kwangchul Youn, Soile Isokoski, Adrian Eröd u.a. 2010 - Orfeo International Music GmbH (Orfeo International Music) Richard Wagner Lohengrin WDR Sinfonie Orchester Köln, WDR Rundfunkchor Köln, NDR Chor Semyon Bychkov Johan Botha, Adrianne Pieczonka, Petra Lang, Kwangchul Youn Falk Struckmann u.a. 2009 - Profil (Naxos Deutschland GmbH) Richard Wagner Die Meistersinger von Nürnberg Chor und Orchester der Bayreuther Festspiele Daniel Barenboim Wolfgang Wagner Robert Holl, Andreas Schmidt, Peter Seiffert, Emily Magee, Matthias Hölle Kwangchul Youn u.a. 2008 - Naxos Deutschland GmbH Wolfgang Amadeus Mozart Don Giovanni Orchestra Academy of the Gran Theatre del Liceu Bertrand de Billy Calixto Bieito, Woytek Drabowicz, Regina Schörg, Marcel Reijans Véronique Gens, Kwangchul Youn, Philippe Bou, Marisa Martins u.a. 2006 – Naxos Deutschland Eugen d´Albert Tiefland Radio Symphonie Orchester Wien Bertrand de Billy Lisa Gasteen, Johan Botha, Falk Struckmann, Kwangchul Youn u.a. 2006 – Oehms Classics Ludwig van Beethoven Fidelio Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin Daniel Barenboim Placido Domingo Waltraud Meier, Falk Struckmann, René Pape, Soile Isokoski Walter Guera, Kwangchul Youn u.a. 2006 - Teldec Classics (Warner) Richard Strauß Daphne WDR Rundfunk Orchester, WDR Rundfunk Chor Semyon Bychkov Renée Fleming, Anna Larsson, Michael Schade, Johan Botha Kwangchul Youn u.a. 2005 - Decca (Universal) Richard Wagner Das Rheingold Simphony Orchestra of the Gran Teatre del Liceu Bertrand de Billy Harry Kupfer Falk Struckmann, Graham Clark, Günter von Kannen, Lioba Braun Kwangchul Youn, Matthias Hölle u.a. 2005 - Naxos Deutschland Wolfgang Amadeus Mozart Don Giovanni Vienna Radio Symphony Orchestra Bertrand de Billy Kwangchul Youn, Regina Schörg, Heidi Brunner, Jeffrey Francis Maurizio Muraro, Birgid Steinberger, Reinhard Mayr, Reinhard Hagen u.a. 2003 - Ariola Arte Nova Classics (Sony Music) Wolfgang Amadeus Mozart Requiem Das neue Orchester Köln, Chorus Musicus Köln Christoph Spering Iride Martinez, Monica Groop, Steve Davislim, Kwangchul Youn u.a. 2002 – Opus 111 Wolfgang Amadeus Mozart Le Nozze di Figaro Vienna Radio Symphony Orchestra Bertrand de Billy Jochen Schmeckenbecher, Regina Schörg, Birgid Steinberger Kwangchul Youn, Ruxanda Donose u.a. 2002 - Ariola Arte Nova Classics (Sony Music) Wolfgang Amadeus Mozart Cosi fan tutte Vienna Radio Symphony Orchestra Bertrand de Billy Regina Schörg, Heidi Brunner, Birgid Steinberger, Jeffrey Francis Martin Gantner, Kwangchul Youn u.a. 2001 - Ariola Arte Nova Classics (Sony Music) Richard Wagner Die MeistersinMeistersingerger von Nürnberg Chor und Orchester der Bayreuther Festspiele Daniel Barenboim Robert Holl, Andreas Schmidt, Peter Seiffert, Emily Magee Matthias Hölle, Kwangchul Youn u.a. 2000 - Teldec (Warner) Reinhard Keiser Crösus Akademie für Alte Musik Berlin René Jacobs Dorothea Röschmann, Werner Guera, Roman Trekel Klaus Häger, Kwangchul Youn u.a. 2000 – Harmonia Mundi Giacomo Puccini, Gaetano Donizetti, Jules Massenet The First Placido Domingo International Voice Competition ––– Gala Concert Orchestre de l´Opera de Paris Eugene Kohn Placido Domingo, Ainhoa Arteta, Inva Mula, Nina Stemme Kwangchul Youn 1994 - Sony Classics (Sony BMG) .
Recommended publications
  • Círculo Del Liceo
    CÍRCULO DEL LICEO revista # 9 #9 · BAILE DE MÁSCARAS · ESCAPADA OPERÍSTICA A LONDRES · ESTEBAN RABAT · CARMEN MATEU · ALBERT DOHMEN · LOS VINOS DE OPORTO CARTA DEL PRESIDENTE editorial EDITORIAL Queridos socios, Como ya sabéis, y de acuerdo con los preceptos estatutarios se han convocado elecciones el próximo 16 de mayo. He cumplido dos mandatos consecutivos como Presidente por lo que de acuerdo con nuestros Estatutos no corresponde optar a la reelección. Creo que este precepto tiene Institución. No quiero repetir- mucho sentido, ya que ocho me, simplemente reiterar que años es tiempo suficiente para durante estos años hemos ge- poner en marcha programas nerado un conjunto de cam- e iniciativas. Por otro lado, es bios e iniciativas que dejan beneficioso para el Club que un Círculo mucho más sólido nadie se eternice en el mismo; y perdurable. Evidentemente después de ocho años es bue- quedan muchas cosas por ha- no un recambio. cer, pero pienso que la base Ésta es, pues, mi última de partida es mejor que la que carta como Presidente en la nos encontramos. Será tarea revista, una de las muchas ini- de la nueva Junta decidir si las ciativas que hemos puesto en iniciativas que están en marcha marcha estos años y que se ha deben mantenerse y qué otras un extenso reportaje en esta consolidado como medio de se deberán implantar. revista. comunicación con los socios y Espero de la nueva Junta Por último, quiero tener como vehículo de proyección que actúe, como hemos hecho un especial recuerdo para al exterior del club. nosotros, siempre pensando en Carmen Mateu Quintana, me- Quiero deciros, en primer el interés del Círculo y sus so- dalla de oro del Círculo, pre- lugar, que ha sido un honor cios.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
    SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S.
    [Show full text]
  • Ildar Abdrazakov Las Versiones Del Demonio
    ENTREVISTA Ildar Abdrazakov Las versiones del demonio por Ingrid Haas ldar Abdrazakov es uno de los grandes bajos en la actualidad. A sus 39 años, goza ya de una carrera sólida y llena de éxitos en teatros tan importantes como la Scala de Milán, Iel Metropolitan Opera House de Nueva York, Washington Opera, Los Ángeles Ópera, Royal Opera House de Londres, Opéra Bastille de París, el Teatro Mariinsky, el Liceu de Barcelona, el Real de Madrid, la Ópera de Montecarlo, la Ópera de San Francisco, la Ópera Estatal de Viena y la Ópera Estatal de Baviera, entre otras. La voz de Abdrazakov ha conquistado a los públicos más exigentes y a directores de orquesta de la talla de Riccardo Muti, James Levine, Valery Gergiev, Gianandrea Noseda, Anthony Pappano, Riccardo Chailly y Bertrand de Billy, sólo por nombrar a algunos. “En las tres Con su cavernoso timbre, innegable musicalidad y gallarda versiones de presencia escénica, Abdrazakov ha cantado una amplia gama de Mefistófeles que he roles que van desde Fígaro en Le nozze di Figaro de Mozart, el rol cantado, mi Fausto titular y Leporello en Don Giovanni, Moïse en Moïse et Pharaon, ha sido siempre Assur en Semiramide, Don Basilio en Il Barbiere di Siviglia, las Ramón Vargas” tres de Rossini, Oroveso en Norma de Bellini, Méphistophélès Foto: Sergei Misenko en las versiones de Faust de Gounod y La damnation de Faust de Berlioz, el rol principal de Mefistofelede Boito, los Cuatro Sí, en efecto. Vine a cantar hace unos años a la Ciudad de México: Villanos de Les contes d’Hoffmann, Walter en Luisa Miller así un recital en la Sala Nezahualcóyotl y el Requiem de Verdi en como Oberto y Attila en las óperas homónimas de Verdi, Dosifei en Bellas Artes.
    [Show full text]
  • Richard Strauss's Ariadne Auf Naxos
    Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails.
    [Show full text]
  • Premieren Der Oper Frankfurt Ab September 1945 Bis Heute
    Premieren der Oper Frankfurt ab September 1945 bis heute Musikalische Leitung der Titel (Title) Komponist (Composer) Premiere (Conductor) Regie (Director) Premierendatum (Date) Spielzeit (Season) 1945/1946 Tosca Giacomo Puccini Ljubomir Romansky Walter Jokisch 29. September 1945 Das Land des Lächelns Franz Lehár Ljubomir Romansky Paul Kötter 3. Oktober 1945 Le nozze di Figaro W.A. Mozart Dr. Karl Schubert Dominik Hartmann 21. Oktober 1945 Wiener Blut Johann Strauß Horst-Dietrich Schoch Walter Jokisch 11. November 1945 Fidelio Ludwig van Beethoven Bruno Vondenhoff Walter Jokisch 9. Dezember 1945 Margarethe Charles Gounod Ljubomir Romansky Walter Jokisch 10. Januar 1946 Otto und Theophano Georg Friedrich Händel Bruno Vondenhoff Walter Jokisch 22. Februar 1946 Die Fledermaus Johann Strauß Ljubomir Romansky Paul Kötter 24. März 1946 Zar und Zimmermann Albert Lortzing Ljubomir Romansky Heinrich Altmann 12. Mai 1946 Jenufa Leoš Janáček Bruno Vondenhoff Heinrich Altmann 19. Juni 1946 Spielzeit 1946/1947 Ein Maskenball Giuseppe Verdi Bruno Vondenhoff Hans Strohbach 29. September 1946 Così fan tutte W.A. Mozart Bruno Vondenhoff Hans Strohbach 10. November 1946 Gräfin Mariza Emmerich Kálmán Georg Uhlig Heinrich Altmann 15. Dezember 1946 Hoffmanns Erzählungen Jacques Offenbach Werner Bitter Karl Puhlmann 2. Februar 1947 Die Geschichte vom Soldaten Igor Strawinsky Werner Bitter Walter Jokisch 30. April 1947 Mathis der Maler Paul Hindemith Bruno Vondenhoff Hans Strohbach 8. Mai 1947 Cavalleria rusticana / Pietro Mascagni / Werner Bitter Heinrich Altmann 1. Juni 1947 Der Bajazzo Ruggero Leoncavallo Spielzeit 1947/1948 Ariadne auf Naxos Richard Strauss Bruno Vondenhoff Hans Strohbach 12. September 1947 La Bohème Giacomo Puccini Werner Bitter Hanns Friederici 2. November 1947 Die Entführung aus dem W.A.
    [Show full text]
  • Historie Premieren
    Premieren der Oper Frankfurt ab September 1945 bis heute (alphabetisch nach Komponisten) Musikalische Leitung der Premiere Komponist (Composer) Titel (Title) Regie (Director) Premierendatum (Date) (Conductor) John Adams Nixon in China John Adams Peter Sellars 2. Juli 1992 Thomas Adès The Tempest (Der Sturm) Johannes Debus Keith Warner 10. Januar 2010 Eugen d'Albert Tiefland Werner Bitter Karl Puhlmann 23. April 1949 Tiefland Sebastian Weigle Anselm Weber 10. Dezember 2006 Francisco António de Almeida La Giuditta Felice Venanzoni Guillaume Bernardi 12. Juni 2010 (Bockenheimer Depot) Jörn Arnecke Unter Eis Johannes Debus Falk Richter 2. Juni 2008 (Bockenheimer Depot) Samuel Barber Vanessa Jonathan Darlington Katharina Thoma 2. September 2012 Béla Bartók Herzog Blaubarts Burg Hans Löwlein Harry Buckwitz 27. Februar 1964 Herzog Blaubarts Burg Christoph von Dohnányi Klaus Michael Grüber 26. Juni 1974 Herzog Blaubarts Burg Sylvain Cambreling Herbert Wernicke 13. März 1994 Herzog Blaubarts Burg Constantinos Carydis Barrie Kosky 5. Dezember 2010 Ludwig van Beethoven Fidelio Bruno Vondenhoff Walter Jokisch 9. Dezember 1945 Fidelio Bruno Vondenhoff Heinz Tietjen 28. Oktober 1954 Fidelio Sir Georg Solti Harry Buckwitz 1. November 1959 Fidelio Christoph Dohnányi Achim Freyer / Christoph von Dohnányi 2. April 1976 Fidelio Sylvain Cambreling Christoph Martaler 13. April 1997 Fidelio Paolo Carignani Christina Paulhofer / Alex Harb 1. Juni 2008 Vincenzo Bellini Il Pirata Imre Palló (konzertant ) 25. März 1990 (in der Alten Oper) I puritani Tito Ceccherini Vincent Boussard 2. Dezember 2018 Norma Michael Halász (konzertant) 19. Dezember 1976 Norma Pier Giorgio Morandi konzertant 28. Oktober 2008 Norma Antonino Fogliani Christof Loy (Änderung Team) 10. Juni 2018 La sonnambula Eun Sun Kim Tina Lanik 30.
    [Show full text]
  • CV English - Noëmi Nadelmann —
    CV English - Noëmi Nadelmann — Noëmi Nadelmann is a swiss soprano and one of the leading opera and concert singer of her generation. She made her debut in 1987 at the Teatro La Fenice in Venice as Musetta in 'La Bohème' with Renata Scotto as Mimi. Since that time she has sung major roles in the great opera houses of the world, in the major concert halls and with the world's leading orchestras. Noëmi Nadelmann has sung Musetta at the Metropolitan Opera in New York, Opéra National Paris (Bastille) in Paris (conductor: Daniel Oren), Vienna State Opera, Komische Oper Berlin (conductor: Simone Young), Dutch National Opera Amsterdam (director: Pierre Audi) and the Lyric Opera of Chicago. She has sung Violetta in 'La Traviata' at the Komische Oper in Berlin (director: Harry Kupfer, conductor: Yakov Kreizberg), Hessisches Staatstheater Wiesbaden, Deutsche Oper Berlin (director: Götz Friedrich), Opernhaus Zürich (director: Jürgen Flimm, conductor: Franz Welser- Möst) and the State Opera House Hamburg. She has also sung the title role in 'Lucia di Lammermoor' at the Komische Oper Berlin (director: Harry Kupfer, conductor: Yakov Kreizberg, Vladimir Jurowski) and the State Opera House Hamburg. Noëmi Nadelmann has sung the tiltle role in 'Manon' at the Deutsche Oper Berlin and Marschallin in 'der Rosenkavalier' on their tour to Beijing (conductor: Uwe Schirmer) as well as at the Israeli Opera in Tel Aviv (conductor: Asher Fisch). Armida in 'Rinaldo' she was a tremendous success at the Bavarian State Opera in Munich (director: David Alden, conductor: Harry Bicket) and at the State Opera Berlin (director: Nigel Lowery, conductor: René Jacobs).
    [Show full text]
  • January 19, 2020 Luc De Wit 3:00–4:40 PM
    ALBAN BERG wozzeck conductor Opera in three acts Yannick Nézet-Séguin Libretto by the composer, based on the production William Kentridge play Woyzeck by Georg Büchner co-director Sunday, January 19, 2020 Luc De Wit 3:00–4:40 PM projection designer Catherine Meyburgh New Production set designer Sabine Theunissen costume designer Greta Goiris The production of Wozzeck was made possible lighting designer Urs Schönebaum by a generous gift from Robert L. Turner A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia general manager Peter Gelb jeanette lerman-neubauer music director Sunday matinee performances at the Met are Yannick Nézet-Séguin sponsored by the Neubauer Family Foundation 2019–20 SEASON The 75th Metropolitan Opera performance of ALBAN BERG’S wozzeck conductor Yannick Nézet-Séguin in order of vocal appearance the captain the fool Gerhard Siegel Brenton Ryan wozzeck a soldier Peter Mattei Daniel Clark Smith andres a townsman Andrew Staples Gregory Warren marie marie’s child Elza van den Heever Eliot Flowers margret Tamara Mumford* puppeteers Andrea Fabi the doctor Gwyneth E. Larsen Christian Van Horn ac tors the drum- major Frank Colardo Christopher Ventris Tina Mitchell apprentices Wozzeck is stage piano solo Richard Bernstein presented without Jonathan C. Kelly Miles Mykkanen intermission. Sunday, January 19, 2020, 3:00–4:40PM KEN HOWARD / MET OPERA A scene from Chorus Master Donald Palumbo Berg’s Wozzeck Video Control Kim Gunning Assistant Video Editor Snezana Marovic Musical Preparation Caren Levine*, Jonathan C. Kelly, Patrick Furrer, Bryan Wagorn*, and Zalman Kelber* Assistant Stage Directors Gregory Keller, Sarah Ina Meyers, and J.
    [Show full text]
  • Wagnerkalender – Sluitingsdatum Van Deze Kalender 1 December 2017
    Wagnerkalender – sluitingsdatum van deze kalender 1 december 2017 Amsterdam Tristan und Isolde, 18, 22, 25, 30 januari, 4, 7, 10 en 14 februari 2018 Pierre Audi regie, Christof Hetzer decor, Marc Albrecht dirigent, Stephen Gould (Tristan), Ricarda Merbeth (Isolde), Günther Groisböck (Marke), Ian Paterson (Kurwenal), Michelle Breedt (Brangäne), Roger Smeets (Ein Steuermann), Marc Lachner (Ein Hirt/Ein Junger Seemann) Tannhäuser light, 26 mei, Muziekgebouw aan het IJ Pocketversie van Tannhäuser, samengesteld door Carel Alphenaar. Michael Gieler dirigent, zangers: Laetitia Gerards, Gustavo Peña, Aylin Sezer, Michael Wilmering, orkest: leden van het Koninklijk Concertgebouworkest. Der Ring ohne Worte (arr. Lorin Maazel), Concertgebouw 13 juni 2018 UVA-orkest J.Pzn. Sweelinck Fragmenten uit de Ring, 20, 21 en 22 juni 2018, Concertgebouw Concertant, Koninklijk Concertgebouworkest o.l.v. Daniele Gatti, met medewerking van Eva-Maria Westbroek. Antwerpen Parsifal, 18, 21, 24, 27, 29 maart, 1 en 4 april 2018 Tatjana Gürbaca regie, Henrik Ahr decor, Cornelius Meister dirigent, Erin Caves (Parsifal), Tanja Ariane Baumgartner (Kundry), Stefan Kocan (Gurnemanz), Christoph Pohl (Amfortas), Károly Szemerédy (Klingsor), Markus Suihkonen (Titurel) Baden Baden - Festspielhaus Parsifal, 24 en 30 maart, 2 april 2018 Dieter Dorn regie, Magdalena Gut decor, Simon Rattle dirigent, Stephen Gould (Parsifal), Franz-Josef Selig (Gurnemanz), Ruxandra Donose (Kundry), Evgeny Nikitin (Klingsor), Gerald Finley (Amfortas) Der fliegende Holländer, 18 mei 2018 (concertant)
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • Season Premiere of Tosca Glitters
    2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]