CRAZY HEART (Cert 15) Interview with an Old Legend

Total Page:16

File Type:pdf, Size:1020Kb

CRAZY HEART (Cert 15) Interview with an Old Legend CRAZY HEART (Cert 15) interview with an old legend. Blake falls for her and dotes on her son, Buddy. It looks like the cowboy Reel Issues Author: Clive Price could get his girl and ride off into the sunset. Director: Scott Cooper Sadly, the real winner here is the alcohol. Distracted by Produced by: Fox Searchlight Pictures, Informant his drink, Blake temporarily loses Jean’s son in a mall, Media, Butcher's Run Films and the romance disintegrates. He could cope with the sickness and sleeping, but not the spurning. Supported Length: 1 hr 46 minutes by his pal Wayne (Robert Duvall), he joins an Overview: A washed-out country singer abandons the Alcoholics Anonymous group to get sober. road to hell and embarks on a journey of redemption. It seems the rejection is just what he needed. For not Cautions: Contains sexual content and strong only does he clean himself up, but also he starts language. writing songs again – this time for his former sidekick Tommy Sweet (Colin Farrell). All the time, we are led SUMMARY OF PLOT to believe the polished new Blake will reunite with Bad Blake, played by popular American actor Jeff Jean and live happily ever after. Bridges, is a clapped-out country singer, whose best But the story doesn’t quite end that way. Jean finds friend is a bottle of whisky. A former household name, her own happiness with someone else. In the closing he has obviously hit on hard times. Yet still he tries to scene, Blake faces the consequences of his past, yet earn a living playing rough spit-and-sawdust venues still appears resolute about redeeming himself. like bars and bowling alleys. Maturity has arrived. The film opens with Blake travelling across a vast SOME KEY ISSUES western landscape under wide open skies – in a rusty old Chevy Suburban. Instantly, there is a mix of sweet Human value: scarred, not scrapped romance and bitter reality. He arrives at a gig and Bad Blake is a composite character, a blend of country empties urine from a plastic carton onto the car park. legends who have messed up and then crawled Blake is pouring out his life on the road. towards redemption. Johnny Cash is the obvious real- When he appears on stage, he almost becomes a life example. Such men are poets of the road, different person. Of course, Blake is meant to be an purveyors of American mythology. And they are often old hand at this game, so the songs come easy – some mixtures of dark and light, as they sing for the broken a little easier than others. So lyrics like, ‘I used to be and the oppressed – ironically, while breaking their somebody, now I am somebody else’ become own bodies with drugs, drink and smoke. They are commentaries on his present condition. bold, stark reminders of the state of us all. We are down, but not out; scarred, but not scrapped. Made in God’s image, we are still the objects of his love, even The weary routine of boozy concerts and casual sex is with our blemishes. Despite our shortcomings, we still broken by smalltown reporter and single mum Jean carry inherent value. Craddock (Maggie Gyllenhaal). She seeks her epic reelissues.org.uk Crazy Heart /1 REELISSUESepic True destiny: made for something more enjoying a new existence. He could easily become bitter again. But it is as if he has come to terms with Blake is tired with life and has resigned himself to the the idea of personal choice, that he has to make some road. Cigarettes and alcohol are his close companions. big life decisions on his own, and commit himself to a Yet still there is something within him that compels new path – even if it’s a lonely one for now. He has him to reach for something more. Obviously he is hard finally grown up – under those wide, open skies. up, and needs to earn more money. But he starts writing songs again with a new love for the job. He rediscovers an appreciation of the power of creating something out of nothing. There is a sense in which he CLIPS AND IDEAS FOR RESPONDING has almost begun to listen properly to his songs, with their poignant lyrics and sentimental messages. He Clip 1: DVD chapter 3. Runs 8.58 realises there is more to life than vomitting into minutes to 12.45 minutes (approx. rubbish bins and passing out in cheap motel rooms. three and three-quarter minutes in There is a light that shines within the human heart. length). Family love: acceptance and grace How far can you fall? This clip sums up the lead The turning point in Blake’s life is meeting Jean and character’s life, and forms the foundation for much of her little boy. Like many music celebrities, he’s gone the movie’s melancholy. Bad Blake admits he might be through more than his fair share of marriages, and ‘sick, drunk, divorced and on the run’, but he hasn’t even has his own son somewhere. But this time it missed a show in his life – even though this one is in a seems different. Jean is much younger than the 57- bowling alley, backed by a bunch of hippies. But the year-old troubadour, which maintains his interest gig goes from bad to worse as Blake consumes far too considerably. But she also has a son, which re-awakens much whisky, and can’t even perform for most of a fatherhood within him. We are persuaded to imagine song. While the band plays inside, he is out the back, that, compared to all the one-night stands he has had, emptying the contents of his stomach into a rubbish this time Blake has found something real. We hope for bin. a nicely wrapped-up outcome, so he can become In pairs: husband to Jean and stepfather to her son. The idea of family is presented as a strong, redemptive force. Old encounters new as fading country star meets budding young band. They have already started Personal choice: accountable and alone smoking dope, embarking on a similar journey as Jean rejects Blake when he loses her son, because he Blake’s self-destruction. stopped for a drink in a bar. She still rejects him when • What is the attraction for creative young minds? he cleans himself up and gets sober. There is a third Some artists believe drugs help maintain the ‘high’ and final abandonment when, at the end of the film, of the gig, calm their nerves and even alleviate the Blake notices an engagement ring on her finger. Yet boredom of touring. How can we help young despite all these setbacks, he appears to stick to his artists, musicians, etc, to steer clear of such pitfalls, chosen course of freeing himself from his old life and as they seek to enter turbulent professions? reelissues.org.uk Crazy Heart /2 REELISSUESepic • Listen to the words of Blake’s songs. What • Couples and families that don’t fit the traditional warnings do the lyrics offer to both himself and his mould still experience redemption through the love audience? How far can a song or other work of art they share and receive – just like everyone else. go, in helping to form personal values and create Can this be a window opening on the love of God? belief systems? Can you think of any examples If so, how can we help such families to see God at where a lyric has led to transformation in an work in their home? individual’s life? Or are we over-emphasising the power of art? Clip 3: DVD chapter 11. Runs 40.15 • Blake forgets a young band is looking to him for guidance. And he ends up in a worse state than minutes to 44.15 minutes (approx. 4 they are. How can one set lifestyle examples to minutes). younger people, even if the prevailing culture Who is your mentor? In this scene, Blake meets his works against that? former protégé Tommy Sweet (Colin Farrell). They are about to do a concert together. What is encouraging and endearing about the character of Tommy is that Clip 2 DVD chapter 5. Runs 17.28 he respects – rather than rejects – his roots. As a minutes to 21.45 minutes (approx. result, he wants to honour Blake as his former mentor, four and a quarter minutes in length). even urging one of his own fans to get Blake’s autograph, too. He wants Blake to write some new Where do we find our redemption? This is the point material so he can record it. where Blake meets Jean, who appears different from all the other women he has known. Jean and her In pairs: young son help Blake to find a new vision for his life. • What are the main aims of mentoring? At this moment of their first meeting, there is a gentle charm between them – despite Blake’s rough-and- • What is the ideal mentor and mentee relationship? ready appearance. Although it is Jean asking the How should that be worked out? questions about his background, we get to learn more • Do you know of any examples of how a mentoring about the two of them in the process. arrangement has worked well in a church, Whole group: community, education or business setting? What can we all learn from that? • We learn that Blake has been through four marriages. Jean is a single mum. How should churches respond to the growing reality of blended Clip 4: DVD chapter 23-24.
Recommended publications
  • Also Showing
    also showing Avatar (M) JAMES Cameron’s Golden Globe winner for best drama features Sam Worthington as Jake, a paraplegic war veteran sent to the mineral-rich planet Pandora, which is inhabited by the Na’vi. Bran Nue Dae (PG) RACHEL Perkins’ Aussiewood musical based on Jimmy Chi’s indigenous stage hit is a fun-filled road trip with captivating performers such as Geoffrey Rush, Ernie Dingo and Deborah Mailman. Daybreakers (MA 15+) DIRECTED by those Brisbane horror hounds the Spierig brothers, Daybreakers explores some clever ideas about life in an all-vampire world. Stars Ethan Hawke, Willem Dafoe and Claudia Karvan. Edge of Darkness (MA 15+) MEL Gibson’s return to leading-man duties after eight years off the job is a wonky police thriller, well beneath an actor of his standing. Percy Jackson and the Lightning Thief Based on the novel by Rick Riordan. Logan Lerman, Sean Bean, Pierce Brosnan, Steve Coogan, Rosario Dawson, Catherine Keener. The Wolfman (MA15+) A Londoner returns to the family estate after the disappearance of his brother and discovers a horrifying fate awaits him. Stars Benecio del Toro, Emily Blunt, Hugo Weaving. PUB: NT NEWS DATE: AS LONG AS THERE’S A PULSE: Playing a drunk country singer, Jeff Bridges drags himself up off the floor for Maggie Gyllenhaal in Crazy Heart 19-FEB-2010 Has-been’s PAGE: 42 love story COLOR: not so Bad C M Movie Review the biggest star in the business. Y By LEIGH PAATSCH Tommy often asked Bad to crawl out K Crazy Heart (M) of his bourbon bottle and write him a ★★★ few songs.
    [Show full text]
  • Race in Hollywood: Quantifying the Effect of Race on Movie Performance
    Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • Dear Academy Member
    Relativity Media invites you and a guest to attend Special Screening Of Starring Christian Bale, Woody Harrelson, Casey Affleck, Forest Whitaker, Willem Dafoe with Zoë Saldana and Sam Shepard Friday, November 15 7:30 PM at HARMONY GOLD 7655 West Sunset Boulevard, Los Angeles, CA 90046 Q & A will follow the screening with Director / Co-Writer Scott Cooper, Edited by: David Rosenbloom, A.C.E. Director Of Photography: Masanobu Takayanagi From Scott Cooper, the writer and director of Crazy Heart, comes a drama about family, fate, circumstance, and justice. Russell Baze (Christian Bale) has a rough life: he works a dead-end blue collar job at the local steel mill by day, and cares for his terminally ill father by night. When Russell's brother Rodney (Casey Affleck) returns home from serving time in Iraq, he gets lured into one of the most ruthless crime rings in the Northeast and mysteriously disappears. The police fail to crack the case, so - with nothing left to lose - Russell takes matters into his own hands, putting his life on the line to seek justice for his brother. The cast of Christian Bale and Casey Affleck are rounded out by Woody Harrelson, Forest Whitaker, Willem Dafoe, Zoë Saldana and Sam Shepard. R.S.V.P. by November13 at [email protected] Please include Guild Affiliation, Full Name / Guest Name in subject line or in the body of the E-Mail RELATIVITY MEDIA Presents In Association with RED GRANITE PICTURES a RELATIVITY MEDIA Production a SCOTT FREE and APPIAN WAY Production OUT OF THE FURNACE Directed by: Scott Cooper Written by: Brad Ingelsby and Scott Cooper Produced by: Jennifer Davisson Killoran, Leonardo DiCaprio, Ryan Kavanaugh, Ridley Scott, Michael Costigan Cast: Christian Bale, Woody Harrelson, Casey Affleck, Forest Whitaker, Willem Dafoe with Zoë Saldana and Sam Shepard Rated R for strong violence, language and drug content Opens in Theatres, December 6, 2013 -- 116 minutes PAID FOR BY RELATIVITY MEDIA PLEASE ARRIVE AT LEAST 30 MINUTES EARLY.
    [Show full text]
  • CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake
    CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) MEJOR ACTRIZ SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) MEJOR ACTOR DE REPARTO MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey - "THE LOVELY BONES" (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MEJOR ACTRIZ DE REPARTO PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MEJOR ELENCO AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. J.T.
    [Show full text]
  • Sweet Songs from Crazy Heart 1 Sweet Songs from Crazy by Sarah Skates Heart 2 Bobby Karl Works the New Movie Crazy Heart Drawn Less Media Lady Antebellum No
    page 1 Friday, January 15, 2010 Table of Contents Sweet Songs From Crazy Heart 1 Sweet Songs From Crazy by Sarah Skates Heart 2 Bobby Karl Works The New movie Crazy Heart drawn less media Lady Antebellum No. 1 was not filmed in Nashville, attention with his un- Party but its country music theme billed role as “Tommy 3 Griffith Rejoins Magic is drawing a lot of local Sweet,” the superstar Mustang interest. A premiere held who got his start in 3 Roots Music Exporters Hits First $1 Million Year Tuesday night (1/12) at Blake’s band. Maggie 4 Flammia Exits UMG the Green Hills movie Gyllenhall is “Jean” a 4 King Offers Inspiration theatre attracted members journalist, and Robert And Help of the industry and Duvall plays Blake’s bar- 4 DISClaimer celebrities alike; all owning friend. Writer- 5 Spin Zone/Chart Data curious about the flick director Scott Cooper 7 Programmer Playlist which is generating adapted the story from 8 On The Road... Oscar buzz for star Jeff Thomas Cobb’s novel by 9 CountryBreakout™ Chart Bridges and the theme Jeff Bridges the same name. song penned by T Bone Photo: Erika The film’s roots- Respect Intellectual Property: Goldring MusicRow transmissions in email and Burnett and Ryan Bingham. grounded soundtrack was file form plus online passwords, are In the movie Bridges plays produced by renowned intended for the sole use of active subscribers only and protected under hard-living country singer- talents Burnett and Stephen the copyright laws of the United States. Resending or sharing of such intellectual songwriter “Bad Blake.” With the Bruton, who also contributed property to unauthorized individuals tagline “The Harder The Life, The as songwriters and and/or groups is expressly forbidden.
    [Show full text]
  • Memories of the Golden State
    Issue 135 December 2016/January 2017 A NEWSLETTER OF THE ROCKEFELLER UNIVERSITY COMMUNITY Memories of the Golden State O WEN C LARK Armed with a DSLR camera, travel guitar, two Haight and Ashbury-acquired shawl- cardigans, and three of my oldest friends, I left the perpetual fog of the San Francisco Bay. Having played out the scene a thousand times in my head, I had romanticized the drive down California’s scenic Pacific Coast Highway to levels approaching cliché. But despite trading the flashy convertibles of Entourage’s Vincent Chase or Californica- tion’s Hank Moody for a grey Hyundai So- nata rental car, it still failed to disappoint. /NATURAL SELECTIONS Practically every bend on that winding road greeted me with a stunning scene of pure, rugged beauty. California’s jagged cliffs are lined with earthy hues of bright red and orange, while each inlet of the vast Pacific OWEN CLARK Ocean contains a perfectly balanced array of turquoise and green pastels that one might have found on Winslow Homer’s palette. Despite navigating hairpin turns sur- rounded by 300-foot drops under cover of by All Photos total darkness, we made it safely to Big Sur. A smokestack towers above Mono Lake. My friends liked to joke that being the ob- Though I had fallen in love with the Cal- Tuolumne Meadows area of the park. After sessive ball of neuroses that I am, I had al- ifornia coast, we had to move on to the next returning to my friends relaxing by the lake, ready lived out the entire trip through the stop on our long list.
    [Show full text]
  • Marketing Drivers
    ORIGINAL MOTION PICTURE SOUNDTRACK THE HARDER THE LIFE, THE SWEETER THE SONG Four-time Academy Award® nominee JEFF BRIDGES stars as the richly comic, semi-tragic romantic anti-hero Bad Blake, a broken-down, hard-living country music singer who’s had way too many marriages, far too many years on the road and one too many drinks way too many times. And yet, Bad can’t help but reach for salvation with the help of Jean (MAGGIE GYLLENHAAL), a journalist who discovers the real man behind the musician. As he struggles down the road of redemption, Bad learns the hard way just how tough life can be on one man’s crazy heart. • Soundtrack produced by T Bone Burnett (10X Grammy® Award Winner and Producer of the multi-platinum soundtracks WALK THE LINE and O BR ot HER , WHERE AR T TH O U ?) • Includes original music performed by the film stars Jeff Bridges and Colin Farrell and Texas-bred troubadour Ryan Bingham, co-writer (with Burnett) and performer of the standout closing song The Weary Kind (Theme From Crazy Heart) which draws upon Bad Blake’s emotional journey as an alcoholic seeking sobriety. • Burnett’s songs co-written and performed by alt-country legends Buddy Miller, Stephen Bruton and Bob Neuwirth • CRAZY HEAR T released by Fox Searchlight (SLUMD O G MILLI O NAIRE , ON C E and THE WRE st LER ) In NY and LA in December then opening wide in January MARKETING DRIVERS • Major multi-millionnational film marketing campaign from Fox Searchlight including TV, radio, print and online advertising featuring music and including soundtrack details •
    [Show full text]
  • Movie Matinee Mondays Pre-Oscar All Are Welcome to Enjoy a Free Movie at the Grant R
    January/February 2011 “Oakleaf” above this line. Movie Matinee Mondays Pre-Oscar All are welcome to enjoy a free movie at the Grant R. Brimhall Library on the 2nd Monday of every month at 1:00 p.m. 2011 marks the third year for this Film Series popular series which features a selection of Hollywood hits. There is no charge to attend, and attendees are invited to bring their own lunch or snacks to munch and Party on during the movie. The Library coffee cart has a selection of designer cof- In February, to celebrate the fees, teas, and hot chocolate available for $1.00 per cup. Academy Awards, the Library is The schedule is chock full of great actors performing in entertaining roles in hosting both a film series and a Pre- well-known movies. So please join us on one or more of the following dates for Oscar Party at the Grant R. Brimhall an afternoon of movie magic at the library. Library. The film series will be every February 14: Wednesday at 1:00 p.m. during the Pillow Talk (1959 — Doris Day and Rock Hudson) month, and feature an Oscar winning A man and woman share a telephone line and despise each other, but then Best Picture film. he has fun by romancing her with his voice disguised. Columbia Pictures, February 2: It Happened One Not Rated, 102 minutes. Night (1934 - Columbia) March 14: February 9: Marty (1955 - Crazy Heart (2009 — Jeff Bridges, Maggie Gyllenhaal and Robert Duvall) MGM/UA) Winning the Academy Award for Best Actor, Jeff Bridges stars as the richly February 16: Annie Hall (1977 comic, semi-tragic romantic anti-hero Bad Blake in this debut feature film - United Artists) from writer-director Scott Cooper.
    [Show full text]
  • The Contemporary American Horror Film Remake, 2003-2013
    RE-ANIMATED: THE CONTEMPORARY AMERICAN HORROR FILM REMAKE, 2003-2013 Thesis submitted by Laura Mee In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2014 Abstract This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake.
    [Show full text]
  • Crazy Heart Soundtrack PR FINAL (Reg & Deluxe)
    New West Records To Release Original Motion Picture Soundtrack For Fox Searchlight Pictures’ Crazy Heart Produced By T Bone Burnett & Stephen Bruton Original Songs Performed By Jeff Bridges “The Weary Kind (Theme From Crazy Heart)” Performed By Texas Songwriter Ryan Bingham; Co-Written With T Bone Burnett Soundtrack Available January 19th 2010 23 Song Deluxe Edition In Stores February 2nd 2010 Los Angeles, CA – New West Records announces the release of Crazy Heart: Original Motion Picture Soundtrack, due out on January 19th. A deluxe edition of the soundtrack featuring all 23 songs from the film, sequenced in their running order, will be in stores on February 2nd. The releases are companions to the upcoming Fox Searchlight Pictures movie Crazy Heart, starring Jeff Bridges, Maggie Gyllenhaal, and Robert Duvall. The soundtrack was co-produced by 10-time Grammy® Award winner T Bone Burnett who is also credited with the 2009 Album Of The Year and Record of the Year Raising Sand, the worldwide smash album from Robert Plant and Alison Krauss. Burnett, who co-produced the soundtrack with guitarist/songwriter Stephen Bruton, earned past Grammy Awards for his work on the 8-times Platinum release, O Brother Where Art Thou? and Platinum soundtrack to the Johnny Cash biopic, Walk The Line. The film Crazy Heart, which will have a limited release December 16th and opens wider in January, is already garnering praise from the press including The Wrap who declared, “The Oscar race needs to make room for Jeff Bridges and T Bone Burnett.” With Burnett also producing the film, the music plays a prominent role.
    [Show full text]
  • { Oscar Ballot }
    www.al.com { THE BEST OF THE REST } ANIMATED FEATURE SOUND EDITING “Coraline” { } “Avatar” { } YOUR GUIDE TO THE “Fantastic Mr. Fox” { } “The Hurt Locker” { } “Princess and the “Inglourious Basterds” { } 82ND ACADEMY AWARD Frog” { } “Star Trek” { } { OSCAR BALLOT } NOMINEES “The Secret of Kells” { } “Up” { } “Up” { } TONIGHT l 7 PM l ABC SOUND MIXING ADAPTED SCREENPLAY “Avatar” { } “District 9” { } “The Hurt Locker” { } { BEST PICTURE } “An Education” { } “Inglourious Basterds” { } “In the Loop” { } “Star Trek” { } “Precious” { } “Transformers: Revenge “Up in the Air” { } of the Fallen” { } ORIGINAL SCREENPLAY DOCUMENTARY “The Hurt Locker” { } FEATURE “Inglourious Basterds” { } “Burma VJ” { } “The Messenger” { } “The Cove” { } “A Serious Man” { } “Food, Inc.” { } “Up” { } “Most Dangerous Man in America: Daniel Ellsberg VISUAL EFFECTS and the Pentagon “Avatar” { } Papers” { } “District 9” { } “Which Way Home” { } “Avatar” { } “The Blind Side” { } “District 9” { } “An Education” { } “The Hurt Locker” { } “Star Trek” { } DOCUMENTARY SHORT ORIGINAL SCORE “China’s Unnatural “Avatar” { } Disaster: The Tears of “Fantastic Mr. Fox” { } Sichuan Province” { } “The Hurt Locker” { } “The Last Campaign of “Sherlock Holmes” { } Governor Booth “Up” { } Gardner” { } “The Last Truck: Closing ORIGINAL SONG of a GM Plant” { } “Almost There,” “Princess “Music by Prudence” { } and the Frog” { } “Rabbit à la Berlin” { } “Down in New Orleans,” “Princess and the FOREIGN LANGUAGE Frog” { } FILM “Loin de Paname,” “Paris “Ajami,” Israel { } 36” { } “El Secreto de Sus Ojos,” “Take It All,” “Nine” { } Argentina { } “The Weary Kind,” “Crazy “Milk of Sorrow,” Peru { } “Inglourious Basterds” { } “Precious” { } “A Serious Man” { } “Up” { } “Up in the Air” { } Heart” { } “Un Prophète,” France { } “The White Ribbon,” ART DIRECTION Germany { } “Avatar” { } “The Imaginarium of ANIMATED SHORT Doctor Parnassus” { } “French Roast” { } { BEST ACTRESS } { BEST ACTOR } { BEST sup.
    [Show full text]