SMITHSONIAN and mandolin like instru FOLKLIFE FESTI- ments. Across the way pro vided a fascinating look at the VAL large variety of traditional Bob Wargo crafts being kept alive in Hun gary. It was here, for exam The first of two re ple, that we saw Sütı Levente, ports on the Hungar a master woodworker, carver ian Festival presented and painter, carrying on a by the Smithsonian in family tradition going back to Washington this past the 1700’s. We also saw peo July. The description ple from the shepherd culture and the pictures make of Karcag preparing halászlé you wish you had and gulyásleves in large pots been there over open fires, distinctive embroidery from Kalocsa and For the past 47 years, the Kalotaszeg, and leather work Smithsonian Museum, in the form of saddle making, through its Center for Folk patterned after a 12 th century life and Cultural Heritage, original. We were even has sponsored a festival treated to a demonstration of celebrating cultural tradi the karikásostor , a whip tions around the woven of leather strings which world. This year, in part crackles when used correctly. nership with the Balassi Institute of Budapest, the It was soon lunch time, so off featured country was Hun we went to the Budapest Bis gary. With “Hungarian tro, where we had csirke Heritage: Roots to Revival” paprikás , beef gulyás, and kol as its theme, the two week bász to choose from, and to festival included daily and Tokaj Tavern for beer or evening music and dance wine. From here we could performances, crafts and watch people next door in the cooking demonstrations, Dance Barn, learning to do storytelling and discussions Hungarian dances. of cultural issues. In the afternoon we listened On Friday, the day after th to traditional Hungarian music July 4 , my wife Carolyn played by a gypsy band, and and I took the metro train watched dance troupes from a into Washington, DC and variety of regions (Gyır, Szék, found our way to the Na Mezıség, Küküllımente) per tional Mall, where the fes form their unique dances tival was being held. We dressed in their colorful cos started our day at the Da tumes. We, again, went back nubia Stage, where we to the crafts area, where we listened to students from saw examples of blue dyeing, the Liszt Music Academy practiced by fewer than 10 play traditional folk music th families in Hungary
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