Carnival in Brazil

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Grade 3: Communities Around the World Unit 3 Brazil Lesson 7 Carnival Carnival in Brazil Carnival has often been described as “The World’s Biggest Party.” It happens every year, typically 7 weeks before Easter and it’s usually in February, but sometimes in March. The Brazil carnival is celebrated just about everywhere in the country. It is like a week-long non-stop party where there are street festivities, music, dancing and partygoers dressed in costumes and countless balls held in nightclubs across cities in Brazil. Many cities put on street parades and Samba Parades, such as the Rio de Janeiro carnival, which is the most famous carnival in Brazil. At the Rio Carnival a variety of samba schools (clubs and dance schools) dance through the 700 meter long stretch of the Sambadrome, all dressed in elaborate costumes with colorful decorated floats, as thousands of spectators watch. Rio’s Samba Parade was taken off the streets in 1984 and put into a Sambodromo to make more room for its thousands of spectators. www.pedromigao.com.br This massive Samba Parade consists of the top Samba schools and on each night the schools dance and march as they compete against other Samba schools to be crowned champion. Since 1984, the parade is held at the Sambadrome where twelve of the top samba schools (a club or dancing school) try to win the championship. Putnam/Northern Westchester BOCES Grade 3 Integrated Social Studies/English Language Arts Curriculum Page 1 Revised August 2014 Grade 3: Communities Around the World Unit 3 Brazil Lesson 7 Carnival Each samba school presents a theme which is portrayed by a team of musicians, samba dancers, and well decorated floats. Months of preparation are put in by the samba schools who get the support of thousands of people from their communities to participate. The Carnvalesco or Carnival Director sets the theme and organizes practically everything required for the parade right from the costume designs, decorations, theme song, and much more. The samba schools start planning their program next for year as soon as this year’s Carnival is over. Musicians, architects, fashion designers and choreographers work throughout the year to present 80 minutes of mind blowing samba mania. Each artist puts forth his or her best effort to ensure their samba school’s show will be the most amazing of all. As the schools pass through the Sambodromo, they are judged on their performance and are awarded points based on different aspects. The judges award points for their performances, among them choreography, costumes, floats, decorations and percussion. The Samba parade is considered the highlight of the Rio de Janeiro Carnival, where up to 90,000 spectators attend the parade on any given night during the Carnival, and the event is broadcast in numerous countries around the globe. Rio de Janeiro's Carnival drew 4.9 million people in 2011, with 400,000 being foreigners, and was watched by 100 million on television. Adapted from http://www.brazilmycountry.com/brazil-carnival/rio-de-janeiro-carnival/ Putnam/Northern Westchester BOCES Grade 3 Integrated Social Studies/English Language Arts Curriculum Page 2 Revised August 2014 .

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Carnival World Celebrations and Festivities There Are Many Festivals and Celebrations Around the World Throughout the Year

Carnival World celebrations and festivities There are many festivals and celebrations around the world throughout the year. However, carnival is one of the most famous and colourful festivities. Many carnivals take place in the build-up to the religious season of Lent, which is the six weeks before Easter Sunday. Therefore, many carnivals take place during February. Often during Lent, people give up something that they will find difficult to do. This could be a type of food or a bad habit. What is carnival? Carnival can be different depending on the country. Lots of countries focus on their own traditions and are often a celebration of the culture of their country. In most countries at carnival, you will see masks, colourful costumes, music and parades. Some Carnivals have special trinkets or symbols. In New Orleans, they have sweet and very colourful cakes called King Cakes as a symbol of their carnival (Mardi Gras). Carnival The largest carnival The most famous and largest carnival in the world takes place in Rio de Janeiro, Brazil. Carnival in Brazil is not just a fun celebration; it is a chance to experience the different types of culture in the country. Brazil is often referred to as a ‘melting-pot’ of culture. This is because there are a variety of different cultural influences brought about by the diverse population. There are many European, African and American influences. Carnival is about the Brazilian way of life and their way of thinking. There are many parties celebrating the songs, music and dances typical of Brazilian culture.
Rio Carnival 2016 5-10 February 2016

Rio Carnival 2016 5-10 February 2016 Optional Activities You will be spending 6 days in Rio with a whole variety of included excursions such as visits to both the Corvocado and the Sugar Loaf mountain, the most iconic sights of the city, and a night at the Sambadrome where you will experience the dazzling display of the top Samba schools - the highlight of Rio Carnival! Dragoman and Imaginative Traveller also offer a few optional excursions that you may wish to take part in. Details of the optional activities available are found below. Please note these can only be arranged by pre-booking direct with the Dragoman sales team or through your agent. In order to guarantee availability, please book by 1 December 2015. We may be able to consider requests for activities after this date but will not be able to guarantee availability. Optional ACTIVITIES: Sambadrome Upgrade To Sector 11 Seating When: Sunday 7 February, 18:00hrs until Monday morning Code: SECTOR11-16 Cost per person including ticket for sector 11, Metro tickets and guiding services GBP EUR USD 150 193 254 The Sambadrome is the venue where the main parade of the carnival takes CAD AUD NZD place; essentially it is a long avenue that is lined with spectator viewing areas and only the best Samba schools will parade here. The different spectator 275 283 313 areas are divided into sectors, priced according to the view that they offer. The diagram above shows where the different sectors are located. On Sunday night we include a ticket to sector 13, the most lively of the sectors, but you can choose to upgrade to sector 11, which is right on the edge of the runway and therefore offering much closer views of the costumes and dancing.
Brazilian Choro

The Brazilian by Tadeu Coelho and Julie Koidin Choro: Historical Perspectives and Performance Practices alanço is to choro as swing is to jazz—in both, mandatory elements to proper performance Band enjoyment of the music. Immersion in the sound of choro is imperative to playing it well. Knowledge of its origins and history is also helpful. Introduction the melody through spirited improvisations, sometimes David Willoughby, editor of the College Music Society quoting other melodies, from popular to classical styles. Newsletter, posed these questions: Should it not be a con- Although easier to decipher these performance intricacies stantly sought after goal for musicians trained in narrow via recordings, it still remains difficult—although not specialties to work together towards broader musical impossible—to catch the “twinkle” in the performer’s eye. understandings and towards the creation of a more Choro’s limited dissemination is furthered by its lack of vibrant musical culture? Should such a culture comprise accurate printed music. The vast majority of sheet music only materials imported from Western Europe? Should it publications have accompaniment that is written in a lead not synthesize musical repertories, of various kinds, from sheet format, i.e. chord symbols over melody. Without a all over the world?1 recording, it would be impossible to decipher the rhythms Throughout the world, the tradition of a country studying used in the accompaniment. The numerous errors found in its own cultural practices is not inceptive with its art. Such is the majority of publications, both in the melodic lines and the case of the choro, an indigenous music of Brazil, mostly chord symbols, further infringe on the probability of the instrumental, but at times with lyrics.
Market Access Guide – Brazil 2020 – Table of Contents 01

Market Access Guide – Brazil 2020 – Table of Contents 01. COUNTRY OVERVIEW ....................................................................................................................................... 3 02. BRAZILIAN RECORDED MUSIC MARKET .................................................................................................... 5 THE MAJORS .......................................................................................................................................................... 1 INTERVIEW WITH PAULO JUNQUEIRO, PRESIDENT, SONY MUSIC BRASIL ................................ 10 THE INDEPENDENTS ........................................................................................................................................ 11 CHART SERVICES ................................................................................................................................................. 1 03. POPULAR BRAZILIAN MUSIC - GENRES ...................................................................................................... 1 GOSPEL .................................................................................................................................................................. 16 FUNK ...................................................................................................................................................................... 20 SERTANEJA ..........................................................................................................................................................
The Traditional Samba School Dance As a Performative Experience

The traditional samba school dance as a performative experience Renata de Sá Gonçalves Universidade Federal Fluminense Rio de Janeiro – RJ – Brasil [email protected] The anthropologist Evans-Pritchard criticizes that in ethnological approaches dance is often viewed as an independent activity and is described without reference to its contextual setting in native life (PRITCHARD, 1928). In his analysis of the Zande beer dance, the author emphasizes that dance always requires a stereotyped form, a prescribed mode of performance, concerted activities, recognized leadership and elaborate organization and regulation. Howard Becker talking about music, literature, theatre, dance and all the possible arts lightened not the artist genius but the collective activities and social conventions that composes an art world and operates a social system (BECKER, 1982). The main objective of this communication is to demonstrate that the Rio samba school carnival, as a collective activity, configures itself as a “popular art world” with specific rules, procedures and evaluation criteria composing his owns aesthetic conventions that are communally made and experienced. In this world, the samba school directory, the school members, the competition jury committee, the critics, the media, the researchers and finally, the audience act together. I will restrict the present analysis to a dance performed by a special couple in the Rio samba school parades - the couple of major-domo or “mestre- sala” 1 and flag-bearer or “porta-bandeira” 2 - as a representative example of an idea of tradition. Who are the couple? The ambiguous character of this couple is defined by its specific dance that is slower than the samba rhythm, by their typical acts, gentle gestures, positions, looks, smiles, improvisation and by their antique customs.
Brasilian Rhythms and Drumming Techniques

BRASILIAN RHYTHMS AND DRUMMING TECHNIQUES Dr. Jason Koontz Director of Percussion Studies Eastern Kentucky University GENERAL CHARACTERISTICS OF AFRO-BRASILIAN MUSIC *Call and response *Rhythmic complexity (syncopation & polyrhythm) *Structure based on melodic/rhythmic ostinato patterns *Use of timeline/clave *Music as means of communal participation SAMBA - AFRO-BRASILIAN URBAN POPULAR SONG/DANCE FORM Carnival samba (e.g. Samba Batucada and Samba Enredo (Rio,São Paulo), Axé (Bahia) §Characterized by heavy percussion, songs about themes presented in Carnival Pagode (Year-round) samba §Characterized by light percussion and plucked string accompaniment (guitar, cavaquinho) §Songs often satiric, witty, improvised Partido Alto Rhythm Variations A ™2 ≈ ¿™ ¿ ¿ ¿ ¿ ≈ ¿ ¿ ™ / 4 J 3 B ™ ¿ ¿ ≈ ¿ ¿ ≈ ¿™ ¿ ¿ ™ / J 5 C ™ ≈ ¿ ¿ ‰ ¿ ¿ ¿ ¿™ ¿ ™ / J 7 D ™ ≈ ¿ ¿ ‰ ¿ ¿ ¿ ≈ ¿ ¿ ™ / J 9 E *"palma da mão" rhythm ™ ¿™ ¿ ‰ ¿ ¿™ ¿ ‰ ¿ / J J PAGODE INSTRUMENTS: Surdo de Mão – Bass drum instrument played with the hand (a.k.a. Tan Tan, Rebolo) Tamborim (tom-boo-reem), a small single-headed frame drum Pandeiro, (pahn-dey-roo) a tambourine Reco-Reco (hecko-hecko) – scraped metal spring instrument (like a metal Guiro) Cuica (Kwee-Ka) friction drum Cavaquinho – Brasilian counterpart to the Portuguese Cavaquinho, and Ukulele (steel strings G-D-B-G) Pagode (pah-go-jee) rhythms A pattern 1 B pattern 2 > > > > > > > > ° ™2 œ œ œ ™ ™ œ œ œ œ œ œ œ œ ™ Cuíca / ™4 ≈ œ œ œ ≈ œ œ ™ ™ œ œ œ œ œ œ œ œ ™ ™2 ≈ ≈ ™ ™ ≈ ≈ ™ Tamborim / ™4 ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ™ ™ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ™ *"Teleco-teco" rhythm (based on Partido Alto) >. >. >o >. >. >. >o >. ™ o o ™ ™ ™ 2 >¿ >¿ o >¿ ≈ o o ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ Pandeiro / ™4 ≈ œ œ œ œ œ ™ ™ œ œ œ œ œ œ œ œ ™ t f h f t f h f t f h f t f h f .
“O Que É Que a Bahiana Tem”--Carmen Miranda (1939) Added to the National Registry: 2008 Essay by Katherine Bishop-Sanchez (Guest Post)*

“O Que é que a Bahiana tem”--Carmen Miranda (1939) Added to the National Registry: 2008 Essay by Katherine Bishop-Sanchez (guest post)* Carmen Miranda Early label In 1938, the Brazilian actress and popular singer Carmen Miranda (1909-1955) starred in her fifth Brazilian produced film, “Banana da Terra” (Sonofilms) and performed, among several musical numbers, the samba “O que é que a baiana tem?” composed by Dorival Caymmi. This samba would become Miranda’s signature song, indelibly connecting the Brazilian singer to the figure of the baiana or Afro-Brazilian woman from Bahia. In Brazil, Miranda recorded the song with Dorival Caymmi at Odeon Records in 1938, and then again with her band, Bando da Lua, at Decca USA, in December 1939. The title of this song can be translated as “What does the girl from Bahia have?” making reference to the Afro-Brazilian women from Bahia who can be seen in urban centers throughout Brazil selling their savory dishes on street corners. Their typical dress includes a wide, often white, hooped skirt, a loose-fitting cotton blouse trimmed with wide lace, a striped shawl draped over the shoulder or around the waist, a turban, sandals, and numerous necklaces and bracelets. The typical baiana dress is a staple of Carnival festivities, candomblé religious ceremonies and other religious festivities throughout Brazil such as the popular festivals of Bonfim in Salvador, Bahia. A large ensemble of women dressed as baianas has been one of the most important wings of official samba school Carnival parades since the early 1930s. Carmen Miranda’s performance of “O que é que a baiana tem?” in “Banana da Terra” became memorable because of the synergy between her costume and the lyrics of the song.
Carnival Season

Italy where people paraded and danced or parade, which has elements of a cir- at masquerade balls. They wore masks cus. Festivalgoers often wear masks and Geography to hide their identities and therefore so- elaborate costumes, sacrifi cing sleep for In The cial classes, so that all could share in the all-night parties. celebration. Venice hosted an extremely Carnival celebrations evolved differ- News™ famous carnival that began in 1268 and ently depending upon the culture of the today sees 30,000 visitors a year to the cel- area. Rio Carnival dates back to 1723 and ebration. is the largest in the world. There, one pur- Carnival traditions spread from Italy pose of the celebration is for samba schools Neal Lineback to Catholic communities in France, Spain to compete against one another in parade and Mandy Lineback Gritzner and Portugal. France gave the fi nal day of demonstrations. The samba is a popular carnival its modern name “Mardi Gras,” dance that African slaves brought to Bra- which means “Fat Tuesday” in French. zil. Each samba school spends months CARNIVAL Fat Tuesday refers to the Tuesday before building expensive, elaborate fl oats and Ash Wednesday, the day Lent begins and costumes in their pursuit to be the best SEASON most celebrations end. Fat Tuesday is the group. Each group has a band and may Rio de Janeiro hosts one of the largest biggest day of celebration in New Orleans’ have as many as eight fl oats and thou- carnival celebrations in the world. Unfor- Mardi Gras. sands of participants, including dancers tunately, a huge fi re swept through the Rio From France, carnival traditions spread and fl oat riders.
Saint Isaac Jogues Parish

SAINTSAINT ISAACISAAC JOGUESJOGUES PARISHPARISH 8149 Golf Road, Niles, IL 60714 ¨ 847.967.1060 ¨ Fax: 847.967.1070 ¨ Website: http://sij-parish.com The union of man and wife is from God. -St. Augustine Fifth Sunday in Ordinary Time February 8, 2015 Page 2 Fifth Sunday in Ordinary Time February 8, 2015 CARNIVAL IN RIO I have more appreciation of W. H. Auden’s “take” on Carnival. Carnival celebrates the unity of our human race as mortal creatures, who come into this world and de- part form it without our consent . it is a cause for rejoicing that we are not alone, that all of us, irre- spective of age or sex or rank or talent, are in the same boat. In many parts of the world, Carnival makes that “same boat” rock. Of all the places I haven’t been, no place “rocks the boat” better than Rio De Janei- ro. Carnival in Rio began in 1723. It was originally called Entrudo, and consisted of a giant “water fight.” Rich or poor - - even royalty - - were drenched! Eventually, the Entrudo was banned by I have had an unusual fascination with Carnival. It authorities. is not because I want to follow the crowd to “party central” or boogie in the streets. It is because I am The parades of dancers and floats evolved from a curious observer. I confess freely I have never the mid-19th century. The Samba, which sets Rio outgrown the need to know WHY. apart, originated in Bahia. Its African rhythms and drumming have been an essential part of Rio’s In the past, I have shared what I have learned Carnival since 1920.
Scientific-Programcarnavalspeakers.Pdf

1st International Symposium «Dialogue among cultures. Carnivals in the world» Florence, February 3-4, 2016 | Viareggio, February 5-7, 2016 _____________________________________________________________________________________________________ FIRENZE Auditorium al Duomo Via de' Cerretani, 54/r 50123 Florence, Italy Tel. +39 055 284722 VIAREGGIO Palace Hotel Congressi Via Flavio Gioia, 2 55049 Viareggio LU, Italy Tel. + 39 0584 46134 ORGANIZING SECRETARY Michaela Zackova Rossi, Stefania Macrì Centro Congressi al Duomo Life Beyond Tourism® Events, Soc. Comi S.p.A. Via del Giglio 10 50123 Florence, Italy Tel. +39 055 284722 [email protected] 2 1st International Symposium «Dialogue among cultures. Carnivals in the world» Florence, February 3-4, 2016 | Viareggio, February 5-7, 2016 _____________________________________________________________________________________________________ MAIN SPONSOR SPONSORS VIAREGGIO SCIENTIFIC PROMOTERS SCIENTIFIC PARTNERS INSTITUTIONAL PARTNERS INTERNATIONAL CULTURAL PARTNERS International Airline Main Partner 3 1st International Symposium «Dialogue among cultures. Carnivals in the world» Florence, February 3-4, 2016 | Viareggio, February 5-7, 2016 ____________________________________________________________________________________________________ HONORARY COMMITTEE Luigi Dei, Rector, University of Florence, Italy P. Gino Alberto Faccioli, Istituto Superiore di Scienze Religiose “Santa Maria di Monte Berico”, Vicenza, Italy Carlos Solarte Portilla, Rector, University of Nariño, Pasto, Colombia Cecilia
Party at the Biggest Carnivals Around the World: Mardi Gras Experiences You Wouldn't Want to Miss

Party at the Biggest Carnivals Around the World: Mardi Gras Experiences You Wouldn't Want to Miss February 12, 2019 SINGAPORE, Feb. 12, 2019 /PRNewswire/ -- Mardi Gras marks the end of the festive Carnival season, a period of feasting and fun that begins on 6th January in Christian culture. Mardi Gras, which literally means "Fat Tuesday" in French, is the final opportunity to indulge before the start of Lent. Cities around the world take on the celebration in different forms, but they always involve colorful parades, huge crowds, elaborate floats, delicious feasts and all-night parties. Agoda, one of the fastest growing digital travel platforms, shares some of the best Mardi Gras experiences for merrymakers around the world. 1. A party for all ages at New Orleans, USA Known as "The Greatest Free Show on Earth", Mardi Gras in New Orleans is a spectacular treat of the senses. Join a raucous crowd of over a million visitors along the historic St. Charles Avenue and the Central Business District. There is no chance of staying out of the party, as onlookers are pelted with beads, trinkets, cups, doubloons (coins) and stuffed animals from float riders, a tradition that began in the 1870s and still very much alive today. For those with young children, opt for Family Gras, just ten minutes from downtown New Orleans, to enjoy the traditional offerings of Mardi Gras parades in a more family-friendly setting. Featuring free outdoor concerts, an arts market and a special kids' zone, Family Gras incorporates activities like face painting and games, alongside a wide array of authentic local cuisine that is sure to suit every palette.
Carnival Is Celebrated in Many Parts of the World, but Brazil Is Usually Thought of As the Country with the Most Exuberant and Exciting Carnival Celebrations

Embratur Carnival: come and be transported to the amazing party that is carnival in Brazil. Carnival is celebrated in many parts of the world, but Brazil is usually thought of as the country with the most exuberant and exciting carnival celebrations. The celebration originated in the Catholic countries of Europe as a party before the coming of Lent – the forty days Christ spent in the wilderness. It was traditional for the celebrations to end on Ash Wednesday when people then respected the period of abstinence for forty days. The term ‘carnival’ is thought to have originated from the Latin ‘carne levare’, meaning ‘to remove meat’, as eating meat would have been prohibited during Lent. Nowadays carnival is not seen as a religious celebration but more of a street party with lots of music and dancing. The annual carnival celebrations take place between the Saturday and the Tuesday that precede Ash Wednesday. Erika Tambk Embratur CARNIVAL DOLLS, OLINDA BOY AT SAMBODROME, RIO DE JANEIRO Fact Sheet 8. Brazil and Carnival 1 Celebrations for carnival vary throughout the world and in Brazil too there are regional differences. The most famous Brazilian carnivals are held in Rio de Janeiro and Salvador. In fact, the Guinness Book of Records maintains that the Salvador carnival is the biggest street party in the world! 8.1 Street Carnival Carnival is celebrated in a variety of styles throughout Brazil. Olinda, a small colonial town close to Recife, closes all its streets to traffic and musicians playing their local music, the ‘frevo’, turn the whole town into a party.