MAR · APR · MAY 2017 EXHIBITIONS

HONOLULU MUSEUM OF ART MUSEUM OF ART SCHOOL

Artists of Karen Hampton: Carrying Culture The Journey North Through March 25 Hawai‘i 2017 Through April 23 Through May 28 Honolulu Printmakers: 89th Annual Exhibition Hawai‘i in Design March 1–March 22 Francisco Goya: Through March 12 Reception: March 1 • 5–7pm The Disasters of War Aloha one and all! Even though I have been in office for only two Through Aug 13 Chen Chan Chen: Nanogallery: Paradise Cove Please allow me to start this first letter by weeks (!) as I write this letter, I see three obvious Diane Chen KW, March 1–30 thanking the board members, donors, volunteers, aspects of the museum that I believe need to be Mizusashi: Gaye Chan, docents, staff, teachers, students and the many developed as part of the larger institutional strategy: Japanese Water Contance Chen Liu Fragmentation: Analog Sunshine Recorders other supporters and friends that help make Jars from the Carol Through March 12 March 12–April 11 the one of the most 1 We must raise the international profile of the and Jeffrey Horvitz Reception: March 12 • 5pm wonderful museums in the world. museum, so that more people all over the world Collection Charles Furneaux Given that I have been intimately involved with want to visit. Through June 11 and the Sublime Contact 3017 this museum since I was five, it is not an exaggera- Through March 12 April 1–April 17 2 We must continue to make the museum relevant tion to say that this institution has occupied my Reception: April 1 • 5–9pm to the people of Hawai‘i, so that we have a more thoughts practically my entire life, and to be given educated and informed population. Young Artist Exhibition the opportunity to serve HoMA and you as director April 22–30 is, for me, the ultimate honor and privilege. Please 3 We must operate the museum in a sustainable SPALDING HOUSE Reception: April 22 • 10am–noon know that I will dedicate my career to advancing way, so that it is financially healthy enough our museum to new heights. to serve the public in the most effective and Nanogallery: Adam Tompkison appropriate manner. I join the museum during a milestone year— SEE SPECIAL May 1–May 30 HoMA turns 90 in April (see pages 22 and 26 HoMA Select TOUR INFO for more on this). Since 1927, this institution has These seem like big, broad goals, but they can Through June 25 II ON P.24 Quilt Show May 4–14 affected the people in the entire state of Hawai‘i. serve as an important way to organize our Opening Reception: The responsibility for the arts education of our approaches to many issues. I also see them as May 4 • 5:30–8pm citizens and visitors is indeed a noble mission and absolutely essential if we want to further our great one that is critical to the health and future of our institution and develop a great future for arts and FIRST HAWAIIAN CENTER Splendors of Ikebana society. However, as government support wanes, culture in Hawai‘i. May 18–21 • Reception: May 18 • 11am the museum must increase its activities in an orga- So on that positive note, mahalo nui loa nized and systematic approach in order to fill this to you all! Onwards and upwards to 100! Beauty Through Celebrating 20 Years the Eyes of Our Children growing educational and cultural gap. Our people 29th Annual MOA Museum of Art need us to be an efficient and effective organiza- of Hawai‘i Art Children’s Painting Exhibition tion, and I will do all I can to make this happen. May 27–June 1 SEAN O’HARROW, PH.D. at First Hawaiian Center Opening reception: DIRECTOR Through March 24 May 27 • 10am

exhibitions 3 TRAINED AT THE NATIONAL COLLEGE OF ARTS in Lahore, Pakistan, Shahzia Sikander first became internationally recognized for her work in revitalizing the traditional practice of Indo-Persian miniature painting. She has since become a leading international contemporary artist, expanding both the physical and conceptual boundaries of miniature painting in startling ways. Parallax consists of hundreds of painstaking, hand-drawn images that form a symbolic visual language of motifs pregnant with subjective meaning. These images were converted to digital format and translated into a monumentally scaled, three-channel single image immersive audio-visual installation, projected March 16 –July 30, 2017 at the Honolulu Museum of Art over a 45-foot-wide-surface. The animation is accompanied by an operatic score prepared by Chinese composer Du Yun that combines new poetic compositions in classical and colloquial Arabic by three contemporary Sharjah poets to provide a tapestry of multiple independent voices woven into a greater unified harmony. The result is a combination of visual and audi- tory stimuli that produce a multivalent narrative of ever- shifting significance. First created for the 2013 Sharjah Bienniale, Parallax was inspired by the artist’s journey through the land- scape of the United Arab Emirates. It explores contested histories of colonialism, political-economic power and cultural authority that characterize the area’s complex history. While certain themes, such as the importance of oil, presented through surging black flows and pipe-and-valve constructions consciously resembling Christmas trees, are specific to the original venue, other motifs are universal, questioning shared values of personal and collective identity. The result is a work of regional and global, individual and societal relevance that operates on multiple levels at once. Sikander has been the recipient of numerous awards, including the U.S. Department of State Medal of Art (2012) and the John D. and Catherine T. MacArthur Foundation Genius Award (2006).

—SHAWN EICHMAN, curator of Asian art

This exhibition is made possible by the generosity of Sharon Twigg-Smith.

Hospitality sponsor: Halekulani

Media Sponsor:

Special thanks to Sony Hawaii Company, Sony Electronics Inc. 4 exhibitions exhibitions 5 Artist talk: Camouflage Rhythms: Zhan Wang Artwork by March 9 • 4pm Doris Duke Theatre Free April 6–September 7 Curator of Asian art Shawn Eichman moderates a talk with Zhan Wang about his Camouflage Rhythms: Artwork by Juliette May Fraser art and practice. features oil and watercolor paintings created by Fraser during World War II when she worked side-by-side with lei sellers making camouflage nets for the Army Corps of Engineers. Artists such as Fraser were recruited for their acumen with color, composition, and the painting and dyeing process. Lei sellers and fishnet makers were recruited for their expertise in weaving techniques and agile hands, and their deep knowledge of the Hawaiian environment where the camouflage nets were used to conceal military equipment. In an unexpected yet highly productive arrangement, Fraser and the lei sellers devel- Honolulu Biennial at the museum oped a system consisting of cutting burlap and recycled fabric into strips, dyeing and configuring the strips to Through May 15 blend in with specific areas around the islands, and then weaving the strips onto large-scale nets, often completed while singing Hawaiian songs. This scenario emerged as a result of economic changes In February, a crane set in place on the museum’s rock (also known as “strange stone”), removes the sheets, after the attack on Pearl Harbor on December 7, 1941. front lawn Artificial Rock #133 by Zhan Wang. The work welds them together, and burnishes the surface. Directly Hawai‘i’s economy felt the impacts of war almost immedi- is part of the Honolulu Biennial: Middle of Now | Here, playing off the 17th-century scholar’s stone on view in ately, especially when the U.S. government requisitioned 11111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111 presented by Honolulu Biennial Foundation and our China Gallery, Zhan’s Artificial Rock #133 challenges commercial passenger ships for military service in the The Howard Hughes Corporation, based at the Hub us to think about tradition—and how our notions of weeks following December 7. Ships that transported goods (formerly Ward Village’s Sports Authority space) and it continues to evolve in the contemporary world. to and from the islands were used to transport construction Opposite page: includes installations at locations throughout the city. Don’t miss this chance to see important art from and military supplies, and the luxury liners that once Zhan Wang (Chinese, b. 1962) Beijing-born Zhan Wang, one of China’s superstar Hawai‘i, the Pacific Islands, Asia, North America, brought tourists were re-purposed to bring construction Artificial Rock #133, 2007 Stainless steel Conceptual sculptors, has taken the fantastically Australia, and New Zealand from March 8 to May 8. workers and military service men and women to Hawai‘i Collection of Taiji and Naoko Terasaki and eroded rocks revered by Chinese scholars since the The artists were selected by Biennial curatorial as part of what has become the military complex. By January 1942, courtesy of Honolulu Biennial Foundation eighth century and updated it for the 21st century by director Fumio Nanjo, director of Tokyo’s Mori Art the influx of American military personnel arriving by ship in This page: re-creating the scholar’s rock in an industrial medium— Museum, and Biennial curator Ngahiraka Mason, place of wealthy vacationing travelers brought the booming Juliette May Fraser (1887–1983) stainless steel. Artificial Rock #133 comprises the real former curator of Indigenous art at Maori Art at lei-selling industry to a screeching halt. The painter and lei Camouflage Cutter (detail), circa 1944 Oil on canvas rock alongside Zhan’s cast. The artist molds sheets of Auckland Art Gallery Toi o Tāmaki. sellers adapted to the economic shifts and secured work On loan from the collection the metal around the surface of a traditional scholar’s More info: honolulubiennial.org that allowed them to continue being artists, in an entirely of Dr. and Mrs. William Pearl new context.

—HEALOHA JOHNSTON Curator, Arts of Hawai‘i

6 exhibitions exhibitions 7 Christopher Cole: The Global South April 6–July 9, 2017

The museum continues its contemporary Hawai‘i Raised on O‘ahu, Christopher Cole studied Global Warming: artist program in the John Dominis and Patches photography at The Corcoran Gallery, Washington Damon Holt Gallery with this series by Christopher D.C., and at Sarah Lawrence College, New York, Quilts, Coverlets Cole. The Maui-based artist uses a 1950s large-format before pursuing graduate studies in anthropology 8x10 view camera with a specialized lens, allowing at the London School of Economics. His photo- and Blankets him to create photographic prints on a grand scale graphs have been exhibited at galleries in Hawai‘i that capture the enormity of his subject matter as well and New York City. He received a 2016 recognition May 18–September 17, 2017 as incredible detail within the landscape/cityscape. award from the Hawai’i State Foundation on Culture The Global South documents settlements on the and the Arts, as well as awards from NATO and margins of urban centers such as Kabul, Afghanistan; the U.S. Departments of State and Defense for his Kathmandu, Nepal; and Mexico City, Mexico, and humanitarian aid work. This exhibition is curated exists on the border between documentary and fine by Jay Jensen, Curator of Contemporary Art. This exhibition highlights textile works from art photography. Viewers are encouraged to study around world that go beyond the basics the photographs to notice subtleties that may offer a —KATHERINE LOVE of providing protection, warmth, security glimpse into the lives, as well as challenge assump- Assistant Curator, Contemporary Art and comfort. Made from wool, silk, and tions, about the urban poor in the developing world. cotton, these works were worn as emblems of status, displayed as ceremonial banners, presented as tribute cloth or used in trade. Whether the artists are identified or remain anonymous, their legacy unfolds with each piece, an intricately handmade record of history. From wool wrappings such as a Bhutanese charkep (rain blanket) and a woman’s houli (drape gown) from Tunisia to elegantly embroidered Uzbeki suzani 111111111111111111111111111111111111111111111111111111111111111111111111111111111 (meaning ‘needlework’) and Japanese kimono-shaped yogi (bed cover) of Japan Left that was often given to a groom’s family Christopher Cole to celebrate a marriage, Global Warming Kathmandu, 2010 offers a glimpse into shared geometries, LightJet print from film auspicious motifs and fertility symbols. Right Yogi (kimono-shaped bed cover) —SARA OKA, Curator of Textiles Japan, Kyushu, Saga Prefecture, 19th century Cotton, plain weave, tsutsugaki (tube-drawn rice paste resist), indigo dye, pigments Gift of Eleanor Burts, in memory of Alexandra Coffman, Dr. & Mrs. C. Montague Cooke Jr., and Jeanette Thompson Bush, 1985 (5364.1)

8 exhibitions exhibitions 9 Honolulu Museum of Art at First Hawaiian Center April 13–July 21, 2017

Paper Processes: Works by Denise Karabinus, Paula Nokes, and Nisha Pinjani These artists tackle personal and political issues—of suffering and loss, Japanese internment during World War II, and the place of women in society—by transforming the medium of paper through techniques such as collage, stitching, and stapling. The Primitive Ukiyo-e Illustrating the Modern Novel: of Okumura Masanobu The Art of Mizuno Toshikata Hawaii Crafts I: Fiber, Glass, Wood, and Metal Through April 9, 2017 April 13–June 18, 2017 from the Honolulu Museum of Art Okumura Masanobu (1686–1764) contributed to the develop- Mizuno Toshikata (1886–1908), a student of Tsukioka Yoshitoshi See some of the best contemporary craft work in Hawai‘i in this first ment of early Japanese woodblock prints (“primitive ukiyo-e”) (1839–1892), became one of the most prolific artists in the genre of in a two-part series. These exhibitions celebrate the 50th anniversary in intriguing ways. He has been credited as the first artist to add kuchi-e, the multicolor, woodblock-printed frontispieces for works of the Hawai‘i Craftsmen organization and its commitment to the art luminous materials, such as gold dust and mica, to the surface of of popular fiction produced from the 1890s through the 1910s. and artists of Hawai‘i. hand-painted prints, and he is believed to have invented novel Educational reforms after the Meiji Restoration of 1868 formats, such as the large-scale, vertical “pillar print.” While dramatically improved the literacy rate of Japanese women. reviving public interest in the sort of ink rubbings produced in In response to this new audience, journals such as Literary Club Garden Reflections: China since the early 7th century, he also experimented with (Bungei Kurabu, published 1895–1933) featured serialized romance Ceramics by Yoko Haar and Licia McDonald Western techniques of linear perspective. The art-historical novels, which were illustrated with a kuchi-e print, folded into importance of this self-taught artist’s inventions is rivaled only thirds and included at the beginning of the magazine. While the This exhibition of wall-mounted ceramic works highlights Yoko Haar’s by his massive production: from the age of twelve, he published artwork was originally intended to depict a scene from one of the subtly-toned, delicate tiled pieces that incorporate repeated patterns more than 140 books and several hundred single-sheet prints. stories, due to strict publication deadlines and the time-intensive and textures, and Licia McDonald’s brightly colored, whimsical works This rotation highlights some of the finest work by this pioneer nature of woodblock printmaking, by around 1902, artists began of undulating forms that allude to petals, plant life, or fantasy. of woodblock printmaking. to produce “stand-alone” kuchi-e (frequently portraits of beautiful women) that had no direct connection to the narratives. Around —STEPHEN SALEL, 1914, the rising popularity of photography and lithographic prints —KATHERINE LOVE, Assistant Curator, Contemporary Art Robert F. Lange Foundation Curator of Japanese Art led to the death of kuchi-e as a genre. Nevertheless, recent publica- tions such as A Survey of Woodblock Kuchi-e Prints (Mokuhan kuchi-e sōran) by Yamada Nanako (b. 1939) have drawn attention to the aesthetic value and art-historical importance of these often 1111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111 overlooked artworks. Presented by Hospitality sponsor

—STEPHEN SALEL, Robert F. Lange Foundation Curator of Japanese Art Above from left to right: ~ First Hawaiian Bank. Waikiki Parc Hotel Okumura Masanobu (1686–1764) Mizuno Toshikata (1886–1908) Large Perspective Picture Whispering Sound of Evening Cool by Ryōgoku Bridge Japan, Meiji period (1868–1912), Japan, Edo period (1615–1868), 1900 Top to bottom: c. 1748 Woodblock print (kuchi-e); Denise Karabinus Michael Lee (American, born 1960) Licia McDonald Woodblock print; ink on paper ink and color on paper Tear Mandala: Apricot, 2016 Rock-a-Bye Tako, 1996 Purple Pomegranate, 2016 with hand-applied lacquer Gift of Philip H. Roach, Jr., 2003 Made possible by the Robert F. Lange Foundation Woodblock on recycled newsprint Lathe-turned and carved Macassar ebony Porcelain Gift of James A. Michener, 1991 (27478) Gift of Charlotte and Henry B. Clark, Jr., (21630) 2002 (12326.1)

10 exhibitions exhibitions 11 Degas’s Escape: Affirming while Obliterating PROGRAM~ His Marks on Paper and Canvas Timothy J. Standring, Gates Foundation Curator of Painting and Sculpture, Denver Art Museum April 17 • 6pm • Doris Duke Theatre • Free Artist talk: Edgar Degas’s works defy categorization. Being neither a Realist nor an Zhan Wang Impressionist, but a hybrid of sorts, he worked fearlessly, passionately, March 9 • 4pm • Doris Duke Theatre • Free and determinedly in a vast array of media, from etchings and mono- types, to pastels and photography. Timothy Standring’s anecdote-filled As part of the Honolulu Biennial, curator of Asian art talk—based on research undertaken in museums and libraries across Shawn Eichman moderates a talk with Zhan Wang about his Europe and North America—is the perfect introduction to this late art and practice. (See more about Zhan’s installation on p. 6.) 19th-century French artist. This year marks the centenary of Degas’s death, which is being celebrated with exhibitions worldwide. Timothy J. Standring joined the Denver Art Museum in 1989, and since then has led a significant initiative to make art and art history accessible to a broader public and has served the museum in many capacities. He has curated more than 13 exhibitions at the museum and Rewire and Revive: his many published articles reflect interests that include 17th-century Conservation and the Work of Nam June Paik Roman patrons, van Gogh’s drawings, and the works of Andrew and Jamie Wyeth. Media conservator Jeff Martin March 11 • 10am–noon • Spalding House • Free with admission RSVP required: email: [email protected]

Noted New York–based archivist and media-art conservator Jeff Martin comes to Honolulu to work on Nam June Paik’s WareZ Eye of the Sixties: Academy (1994), now on view in HoMA Select. Jeff will assess the Richard Bellamy and the work, meet with local technicians, and make restoration recom- mendations. Martin will talk about the history of WareZ Academy Transformation of Modern Art and the challenges conservators face when working on Paik’s Judith Stein, author video installations. May 3 • 6pm • Doris Duke Theatre • Free Judith Stein, author of the evocative biography Eye of the Sixties: Richard Bellamy and the Transformation of Modern Art (Farrar, Straus & Girous) takes you back to the early sixties, to the beginning of the Artist talk: market for contemporary art in New York, when the art dealer and tastemaker Richard Hu Bellamy (1927-98) made history but chose not Shahzia Sikander to make money. At the fabled Green Gallery on 57th Street, Bellamy launched the careers of today’s iconic Pop, Op and conceptual artists, March 17 • 5pm • Doris Duke Theatre • Free mavericks and minimalists including Yayoi Kusama, Yoko Ono, Claes As part of programming for her installation Parallax, on view March Oldenburg, James Rosenquist, Donald Judd, and Dan Flavin. In her 16 to July 30, Pakistani-born and internationally recognized artist talk, Stein brings alive a posterity-averse beatnik with a legendary eye, Shahzia Sikander talks about the meaning and making of her a tale that unfolds as postmodernism elbowed the past aside. work. The artist’s pioneering practice takes Indo-Persian minia- ture painting as a point of departure and challenges the strict formal tropes of miniature painting as well as its medium-based Opposite page: This page: restrictions by experimenting with scale and media. She is the Nam June Paik Edgar Hilaire Degas (South Korean, 1932–2006) (French, 1834–1917) recipient of a John D. and Catherine T. MacArthur Foundation Warez Academy, 1994 Dance Examination “genius award” and her work has appeared in the Istanbul Biennial, Multimedia (Examen de Danse), 1880 the Fukuoka Asian Art Triennale, The Museum of Modern Art Gift of Barney A. Ebsworth Pastel on paper in honor of Sam and Mary Cooke, Denver Art Museum, (MoMA), and the Venice Biennale, among many other venues. 1997 (8763.1) Anonymous Gift, 1941 (1941.6) Courtesy Nam June Paik Estate 12 PROGRAMS PROGRAMS 13 Spring in the Book Club Bank of Hawaii Spalding House Read a book selected Spalding House to connect museum Family Sunday Family Day artwork, then discuss in a relevant gallery. garden Every third Sunday of the month, Every third Sunday of the month Information: Bank of Hawaii sponsors a free day of 11am–4pm (activities end at 3pm) Weekend workshop series 532-3621 • 1–3pm art projects and entertainment at the Families can have even more fun by museum’s Beretania Street location. heading up to Spalding House on a free bus The Secret Chord 11am–5pm (activities end at 3pm) from the main museum. Dive into an art by Geraldine Brooks activity and participate in storytelling at March 25 + 29 • 1–3pm the Spalding House Café. Led by Cathy Levinson Shaloha • March 19 Peeling away the myth to While the Honolulu Jewish Film Festival 2017 FREE SHUTTLE: The museum’s bus travels bring the Old Testament’s is in full swing, the museum celebrates Jewish between its two locations throughout the day. King David to life in Second Iron Age Israel, Brooks traces culture. Kids can see the Israeli film Abulele, Limited parking at Spalding House is available. the arc of his journey from about a boy who befriends a giant monster. Street parking is not permitted. obscurity to fame, from hero to traitor, from beloved king ‘Ohi Workshop: Medicinal Plant Walk + Infused to murderous despot. Open Book • April 16 March 19 Nancy Kulp will read a version How to gather and Oil Making at Spalding House Reading rocks! Bring a gently used book for of Fiddler on the Roof and share songs inspired arrange Hawai‘i’s flora May 27 • 9:30am–2pm Bank of Hawaii’s Pop-Up Book Swap, and make by the Jewish culture. $35 museum members • $45 non-members March 18 • 10–11:30am Goya by Robert Hughes literature-inspired art. Storyteller Jeff Gere and TO REGISTER: $35 for members • $45 for non-members Go to honolulumuseum.org/events April 26 + 29 • 1–3pm Bess Press authors will spin tales. And celebrate Celebrate Easter Sunday at (optional $4 vase, other material included) April 16 More info: [email protected] Led by Lizzy Lowrey TO REGISTER: the museum’s 90th birthday! Spalding House! Three words: Easter egg hunt. Go to honolulumuseum.org/events Learn how to identify plants and their benefi- Read this book about the Kids can make drawings of artifacts from the More info: [email protected] cial properties in the Spalding House gardens Spanish genius whose life Wheel World • May 21 Lending Collection. with The Green House teacher Andrew Gerren. and work bridged the transi- Learn how to make beautiful arrangements It’s National Bike Month! Kids can ride Individuals will gain a better understanding tion from the 18th-century using local greenery and flowers with the about various plant uses and learn how to reign of the old masters to the balance bikes and make prints with Honolulu authors of ‘Ohi, Tamara Rigney and Mariko make an infused oil from plants they have just early days of the 19th-century Printmakers. Join the Hawaii Bicycling Share the road! The day’s art Reed. Walk the museum gardens to forage and May 21 learned about to take home with them! modern, then discuss learn about plants ideal for arranging, then it amidst his print series League for a bike-matching game and jump activity will have kids making prints inspired Gerren is also founder and president of create two hand-tied arrangements using Disasters of War in the Works on the pedal power station to fuel the sound by bicycles. Garden to Gardens, Inc. and Sacred Herbs & garden clippings and flowers from local farms. on Paper Gallery. Botanicals, and a wild food and medicinal system. plant forager and enthusiast.

The Green House Hawaii is an environmental education organization that showcases and models sustainable living in The Nature of Drawing an urban setting. Learn more at thegreenhousehawaii.com. Euphoria by Lily King Saturday + Sunday, April 8 + 9 May 27 + 31 • 1–3pm 10am–4pm • $100 Led by Sue Francis

TO REGISTER: Set between two World Wars go to honolulumuseum.org/learn/classes and inspired by events in the or call 532-8741. Express yourself through life of revolutionary anthro- Art + Choreography: Encounter II pologist Margaret Mead, botanical and biological illustration. Instructor April 15 • 11am–12 noon • Artists of Hawai‘i Sharon Birzer, a scientific illustrator who also Euphoria is a breathtaking teaches at the Frye Art Museum, will guide University of Hawai‘i–Mānoa dance professor novel about three young you in observing the form of botanical and Peiling Kao and her Dance Improvisation anthropologists of the 1930s caught in a love triangle that biological subjects to document and interpret class perform their completed choreography threatens their bonds, their what you see. Also includes critique sessions. inspired by Artists of Hawai‘i 2017 installations. careers, and, ultimately, their Graphite and watercolor will be covered. Public is welcome. lives. See Birzer’s work at sharonbirzer.com.

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FILM: March Honolulu Jewish 14 TUE 21 TUE Film Festival 2017 TOUR + TALK STORY: TOUR + TALK STORY: 1 WED starts Jewish Artists 2:30pm Religions in Art 2:30pm OPENING: Honolulu EVENT: Art Club 10am Printmakers: 89th Spalding House 16 THU 23 THU Annual Exhibition OPENING: TOUR + TALK STORY: Opening reception: 5–7pm 5 SUN Shahzia Sikander: Religions in Art 2:30pm OPENING: Nanogallery: TOUR + TALK STORY: Parallax Paradise Cove Treasures of the Museum TOUR + TALK STORY: 25 SAT Spalding House • 1:30pm Jewish Artists 2:30pm BOOK CLUB: The Secret Chord Women of Wonders by Geraldine Brooks 1pm Film Fest 2017 starts 7 TUE 17 FRI EVENT: PANEL: TOUR + TALK STORY: LECTURE: Shahzia Sikander: Celebrate Micronesia Girls Make Films 4:30pm Jewish Collectors Parallax 5pm Art School • 10am–4pm FILM: Women of Wonders and Art Dealers 2:30pm CONCERT: Honolulu Honolulu Jewish Film Short Films Program #1 18 SAT The Mākaha Sons 7:30pm Jewish Film Festival 2017: 4pm 9 THU WORKSHOP: Festival 2017: For the Love Fanny’s Journey of Spock FILM: Women of Wonders TOUR + TALK STORY: ‘Ohi workshop: 26 SUN Cinémathèque Short Films Program #2 Jewish Collectors How to gather and TOUR + TALK STORY: Française 2017 Fantastic Planet 6pm and Art Dealers 2:30pm arrange Hawai‘i’s flora Religions in Art 2:30pm PANEL: ARTIST TALK: Spalding House • 10am Alternative Narratives Zhan Wang 4pm 28 TUE 7pm 19 SUN TOUR + TALK STORY: 11 SAT BANK OF HAWAII FAMILY SUNDAY: Icons of Ceramics 2:30pm 2 THU LECTURE: Shaloha 11am–5pm TOUR + TALK STORY: Conservation and the SPALDING HOUSE FAMILY DAY: 29 WED Treasures of the Museum Work of Nam June Paik 11am–4pm BOOK CLUB: Spalding House • 1:30pm 10am FILM: The Secret Chord FILM: Women of Wonders Family Film Sunday: by Geraldine Brooks 1pm Short Films Program #3 12 SUN Abulele 6pm TOUR + TALK STORY: 11:10am + 1pm 30 THU FILM: Women of Wonders: Jewish Collectors TOUR + TALK STORY: Ovarian Psycos 7pm and Art Dealers 2:30pm 20 MON Icons of Ceramics 2:30pm OPENING: CONCERT: 4 SAT Fragmentation Chamber Music Hawaii: 31 FRI European EVENT: Slow Art Day 10am Analog Sunshine Recorders Honolulu Brass Quintet ARTAFTERDARK: Cinema 1984 Art School • Reception: 5pm 7:30pm 111111AlohArt 6–9pm 16 Calendar Calendar 17 23 SUN May 11 THU 23 TUE TOUR + TALK STORY: TOUR + TALK STORY: TOUR + TALK STORY: Francisco Goya: 1 MON Secrets in Baroque The Life of John Singer The Disasters of War OPENING: Nanogallery: Paintings 2:30pm Sargent 2:30pm 2:30pm Adam Tompkison 14 SUN 25 THU 24 MON 2 TUE TOUR + TALK STORY: TOUR + TALK STORY: CONCERT: TOUR + TALK STORY: Secrets in Baroque The Life of John Singer Chamber Music Hawaii: Shahzia Sikander: Paintings 2:30pm Sargent 2:30pm Tremble 7:30pm Parallax 2:30pm April 8 SAT 13 THU 17 MON 15 MON 26 FRI ART + OMELETS: OPENING: LECTURE: 25 TUE 3 WED ARTAFTERDARK: Mother’s Day 1 SAT HoMA turns 90 First Hawaiian Timothy Standring: TOUR + TALK STORY: LECTURE: Judith Stein: Urban Underground at the museum 11am 6–9pm EVENT: Slow Art Day 10am Center: Degas’s Escape: Glitz, Glamour and Eye of the Sixties: MUSEUM SHOP: FILM: Berlin & Beyond Paper Processes: Affirming while Gossip: The Back Stories Richard Bellamy and Artist Spotlight: Honolulu starts Works by Denise Obliterating His Marks on 2:30pm the Transformation of 16 TUE 27 SAT Karabinus, Paula Nokes, Lisa Klakulak 11am–1pm Paper and Canvas 6pm Modern Art 6pm TOUR + TALK STORY: OPENING: Beauty and Nisha Pinjani OPENING: WORKSHOP: 26 WED Symbols of Identity: Through the Eyes Contact 3017 The Nature of Drawing Hawaii Crafts I: 18 TUE BOOK CLUB: Goya 4 THU Reading a Portrait 2:30pm of Our Children Art School Spalding House • 10am Fiber, Glass, Wood, and TOUR + TALK STORY: by Robert Hughes 1pm OPENING: 29th Annual MOA Museum Reception: 5–9pm Metal from the Honolulu Francisco Goya: 18 THU of Art Children’s Painting Quilt Show Exhibition Museum of Art Art School FILM: 9 SUN The Disasters of War 27 THU OPENING: Global Art School Opening reception: 5:30–8pm Cinémathèque WORKSHOP: Garden Reflections: 2:30pm FILM: PIC Exchange 7pm Warming: Quilts, Reception: 10am Française 2017 The Nature of Drawing Ceramics by Yoko Haar TOUR + TALK STORY: TOUR + TALK STORY: Coverlets and Blankets BOOK CLUB: Euphoria and Licia McDonald starts Spalding House • 10am 20 THU Glitz, Glamour and Shahzia Sikander: OPENING: by Lily King 1pm TOUR + TALK STORY: OPENING: FILM: PIC Exchange 7pm Gossip: The Back Stories Parallax 2:30pm Splendors WORKSHOP: Medicinal 2 SUN In Honor of My Dad— Illustrating the TOUR + TALK STORY: 2:30pm of Ikebana Art School Plant Walk + Infused Oil TOUR + TALK STORY: The Journey North 2:30pm Modern Novel: Francisco Goya: 5 FRI Opening reception: 11am Making Icons of Ceramics 2:30pm The Art of The Disasters of War 28 FRI EVENT: TOUR + TALK STORY: Spalding House • 10am Mizuno Toshikata 11 TUE 2:30pm ARTAFTERDARK: PechaKucha Night: #30 Symbols of Identity: 4 TUE TOUR + TALK STORY: TOUR + TALK STORY: Parallel Universe Muse Reading a Portrait 2:30pm 28 SUN Spalding House • 7pm TOUR + TALK STORY: Birds and the Bees: Birds and the Bees: 21 FRI 6–9pm TOUR + TALK STORY: In Honor of My Dad— The Talk 2:30pm The Talk 2:30pm PERFORMANCE: 21 SUN The Life of John Singer The Journey North 2:30pm The Prince Tribute Show 29 SAT 6 SAT BANK OF HAWAII FAMILY SUNDAY: Sargent 2:30pm 12 WED 15 SAT 7:30pm BOOK CLUB: Goya EVENT: Slow Art Day 10am Wheel World 11am–5pm 6 THU LECTURE: IN THE GALLERY: by Robert Hughes 1pm SPALDING HOUSE FAMILY DAY: 30 TUE OPENING: HOT Preview: Art + Choreography: 22 SAT 7 SUN 11am–4pm TOUR + TALK STORY: Christopher Cole: The Tales of Hoffman Encounter II • Part of OPENING: 30 SUN TOUR + TALK STORY: FILM: From Realism to color The Global South 10am Artists of Hawai‘i 11am–noon Young Artist TOUR + TALK STORY: Shahzia Sikander: Family Film Sunday: TBD patches: How modern Exhibition Glitz, Glamour and Parallax 2:30pm 11:10am + 1pm art evolved 2:30pm OPENING: 16 SUN Art School Gossip: The Back Stories TOUR + TALK STORY: Opening reception: 10am–noon Camouflage BANK OF HAWAII FAMILY SUNDAY: 2:30pm 9 TUE Symbols of Identity: 31 WED Rhythms: Open Book 11am–5pm PERFORMANCE: TOUR + TALK STORY: Reading a Portrait 2:30pm BOOK CLUB: Euphoria Juliette May Fraser SPALDING HOUSE FAMILY DAY: The Prince Tribute Show Secrets in Baroque by Lily King 1pm TOUR + TALK STORY: 11am–4pm 7:30pm Paintings 2:30pm In Honor of My Dad— FILM: Family Film Sunday: The Journey North 2:30pm TBD 11:10am + 1pm

18 Calendar Calendar 19 For film schedule visit DORIS DUKE At the ON SCREEN honolulumuseum.org THEATRE

Honolulu Films Museum of Art $10 general Family Film Sunday April $8 museum members Doris Duke Theatre Free for 17 + under Bring the gang to Bank of Hawaii European Cinema Family Sunday and see short Free admission for visitors age films and family favorites on the Cinémathèque 17 and under to film and music ON STAGE big screen for free! Sponsored by Française programs, with the exception the Sidney Stern Memorial Trust. of film opening and closing APRIL 1–14 nights, and rental events Mar 19: Abulele Apr 16: TBD The museum’s annual celebration of The Mākaha Sons May 21: TBD French film, Cinémathèque Française, Purchase film and concert moves to April. Audiences can look tickets online at For 30 years, The Mākaha Sons have forward to a mix of contemporary honolulumuseum.org/ highlights and classic films from the events committed themselves to perpetuating birthplace of cinema. traditional Hawaiian music throughout March Hawai‘i and the world. Enjoy a fun-filled night Tickets may also be Women of Wonders Berlin & Beyond purchased at the Visitor of Hawaiian music, humorous antics, spec- Information Center and tacular hula performances, and the legendary Film Fest 2017 Honolulu the theater box office. MARCH 1–2 APRIL 8–9 sound of one of the islands’ premier Hawaiian music groups. The Women of Wonders Film Fest In partnership with the Berlin & Box office: 532.6097 Mar 25 • 7:30pm • $30 • $25 highlights and celebrates the lives and Beyond Film Festival of the Goethe- accomplishments of women around the Institut San Francisco, the museum world, and here in Hawai‘i. The festival screens a selection of essential THEATER INFORMATION presents a selection of films directed by and award-winning new films from The is open women, about women, for everybody. Germany, Austria, and Switzerland. theater box office Tue–Sat • 10am–4:30pm, and Sun • 1–5pm. After 4:30pm, theater entrance opens Honolulu Jewish 30 minutes before each The Prince Tribute Show Film Festival 2017 May screening or performance. MARCH 4–26 For the hearing impaired: Join Violetta Beretta, Cherry Blossom Cabaret, Hawaiian + Pacific The theater is equipped with and special guest performers as we celebrate Now in its 15th year, the Honolulu the Easy Listener Hearing Island Cinema Assistance System. the life of Prince and his outstanding contri- Jewish Film Festival is among the museum’s longest-running film You can pick up a receiver at the bution to American music on the anniversary Throughout May, the theater focuses ticket counter. programs. Audiences can see come- on shorts and features from established of his passing. Guests are encouraged to dress dies, documentaries, and dramas that and emerging directors from Hawai‘i and For corporate or private rentals and other theater inquiries, up in favorite Prince-inspired looks or their encapsulate the Jewish experience our Pacific Island neighbors. Also look please contact theater manager made by filmmakers in Israel and the for live performances. Film programs best party attire. Jewish diaspora worldwide. Taylour Chang at 532.3033 or and performers to be announced. [email protected] Apr 21 + 22 • 7:30pm • $35 • $30 MM Visit honolulumuseum.org/events. $45 VIP (seating in first 3 rows + interactive treat bags) Museum members receive discounts on films and performances.

20 Calendar Calendar 21 MUSEUM SHOP ARTIST SPOTLIGHT: MUSEUM NEWS Lisa Klakulak APRIL 1 • 11AM–1PM • INFO: 532–8704 SEE EXPANDED VERSIONS OF THESE STORIES AND MORE NEWS AT Meet and talk story with Lisa Klakulak, the North Carolina– based textile artist. As Strongfelt, she gives felting workshops honolulumuseum.org/blog See the new mural around the world. You won’t want to miss her fantastical ~ creations—she makes everything from handbags to necklaces in Luce Pavilion out of felt. Klakulak exhibits at national fine craft exhibitions and select galleries. Her body adornment, accessories and From Feb. 13 to 18, as part of figurative sculpture have been featured in Fiber Arts, Surface HoMA turns 90 Philanthropist philanthropic and leader- POW! WOW! Hawaii 2017, Spanish Design Journal, Fiber Art Now and American Craft. She was in Memoriam: ship efforts that positively artist Cinta Vidal Agulló painted a 2015 recipient of the James Renwick Alliance’s Award of impacted many nonprofits ON APRIL 8, 1927, the Honolulu Sam Cooke a new mural in Luce Pavilion. For Excellence for Innovation in Craft. Museum of Art opened its doors across our community. Sam was one of the the third time, the museum part- to the public (see p. 26 for In November, the family museum’s longest serving of Sam Cooke was in nered with Jasper Wong of Pow! more on this milestone day), and most distinguished attendance for the 2016 with a permanent collection board members. He was Wow! Hawaii and Andrew Hosner of National Philanthropy Day, of 500 works from founder chairman of the Board Thinkspace Gallery in Los Angeles, Outstanding Leaders in Anna Rice Cooke’s personal of Trustees for 46 years Hawaii Philanthropy Lunch, who together selected Agulló. The and as chairman of the collection. The museum’s 1922 hosted by the Association of result is Blow, a striking work that she board led the Renaissance charter of incorporation outlines Fundraising Professionals — Campaign that funded the describes as “Hawaiian elements its purpose as “the promotion of Aloha Chapter. The Honolulu Luce Pavilion in 1997 for floating, like they are flying out of study and advancement of education Museum of Art nominated $30 million. the museum, like culture in move- in matters of art, the encouragement of artists, Sam for his extraordinary the acquisition and public exhibition of pictures, ment as a concept.” She wanted to statuary and other works and things of art and the depict Hawaiian culture in her mural extension and use thereof to artists and others because “for me, muralism is about interested in the study of art.” the relation of the mural and its While the museum and its perspective has environment.” evolved over the last 90 years, that original mandate still describes the core of the institution’s goals. Cinta Vidal’s sketch for her mural Blow. To celebrate the milestone, HoMA will post a series of stories and videos on its blog and on social media that reflect on the museum and its influence on people’s lives. Look out for events throughout the year celebrating our 90th year, such as Bank of Hawaii Family Sunday on April 16 and ARTafterDARK on April 28. Mary Cooke and Sharon Twigg-Smith Don’t miss any anniversary news—sign up for our at the 2016 National Philanthropy Day lunch. weekly enewsletter by emailing your request to [email protected]).

22 Museum News Museum News 23 MUSEUM GETS A reluctant farewell: A REFRESH Jared Stone FROM DECEMBER TO JANUARY, the Honolulu Museum of Art’s Mediterranean Courtyard under- went a beautification project managed by Rick If you think the museum’s design— design jobs on him and he handled it Quinn of environmental and facilities planning from parking lot signs to exhibition all with good humor and timeliness. group HHF Planners. The blue-and-white oasis got graphics to the publication in your “Graphic designers can be a migra- tory bunch—it’s not uncommon for Art + omelets: a new coat of paint—including lovely aqua trim, the hands—has improved over the last five years, it is the result of Jared us to bounce from one studio to the bougainvillea and white Tacoma tree were pruned, Mother’s Day Stone. A Texas native, Jared came to next,” says Stone. “So the fact that a second tree was added to create more shade, the Honolulu from New York City in 2010, I’ve been designing at HoMA for over at the museum mock orange hedge was replaced with a gardenia and the museum was lucky to snag five years really means something. bush, and a lemon tree espalier was adhered to the him in 2011—just in time to work on Career-wise, it is the longest I’ve ever Making plans for May 14? mauka wall. These elements are designed to make rebranding the museum. His first day stayed put, because the museum The museum’s cafés at the courtyard an even more wonderful place for was Aug. 29. I will never forget the is such a cool place to work. It has gorgeous venues, outstanding both locations offer special This project has been graciously funded contemplation. Next on the list is Central Courtyard. date because his arrival changed the museum and my working life. art exhibitions, exciting films and brunches 11am to 2pm. by museum trustee Jay Shidler. Jared’s talents covered every aspect performances, premier social events Plus, both shop locations will offer of design, and if there was something and a staff that has become family to an additional 10 percent off purchases— he wasn’t well-versed in, he researched me. It has been more than a job, it’s a Mom can select her own gift! it and did it, from designing digital source of inspiration that I’ll continue Give Mom (or Grandma, Auntie, templates to producing entire catalogs. to draw from for years to come.” or mentor) a restorative minibreak— Spring is in the air at The museum piled a mountain of He left the museum at the end with a stroll through the galleries of February—he and his wife Alyson, and gardens, delicious brunch, and Spalding House Shop whom you may know from her sunny microspree. service at the Museum Café, relocated The museum retail team transforms the Spalding House to Colorado—b­ ut his visual legacy Reservations Reservations Shop into a garden of earthly delights March 1 to July 1 in continues to guide the museum. Honolulu Museum Spalding House of Art Cafe: Cafe: a celebration of spring and its surrounding gardens. Look 532-8734 237-5225 for fun, eclectic items for the garden enthusiast and nature HoMA Select —LESA GRIFFITH, lover. The shop is even hosting a flower arrangement work- Shuttle Tour director of communications shop March 18 with Tamara Rigney and Mariko Reed, the talents behind the hit book ‘Ohi. See p. 14 for details. Tuesdays • 1–3:30pm beginning January 2017 Free with admission Take a summer Art School class! PechaKucha Night: See the best of the Honolulu #30 Muse Museum of Art’s collection at both its locations on this docent-led tour From art history to poetry writing, kids’ art camps to grown-up life May 5 • 7–9pm • Spalding House of works featured in the museum’s drawing open studio, there is some- RSVP: new Collection Highlights catalog. honolulumuseum.org/events thing for everyone at the Honolulu The tour begins and ends at Museum of Art School. Whether you For more information contact: 900 Beretania Street. No reserva- Celebrate Micronesia need to feed your soul or keep the Sarah Smith • 532-8705 tion required, just check in at the March 25 • 10am–4pm young ‘uns busy, you’ll find what [email protected] Visitor Information Center. We end the Art School exhibition you need here. See our class catalog (call 532-8741 to have one mailed PechaKucha Night Honolulu is a free, Carrying Culture with this festive to you), or find the offerings online informal event where creative people day of art-making demonstrations, at honolulumuseum.org/learn. get together to share their ideas and food, dance, and films. Experience Summer registration starts April 11. work through six-minute presenta- tions. It’s a rare chance to experience BoMA the sounds, flavors, style, art and Spalding House at night! Limited to 200 Select movement of the many cultures of guests, reservations required. Micronesia.

24 Museum News Museum News 25 What’s HAAff OKllOff AHA l«A WI SONG in a name? IN 1920, museum founder Anna Rice Cooke began cataloging her art collection with Catharine E. B. Cox, a teacher of art and dramatics (her grandson Richard is a dedicated museum supporter today—he funded the Collection Highlights catalog). Their work laid the foundation for Mrs. Cooke’s interest in building a museum especially for Honolulu’s youth. On March 16, 1922, the Territory of Hawai‘i issued a charter of incor- poration to the Honolulu Museum Sheet music for “Ha‘aheo Kilohana Ika La‘i.” of Art for “the promotion of study and advancement of education in matters of art, the encourage- One of the afternoon’s highlights was Bina Mossman’s Glee ment of artists, the acquisition and Club performing “Ha‘aheo Kilohana Ika La‘i,” a song written public exhibition of works and in honor of the museum’s opening by Mary Jane Kekulani things of art and the extension and Fayerweather Montano and set to music by Bina Mossman. use thereof to artists and others Mossman, one of the first female representatives in the interested in the study of art.” Territorial Legislature and formerly the High Sheriff of the As education increasingly Territory of Hawai‘i, is known for the songs “Hele au i Kaliponi,” became a driving force behind “Niu Haohao,” and “Ka Pua U‘i,” among others. the museum, the name was The first verse, in English translation, reads changed to Honolulu Academy of Arts, and the charter was From the BY ALMOST ALL ACCOUNTS, So many people came through Resplendent Kilohana amended to include a broader the opening of the Honolulu the doors that the doorman dwells in the fair clime, education program. ARCHIVES Academy of Arts on the after- could not click his counter fast Most fair a pearl With the museum’s education noon of April 8, 1927, was a enough to keep up. for the race, mission firmly established—it welcomes more than 20,000 joyful and momentous occa- There were, however, one Permeated with A museum is born students on free school tours, sion. The Reverend Stephen or two detractors. “This is a the sweetness and the fragrance and more than 4,000 students Desha, Sr., opened the cele- lovely garden,” one woman in its Art School every year—it bration at 3pm with a blessing is reported to have said O Hawai‘i and the eight seas reverted back to its original in Hawaiian; in Central to her companion, “but of name in 2011, after joining with Courtyard, Henry Berger led course, my dear, it’s not like The Contemporary Museum. the Royal Hawaiian Band. Versailles!” Reflecting on the song and opening festivities more than While some of us will always 50 years later, Mossman emphasized what “Kilohana” refers call it the Academy, the name to: “‘Ha‘aheo Kilohana’ means to stand calmly….The museum change has had its benefits—the Pictured above: Bina Mossman’s Glee Club performed “Ha‘aheo Ika La‘i” on opening day. stands out, you see—it stood out so prominently…it’s like a number of out-of-state visitors Back row, from left: Helen Fuller, Ku‘ualoha Treadway, Flora Hayes, Gaelic Fitzgerald, Emma Morreira. Front row, from left: Nora Markham, Jenny Gilliland, Bina Mossman, Elisabeth Bayless, Mary Saffery. pearl to the people of the islands.” —DAWN SUEOKA, archivist has increased 10 percent since 2012—because it’s now clear we 26 Museum News are a museum. Museum News 27 A WARM AND HEARTFELT MAHALO KAMA'AINA to all of our table purchasers and donors who helped make the 31st anniversary of Kama‘aina Christmas so special. The CHRISTMAS event raised more than $872,000, making it possible for the Honolulu Museum of J\NGLE BELL ROCI( Art to present world-class exhibitions, meet a growing demand for arts educa- tion in our community, and ensure the · 2016 · museum is accessible to everyone.

2 3

A special thank you to our $25,000 Presented by table purchasers:

Bank of Hawaii Frances & Robert Bean First Hawaiian Bank H. T. Hayashi Foundation Jay Shidler on behalf of the Shidler College of Business

4 Our deepest gratitude to event chair Lori Harrison, Opposite page who worked tirelessly with 1 Shelley Tadaki Cramer, Lori Harrison, her committee to create a museum trustee Vi Loo, museum deputy director Allison Wong beautiful evening. We are

indebted to her vision, lead- This page ership and commitment to 2 Aurora and Royal Fruehling helping the museum make a 3 Gov. Benjamin Cayetano and Mrs. Vicky Cayetano difference in our community. 4 Shelley Tadaki Cramer, chef Roy Yamaguchi and Denise Yamaguchi

5 Anne Wright and museum trustee Jim Pierce 1 5

28 Museum News Museum News 29 9 Pre-dinner mingling amid Kelly Sueda’s dazzling decor

10 Wendy Crabb, Tony Crabb, museum trustee Sharon Twigg-Smith and museum trustee Claire Johnson

11 Museum trustee Kelly Sueda hits the dancefloor with a fellow guest

6

6 Kristen Chan, Brynn Foster, Stacey Hee Hugh

7 Museum trustee Alan Tomonari, Shelley Tadaki Cramer, Henry DeLeon, Joyce Tomonari 12 8 Dining in the galleries is the hallmark of Kama‘aina Christmas

7

8 9 13

12 Aaron and Angela Eberhart, Lori Feldman, museum trustee Josh Feldman, and Malia and Scott Paul

13 Museum deputy director Hathaway Jakobsen, Linda Nichols, and Sharon Sussman

14 Bob Harrison and Kama‘aina Christmas chair Lori Harrison

15 Dustin and Lisa Sellers

10 11 14 15

30 Museum News Museum News 31 Leave a legacy Major Giving Circles MANY MINDFUL FRIENDS AND MEMBERS Estate gifts play an increasingly The museum is grateful to JANUARY 1, 2015–JANUARY 8, 2016 have chosen to support the Honolulu important role in sustaining the the following thoughtful Museum of Art with gifts for the future. museum’s mission and providing individuals that named We are deeply grateful to these special friends for HoMA in their estate: By naming the Honolulu Museum of for its long-term financial security. their generosity and commitment to the museum. Art in your estate plan, you can plan for ESTATES FROM the future while helping to preserve For more information, JAN. 1, 2016–FEB. 1, 2016 and develop the museum for the next contact Cara Mazzei, Estate of generations—and become a member Director of Development, Samuel A. Cooke THE VISIONARY CIRCLE DIRECTOR’S CIRCLE $25,000–$49,999 of the Anna Rice Cooke Society. at 532-8715. Estate of Sally Edwards $100,000 AND ABOVE LeBurta Atherton Elizabeth Rice Grossman Estate of Linda Ahlers Stephanie & Sherman Hee Geraldine King Tam Anonymous (1) Naoko & Taiji Mary Anne & Mark Burak Ralph Heide Estate of Terasaki Frances & Bob Bean Claire & Larry Johnson Charles F. McClure Mary Cooke Susan & Stephen Marcy & Robert Katz Ruedi Thoeni Chamberlin Linda & Bob Nichols Estate of Vi Loo Martha E. Pilliard & David Franklin Jim Corcoran Cherye & Jim Pierce Lori & Josh Feldman Diane & Walter Dods Judy Pyle & Wayne Pitluck Estate of Wallette & Jay Shidler Cecilia & Gene Doo Jean Rolles Philip D. Wood Trish & Mike O’Neill Peter Drewliner Flora Ling & Paul Sturm Estate of Sharon Twigg-Smith Peggy Eu Indru & Gulab Watumull William Whitemore Goodale Moir Peggy Vollmann

HALEKULANI CHAIRMAN’S CIRCLE $50,000–$99,999 LEADER $15,000–$24,999

Anonymous (1) Barbara Fischlowitz-Leong Ritu & Rajiv Batra & Michael Leong w Barney Ebsworth Marilyn Katzman Diane Chen & Jan Hilarie & Mark Moore Haleka~nr Koch-Weser Everything for the Arts James Soong Carol & Monte Elias David Wollenberg Allison & Keith Gendreau Arsenia & Philip Wright Richard Cox Noreen & David Lynn & Jim Lally Get all the Mulliken HoMA news! Corine Hayashi Stay connected— Jeanne & Charlie $10,000–$14,999 sign up for our enewsletter. Lynne Johnson Email Wichman & Randy Moore Ricki & Paul Cassiday Linda & Mike Horikawa [email protected] with your preferred Laura & Donald Goo Susan & Stephen Metter email address. Christina Hassell Betty & Bob Wo & Watters Martin, Jr.

32 Museum News 33 FOUNDATIONS + GOVERNMENT SUPPORT Museum Corporate Council Honolulu Academy of Arts Robert Emens Jack & Marie Lord CHAIRMAN’S LEVEL $50,000+ Black Fund of the Trust Fund of the Board of Trustees Hawai‘i Community Hawai‘i Community Honolulu Museum of Art, Honolulu Museum of Art Spalding Foundation Foundation House, Honolulu Museum of Art School, Honolulu Museum of Art Doris Duke Theatre and Honolulu Museum of Art at First Hawaiian Bank. Bank of Hawaii Louis L. Borick McInerny Foundation "1/"la, ~ h First Hawaiian Center are parts of the legal entity the Honolulu Foundation Na Lei Aloha Academy of Arts, which was founded in 1927. - Cooke Foundation, Ltd. Foundation ~tar 2ldom:iscr Mary Wilson Crawford National Endowment Chairman Vice Chairman Fund of the Hawai‘i for the Arts Violet S. W. Loo Josh Feldman Community Lenore & Chester DIRECTOR’S LEVEL $25,000+ Foundation O’Brien Fund of the Cultural Heritage Hawai‘i Community Trustees Administration of Foundation Linda Ahlers Claire Johnson Jay H. Shidler AQUA-ASTON The Republic of Korea ~ Omidyar ‘Ohana Fund of Robert R. Bean Lynne Johnson Kelly Sueda HOSP I TAL I TY ~31 Mark Burak Robert S. Katz Donna Tanoue TORI RICHARD" Uniquely Yours The Freeman Foundation the Hawai‘i Community H ONOLULU Foundation James Corcoran Akemi Kurokawa Taiji Terasaki John R. Halligan Cecilia Doo James Lally Ruedi Thoeni Charitable Fund Ohuokalani Barney A. Ebsworth Violet S.W. Loo Alan Tomonari Charitable Foundation w Hiroaki, Elaine, Josh Feldman Watters O. Martin, Jr. Sharon Twigg-Smith THE MODERN HONOLULIJ UONOLULU and Lawrence Kono Arthur and Mae Orvis Allison Gendreau Noreen Mulliken Indru Watumull Hale/m~nr M A G A Z I N [ Everything for the Arts Foundation Foundation, Inc. Elizabeth Grossman Margaret Oda Charles R. Wichman Corine Hayashi James F. Pierce Betty Wo Korea Foundation Padosi Foundation Stephanie Hee Duane Preble Kathleen Sullivan Wo ~ Robert F. Lange Stupski Family Fund of Michelle Ho Judith Pyle omg FREE SPIRITS Foundation the Hawai‘i Community Michael Horikawa Jean E. Rolles 1V' Foundation John Young Foundation Emeritus Trustees Charman J. Akina Helen Gary Cherye Pierce LEADER LEVEL $15,000+ Burta Atherton Alice Guild Yoshiharu Satoh Henry B. Clark, Jr. Toshio Hara Charles A. Sted HILuxury Magazine Modern Luxury Hawai‘i RCM Construction Judith M. Dawson Richard Mamiya Charles M. Stockholm Walter A. Dods, Jr. Patricia J. O’Neill Joanne V. Trotter Iichiko Nordstrom Sony Hawaii Company, Peggy Eu Wesley T. Park Sony Electronics, Inc. Kona Brewing Company Outrigger Resorts Vol. 89, No. 2, the members’ magazine is published four times a year as a benefit for museum members by: Honolulu Museum of Art Director 900 South Beretania Street ADVOCATE LEVEL $5,000 Sean O’Harrow, Ph.D. Honolulu, Hawai‘i 96814

Alert Alarm Hawaii Business Magazine The MacNaughton Group Printing & Mailing: Edward Enterprises, Inc. Christie’s HONOLULU Family Metro HNL Editor: Lesa Griffith • Art Director: Jared Stone Director Emeritus C.S. Wo & Sons, Ltd. Johnson Brothers of Hawaii Neiman Marcus Design: Jared Stone and Angela Ni George Ellis EAT Honolulu LIST Sotheby’s International Realty Waikiki Parc Hotel © 2016 Honolulu Museum of Art, All rights reserved

34 35 Honolulu Museum of Art 900 S. Beretania St. Nonprofit Honolulu, HI 96814 Organization U.S. Postage PAID Honolulu, Hawai‘i ARTafterDARK Permit No. 119

MARCH ALOHART 31 • MARCH 31 See Artists of Hawai‘i and you’ll know local no ka oi.

presented by Presented by Nordstrom.

@nordstromHAWAII @honolulumuseum #nordstromHAWAII #ARTafterDARK

PARALLEL presented by UNIVERSE PARALLEL APRIL 28

Shahzia Sikander’s UNIVERSE Parallax takes you to April 28

Shahzia Sikander. Parallax (detail), 2013. another world Courtesy of the artist.

@honolulumuseum #ARTafterDARK Presented by iichiko.

URBAN UNDERGROUND URBAN MAY 26 What’s fresh? DJs, b-boys, UNOERGROUNO and a fashion show. @honolulumuseum May 26 #ARTafterDARK

presented by

Presented by The MODERN Honolulu.

Honolulu Honolulu Museum of Art Café: Honolulu Museum of Art Shop: Tue–Sat • 11am–1:30pm 532.8703 Museum of Art Reservations: 532.8734

Honolulu Museum of Art 900 S. Beretania St., Honolulu HI 96814 Honolulu Museum of Art Coffee bar: Shangri La Reservations: HOURS: Tue • 10am–4pm 866.DUKETIX or 532.DUKE Tue–Sat 10am–4:30pm Wed–Sat • 8:30am–4pm Sunday 1–5pm Sun • 1–4pm Reservations: 532.8734 On the cover: Honolulu Museum of Art Shahzia Sikander (American, born Pakistan 1969) Parallax, 2013 Spalding House Spalding House Café: Three-channel HD video animation, 2411 Makiki Hts. Dr., Honolulu, HI 96822 Tue–Sat • 11am–2pm Audio Surround 5.1, music by Du Yun HOURS: Sun • Noon–2pm Courtesy of the artist Tue–Sat 10am–4pm Reservations: 237.5225 Sunday Noon–4pm On view in the Henry R. Luce Gallery March 16 to July 30. 808.532.8700 Theater Box Office: www.honolulumuseum.org 532.6097