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Art Postal Cartes Postales D'artistes Tampons D'artistes CARTES POSTALES D’ARTISTES MAIL ART STAMP ART ART POSTAL ARTIST’S POSTCARDS TAMPONS D’ARTISTES 1. Aeropus I A mail-Art project by Guy Schraenen [Collective sound composition]. Antwerp, A.S.P.C., 1982. In-4 [210 X 297 mm], 24 feuillets photocopiés au recto, sous chemise rouge à rabats, étiquette imprimée contrecollée. 50 Euros Tiré à 50 exemplaires avec les reproductions en noir et blanc. Il y a eu 20 exemplaires numérotés et signés avec les reproductions couleurs. Aeropus I est un projet de Guy Schraenen présenté en 1981 au Centre culturel d’Anvers durant le Festival International de Mail Art. 2. Artpool’s periodical space 4. Artist’s poscard, rubber stamp, postage stamp Budapest, FMK“ [Fiatal Mûvészek Klubja],10-20 April 1980. Feuillet [350 X 500 mm.] illustré, imprimé en vert et rouge sur papier kraft, plié pour l’envoi postal. 80 Euros 4ème exposition organisée par G. Galantai à l’espace Artpool. Avec la liste des participants. 2/31 • lecointredrouet.com • [email protected] 3. [Aart van Barneveld] 5. Bélyegképek / Stampel Arts Stamp Images Exposiçao Internacionale Museum of Fine Arts, de Desenhos com May 29 - September 25. Carimbos Borracha. Budapest, 1987. 1° Festival de Inverno Fascicule [205 X 285 mm.] de 15 à 30 de julho de 1978 24 pages illustrées, imprimé UNICAP [Universitade Catolica en offset, agrafé couverture de Pernambuco, Brésil]. illustrée. Recife, 1978. 50 Euros Fascicule [210 X 160 mm.] Catalogue de cette exposition organisée par Judit Geskó. Textes de Géza Perneczky de 12 pages illustrées en anglais et Hongrois. Liste des exposants. [y compris les couvertures]. Organisé par Aart van Barneveld avec un texte de présentarion en portugais. 6. Guy Bleus Catalogue d’une exposition de tampons Are You Experienced ? d’artistes néerlandais exposant avec des L.H.F.S. artistes sud-américain au Brésil dont : Ulises Carrión, Paulo Bruscky, Anna Brussels, Belgium: Banana, Ray diPalma, Marie Coms, Robin Vrije Universiteit of Brussels, Crozier, Bill Gaglione, Klaus Groh, Dick 1981. Higgins, Raul Marroquin, Geza Perneczsky, Francesco Pino, Pawel Petasz, Regina Fascicule [140 X 180 mm.] Silveira, Gabor Toth, Jiri Valoch, Edgardo de 20 pages imprimées Antonio Vigo, Paulo Brusky and Vautier. en offset et contenant joint : 17 microfilms encartés L’invitation à participer dans les couvertures, agrafé, pour le “2° Festival de couverture imprimée. Inverno da UNICAP”. [1979]. 60 Euros Feuillet, [210 X 280] ronéoté, “Microfilm catalogue” incluant toutes les illustré, recto/verso contributions à l’exposition Mail Art à la “Vrije Universiteit” de Bruxelles en octobre 1981. 180 Euros Tirage total à 600 exemplaires signés et numérotés. 4. Vittore Baroni Ear-Glass. To “look-listen” 7. Brain in the Mail. to Aeropus I Collection d’Art Postal. Lunette en papier découpé Mail Art collection imprimé au recto. Montreal, Véhicul Art,1980. 80 Euros Fascicule [250 X175 mm.], Vittoré Baroni né en 1956, artiste italien de 78 pages illustrées, de poésie visuelle, art sonore, street art et bande dessinée, il découvre le Mail Art broché couverture illustrée. en 1977. 80 Euros Reproduite dans Libellus No.12. Oct. 81. Introduction de Istvan Kantor. Catalogue d’exposition de Mail Art international , organisée par Véhicule Art à Montréal, du 14 février au 6 mars 1980. Contient une liste des exposants. Tirage total à 1000 exemplaires. Texte en français et anglais. 3/31 • lecointredrouet.com • [email protected] Ulises Carrión 8. Ulises Carrión [1941, San Andrés Tuxtla - 1989, Ámsterdam]. Stamp Art. 200 artists. Artiste clé de l’art conceptuel mexicain. Other books and so Amsterdam, Other books and Artiste, éditeur, commissaire d’expositions so, Herengracht 227, 1976. et théoricien de l’avant garde artistique Feuillet [150 X 105 mm.] internationale. Son intérêt pour l’imprimé illustré de tampons originaux et les médias l’amena à s’engager dans encrés de différentes couleurs. la pratique du Mail Art. 350 Euros Carton d’invitation au vernissage. 9. Ulises Carrión Van kunstenaarsboeken tot postkunst / From Bookworks to Mailworks Alkmaar, Stedelijk Museum Alkmaa, 1978. Fascicule [230 X 325 mm.] 12 pages illustrées, imprimées en rouge sur papier blanc. 450 Euros Catalogue de l’exposition organisée par Ulises Carrión. 10. Ulises Carrión Mail Art and the Big Monster. Two Lectures/ Performances Lund, Archive of Experimental and Marginal Art, 1979. Affiche [297 X 420 mm.] imprimée au recto. 850 Euros Ulises Carrión donna ces lectures/ performances en plusieurs occasions, entre autres à : Varsovie,1977 ; Los Angeles, 1978 ; Pernambuco, 1978 ; Lund, 1979 ; Belgrade, 1980. 4/31 • lecointredrouet.com • [email protected] 11. Ulises Carrión Artists’Postage Stamps and Cancellation Stamps Exhibition. A Mail-Art project by Ulises Carrión Amsterdam, Stempelplaats, 1979. 1 feuillet [210 X 150 mm.], imprimé au recto, illustré. 120 Euros Invitation. 12. Ulises Carrion The Stampa Newspaper Amsterdam, Stempelplaats, Other Books an So Archive, 1980 Journal, 8 pages 330 X 540 mm. avec : I’invitation à participer, 1 feuillet 330 X 470 mm. imprimé recto verso, illustré. 950 Euros Ce projet ne fut jamais entièrement réalisé et le journal comporte plusieurs pages blanches. L’Invitation à participer, texte de Ulises Carrión, donne les détails du projet et le moyen d’y participer. 13. Ulises Carrión Feedback Pieces Amsterdam, Print Gallerie Pieter Brattinga, 1981. Feuillet [210 X 297 mm.], imprimé recto verso. 150 Euros Invitation à participer à un projet de Mail Art organisé par Peter Brattinga, entre autre, directeur artistique de l’imprimerie Jong & Co. et grand expérimentateur typographique. 5/31 • lecointredrouet.com • [email protected] Guglielmo Achille Cavellini 14. Guglielmo Achille Cavellini [1914-1990]. Cavellini 1914-2014 Guglielmo Achille Cavellini commence Brescia, Selbstverlag, [1974/80] son activité dans le monde de l’art - International Postage 3 en 1946 en tant que collectionneur. Planche [35 X 248 mm.] En 1960, il se concentre sur sa de 18 timbres identiques production artistique et oriente “Rotella 1967” imprimés en ses recherches sur les matériaux noir et blanc sur papier perforé. et les relations avec d’autres artistes - International Postage 3 Planche [227 X 265 mm.] contemporains importants sous la forme de 16 timbres identiques de réinterprétations de leurs œuvres. imprimés en couleurs En 1970, il invente le terme sur papier perforé. autostoricizzazione [auto-historicisation] - International Postage et à partir de là commence un long 030 et 333 travail d’autopromotion conceptuelle, Planche [350 X 250 mm.] de 18 timbres dont 9 identiques qui cherchait à court-circuiter les rôles illustrés d’un homme sur un de la critique et du marché, se focalisant trône et 9 identiques avec ainsi, souvent ironiquement, sur la mention “Venezia Palazzo les mécanismes du système de l’art. Ducale 7 settembre /27 ottobre”, Des exemples particulièrement imprimés sur papier perforé. intéressants de cette phase - De Chirico 1888-1988. International postage 333 comprennent les autoportraits, Planche [250 X 230 mm.] les timbres-poste, les autocollants, de 9 timbres identiques les cartes postales et les manifestes. imprimés sur papier perforé. - Van Gogh 1853-1953. International Postage 333 Planche [250 X 230 mm.] de 9 timbres identiques imprimés sur papier perforé. - Cezanne 1839-1939. International Postage 333 Planche [230 X 230 mm.] de 9 timbres identiques imprimés sur papier perforé. - Lettere. International Postage 333 Planche [230 X 272 mm.] de 9 timbres identiques imprimés sur papier perforé. 6/31 • lecointredrouet.com • [email protected] 7/31 • lecointredrouet.com • [email protected] International Postage 333 Planche [230 X 165 mm.] de 9 timbres identiques “James Collins” imprimés sur papier perforé. Cavellini 1914-2014. Lettere. International Postage 333 Sans date [1975/80]. Affiche [60 x 800 mm.], tampon original a l’encre bleu, signée et datée aux feutres de couleurs “GAC, 1981”. Pliée. Cavellini 1914-2014. International Postage 33 Sans date [1975/79]. Affiche [1400 x 1000 mm.], tampon original à l’encre bleu, signée et datée aux feutres de couleurs “GAC, 1981”. Pliée 2 traces de scotch au bord supérieur. Cavelini 1914-2014. Venezia-Palazzo Ducale. 7 settembre-27 octtobre [Sans date 1974/1975]. [700 X 1000 mm.], tampons originaux à l’encre violette et 3 autocollants collés sur l’affiche “Decalogo di Cavellini”, “G.A.C Power” et “Cavellini 1914-2014, Venezia-Palazzo Ducale. 7 settembre-27 octtobre”, signée et datée aux feutres de couleurs “GAC, 1981”. Pliée. 8/31 • lecointredrouet.com • [email protected] Guglielmo Achille Cavellini Guglielmo Achille Cavellini Brescia, Edizioni Nuovi Serie Artisti anomali Strumenti. Mostra a domicilio 1987. - Venezia - Palazzo Ducale Brescia [Italie] 7 Settembre - 27 Ottobre 7 cartes postales Sans date [Vers 1974/75]. [120 X 150 mm.] sous une Autocollant [diamètre 105 mm.] pochette à rabats illustrée. - Venezia - Palazzo Ducale 7 Settembre - 27 Ottobre Guglielmo Achille Cavellini Sans date [Vers 1974/75]. Nemo propheta in patria Carte postale [160 X 110 mm.] Mostra a domicilio illustrée en noir et blanc. Brescia, Edizioni Nuovi - Venezia - Palazzo Ducale Strumenti, 1978. 7 Settembre - 27 Ottobre Fascicule [210 X 297 mm.] [Cavellini recouvert non paginé, couverture d’autocollants]. Sans date couleur imprimée [Vers 1974/75]. Carte postale [135 X 145 mm.]. Guglielmo Achille Cavellini - Ten ways to make Cavellini in California yourself famous and in Budapest. Sans date [Vers 1974/75]. Living-room show 1980 Carte postale [110 X 150 mm.]. Fascicule [210 X 297 mm.] - Cavellini’s Ten de 78 pages illustrées commandments Sans date [Vers 1974/75]. L’ensemble : 2 800 Euros Carte postale [110 X 158 mm.]. - Informazione Sans date [Vers 1980]. Autocollant [76 X 125 mm.] - Cavellini yesterday, Cavellini today, Cavellini tomorrow 1981. Autocollant [100 X 130 mm.]. - Graffiti of Altamira Sans date [Vers 1974]. Autocollant [ 110 X 120 mm.]. - Lettere Sans date [Vers 1974]. Autocollant [ 100 X 130 mm.]. 9/31 • lecointredrouet.com • [email protected] 15. Cirque divers. Metallic A. 16. Commonpress #15 International graffiti Selfportraits Mail Art 2. Amsterdam, Stempelplaats, 9 - 29 Janvier.
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