Tweets in Space a Project by Scott Kildall and Nathaniel Stern
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Sabbatical Leave Report 2019 – 2020
Sabbatical Leave Report 2019 – 2020 James MacDevitt, M.A. Associate Professor of Art History and Visual & Cultural Studies Director, Cerritos College Art Gallery Department of Art and Design Fine Arts and Communications Division Cerritos College January 2021 Table of Contents Title Page i Table of Contents ii Sabbatical Leave Application iii Statement of Purpose 35 Objectives and Outcomes 36 OER Textbook: Disciplinary Entanglements 36 Getty PST Art x Science x LA Research Grant Application 37 Conference Presentation: Just Futures 38 Academic Publication: Algorithmic Culture 38 Service and Practical Application 39 Concluding Statement 40 Appendix List (A-E) 41 A. Disciplinary Entanglements | Table of Contents 42 B. Disciplinary Entanglements | Screenshots 70 C. Getty PST Art x Science x LA | Research Grant Application 78 D. Algorithmic Culture | Book and Chapter Details 101 E. Just Futures | Conference and Presentation Details 103 2 SABBATICAL LEAVE APPLICATION TO: Dr. Rick Miranda, Jr., Vice President of Academic Affairs FROM: James MacDevitt, Associate Professor of Visual & Cultural Studies DATE: October 30, 2018 SUBJECT: Request for Sabbatical Leave for the 2019-20 School Year I. REQUEST FOR SABBATICAL LEAVE. I am requesting a 100% sabbatical leave for the 2019-2020 academic year. Employed as a fulltime faculty member at Cerritos College since August 2005, I have never requested sabbatical leave during the past thirteen years of service. II. PURPOSE OF LEAVE Scientific advancements and technological capabilities, most notably within the last few decades, have evolved at ever-accelerating rates. Artists, like everyone else, now live in a contemporary world completely restructured by recent phenomena such as satellite imagery, augmented reality, digital surveillance, mass extinctions, artificial intelligence, prosthetic limbs, climate change, big data, genetic modification, drone warfare, biometrics, computer viruses, and social media (and that’s by no means meant to be an all-inclusive list). -
The African Digital Commons a Participant’S Guide, 2005
The African Digital Commons A Participant’s Guide, 2005 A conceptual map of the people, projects and processes that contribute to the development of shared, networked knowledge across the African continent. Lead writers: Chris Armstrong & Heather Ford A collaborative output of the Commons-sense Project http://www.commons-sense.org at the LINK Centre Graduate School of Public & Development Management Wits University, Johannesburg, South Africa http://link.wits.ac.za Development of this resource made possible by a grant from the International Development Research Centre (IDRC), Ottawa, Canada, http://www.idrc.ca Photograph and cover design by Philippa Moore, Paraffin Designs www.paraffin.co.za Copyright: the LINK Centre, 2005. This document is made available as open content under the Creative Commons Attribution-ShareAlike 2.0 South Africa Licence. For the full licence, see http://creativecommons.org/licenses/by- sa/2.0/za 1 Foreword One of the goals of the Commons-sense Project is to conduct research that helps equip African activists and decision-makers with the information they need to develop cutting- edge, relevant intellectual property policies and practices. We decided to begin with a map – a map that hopefully presents a broad picture of how far we’ve already come in Africa towards the goal of achieving a “digital information commons”, as well as providing some sense of how to grow it further. We have tried to chart the international, regional and national policies, players and movements that to some extent dictate the scope of the commons in Africa, and at the same time to outline some of the creative responses from people on the ground working towards the expansion of the commons in some way. -
Dialogues Around Intermedia Practice
TRANSCODE // DIALOGUES AROUND INTERMEDIA PRACTICE Curated by Gwenneth Miller 1 Cover page: Gwenneth Miller, detail of Continuum system (2009-2011) 2 TRANSCODE // DIALOGUES AROUND INTERMEDIA PRACTICE Curated by Gwenneth Miller Carolyn Parton / Colleen Alborough / Churchill Madikida / Fabian Wargau / Frederik Eksteen / Gwenneth Miller / Lawrence Lemaoana / Marcus Neustetter / Minnette Vàri / Nathaniel Stern / Sello Mahlangu / The Journey Collaborative with Celia de Villiers and the Intuthuko Sewing Group 7 - 30 September 2011 UNISA ART GALLERY PRETORIA 3 4 CONTENTS INTRODUCTION 6 Gwenneth Miller ROOM ONE 13 The Journey Projects with Celia de Villiers and the Intuthuko Sewing Group / Lawrence Lemaoana ROOM TWO 29 Frederik Eksteen / Marcus Neustetter / Carolyn Parton ROOM THREE 57 Colleen Alborough / Churchill Madikida / Nathaniel Stern ROOM FOUR 77 Minnette Vári / Sello Mahlangu / Fabian Wargau / Gwenneth Miller CONCLUSION 108 References 110 List of Illustrations 112 Opposite: Gwenneth Miller, Acknowledgements 116 detail of studio mind map (2011-2015) 5 TRANSCODE: dialogues around intermedia practice Transcoding artists’ work. In other words, as dialogues between intermedial practices, this ‘group’ conversation Transcoding or transduction is the manner in which one milieu serves as the basis for another, or takes place on multi-layered dimensions. The artistic conversely is the establishment atop another milieu, practices within TRANSCODE provide the basis for dissipates in it or is constituted in it (Deleuze and a practice-led research project titled “Modelling an Guattari 2004:345). innovative approach to intermediality within Visual In new media lingo, to “transcode” something is to Art practice in South Africa” (Miller 2015). translate it into another format. The computerization of culture gradually accomplishes similar transcoding in relation to all cultural categories and concepts Mediamatic reflection (Manovich 2001:64). -
A Direct Communication Proposal to Test the Zoo Hypothesis
Space Policy 38 (2016) 22e26 Contents lists available at ScienceDirect Space Policy journal homepage: www.elsevier.com/locate/spacepol Viewpoint A direct communication proposal to test the Zoo Hypothesis Joao~ Pedro de Magalhaes~ Institute of Integrative Biology, University of Liverpool, Biosciences Building, Room 245, Crown Street, Liverpool, L69 7ZB, UK article info abstract Article history: Whether we are alone in the universe is one of the greatest mysteries facing humankind. Given the >100 Received 3 March 2016 billion stars in our galaxy, many have argued that it is statistically unlikely that life, including intelligent Accepted 16 June 2016 life, has not emerged anywhere else. The lack of any sign of extraterrestrial intelligence, even though on a Available online 26 July 2016 cosmic timescale extraterrestrial civilizations would have enough time to cross the galaxy, is known as Fermi's Paradox. One possible explanation for Fermi's Paradox is the Zoo Hypothesis which states that Keywords: one or more extraterrestrial civilizations know of our existence and can reach us, but have chosen not to Active SETI disturb us or even make their existence known to us. I propose here a proactive test of the Zoo Hy- Astrobiology fi Fermi's Paradox pothesis. Speci cally, I propose to send a message using television and radio channels to any extrater- Messaging to extraterrestrial intelligence restrial civilization(s) that might be listening and inviting them to respond. Even though I accept this is METI unlikely to be successful in the sense of resulting in a response from extraterrestrial intelligences, the possibility that extraterrestrial civilizations are monitoring us cannot be dismissed and my proposal is consistent with current scientific knowledge. -
In Production
In Production A very different kind of case study, ‘In Production (A Narrative In- quiry on Interactive Art),’ is a somewhat fictionalized story that folds the anxieties and emotions of an artist / PhD student into the making and thinking, moving and feeling, of digital art. The chapter is freely available in its entirety as part of networked: a networked book about networked art (2013), in a collaborative publication between Gylphi, Arts Future Book, and Turbulence.org. You can view it in any brows- er, or download it as a Creative Commons-Licensed and DRM-free PDF for your computer, printer, e-reader, or mobile device. The on- line version accepts new contributions, and I invite practicing artists, curators, and scholars to make their own additions – whether as art- ist writings / narrative inquiries, curatorial or critical case studies, or broad theoretical texts – to continue to expand and explore Interactive Art and Embodiment: The Implicit Body as Performance. http://stern. networkedbook.org 253 Interactive Art and Embodiment Introduction to an Experiment On the balls of my feet, I involuntarily hover in the doorway to my supervisor’s office. ‘Was there something else you needed?’ Linda asks me, not even turning to face me from her computer. I want there to be. I rack my brain for a second, trying to think through how to voice my anxieties, before I finally summarize them with two simple words. ‘I’m… scared?’ My tone is surprised; the words come out along with a laugh. And it isn’t a nervous laugh; I find my fear funny. -
Searching for SETI: the Social Construction of Aliens and the Quest for a Technological Mythos
Searching for SETI: The Social Construction of Aliens and the Quest for a Technological Mythos John Marvin Bozeman Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In Science and Technology Studies Janet A. Abbate, Co-Chair Shannon A. Brown, Co-Chair Lee L. Zwanziger Paul D. Renard March 24, 2015 Falls Church, Virginia Keywords: Search for Extraterrestrial Intelligence, SETI, Actor Network Theory, Social Construction of Technology, Rational Choice Theory of Religion, Transhumanism, Xenosalvation Copyright John M. Bozeman Searching for SETI: The Social Construction of Aliens and the Quest for a Technological Mythos John M. Bozeman ABSTRACT This dissertation uses Actor Network Theory (ANT) and Stark and Bainbridge’s rational choice theory of religion to analyze an established but controversial branch of science and technology, the Search for Extraterrestrial Intelligence (SETI). Of particular interest are the cultural, and sometimes religious, assumptions that its creators have built into it. The purpose of this analysis is not to discredit SETI, but instead to show how SETI, along with other avant-garde scientific projects, is founded, motivated, and propelled by many of the same types of values and visions for the future that motivate the founders of religious groups. I further argue that the utopian zeal found in SETI and similar movements is not aberrant, but instead common, and perhaps necessary, in many early- stage projects, whether technical or spiritual, which lack a clear near-term commercial or social benefit. DEDICATION In memory of my parents, James E. -
Selected Exhibitions on View Throughout Milwaukee Exhibition Dates and Gallery Hours Vary
Selected exhibitions on view throughout Milwaukee Exhibition dates and gallery hours vary. HAGGERTY MUSEUM OF ART AT MARQUETTE UNIVERSITY January 16 – May 19 Saturday, March 23: Gallery tour 9 a.m. – 2:30 p.m., Gallery Talk with curator Emilia Layden 1 p.m. “Read Between The Lines: Enrique Chagoya’s Codex Prints” Read Between the Lines: Enrique Chagoya’s Codex Prints is comprised of editioned, accordion-folded artist books, and the preparatory drawings and trial proofs created during their fabrication. The exhibition seeks to reveal how and why the codex format – made of amate, or bark, paper and read from right to left based on Ancient Aztec, Mayan and Mixtec precedents – is a particularly successful artistic device for Enrique Chagoya. The complexity of the codex printing process echoes the difficulty of the subject matter depicted therein. Content varies and can simultaneously include satirical, multi-lingual visual references to contemporary and historical political discourse, ancient pre-Columbian iconography, American pop culture and international art historical paradigms. While ancient codices were designed as narrative documents, Chagoya eschews the strict linearity of the form, instead conflating diverse images to create intricate, richly layered objects that defy conclusive interpretation. The codex serves as the most effective medium for the artist’s practice of “reverse anthropology,” which questions the power structures that create dominant, normative cultures and seeks to address the complexity of cross-cultural identity. Gallery hours: Monday through Saturday, 10 a.m. – 4:30 p.m.; Thursday, 10 a.m. – 8 p.m.; Sunday, 12 – 5 p.m. PELTZ GALLERY January 19 – March 23 Friday, March 22: SGCI Print Crawl Reception 5 – 9:30 p.m. -
Communication with Extraterrestrial Intelligence Through Radio Signals and Messages 1A
ISSN : 2230-7109 (Online) | ISSN : 2230-9543 (Print) IJECT VOL . 5, ISSU E SPL - 2, JAN - MAR C H 2014 Communication with Extraterrestrial Intelligence Through Radio Signals and Messages 1A. B. Bhattacharya, 2A. Sarkar 1,2Dept. of Physics, University of Kalyani, Kalyani, WB, India Abstract hundred yards wide could delineate twenty-mile wide shapes and The paper summarizes the present day research knowledge based then the trenches would be filled with water after which enough on communication with extraterrestrial intelligence through four kerosene could be poured on top of the water to burn for six hours. distinct means covering mathematical languages, pictorial systems Using this technique, a different signal could be sent every night. like the Arecibo message, algorithmic communication systems and In the mean time other astronomers were looking for signs of life computational approaches for detecting and deciphering ‘natural’ on other planets. In 1822, Franz von Gruithuisen [Cattermole and language communication. Moore, 1997] imagined a giant city and evidence of agriculture on the moon and believed evidence of life on Venus but astronomers Keywords using more sophisticated instruments refuted his claims. By the Arecibo Message, Communication, Extraterrestrial Intelligence, late 1800s, Astronomers believed the Kant-Laplace hypothesis, Resonant Receiver which stated that the farthest planets from the sun are the oldest and so Mars was more likely to have advanced civilizations than I. Introduction Venus. Subsequent investigations focused on contacting Martians. Communication with Extraterrestrial Intelligence (CETI) is Charles Cros [Ley, 1958] was convinced that pinpoints of light a subject matter under the SETI (Search for Extraterrestrial observed on Mars and Venus were the lights of large cities and Intelligence) research which focuses on composing and was attempted to get funding for a giant mirror with which to deciphering messages that could be understood theoretically signal the Martians. -
A Profile of Humanity: the Cultural Signature of Earth's Inhabitants
International Journal of A profile of humanity: the cultural signature of Astrobiology Earth’s inhabitants beyond the atmosphere cambridge.org/ija Paul E. Quast Beyond the Earth foundation, Edinburgh, UK Research Article Abstract Cite this article: Quast PE (2018). A profile of The eclectic range of artefacts and ‘messages’ we dispatch into the vast expanse of space may humanity: the cultural signature of Earth’s become one of the most enduring remnants of our present civilization, but how does his pro- inhabitants beyond the atmosphere. tracted legacy adequately document the plurality of societal values and common, cultural heri- International Journal of Astrobiology 1–21. https://doi.org/10.1017/S1473550418000290 tage on our heterogeneous world? For decades now, this rendition of the egalitarian principle has been explored by the Search for Extra-Terrestrial Intelligence community in order to draft Received: 18 April 2018 theoretical responses to ‘who speaks for Earth?’ for hypothetical extra-terrestrial communica- Revised: 13 June 2018 tion strategies. However, besides the moral, ethical and democratic advancements made by Accepted: 21 June 2018 this particular enterprise, there remains little practical exemplars of implementing this gar- Key words: nered knowledge into other experimental elements that could function as mutual emissaries Active SETI; data storage; deep time messages; of Earth; physical artefacts that could provide accessible details about our present world for eternal memory archives; future archaeology; future archaeological observations by our space-faring progeny, potential visiting extrasolar long-term communication strategies; SETI; time capsules denizens or even for posterity. While some initiatives have been founded to investigate this enduring dilemma of humanity over the last half-century, there are very few comparative stud- Author for correspondence: ies in regards to how these objects, time capsules and transmission events collectively dissem- Paul E. -
Vol 11 No 2, Spring 2005
SearchLites Vol. 11 No. 2, Spring 2005 The Quarterly Newsletter of The SETI League, Inc. Offices: 433 Liberty Street Scaling Back on SETICon PO Box 555 Little Ferry NJ Little Ferry, NJ.., 19 February 2005 -- Five years after initiating its SETICon Technical 07643 USA Symposium, the nonprofit, membership-supported SETI League has had to scale back the annual membership event to more modest proportions. Because The SETI League chose Phone: to make its meetings affordable and accessible to a wide range of amateur radio astrono- (201) 641-1770 Facsimile: mers, the events have proved a steady drain on the grassroots science group's limited fi- (201) 641-1771 nancial resources. Hence, the organization's 2005 annual meeting will be held in conjunc- Email: tion with another, much larger and well-established conference. [email protected] Web: "The last few SETICons cost us about $4,000 each to put on," notes Dr. H. Paul www.setileague.org Shuch, volunteer executive director of The SETI League. "Depending as we do upon President: membership dues and individual contributions, we thought our limited funding would be Richard Factor better spent on SETI science than on hosting scientific meetings." Consequently, Shuch Registered Agent: announced, The SETI League's 2005 Annual Membership Meeting will be held on the Marc Arnold, Esq. campus of The College of New Jersey, in conjunction with the annual Trenton Computer Secretary/Treasurer: A. Heather Wood Festival. Executive Director: H. Paul Shuch, Ph.D. This year's Trenton Computer Festival is scheduled to run the weekend of 16-17 April, 2005, with The SETI League's membership meeting to be held there on Sunday morning, 17 April, from 10 AM until Noon. -
Lincos with Dr
Lincos with Dr. Yvan Dutil http://library.thinkquest.org/C003763/index.php?page=interview01 Most people see SETI (the Search for Extra-Terrestrial Intelligence) as a project for merely listening for signals from other stars, but Dr. Yvan Dutil and Stephane Dumas from the Defence Research Establishment Valcartier in Canada had other ideas in mind when they composed a message sent to the stars last year. The message they sent was only the second serious attempt to actively signal civilizations around other stars; the first was in 1974 by the founder of the SETI Institute Frank Drake (also known for 'Drake's equation). Unlike's Drake's message, the message sent last year was written in the Lincos mathematical language. The Lincos encoded message was sent from the Lincos was devised by Professor Hans Freudenthal in Evpatoria transmitter in the Ukraine. Courtesy 1960, and it was aimed to be the most Yvan Dutil understandable language in existence - in other words, a language that would be very easy for aliens to decode. Each symbol in Lincos is defined by symbols that come before it, so that you don't have to know anything apart from pure mathematics to understand it. Some of the components of the message included humanity's knowledge of basic physics, our location in the universe and the solar system, as well as some elementary biology. Adrian Hon talked to Dr. Yvan Dutil in this interview. Astrobiology: Why did you choose Hans Freudenthal's Lincos language to encode your message over any other method? Dr. Dutil: Lincos is not exactly what we might call a language. -
The Print Perspective » Blog Archive » Nathaniel Stern and Jessica
The Print Perspective » Blog Archive » Nathaniel Stern and Jessica... http://www.theprintperspective.com/2010/12/nathaniel-stern-and-jes... The Print Perspective The complete online resource for printmaking login rss entries rss comments Home About Printmaking Opinion/Essays Print Shops Forum Search Nathaniel Stern and Jessica Meuninck-Ganger form like Voltron, part II December 8th, 2010 When Nathaniel Stern and Jessica Meuninck-Ganger collaborate the work has obvious traits from each of them but is nothing like either of their individual pieces. It is as if the combination of their forces they creates a third identity with its own individual style. “I had the idea of mounting prints on LCD screens well before I met Jessica,” said Stern. “I knew it had to be collaborative, I knew I needed to find the right person to work with because I knew I wouldn’t be able to do it on my own, and then Jessica was a godsend.” The two met through a staff meeting at UWM in 2008, and shortly after began working on a series of work that combines traditional printmaking with new media, resulting in a unique body of work named 1 of 9 4/2/11 5:47 PM The Print Perspective » Blog Archive » Nathaniel Stern and Jessica... http://www.theprintperspective.com/2010/12/nathaniel-stern-and-jes... “Distill Life.” In these works video images are projected through translucent printed images to, in essence, create a moving print. Most of the printed images consist of contours and soft areas of tone that all match up with parts of the video, but not simultaneously.