IP Theory Volume 5 Issue 1 Article 3 Spring 2015 Copyright and Cross-Cultural Borrowing: Indo-Western Musical Encounters Arpan Banerjee Jindal Global Law School, India,
[email protected] Follow this and additional works at: https://www.repository.law.indiana.edu/ipt Part of the Intellectual Property Law Commons, and the Science and Technology Law Commons Recommended Citation Banerjee, Arpan (2015) "Copyright and Cross-Cultural Borrowing: Indo-Western Musical Encounters," IP Theory: Vol. 5 : Iss. 1 , Article 3. Available at: https://www.repository.law.indiana.edu/ipt/vol5/iss1/3 This Article is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in IP Theory by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact
[email protected]. IPtheory Volume 5: Issue 1 Copyright and Cross-Cultural Borrowing: Indo-Western Musical Encounters Arpan Banerjee* INTRODUCTION In a denunciatory book on India, the British historian James Mill (father of John Stuart Mill) labeled the country’s people “mendacious,” its art and sculpture “disgusting,” its literature “monstrous,” its cuisine “simple and common,” and its music “unpleasing.”1 Mill — who had never actually visited India — attacked the admiring descriptions of Indian civilization by Western indologists, notably Sir William Jones.2 While Mill’s book might have shaped the views of many in the West towards India (for example, the book was compulsory reading for British officials posted in India3), scholars like Jones equally influenced an alternative discourse, epitomized by Mark Twain’s gushing description of India in his travelogues.4 Postcolonial scholars, while criticizing Mill and similar colonial ideologues, have also been skeptical of romanticized depictions of Indian culture.