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The School for Good and Evil #4: Quests for Glory
SOMAN CHAINANI Illustrations by IacopoIllustrations Bruno by Iacopo Bruno SGE4_Ch1-28_txt_des6_cc15.indd 1 7/14/17 10:47 AM The School for Good and Evil #4: Quests for Glory Text copyright © 2017 by Soman Chainani Illustration on page 190 by Michael Blank Illustrations copyright © 2017 by Iacopo Bruno All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address HarperCollins Children’s Books, a division of HarperCollins Publishers, 195 Broadway, New York, NY 10007. www.harpercollinschildrens.com Library of Congress Control Number: 2017942896 ISBN 978-0-06-265847-0 (trade bdg.) — ISBN 978-0-06-266768-7 (int.) ISBN 978-0-06-267752-5 (special edition) — ISBN 978-0-06-268176-8 (special edition) ISBN 978-0-06-274163-9 (special edition) — ISBN 978-0-06-274811-9 (special edition) Typography by Amy Ryan 17 18 19 20 21 CG/LSCH 10 9 8 7 6 5 4 3 2 1 v First Edition SGE4_Ch1-28_txt_des6_cc15.indd 2 7/14/17 10:47 AM Ww For Ally and Brendan SGE4_Ch1-28_txt_des6_cc15.indd 3 7/14/17 10:47 AM SGE4_Ch1-28_txt_des6_cc15.indd 4 7/14/17 10:47 AM Ww in the forest primeval a school for good and evil two towers like twin heads one for the pure one for the wicked try to escape you’ll always fail the only way out is through a fairy tale SGE4_Ch1-28_txt_des6_cc15.indd 5 7/14/17 10:47 AM SGE4_Ch1-28_txt_des6_cc15.indd 6 7/17/17 3:18 PM PART I Ww SGE4_Ch1-28_txt_des6_cc15.indd 7 7/17/17 3:18 PM SGE4_Ch1-28_txt_des6_cc15.indd 8 7/14/17 10:47 AM W 1 w AGATHA The Almost Queen hen you spend most of your life planning your Ever WAfter with a girl, it feels strange to be planning your wedding to a boy. -
The Crusade of Andrew II, King of Hungary, 1217-1218
IACOBVS REVIST A DE ESTUDIOS JACOBEOS Y MEDIEVALES C@/llOj. ~1)OI I 1 ' I'0 ' cerrcrzo I~n esrrrotos r~i corrnrro n I santiago I ' s a t'1 Cl fJ r1 n 13-14 SAHACiVN (LEON) - 2002 CENTRO DE ESTVDIOS DEL CAMINO DE SANTIACiO The Crusade of Andrew II, King of Hungary, 1217-1218 Laszlo VESZPREMY Instituto Historico Militar de Hungria Resumen: Las relaciones entre los cruzados y el Reino de Hungria en el siglo XIII son tratadas en la presente investigacion desde la perspectiva de los hungaros, Igualmente se analiza la politica del rey cruzado magiar Andres Il en et contexto de los Balcanes y del Imperio de Oriente. Este parece haber pretendido al propio trono bizantino, debido a su matrimonio con la hija del Emperador latino de Constantinopla. Ello fue uno de los moviles de la Quinta Cruzada que dirigio rey Andres con el beneplacito del Papado. El trabajo ofre- ce una vision de conjunto de esta Cruzada y del itinerario del rey Andres, quien volvio desengafiado a su Reino. Summary: The main subject matter of this research is an appro- ach to Hungary, during the reign of Andrew Il, and its participation in the Fifth Crusade. To achieve such a goal a well supported study of king Andrew's ambitions in the Balkan region as in the Bizantine Empire is depicted. His marriage with a daughter of the Latin Emperor of Constantinople seems to indicate the origin of his pre- tensions. It also explains the support of the Roman Catholic Church to this Crusade, as well as it offers a detailed description of king Andrew's itinerary in Holy Land. -
CASTRUM BENE” Permanent Committee and Editorial Board
“CASTRUM BENE” Permanent Committee and Editorial Board PhDr. Peter BEDNÁR, CSc. Archeologický ústav SAV, Nitra (Slovakia) Dr Artur BOGUSZEWICZ, Lecturer Uniwersytet Wrocławski, Wydział Nauk Historycznych i Pedagogicznych, Katedra Etnologii i Antropologii Kulturowej, Wrocław (Poland) Ing. Arch. Petr CHOTĚBOR, CSc. Odbor památkové péče, Kancelář prezidenta republiky, Praha – Hrad (The Czech Republic) Dr. György DOMOKOS Österreichisches Staatsarchiv, Ungarische Archivdelegation, Ständige Archivdelegation beim Kriegsarchiv Wien (representing Hungary) Assoc. Prof. Dr. Istvan FELD Eötvös Loránd Tudományegyetem Bölcsészettudományi Kar, Régészettudományi Intézet, Budapest (Hungary) Mag. Dr. Martin KRENN Bundesdenkmalamt, Abteilung für Archäologie, Krems an der Donau (Austria) Dr. Sc. Tajana PLEŠE Hrvatski restauratorski zavod, Služba za arheološku baštinu, Odjel za kopnenu arheologiju, Zagreb (Croatia) Assoc. Prof. Dr. Katarina PREDOVNIK Univerza v Ljubljani, Filozofska fakulteta, Oddelek za arheologijo, Ljubljana (Slovenia) Dr. Adrian Andrei RUSU Institutul de arheologie şi istoria artei al Academiei Române, Cluj-Napoca (Romania) CASTRUM BENE 12 THE CASTLE AS SOCIAL SPACE Edited by Katarina Predovnik Ljubljana 2014 THE CASTLE AS SOCIAL SPACE Monograph Series, no.: Castrum Bene, 12 Editor: Katarina Predovnik Reviewers: Dr Tomaž Lazar, Mag Tomaž Nabergoj, Dr Miha Preinfalk, Dr Benjamin Štular Proofreading: Katarina Predovnik Technical Editor: Nives Spudić ©University of Ljubljana, Faculty of Arts, 2014 All rights reserved. Published by: Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts) Issued by: Department of Archaeology For the publisher: Branka Kalenić Ramšak, the dean of the Faculty of Arts Design and layout: Nives Spudić Printed by: Birografi ka Bori d.o.o. Ljubljana, 2014 First edition Number of copies printed: 300 Price: 24.90 EUR CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 930.85(4)(082) 728.81(4)(091)(082) The CASTLE as social space / edited by Katarina Predovnik. -
Mid-Century Gothic : the Agency and Intimacy of Un- Canny Objects in Post-War British Literature and Cul- Ture
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Mid-century gothic : the agency and intimacy of un- canny objects in post-war British literature and cul- ture https://eprints.bbk.ac.uk/id/eprint/40189/ Version: Public Version Citation: Mullen, Lisa (2016) Mid-century gothic : the agency and in- timacy of uncanny objects in post-war British literature and culture. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Mid-Century Gothic: The Agency and Intimacy of Uncanny Objects in Post-War British Literature and Culture by Lisa Mullen Thesis submitted to Birkbeck, University of London in fulfilment of the requirements for the degree of Doctor of Philosophy Birkbeck, University of London 2016 1 The work presented in this thesis is the candidate’s own. Signed __________________________________ Date ____________________________________ 2 ABSTRACT This thesis reassesses the years 1945-1955 as a hingepoint in British culture, a moment when literature, film and art responded to the wartime hiatus of consumer capitalism by resisting the turn towards conspicuous consumption and self- commodification. This resistance can be discerned in a gothic impulse in post-war culture, in which uncanny encounters with haunted, recalcitrant or overassertive objects proliferated, and provided a critique of the subject/object relationship on which consumerism was predicated. In the opening chapter, the ubiquity of bombsite rubble is brought into dialogue with mid-century mural painting both in literature and at the Festival of Britain. -
Department of Human Geography & Planning, Faculty of Geosciences
Department of Human Geography & Planning, Faculty of Geosciences KLEMENTYNA GĄSIENICA – BYRCYN Student number: 3202739 THE INFLUENCE OF THE PROPERTY RESTITUTION IN THE TATRA MOUNTAINS ON THEIR CURRENT AND FUTURE NATURE PROTECTION MANAGEMENT Master thesis Human Geography and Spatial Planning Written under the supervision of Dr Hans Renes UTRECHT 2010 ACKNOWLEDGMENTS This Master thesis would not have been possible without the guidance and help of several individuals who in one way or another contributed and extended their valuable assistance in the preparation and completion of this study. First and foremost, my utmost gratitude to my supervisor, Dr Hans Renes, whose direction, assistance, and guidance enabled me to accomplish thesis research work. Furthermore, I would like to thank Dr Barbara Chovancová and Dr Milan Koreň from the State Forest of TANAP, Slovakia who despite the distance have scrupulously provided me with the information I needed. I am also indebted to my parents, Bożena and Wojciech Gąsienica-Byrcyn, without whose moral support, and steadfast encouragement to complete this study this thesis would not be made possible. Last but not the least, I offer my regards to all interviewees who supported me in any respect during the completion of the project. 2 TABLE OF CONTENT 1. Introduction ............................................................................................................................ 4 2. Terminology ........................................................................................................................ -
Coronation Gown Information
Coronation Gown Information You are making your social debut to the community. This is not a Miss America beauty contest. You are being judged on the ideals of a 17- or 18-year-old high school senior. Please select your dress accordingly. Gown The coronation gown must be full length, and any color except white. Only princesses wear white. And of course, you need some glitter or sparkle on your gown. We recommend the hem of your dress be 1 ½ inches off the floor, wearing the proper shoes and petticoat, if needed. Pants are not acceptable. Skirt The skirt of your gown may be full, mermaid, swan, bell, draped, bias cut, a-line, etc. No train, duster, form fitting, or slinky skirts allowed. Some dresses come with petticoats attached, others may need a petticoat to shorten the hemline or fill out the skirt. NO HOOP PETTICOATS ALLOWED. Bodice The bodice of your gown may be any style except strapless. It may be sleeveless, halter, one strap, spaghetti straps, etc. If the bodice of your dress is corset-style, you must have the privacy panel in place for coronation. STRAPLESS OR LONG SLEEVE DRESSES NOT ACCEPTED. Gloves Long gloves are required. This is a 24” long glove. This length glove will hit each of you different, depending on the length of your arm. If it only comes to the bend of your elbow, it is the WRONG length glove. These may be purchased at formal wear stores. Gloves should coordinate with your gown color. White is always acceptable. Shoes Shoes should be a traditional evening shoe, and again, coordinate with your dress color. -
Coronation Gown Information
Coronation Gown Information You are making your social debut to the community. This is not a Miss America beauty contest. You are being judged on the ideals of a 17- or 18-year-old high school senior. Please select your dress accordingly. Gown The coronation gown must be full length, to the floor, and all white. The gown must have no color; however, the trim or embellishments may be white, silver, or iridescent beading or sequins, pearls, rhinestones or clear stones. You certainly need some glitter or sparkle on your gown. Pants are not acceptable. Skirt The skirt of your gown may be full, mermaid, swan, bell, draped, bias cut, a-line, etc. No train, form fitting, or slinky skirts allowed. Some dresses come with petticoats attached, others may need a petticoat to shorten the hemline or fill out the skirt. Once your dress has been inspected and approved, no changes should be made without the Director’s approval. NO HOOP PETTICOATS ALLOWED. Fabric Your gown may be made of any suitable fabric OTHER THAN a gold, silver or iridescent lame’ fabric. Satin, lace, crepe, chiffon, faille, peau de soi, crystalline, taffeta, tulle, etc., are acceptable. Bodice The bodice of your gown may be sleeveless, short sleeved, puff sleeve, off the shoulder, one shoulder, spaghetti straps, or halter. If the bodice of your dress is corset-style, you must have the privacy panel in place for coronation. STRAPLESS OR LONG SLEEVE DRESSES NOT ACCEPTED. Gloves Long white gloves are required. This is a 24” long glove. This length glove will hit each of you different, depending on the length of your arm. -
Empress Elisabeth ('Sisi') of Austria and Patriotic Fashionism
VanDemark, Christopher. “Empress Elisabeth (‘Sisi’) of Austria and Patriotic Fashionism.” Hungarian Cultural Studies. e-Journal of the American Hungarian Educators Association, Volume 9 (2016): http://ahea.pitt.edu DOI: 10.5195/ahea.2016.254 Empress Elisabeth (‘Sisi’) of Austria and Patriotic Fashionism Christopher M. VanDemark Abstract: In this article, Christopher VanDemark explores the intersections between nationalism, fashion, and the royal figure in Hungary between 1857 and the Compromise of 1867. Focusing on aesthetics as a vehicle for feminine power at a critical junction in Hungarian history, VanDemark contextualizes Empress Elisabeth’s role in engendering a revised political schema in the Habsburg sphere. Foreseeing the power of emblematic politics, the young Empress adeptly situated herself between the Hungarians and the Austrians to recast the Hungarian martyrology narrative promulgated after the failed revolution of 1848. Eminent Hungarian newspapers such as the Pesti Napló, Pester Lloyd, and the Vasárnapi Újság form the backbone of this article, as publications such as these facilitated the dissemination of patriotic sentiment while simultaneously exulting the efficacy of symbolic fashions. The topic of study engages with contemporary works on nationalism, which emphasize gender and aesthetics, and contributes to the emerging body of scholarship on important women in Hungarian history. Seminal texts by Catherine Brice, Sara Maza, Abby Zanger, and Lynn Hunt compliment the wider objective of this brief analysis, namely, the notion that the Queen’s body can both enhance and reform monarchical power within a nineteenth-century milieu. Keywords: Empress Elisabeth, Habsburg Monarchy, fashion and politics, fashion and nationalism, 1867 Compromise Biography: Christopher VanDemark received his B.A in History and Political Science from the University of Florida, Gainesville. -
Annual Report 2001–2002 Annual Report 2001–2002 NATIONAL GALLERY of AUSTRALIA Annual Report 2001–2002 © National Gallery of Australia
NATIONAL GALLERY OF AUSTRALIA GALLERY NATIONAL NATIONAL GALLERY OF AUSTRALIA Annual Report 2001–2002 Annual Report 2001–2002 Annual Report NATIONAL GALLERY OF AUSTRALIA Annual Report 2001–2002 © National Gallery of Australia ISSN 1323-5192 All rights reserved. No part of this publication may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage retrieval system, without permission in writing from the publisher. Produced by the Publications Department of the National Gallery of Australia, Canberra. Printed by Paragon Printers, Canberra, ACT National Gallery of Australia GPO Box 1150, Canberra ACT 2601 www.nga.gov.au cover and left: Paminggir people Lampung, Sumatra, Indonesia Ceremonial textile [tampan] 19th century Cotton, gold thread, dyes; supplement weft Acquired through gift and purchase from the Collection of Robert J. Holmgren and Anita E. Spertus, New York, 2000 iii Contents Letter of Transmittal iii Chairman’s Foreword 1 Director’s Report 3 Performance Report 2001–2002 Outcome and Outputs 7 Corporate Overview 9 Report against Strategic Plan 2001–2004 15 National Gallery of Australia Financial Reports 2001–2002 Independent audit report 54 Statement by Directors 56 Statement of Financial Performance 57 Notes to the Financial Statement 62 Appendixes 1. Council of the National Gallery of Australia 86 2. Management structure at 30 June 2002 88 3. Staff of the National Gallery of Australia at 30 June 2002 89 4. Acquisitions 2001–2002 92 5. Acquisitions including purchases and gifts 1945–2002 116 6. Exhibitions held at the National Gallery of Australia 117 7. Attendance at the National Gallery of Australia 1982–2002 119 8. -
The Clash Between Pagans and Christians: the Baltic Crusades from 1147-1309
The Clash between Pagans and Christians: The Baltic Crusades from 1147-1309 Honors Research Thesis Presented in partial fulfillment of the requirements for graduation with honors research distinction in History in the undergraduate colleges of The Ohio State University by Donald R. Shumaker The Ohio State University May 2014 Project Advisor: Professor Heather J. Tanner, Department of History 1 The Baltic Crusades started during the Second Crusade (1147-1149), but continued into the fifteenth century. Unlike the crusades in the Holy Lands, the Baltic Crusades were implemented in order to combat the pagan tribes in the Baltic. These crusades were generally conducted by German and Danish nobles (with occasional assistance from Sweden) instead of contingents from England and France. Although the Baltic Crusades occurred in many different countries and over several centuries, they occurred as a result of common root causes. For the purpose of this study, I will be focusing on the northern crusades between 1147 and 1309. In 1309 the Teutonic Order, the monastic order that led these crusades, moved their headquarters from Venice, where the Order focused on reclaiming the Holy Lands, to Marienberg, which was on the frontier of the Baltic Crusades. This signified a change in the importance of the Baltic Crusades and the motivations of the crusaders. The Baltic Crusades became the main theater of the Teutonic Order and local crusaders, and many of the causes for going on a crusade changed at this time due to this new focus. Prior to the year 1310 the Baltic Crusades occurred for several reasons. A changing knightly ethos combined with heightened religious zeal and the evolution of institutional and ideological changes in just warfare and forced conversions were crucial in the development of the Baltic Crusades. -
The Royal Governess: a Novel of Queen Elizabeth II’S Childhood / Wendy Holden
BERKLEY An imprint of Penguin Random House LLC penguinrandomhouse.com Copyright © 2020 by Wendy Holden Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader. BERKLEY and the BERKLEY & B colophon are registered trademarks of Penguin Random House LLC. Library of Congress Cataloging-in-Publication Data Names: Holden, Wendy, 1965- author. Title: The royal governess: a novel of Queen Elizabeth II’s childhood / Wendy Holden. Description: First edition. | New York: Berkley, 2020. Identifiers: LCCN 2019055515 (print) | LCCN 2019055516 (ebook) | ISBN 9780593101322 (hardcover) | ISBN 9780593101346 (ebook) Subjects: LCSH: Elizabeth II, Queen of Great Britain, 1926—Fiction. | Crawford, Marion, 1909-1988—Fiction. | GSAFD: Biographical fiction. Classification: LCC PR6058.O436 R69 2020 (print) | LCC PR6058.O436 (ebook) | DDC 823/.914—dc23 LC record available at https://lccn.loc.gov/2019055515 LC ebook record available at https://lccn.loc.gov/2019055516 Jacket art: woman embracing child © Mark Owen/Arcangel; Buckingham Palace, The Werner Company of Chicago, 1894 © Print Collector/Heritage/The Image Works This is a work of fiction. Apart from the well-known historical figures and actual people, events, and locales that figure in the narrative, all other characters are products of the author’s imagination and are not to be construed as real. Any resemblance to persons, living or dead, is entirely coincidental. -
Maria Laskaris and Elisabeth the Cuman: Two Examples Of
Zuzana Orságová MARIA LASKARIS AND ELISABETH THE CUMAN: TWO EXAMPLES OF ÁRPÁDIAN QUEENSHIP MA Thesis in Medieval Studies Central European University CEU eTD Collection Budapest May 2009 MARIA LASKARIS AND ELISABETH THE CUMAN: TWO EXAMPLES OF ÁRPÁDIAN QUEENSHIP by Zuzana Orságová (Slovakia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted in conformance with the standards of the CEU ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner ____________________________________________ Examiner CEU eTD Collection Budapest May 2009 MARIA LASKARIS AND ELISABETH THE CUMAN: TWO EXAMPLES OF ÁRPÁDIAN QUEENSHIP by Zuzana Orságová (Slovakia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted in conformance with the standards of the CEU ____________________________________________ External Examiner CEU eTD Collection Budapest May 2009 MARIA LASKARIS AND ELISABETH THE CUMAN: TWO EXAMPLES OF ÁRPÁDIAN QUEENSHIP by Zuzana Orságová (Slovakia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted