DOCSLIB.ORG

Aes60id AES Information Document for Audio Metadata

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Aes60id AES Information Document for Audio Metadata AES STANDARDS: DRAFT FOR COMMENT ONLY DRAFT REVISED AES60id-xxxx STANDARDS AND INFORMATION DOCUMENTS Call for comment on DRAFT REVISED AES Information Document for audio metadata - Core audio metadata This document was developed by a writing group of the Audio Engineering Society Standards Committee (AESSC) and has been prepared for comment according to AES policies and procedures. It has been brought to the attention of International Electrotechnical Commission Technical Committee 100. Existing international standards relating to the subject of this document were used and referenced throughout its development. Address comments by E-mail to [email protected], or by mail to the AESSC Secretariat, Audio Engineering Society, 551 Fifth Ave., New York NY 10176. Only comments so addressed will be considered. E-mail is preferred. Comments that suggest changes must include proposed wording. Comments shall be restricted to this document only. Send comments to other documents separately. Recipients of this document are invited to submit, with their comments, notification of any relevant patent rights of which they are aware and to provide supporting documentation. This document will be approved by the AES after any adverse comment received within six weeks of the publication of this call on http://www.aes.org/standards/comments/, 2020-03-03, has been resolved. Because this document is a draft and is subject to change, no portion of it shall be quoted in any publication without the written permission of the AES, and all published references to it must include a prominent warning that the draft will be changed and must not be used as a standard. AES STANDARDS: DRAFT FOR COMMENT ONLY The AES Standards Committee is the organization responsible for the standards program of the Audio Engineering Society. It publishes technical standards, information documents and technical reports. Working groups and task groups with a fully international membership are engaged in writing standards covering fields that include topics of specific relevance to professional audio. Membership of any AES standards working group is open to all individuals who are materially and directly affected by the documents that may be issued under the scope of that working group. Complete information, including working group scopes and project status is available at http://www.aes.org/standards. Enquiries may be addressed to [email protected] The AES Standards Committee is supported in part by those listed below who, as STANDARDS Standards Sustainers, make significant financial contribution to its operation. This list is current as of 2019/9/30 AES60id-xxxx Revision of AES60-2011 aes60id-200229.doc DRAFT AES Information Document for audio metadata - Core audio metadata Published by Audio Engineering Society, Inc. Copyright ©2020 by the Audio Engineering Society Abstract This specification addresses the creation, management and preservation of material that can be re-used as originally produced, or may provide input material for new production projects. Material is expected to be exchanged between various organisations or between production facilities in a distributed environment. The core set of metadata presented in this specification is a co-publication of EBU Tech3293-2019 EBUCore, itself an extension to and a refinement of the Dublin Core. EBUCore is a minimum list of attributes characterizing video and / or audio media resources. An XML representation is used as this is the likely method that metadata would be implemented, for example in archive exchange projects using the Open Archive Initiative's Protocol for Metadata Harvesting (OAI-PMH). An AES standard implies a consensus of those directly and materially affected by its scope and provisions and is intended as a guide to aid the manufacturer, the consumer, and the general public. The existence of an AES standard does not in any respect preclude anyone, whether or not he or she has approved the document, from manufacturing, marketing, purchasing, or using products, processes, or procedures not in agreement with the standard. Prior to approval, all parties were provided opportunities to comment or object to any provision. Attention is drawn to the possibility that somefor of the elements comment of this AES standard or only:information document see may be the subject of patent rights. AES shall not be held responsible for foridentifying latestany or all such patents. version Approval does not assume any liability to any patent owner, nor does it assume any obligation whatever to parties adopting the standards document. This document is subject to periodic review and users are cautioned to obtain the latest edition. Recipients of this document are invited to submit, with their comments, notification of any relevant patent rights of which they are aware and to provide supporting documentation. Audio Engineering Society Inc. 551 Fifth Avenue, New York, NY 10176, US. www.aes.org/standards [email protected] Page 1 of 42 AES STANDARDS: DRAFT FOR COMMENT ONLY www.aes.org/publications/standards/ AES STANDARDS: DRAFT FOR COMMENT ONLY aes60id-200229.doc Contents 0 Preamble ...................................................................................................................................................6 0.1 Documentation conventions ................................................................................................................6 1 Scope.........................................................................................................................................................6 2 References................................................................................................................................................7 3 Definitions and abbreviations.................................................................................................................7 4 Core Metadata Set....................................................................................................................................7 4.1 General................................................................................................................................................7 4.2 Documentation ....................................................................................................................................7 4.3 Audio Definition Model (ADM) .............................................................................................................8 5 Implementation Guidelines ...................................................................................................................10 5.1 General..............................................................................................................................................10 5.2 Expressing titles of a custom type in different languages .................................................................10 5.2.1 Title .............................................................................................................................................10 5.2.2 Alternative Title ...........................................................................................................................11 5.3 Using controlled vocabularies and reference data ............................................................................11 5.4 Video and Audio time point references .............................................................................................12 5.5 The ‘part’ element..............................................................................................................................13 5.5.1 Origin and definition....................................................................................................................13 5.5.2 Defining editorial 'parts' of a media resource..............................................................................13 5.5.3 Using the 'part' element for dynamic (technical) metadata.........................................................14 5.5.4 Using parts to describe (programme) groups .............................................................................14 5.5.5 Distributed storage of media resources......................................................................................15 5.5.6 Using the 'part' element to fragment data...................................................................................16 5.5.7 Using the 'part' element to localise props and artifacts ..............................................................16 5.5.8 Using the 'part' element to localise agents/contributors .............................................................16 5.5.9 Using the 'part' element to fragment data...................................................................................17 5.6 Describing versions of programmes..................................................................................................17 5.7 Using custom technical attributes......................................................................................................17 5.8 Applying loudness .............................................................................................................................17 5.9 Tagging content in EBUCore.............................................................................................................18 5.10 Differentiating locations ...................................................................................................................18 5.11
Load more

Recommended publications
  • Guidelines for the Preservation of Video Recordings IASA-TC 06
    Technical Committee Standards, Recommended Practices, and Strategies Guidelines for the Preservation of Video Recordings IASA-TC 06 Part B. Video Signal, Preservation Concepts, and Target Formats From IASA-TC 06, Edition 1 Revised version, 2019 B-1 Revised version, 2019 Guidelines for the Preservation of Video Recordings Table of Contents B.1 The Video Signal and Bitstreams: Format and Features B-6 B.1.1 Conventional video carriers and formatting B-6 B.1.1.1 Conventional video carriers and the video signal B-6 Sidebar: the noun video B-6 B.1.1.2 Conventional carriers compared to file-based video B-6 B.1.1.3 Broadcast standards and the formatting of video recordings B-7 B.1.2 Analogue video unpacked, part one: key features and variants B-8 B.1.2.1 Illusion of motion from a stream of still images B-9 B.1.2.2 Sound data is carried in parallel with picture data B-9 B.1.2.3 Picture data consists of sets of horizontal scan lines B-10 B.1.2.4 Horizontal lines of picture data may be interlaced B-11 B.1.2.5 Movies on film can be recorded as video B-11 B.1.2.6 Timing: video signal elements must be synchronized (RS-170) B-12 B.1.2.7 Range of picture brightnesses and blanking “brightness” B-14 B.1.3 Analogue video unpacked, part two: key features and variants continued B-16 B.1.3.1 Colour encoding for video on conventional carriers B-16 B.1.3.1.1 Composite video B-17 B.1.3.1.2 S-video B-18 B.1.3.1.3 Colour-difference component video B-18 Sidebar: colour and tonal specifications for digital video and related matters B-20 B.1.3.2 Ancillary data B-22
    [Show full text]
  • Bibliography of Erik Wilde
    dretbiblio dretbiblio Erik Wilde's Bibliography References [1] AFIPS Fall Joint Computer Conference, San Francisco, California, December 1968. [2] Seventeenth IEEE Conference on Computer Communication Networks, Washington, D.C., 1978. [3] ACM SIGACT-SIGMOD Symposium on Principles of Database Systems, Los Angeles, Cal- ifornia, March 1982. ACM Press. [4] First Conference on Computer-Supported Cooperative Work, 1986. [5] 1987 ACM Conference on Hypertext, Chapel Hill, North Carolina, November 1987. ACM Press. [6] 18th IEEE International Symposium on Fault-Tolerant Computing, Tokyo, Japan, 1988. IEEE Computer Society Press. [7] Conference on Computer-Supported Cooperative Work, Portland, Oregon, 1988. ACM Press. [8] Conference on Office Information Systems, Palo Alto, California, March 1988. [9] 1989 ACM Conference on Hypertext, Pittsburgh, Pennsylvania, November 1989. ACM Press. [10] UNIX | The Legend Evolves. Summer 1990 UKUUG Conference, Buntingford, UK, 1990. UKUUG. [11] Fourth ACM Symposium on User Interface Software and Technology, Hilton Head, South Carolina, November 1991. [12] GLOBECOM'91 Conference, Phoenix, Arizona, 1991. IEEE Computer Society Press. [13] IEEE INFOCOM '91 Conference on Computer Communications, Bal Harbour, Florida, 1991. IEEE Computer Society Press. [14] IEEE International Conference on Communications, Denver, Colorado, June 1991. [15] International Workshop on CSCW, Berlin, Germany, April 1991. [16] Third ACM Conference on Hypertext, San Antonio, Texas, December 1991. ACM Press. [17] 11th Symposium on Reliable Distributed Systems, Houston, Texas, 1992. IEEE Computer Society Press. [18] 3rd Joint European Networking Conference, Innsbruck, Austria, May 1992. [19] Fourth ACM Conference on Hypertext, Milano, Italy, November 1992. ACM Press. [20] GLOBECOM'92 Conference, Orlando, Florida, December 1992. IEEE Computer Society Press. http://github.com/dret/biblio (August 29, 2018) 1 dretbiblio [21] IEEE INFOCOM '92 Conference on Computer Communications, Florence, Italy, 1992.
    [Show full text]
  • Introduction to Closed Captions
    TECHNICAL PAPER Introduction to Closed Captions By Glenn Eguchi Senior Computer Scientist April 2015 © 2015 Adobe Systems Incorporated. All rights reserved. If this whitepaper is distributed with software that includes an end user agreement, this guide, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. Except as permitted by any such license, no part of this guide may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Adobe Systems Incorporated. Please note that the content in this guide is protected under copyright law even if it is not distributed with software that includes an end user license agreement. The content of this guide is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. This article is intended for US audiences only. Any references to company names in sample templates are for demonstration purposes only and are not intended to refer to any actual organization. Adobe and the Adobe logo, and Adobe Primetime are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. Adobe Systems Incorporated, 345 Park Avenue, San Jose, California 95110, USA. Notice to U.S. Government End Users.
    [Show full text]
  • On Organisational Involvement and Collaboration in W3C Standards Through Editorship Jonas Gamalielsson* and Björn Lundell
    Gamalielsson and Lundell Journal of Internet Services Journal of Internet Services and Applications (2017) 8:5 DOI 10.1186/s13174-017-0056-1 and Applications RESEARCH Open Access On organisational involvement and collaboration in W3C standards through editorship Jonas Gamalielsson* and Björn Lundell Abstract Over time, a number of open standards have been developed and implemented in software for addressing a number of challenges, such as lock-in, interoperability and longevity of software systems and associated digital artefacts. An understanding of organisational involvement and collaboration in standardisation is important for informing any future policy and organisational decisions concerning involvement in standardisation. The overarching goal of the study is to establish how organisations contribute to open standards development through editorship. Specifically, the focus is on open standards development in the World Wide Web Consortium (W3C). Through an analysis of editorship for all W3C recommendations we contribute novel findings concerning organisational involvement and collaboration, and highlight contributions from different types of organisations and countries. We make five principal contributions. First, we establish an overall characterisation of organisational involvement in W3C standardisation. Second, we report on organisational involvement in W3C standardisation over time. Third, we establish how different organisations, organisation types, and countries are involved in W3C technologies. Fourth, we report on organisational
    [Show full text]
  • SMIL 2.0 — Interactive Multimedia on the Web Lloyd Rutledge
    SMIL 2.0 — Interactive Multimedia on the Web Lloyd Rutledge Multimedia and Human-Computer Interaction Group CWI, Amsterdam, The Netherlands W3C SYMM working group Lynda Hardman, Jacco van Ossenbruggen: CWI Dick Bulterman, Jack Jansen, Sjoerd Mullender: Oratrix W3C SYMM working group http://www.cwi.nl/~media/SMIL/Tutorial/{SMIL-4hr.html} Includes material from the upcoming book "SMIL 2.0 — Interactive Multimedia on the Web" Copyright © 2002, Lloyd Rutledge Synchronized Multimedia Integration Language (SMIL) Main Points Pronounced smile Multimedia for the Web — for multimedia what HTML is for hypertext Integration format for presentable mono-medium formats Structure SMIL 1.0 — W3C Recommendation on 15th June 1998 SMIL 2.0 "meta-language" W3C Recommendation on 7th August 2001 SMIL 2.0 family formats SMIL Profile and SMIL Basic released with SMIL 2.0 SMIL 2.0 family format XHTML+SMIL comes after SMIL 2.0 Main Themes Powerful timing and synchronization Adaptive to users and systems Models a flexible but consistent presentation and user interface SMIL Isn't Flash — Flash is mono-medium animation on steriods MPEG-{4 / 7 / 21} — MPEG looks at content and coding, and player architecture and a whole lot more, but is more media centric than web centric D-HTML — D-HTML uses scripted definitions of local behaviors, without a notion of the presentation's context SMIL 2.0 Profiles What is a Profile? A language for which a browser can be built A combination of modules from the SMIL 2.0 "meta-language" Possibly non-SMIL constructs with SMIL constructs
    [Show full text]
  • Rich Web Applications – Client Standards
    Colorado Software Summit: October 22 – 27, 2006 © Copyright 2006, Kevin E. Kelly Rich Web Applications – Client Standards Kevin E. Kelly [email protected] Part of the “Web 2.0” picture Kevin E. Kelly – Rich Web Applications – Client Standards Slide 1 Colorado Software Summit: October 22 – 27, 2006 © Copyright 2006, Kevin E. Kelly Client Standards in the Real World Kevin E. Kelly – Rich Web Applications – Client Standards Slide 2 Colorado Software Summit: October 22 – 27, 2006 © Copyright 2006, Kevin E. Kelly Agenda Introduction W3C Rich Web Activity Compound Documents WICD Issues Demo The Backplane Q&A Kevin E. Kelly – Rich Web Applications – Client Standards Slide 3 Colorado Software Summit: October 22 – 27, 2006 © Copyright 2006, Kevin E. Kelly Introduction Work ➢ Co-op'ed at IBM ➢ US Air Force ➢ Automotive Embedded Startup ➢ Rational Software ➢ Acquired by IBM Standards ➢ Chair Compound Document Format Working Group, was also in the XForms Working Group ➢ Hypertext Coordination Working Group member ➢ HL7 Advisory Council Rep to the W3C Kevin E. Kelly – Rich Web Applications – Client Standards Slide 4 Colorado Software Summit: October 22 – 27, 2006 © Copyright 2006, Kevin E. Kelly W3C Domains Architecture Domain ➢ DOM, XML, Internationalization, Web Services, URI Technology and Society Domain ➢ Patent Policy, Privacy, Semantic Web Ubiquitous Web Domain ➢ Device Independence, Mobile Web, Multimodal, Voice Browser Web Accessibility Initiative ➢ Web Accessibility, International Web Accessibility Interaction Domain ➢ Next Slide Kevin E. Kelly – Rich Web Applications – Client Standards Slide 5 Colorado Software Summit: October 22 – 27, 2006 © Copyright 2006, Kevin E. Kelly W3C Interaction Domain Graphics Activity Style Activity ➢ SVG ➢ CSS ➢ WebCGM Synchronized Multimedia Activity HTML Activity ➢ SyMM (SMIL) ➢ HTML/XHTML ➢ Timed Text ➢ Hypertext Coordination Group XForms Activity Math Activity ➢ XForms ➢ Math (MathML) Rich Web Client Activity ➢ Next Slide Kevin E.
    [Show full text]
  • Timed Text Flip for Vantage Automated Subtitle and Captioning Conversion Integrated Into the Vantage Media Processing Platform
    Vantage Timed Text Flip Product Sheet Timed Text Flip Timed Text Flip for Vantage Automated Subtitle and Captioning Conversion Integrated into the Vantage Media Processing Platform Timed Text Flip is a sophisticated Introduction subtitle and captioning service that As video professionals are faced with increased accessibility requirements, a runs on the Vantage Media complete transcoding and delivery solution should include caption and Processing Platform, providing a subtitle delivery capabilities. Timed Text Flip integrates seamlessly into unique interface to read, write, and Vantage and is easy to use, with an intuitive interface that brings professional adjust subtitle and caption data. subtitling and captioning tools into existing Vantage workflows. Unlike simple caption filters, The Timed Text Flip service allows users to manipulate the timecode of caption data to match media files that are being processed in the same workflow. API to submit files for processing As part of Vantage, the Timed Text Flip caption and subtitle engine can be driven via REST API. Users can submit caption and subtitle files, monitor job progress, select custom workflows, and receive metrics via the Vantage API. Vantage Cloud Port Subtitling and Captioning Done Right Capable Timed Text Flip allows Vantage users to add high quality subtitles and captions to their content to meet accessibility requirements. Timed Text Flip is The Power of Vantage. designed specifically to meet strict internet and TV broadcast mandates that The Simplicity of SaaS. require captioning and subtitle delivery. The service recognizes and automati- As your workflows evolve and cally processes subtitle and captioning input files from service companies and move into the Cloud, customers.
    [Show full text]
  • Providing Captions Fro Flash-Based Streaming Video
    Providing Captions for Flash-Based Streaming Video By Kevin Jones If you have ever wanted to watch captioned streaming videos on the Internet, then you probably know how difficult they are to find. Outside of using Google’s advanced video search capability to search for captioned videos on the google.com domain, there are very few methods for reliably locating captioned videos on the Internet. While the W3C Accessibility Guidelines (WCAG) maintain that all videos on the Internet should provide both a synchronized text alternative and audio description for accessibility purposes, the reality is that very few actually do. There is growing awareness, however, of the many benefits of providing captions for streaming videos. In particular, captioning: Improves clarity and comprehension of the sounds and dialogue, particularly when poor audio, heavy accents, background noises, and other such media elements are present. Makes your video (and advertising) accessible to over 28 million Americans who are deaf or hard of hearing. Creates a complete text transcript of the video, which can be indexed by search engines to provide far more accurate search results than keyword tagging alone. Enables translation into multiple languages. Helps to meet regulatory compliance measures for governmental and educational institutions (e.g., “Section 508”). Allows individuals to follow along with the video dialogue even when they do not have access to sound on their PC or mobile device (e.g., in a noisy area with no headphones or when using devices with faulty or missing sound cards or drivers). Promotes literacy for children and adults by strengthening reading speed, comprehension, spelling, and grammar skills.
    [Show full text]
  • Promedia™ Carbon Carbon Server, Carbon Agent VERSION 3.20
    ProMedia™ Carbon Carbon Server, Carbon Agent VERSION 3.20 Installation and User Guide Disclaimer Harmonic reserves the right to alter the equipment specifications and descriptions in this publication without prior notice. No part of this publication shall be deemed to be part of any contract or warranty unless specifically incorporated by reference into such contract or warranty. The information contained herein is merely descriptive in nature, and does not constitute a binding offer for sale of the product described herein. Harmonic assumes no responsibility or liability arising from the use of the products described herein, except as expressly agreed to in writing by Harmonic. The use and purchase of this product do not convey a license under any patent rights, copyrights, trademark rights, or any intellectual property rights of Harmonic. Nothing hereunder constitutes a representation or warranty that using any products in the manner described herein will not infringe any patents of third parties. Trademark Acknowledgments Harmonic and all Harmonic product names are trademarks of Harmonic All other trademarks are the property of their respective owners. The software described in this document is furnished under a license agreement or nondisclosure agreement. The software may be used or copied only in accordance with the terms of those agreements. © 20120122 Harmonic Inc. All rirightsghts reserved. Documentation Conventions This manual uses some special symbols and fonts to ccallall your attention to important informationinformation.. The following symbols appear throughouthroughoutt this manual: CAUTION: The Caution symbol calls your attention to information that, if ignored, can adversely affect the performance of your Harmonic product, or that ccanan make a procedure needlessly difficult.
    [Show full text]
  • An Efficient, Streamable Text Format for Multimedia Captions and Subtitles Dick C.A
    An Efficient, Streamable Text Format for Multimedia Captions and Subtitles Dick C.A. Bulterman, Jack Jansen, Pablo Cesar, Samuel Cruz-Lara To cite this version: Dick C.A. Bulterman, Jack Jansen, Pablo Cesar, Samuel Cruz-Lara. An Efficient, Streamable Text Format for Multimedia Captions and Subtitles. ACM Symposium on Document Engineering - DocEng 2007, Aug 2007, Winnipeg, Canada. inria-00192467 HAL Id: inria-00192467 https://hal.inria.fr/inria-00192467 Submitted on 28 Nov 2007 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. An Efficient, Streamable Text Format for Multimedia Captions and Subtitles Dick C.A. Bulterman, A.J. Jansen, Pablo Cesar and Samuel Cruz-Lara CWI: Centrum voor Wiskunde en Informatica INRIA Lorraine Kruislaan 413 Laboratoire Loria BP 239 1098 SJ Amsterdam F-54506 Vandoeuvre Les Nancy cedex The Netherlands France {Dick.Bulterman, Jack.Jansen, P.S.Cesar}@cwi.nl [email protected] ABSTRACT 1. INTRODUCTION In spite of the high profile of media types such as video, XML multimedia languages integrate a collection of audio, audio and images, many multimedia presentations rely graphics, image, text, and video media items into a single extensively on text content.
    [Show full text]
  • Web Standards.Pdf
    BOOKS FOR PROFESSIONALS BY PROFESSIONALS® Sikos, Ph.D. RELATED Web Standards Web Standards: Mastering HTML5, CSS3, and XML gives you a deep understand- ing of how web standards can be applied to improve your website. You will also find solutions to some of the most common website problems. You will learn how to create fully standards-compliant websites and provide search engine-optimized Web documents with faster download times, accurate rendering, lower development costs, and easy maintenance. Web Standards: Mastering HTML5, CSS3, and XML describes how you can make the most of web standards, through technology discussions as well as practical sam- ple code. As a web developer, you’ll have seen problems with inconsistent appearance and behavior of the same site in different browsers. Web standards can and should be used to completely eliminate these problems. With Web Standards, you’ll learn how to: • Hand code valid markup, styles, and news feeds • Provide meaningful semantics and machine-readable metadata • Restrict markup to semantics and provide reliable layout • Achieve full standards compliance Web standardization is not a sacrifice! By using this book, we can create and maintain a better, well-formed Web for everyone. CSS3, and XML CSS3, Mastering HTML5, US $49.99 Shelve in Web Development/General User level: Intermediate–Advanced SOURCE CODE ONLINE www.apress.com www.it-ebooks.info For your convenience Apress has placed some of the front matter material after the index. Please use the Bookmarks and Contents at a Glance links to access them. www.it-ebooks.info Contents at a Glance About the Author................................................................................................
    [Show full text]
  • Analysis and Design of a Subtitling System for Ambient Intelligence Environments
    Analysis and Design of a Subtitling System for Ambient Intelligence Environments Aitor Rodriguez-Alsina, Guillermo Talavera, Pilar Orero, Jordi Carrabina Qc-2090D. Escola d’Enginyeries. Campus UAB 08193 Bellaterra, Spain {Aitor.Rodriguez, Guillermo.Talavera, Pilar.Orero, Jordi.Carrabina}@uab.cat Abstract — The development of ubiquitous applications for enabling adaptation to the user (or application) accessibility ambient intelligence environments needs to also take into requirements. Most subtitles distributed on the Internet are account some usability and accessibility issues in order to described in text files that follow the SubRip (.SRT) format, ensure a proper user experience and to overcome the existing considered "perhaps the most basic of all subtitle content access barriers. A proper access to video subtitles, for formats"[4]. Figure 1. shows an example of an .SRT file. instance, is not always available due to the technical limitations of traditional video packaging, transmission and presentation. Each subtitle entry consists of the subtitle number, the time New Web standards enable more featured applications with the subtitle should appear on the screen, the subtitle itself, better multi-platform definition, so they are suitable for and a blank line to indicate the end. building ubiquitous applications for ambient intelligence 1 environments. This work presents a video subtitling system 00:00:20,000 --> 00:00:24,400 that enables the customization and adaptation of subtitles. The Altocumulus clouds occur between six thousand benefits of Web applications compared with device-specific native applications for building the solution as well as its 2 current platform support are analyzed. Finally, three different 00:00:24,600 --> 00:00:27,800 application use cases are presented.
    [Show full text]