Steve Reich Early Works Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Steve Reich Early Works Mp3, Flac, Wma Steve Reich Early Works mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Classical Album: Early Works Country: US Released: 1987 Style: Modern Classical, Experimental, Minimal, Contemporary MP3 version RAR size: 1710 mb FLAC version RAR size: 1781 mb WMA version RAR size: 1423 mb Rating: 4.8 Votes: 947 Other Formats: VOC VQF WAV ASF AU AA MP4 Tracklist Hide Credits Come Out 1 12:54 Voice – Daniel Hamm Piano Phase 2 Edited By – Judith Sherman, Steve ReichEngineer – Paul GoodmanMixed By – Judith 20:26 Sherman, Steve ReichPiano – Double Edge Clapping Music 3 Edited By – Judith Sherman, Steve ReichEngineer – Paul GoodmanMixed By – Judith 4:39 Sherman, Steve Reich It's Gonna Rain 4 17:31 Voice – Brother Walter Companies, etc. Recorded At – RCA Studio A Pressed By – Record Service GmbH Phonographic Copyright (p) – WEA International Inc. Copyright (c) – WEA International Inc. Credits Art Direction, Design – Carin Goldberg Executive-Producer – Robert Hurwitz Liner Notes – Steve Reich Mastered By – Robert C. Ludwig* Photography By [Cover Photograph] – Landry*, Girouard* Producer – Judith Sherman, Steve Reich Notes Come Out - 1966 Piano Phase - 1967 Clapping Music - 1972 It's Gonna Rain - 1965 Sleeve booklet contains additional information on all tracks. Track 4 is in two parts: Part I duration is 7:49 Part II duration is 9:47 Piano Phase recorded May 1986 at RCA Studio A, New York City Clapping Music recorded May 1987 at RCA Studio A, New York City Tracks 1 & 4 - Analog tape recorder used during session recording and subsequent mixing and/or editing: digital tape recorder used during mastering (transcription). Tracks 2 & 3 - Digital tape recorder used during session recording, mixing and/or editing, and mastering (transcription). Manufactured in Germany. Barcode and Other Identifiers Barcode: 075597916928 Matrix / Runout: 979 169-2 SRC-01 Rights Society: GEMA/BIEM Label Code: LC 0286 Distribution Code: WE 851 Other versions Category Artist Title (Format) Label Category Country Year 9 79169-1 Steve Reich Early Works (LP) Elektra Nonesuch 9 79169-1 US 1987 Early Works (CD, 9 79169-2 Steve Reich Elektra Nonesuch 9 79169-2 US Unknown Comp, RE) Early Works (CD, 979 169-2 Steve Reich Nonesuch 979 169-2 Germany 1987 Comp) Early Works (LP, 9 79169-1 Steve Reich Elektra Nonesuch 9 79169-1 US 1987 Promo) Early Works (Cass, 9 79169-4 Steve Reich Elektra Nonesuch 9 79169-4 US 1987 Comp) Related Music albums to Early Works by Steve Reich 1. Judith Van Der Klip - Oweynagat 2. Steve Reich - Music For 18 Musicians 3. Robert B. Sherman & Richard M. Sherman / Marni Nixon, Richard M. Sherman, Dal McKennon, Bill Lee - The Story And Songs From Walt Disney's Mary Poppins 4. Steve Reich, Peter Aidu - Piano Phase 5. Richard M. Sherman & Robert B. Sherman - Mary Poppins 6. Steve Reich - Kronos Quartet / Pat Metheny - Different Trains / Electric Counterpoint 7. Steve Reich - Ensemble Modern - City Life • New York Counterpoint • Eight Lines • Violin Phase 8. Steve Reich / John Adams - Variations For Winds, Strings And Keyboards / Shaker Loops 9. Steve Reich / Richard Maxfield / Pauline Oliveros - New Sounds In Electronic Music (Come Out / Night Music / I Of IV) 10. David Bowie - Love Is Lost (Hello Steve Reich Mix By James Murphy For The DFA).
Recommended publications
  • A Nonesuch Celebration Honors Longtime Label President Bob Hurwitz in a One-Night-Only Concert at BAM April 1
    A Nonesuch Celebration honors longtime label president Bob Hurwitz in a one-night-only concert at BAM April 1 The evening features world premiere compositions, written for Hurwitz by Nonesuch composers, and performances by several of the label’s renowned artists Bloomberg Philanthropies is the Season Sponsor. A Nonesuch Celebration Directed by José Zayas BAM Howard Gilman Opera House (30 Lafayette Ave.) April 1 at 7:30pm Tickets start at $35 March 13, 2017/Brooklyn, NY—A stellar lineup of musical luminaries come together on April 1, 2017, for one night only to pay tribute to Bob Hurwitz, who for the past three decades served as the visionary president of Nonesuch Records. The centerpiece of this extraordinary celebration is the world premiere of piano music written expressly for Hurwitz by Nonesuch artists he has worked with for many years including John Adams, Laurie Anderson, Timo Andres, Louis Andriessen, Donnacha Dennehy, Philip Glass, Adam Guettel, Brad Mehldau, Pat Metheny, Nico Muhly, Randy Newman, and Steve Reich. The evening also includes performances from Nonesuch albums by Kronos Quartet, k.d. lang, Natalie Merchant, Stephin Merritt, Pat Metheny, Mandy Patinkin, Chris Thile, Dawn Upshaw, Caetano Veloso, and others who have worked closely with Hurwitz during his tenure. Bob Hurwitz served as president of Nonesuch for 32 years, beginning in September 1984 when it was a classical label and home of the legendary Explorer series. As head of the label, he redefined its role in contemporary classical music and modern composition by expanding its mission in world music, and began recording and releasing artists from a wide range of musical genres, including jazz, musical theater, folk, bluegrass, and rock.
    [Show full text]
  • A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century
    A SCENE WITHOUT A NAME: INDIE CLASSICAL AND AMERICAN NEW MUSIC IN THE TWENTY-FIRST CENTURY William Robin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Katz Andrea Bohlman Mark Evan Bonds Tim Carter Benjamin Piekut © 2016 William Robin ALL RIGHTS RESERVED ii ABSTRACT WILLIAM ROBIN: A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century (Under the direction of Mark Katz) This dissertation represents the first study of indie classical, a significant subset of new music in the twenty-first century United States. The definition of “indie classical” has been a point of controversy among musicians: I thus examine the phrase in its multiplicity, providing a framework to understand its many meanings and practices. Indie classical offers a lens through which to study the social: the web of relations through which new music is structured, comprised in a heterogeneous array of actors, from composers and performers to journalists and publicists to blog posts and music venues. This study reveals the mechanisms through which a musical movement establishes itself in American cultural life; demonstrates how intermediaries such as performers, administrators, critics, and publicists fundamentally shape artistic discourses; and offers a model for analyzing institutional identity and understanding the essential role of institutions in new music. Three chapters each consider indie classical through a different set of practices: as a young generation of musicians that constructed itself in shared institutional backgrounds and performative acts of grouping; as an identity for New Amsterdam Records that powerfully shaped the record label’s music and its dissemination; and as a collaboration between the ensemble yMusic and Duke University that sheds light on the twenty-first century status of the new-music ensemble and the composition PhD program.
    [Show full text]
  • John Adams Laurie Anderson Timo Andres Louis Andriessen
    I / still / play JOHN ADAMS LAURIE ANDERSON TIMO ANDRES LOUIS ANDRIESSEN DONNACHA DENNEHY PHILIP GLASS BRAD MEHLDAU PAT METHENY Performed by NICO MUHLY Timo Andres Jeremy Denk RANDY NEWMAN Brad Mehldau STEVE REICH Randy Newman Move / NICO MUHLY Wise Words / TIMO ANDRES Rimsky or La Monte Young / LOUIS ANDRIESSEN I Still Play / JOHN ADAMS performed by Jeremy Denk Evening Song No. 2 / PHILIP GLASS Song for Bob / LAURIE ANDERSON L.A. Pastorale / BRAD MEHLDAU performed by Brad Mehldau For Bob / STEVE REICH 42 Years / PAT METHENY performed by Brad Mehldau Her Wits (About Him) / DONNACHA DENNEHY Recessional / RANDY NEWMAN performed by Randy Newman All pieces performed by Timo Andres except where noted By Timo Andres The existence of I Still Play as an album is a bit of a paradox. Each of these 11 tributes to Bob Hurwitz was written for an audience of one on a particular Steinway in a specific Upper West Side living room. And yet here they are, making their way into the wider world. None are loftily ambitious or daringly experimental compositions. Rather, each distills an aspect of its author’s voice to a concentrated miniature. The prevailing tone is conversational rather than declamatory, though it’s a wide-ranging conversation. Large questions are posed but rarely answered in full. If the listener has the odd feeling of having stumbled into an exchange between two friends and missing an inside joke or shared reference here and there—that’s not far from the truth. Composers are usually known for works that push extremes of length, complexity, virtuosity, volume, scope, profundity—the St.
    [Show full text]
  • Tigran Hamasyan for Gyumri Mp3, Flac, Wma
    Tigran Hamasyan For Gyumri mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: For Gyumri Country: Europe Released: 2018 MP3 version RAR size: 1142 mb FLAC version RAR size: 1443 mb WMA version RAR size: 1607 mb Rating: 4.1 Votes: 131 Other Formats: AA MIDI AIFF WAV ASF AAC VOC Tracklist 1 Aragatz 4:22 2 Rays Of Light 3:47 3 The American 6:34 4 Self-Portrait 1 2:48 5 Revolving - Prayer 12:03 Companies, etc. Record Company – Nonesuch Records Inc. Record Company – Warner Music Group Phonographic Copyright (p) – Nonesuch Records Inc. Copyright (c) – Nonesuch Records Inc. Phonographic Copyright (p) – WEA International Inc. Copyright (c) – WEA International Inc. Produced For – Flam Recorded At – Studio De Meudon Recorded At – Alphasound Recording Studio, Yerevan Mastered At – Kerseboom Mastering Published By – Yergatun Published By – Universal Publishing Credits Design – Jason Arias Engineer [Assistant Engineer] – Clément Gariel, Olivier Leducq Executive-Producer – Robert Hurwitz Mastered By – Nate Wood Photography By – Elena Hamasyan Piano, Voice [Voices], Post Production – Tigran Hamasyan Producer [Produced By] – Tigran Hamasyan Recorded By – Sergey Gasparyan (tracks: 2) Recorded By [Additional Vocals] – Sergey Gasparyan (tracks: 1) Recorded By, Mixed By – Antoine Gaillet Written-By [All Compositions Written By] – Tigran Hamasyan Notes Recorded and mixed by Antoine Gaillet for FLAM Music. All tracks recorded at Studio de Meudon, Meudon, France. Additional vocals on "Aragatz" recorded by Sergey Gasparyan at Alphasound Recording Studio, Yerevan, Armenia. "Rays of Light" was recorded by Sergey Gasparyan at my house in Dzoraghbyur, Armenia. It was played on my grandmother's and my own upright pianos. Mastered at Kerseboom.
    [Show full text]
  • Radio Rewrite Steve Reich Radio Rewrite Electric Counterpoint Jonny Greenwood, Guitar (1987) 14:41 Commissioned by the Brooklyn Academy of Music’S Next Wave Festival
    radio rewrite steve reich radio rewrite electric counterpoint jonny greenwood, guitar (1987) 14:41 Commissioned by the Brooklyn Academy of Music’s Next Wave Festival. 1. I. fast 6:51 World Premiere: November 5, 1987, by Pat Metheny, at the Brooklyn Academy 2. II. slow 3:21 of Music, Brooklyn, NY. Published by Hendon Music, Inc., a Boosey & Hawkes Company. 3. III. fast 4:29 4. piano counterpoint vicky chow, piano (1973, arr. 2011) 13:44 World Premiere: October 23, 2012, by Vincent Corver, at the Pearl, Doha, Qatar. arrangement of Six Pianos for piano and Published by Hendon Music, Inc., a Boosey & Hawkes Company. tape by Vincent Corver radio rewrite alarm will sound (2012) 17:28 alan pierson, conductor 5. I. fast 3:52 erin lesser, flute 6. II. slow 3:23 elisabeth stimpert, clarinet chris thompson, vibraphone 7. III. fast 3:21 matt smallcomb, vibraphone 8. IV. slow 3:53 john orfe, piano 9. V. fast 2:59 michael harley, piano courtney orlando, violin caleb burhans, violin nathan schram, viola stefan freund, violoncello miles brown, electric bass gavin chuck, managing director jason varvaro, production manager peter ferry, production assistant Commissioned by the London Sinfonietta with support from London Sinfonietta Entrepre- neurs and Pioneers including Sir Richard Arnold, Trevor Cook, Susan Grollet in memory of Mark Grollet and Richard Thomas; Alarm Will Sound and Stanford Live in honor of the Bonnie J. Addario Lung Cancer Foundation with generous support from Van and Eddi Van Auken. World Premiere: March 5, 2013, by Sound Intermedia/London Sinfonietta/Brad Lubman, at the Royal Festival Hall, London.
    [Show full text]
  • The State of Classical Music: a Panel Discussion
    THE STATE OF CLASSICAL MUSIC: A PANEL DISCUSSION This is an edited and abbreviated transcript of a National Arts Journalism Program panel on the current health of classical music held at Columbia University on February 27, 1998. Panelists: Emanuel Ax, piano soloist and one of classical music’s best known artists. In addition to a solo career that takes him to the most prominent venues in the world, Mr. Ax plays chamber music at the highest level, collaborating frequently with such artists as Isaac Stern and Yo-Yo Ma. Mr. Ax has been a Sony Classical exclusive recording artist since 1987. Peter Gelb, president of Sony Classical, since 1995. He is responsible for all aspects of the label’s operations. Artists on the Sony Classical roster include Kathleen Battle, Yo-Yo Ma, Bobby McFerrin, Murray Perahia, and Isaac Stern. Robert Hurwitz, head of Nonesuch Records since 1984. From 1975 until that time, Hurwitz ran the American operations of ECM Records. Nonesuch composers include John Adams, Philip Glass, Henryk Gorecki, and Steve Reich. Performers include Richard Goode, the Kronos Quartet, and Dawn Upshaw. James Oestreich, classical music editor of The New York Times, where he has written about music since 1989. In the early eighties, Oestreich was editor of High Fidelity magazine and founder of OPUS magazine. Christopher Roberts, worldwide president of classics and jazz at Polygram, with operating responsibility for its three classical labels, Deutsche Grammophon, Decca, and Phillips Classics. He has been at Polygram since 1989. Moderator: Gwendolyn Freed, 1997-98 NAJP Fellow. Former editor of Chamber Music magazine, she is a freelance contributor for The Wall Street Journal.
    [Show full text]
  • Kronosquartet 25Years
    KronosQuartet 25Years David Harrington, violin John Sherba, violin Hank Dutt, viola Joan Jeanrenaud, cello Table of Contents Track listing 4 Chronology 15 Notes by: Alan Rich 15 Robert Hurwitz 25 K. Robert Schwarz 35 Commissions / Premieres 68 Texts: Missa Syllabica 74 Different Trains 78 Discography 81 Credits 86 Opposite, clockwise from top left: David Harrington, John Sherba, Hank Dutt, Joan Jeanrenaud Disc Two Ken Benshoof (b. 1933, near Newman Grove, Nebraska) 1 Traveling Music (1973) (18:57) 2 Arvo Pärt 1. I. Gentle, easy (2:15) (b. 1935, Paide, Estonia) 2. II. Moderate (8:19) 3. III. Driving (8:19) 12. Fratres (1977/1989) (9:25) 4. Song of Twenty Shadows (1994) (11:17) Disc One 13. Psalom (1985/1991, rev. 1993) (2:00) Ken Benshoof John Adams 14. Summa (1977/1991) (5:11) (b. 1947, Worcester, Massachusetts) Astor Piazzolla Missa Syllabica (1977) (12:38) (b. 1921, Mar del Plata, Argentina; d. 1992, Buenos Aires, Argentina) John’s Book of Alleged Dances (1994) (33:16) 15. Kyrie (2:06) 1. Judah to Ocean (2:22) 16. Gloria (2:45) Five Tango Sensations (1989) (26:46) 2. Toot Nipple (1:13) 17. Credo (4:27) 5. Asleep (5:23) 3. Dogjam (2:30) 18. Sanctus (0:55) 6. Loving (6:11) 4. Pavane: She’s So Fine (6:29) 19. Agnus Dei (1:45) 7. Anxiety (4:52) 5. Rag the Bone (2:59) 20. Ite, missa est (0:25) 8. Despertar (6:03) 6. Habanera (4:46) Ellen Hargis, soprano 9. Fear (4:00) 7. Stubble Crotchet (2:39) Suzanne Elder, alto 8.
    [Show full text]
  • Bob Hurwitz & Peter Sellars
    Bob Hurwitz & Peter Sellars: A Connected World in Music Sun, Dec 7 ABOUT THE PROGRAM Schoenberg Hall Two creative visionaries celebrate the ties that bind in the worlds of music recording and live 8pm performance. Famed theater director (and UCLA professor) Peter Sellars and Bob Hurwitz, longtime president of the eclectic and evolutionary label Nonesuch Records, come together to share stories of artistic intersection. RUNNING TIME: Approximately one hour; Hurwitz and Sellars have each left an indelible stamp on contemporary music and a wealth No intermission. of artists who populate it. In a freewheeling conversation they will highlight their work with myriad artists and the ways each has shaped the world of contemporary music. ABOUT THE ARTISTS Robert Hurwitz Robert Hurwitz, President of Nonesuch Records, has headed the company since September 1984. From 1975 until that time, he ran the American operations of ECM Records. He has also worked at Columbia Records. Hurwitz grew up in Los Angeles, where he was trained as a pianist, and graduated Phi Beta Kappa with a degree in history at the University of California, Berkeley, in 1971. He moved to New York in 1971 and has lived there since then. He is married to Carol Peterson, and has two children. Nonesuch Records, founded in 1964, pursues a broad mission, including classical music, contemporary music, jazz, traditional American and world music, music theater and dance. Among the artists he has signed or worked with are composers including John Adams, Louis Andriessen, Henryk Gorecki, Philip Glass, Astor Piazzolla, Steve Reich, Stephen Sondheim MEDIA SPONSOR: and John Zorn as well as performers and songwriters including Björk, Jeremy Denk, Bill Frisell, Richard Goode, Lorraine Hunt Lieberson, Kronos Quartet, Gidon Kremer, k.d.
    [Show full text]
  • Nov/Dec 2018
    AwardAward Volume XXIV, No. 2 • New York City • NOV/DEC 2018 www.EDUCATIONUPDATE.com Winner CUTTING EDGE NEWS FOR ALL THE PEOPLE UPDATE THE EDUCATION THE PAID U.S. POSTAGE U.S. THOMAS BAILEY PRESORTED STANDARD PRESORTED PRESIDENT, TEACHERS COLLEGE 2 EDUCATION UPDATE ■ FOR PARENTS, EDUCATORS & STUDENTS ■ NOV/DEC 2018 GUEST EDITORIALS EDUCATION UPDATE MAILING ADDRESS: Pathways to The College of Touro College: 695 Park Avenue, Ste. E1509, NY, NY 10065 Email: [email protected] www.EducationUpdate.com Tel: 212-650-3552 Fax: 212-410-0591 PUBLISHERS: Progress: Staten Island A Place Where Pola Rosen, Ed.D., Adam Sugerman, M.A. ADVISORY COUNCIL: April Bedford, Ph.D., Dean of Education, Brooklyn Strategic Is Entering a Knowledge and College; Dominic Brewer, Ph.D., Dean of Education, New York University Steinhardt; Mark Cannizzaro, Pres., CSA; Christine Cea, Ph.D., NYS Board of Planning and New Era of Values Meet Regents; Mary Driscoll, Ph.D., Dean, CCNY; Shelia Evans-Tranumn, Chair, Board of Trustees, Casey Family Programs Foundation; Scott Evenbeck, Ph.D., President, Guttman Community College, CUNY; Outcomes Excellence, Charlotte K. Frank, Ph.D., Sr. Advisor, McGraw- Hill; Joan Freilich, Ph.D., Trustee, College of New Rochelle; Andrew Gardner, Director, BrainPOP Creating the Educators; Kenneth Gold, Ph.D., Dean of Education, College of Staten Island; Cynthia Greenleaf, Ed.M., J.D., Former Dir. of Partnerships, Chicago Public Opportunity to Schools; Donne Kampel, Ph.D., Dean, Touro College; Augusta S. Kappner, Ph.D., President Emerita, Bank St. College; Harold Koplewicz, M.D., Pres., Child Mind Institute; Shenzhan Liao, Director of Education, Ascend China Institute; Cecelia McCarton, M.D., Dir., The McCarton Center; Craig Michaels, Ph.D., Dean of Education, Queens College; Michael Mulgrew, Pres., UFT; Eric Nadelstern, Prof.
    [Show full text]
  • 2014 Next Wave Festival SEP 2014 Sponsored by Time Warner Inc
    2014 Next Wave Festival SEP 2014 Sponsored by Time Warner Inc. Roberto Diago, Aqui Estoy, 2014 Published by: Season Sponsor: Nonesuch Records at BAM NONESUCH RECORDS AT BAM Greetings At BAM, we work with fantastic artists from all over the world. It is no coincidence that time and again, we have presented artists who have found a recording home with Nonesuch. To help celebrate the label’s 50th year, we are showcasing a diverse slate of the imprint’s adventurous creators in 14 different programs—including many alumni, and quite a few who make exciting BAM debuts in the 2014 Next Wave. The range is astonishing. It includes artists who have revolutionized the contemporary classical canon, or have expanded it in ingenious ways. Those based in idioms like jazz, folk, and bluegrass who have honed remarkably distinct voices. International stars reaching passionate new audiences. And rock icons crafting fresh collaborations while reminding us of why they’re so popular to begin with. We salute Nonesuch on this milestone, and thank its president, Bob Hurwitz, for working with BAM to bring you this terrific lineup of intrepid musical artists. Sincerely, Karen Brooks Hopkins Joseph V. Melillo Nonesuch Records at BAM NONESUCH RECORDS AT BAM Greetings BAM started the Next Wave Festival in 1983, a year before I got to Nonesuch. One day, out of the blue, Harvey Lichtenstein, the head of BAM, called my office at ECM Records, where I worked at that time, and insisted that I go that night to see a new show he was producing, The Gospel at Colonus.
    [Show full text]