Scholastic Art & Writing Awards
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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
PAWS for CELEBRATION Saugus Selectmen Approve Doggie Hotel Near Route 1
TUESDAY, DECEMBER 20, 2016 Revere opening doors for disabled By Gayla Cawley icy suggestions to Mayor Brian Arrigo mayor’s aide, said it’s been at least ITEM STAFF and the city council. seven years since the commission’s “The commission on disabilities last meeting. The long absence was REVERE — The Revere Commission serves as a voice and an advocate for driven by aging commission members on Disabilities has been revived after residents of all ages and abilities,” Ar- and the necessity to have certain staff a long absence, with a renewed com- rigo said in a statement. “My of ce will to manage or supervise the panel, he mitment to improving access of the work together with the commission to added. city’s buildings and providing more improve quality of life for all Revere “Time went by and people kind of programming to children with special residents regardless of ability.” forgot that it existed,” Gravellese said. needs. The nine-member commission is He said the revival took about eight The panel works to identify and ad- made up of four new appointees by months of work. dress issues pertinent to people with the mayor and ve from previous disabilities in the city, and offers pol- administrations. Joe Gravellese, the DISABILITIES, A5 PAWS FOR CELEBRATION Saugus selectmen approve doggie hotel near Route 1 ITEM PHOTO | OWEN O’ROURKE Karen Bartlett, left, and Beth Watson hold the prizes for “Ralphie’s 12 Days of Christmas” fundraiser, which in- cludes 10 gift cards, a mop and bucket and a gift basket. Lynn awash in goodwill By Thomas Grillo ITEM STAFF LYNN — For the third consecutive year, Christmas will sparkle for more than 100 needy children thanks to the memory of Ralph Cronin. -
Works S11-1.Pub
Fall 2010-Spring 2011 The Official Arts Publication of Sauk Valley Community College TheThe WorksWorks honorable mention in student visual art contest (above): Carlow, Ireland by William Brown Fiction Poetry Visual Arts The Anne Horton Writing Award 2011 Film Review Contest The Works Editorial Staff . Sara Beets Elizabeth Conderman Cody Froeter Tessa Ginn Tracy Hand Steven Hoyle James Hyde Jamie Lybarger Lauren Walter David Waters Faculty Advisor . Tom Irish * * * * * Special thanks to SVCC’s Foundation, Student Government Association, and English Department 2 Table of Contents . POETRY: First Place: Human Cannibalization: A Study, by Lauren Walter . 4 Honorable Mention: At the End of the Wind, by Phil Arellano . 6 Doesn’t Feel Right, by Sara Beets . 7 Goodnight, by Hayleigh Covella . 8 Two Caves, by Corey Coomes . .10 Doesn’t Feel Right, by Tessa Ginn . 11 Speed Kills, by Corey Coomes . 12 Something About Bravery, by Lauren Walter . .13 In My Place, by Jamie Lybarger . 14 Oh Sweetie, Oh Please, by Hayleigh Covella . 16 Mortal, by Sara Beets . 17 Hot Tears of Love, by Len Michaels . 18 Unimpressed, by Hayleigh Covella . 19 Planet Mars-Population: Failure, by Sara Beets . 20 Seventh Sin: A Collection of Poetry, by Sara Beets , Tessa Ginn, and Lauren Walter . 22 FICTION: First Place: Emperor Onion, by Elizabeth Conderman . 32 Honorable Mention: Buried, by Lauren Walter . 35 The Legend of the Pipperwhill, by Brooke Ehlert. 38 MICHAEL JUSTIN, by Rebekah Megill . 40 Just Animals, by Nick Sobottka . 42 The FINAL CHAPTER of NICK CARTER: The Price, by Jason Hedrick . 44 Pleasant Dreams, by Len Michaels . 47 A Very Short Story About Fruit Snacks, by Tom Irish . -
Michael Kushner Testimony
Before the COPYRIGHT ROYALTY BOARD LIBRARY OF CONGRESS Washington, D.C. 1 In the Matter of 1 1 ADJUSTMENT OF RATES AND TERMS FOR ) Docket No. 2006-1 CRB DSTRA PREEXISTING SUBSCRIPTION SERVICES ) AND SATELLITE DIGITAL AUDIO RADIO ) SERVICES ) TESTIMONY OF MICHAEL KUSHNER Senior Vice President, Business and Legal Affairs Atlantic Recording Corp. PUBLIC VERSION October 2006 Public Version DIRECT TESTIMONY OF MICHAEL KUSHNER I. Qualifications My name is Michael Kushner, and I am Senior Vice President, Business and Legal Affairs of Atlantic Recording Corp. ("Atlantic"). In my role at Atlantic, I am primarily responsible for directing the legal and deal making aspects of our business. In that regard, I work closely with a11 of the senior executives at our label, including the Chairmen, President, and heads of A&R (Artist & Repertoire, more fully described below) and Marketing. I have had various roles in the record business since 1987, and have been employed in my current position at Atlantic since 2001. A brief description of my educational and professional background is attached. 11. Summary I understand that the Copyright Royalty Judges will determine the new rates and terms for the statutory licenses that permit satellite radio services ("SDARS") and other subscription services to make certain uses of sound recordings. I Mher understand that in making its determination the Board's objectives include, among other factors, reflecting the relative roles of the copyright owners (the record labels) and the copyright users (the SDARS) in the product made available to the public with respect to the relative creative contribution, and the risks associated with our business of producing sound recordings that the SDARS use to draw subscribers to their services. -
The Lantern, 2019-2020
Ursinus College Digital Commons @ Ursinus College The Lantern Literary Magazines Ursinusiana Collection Spring 2020 The Lantern, 2019-2020 Colleen Murphy Ursinus College Jeremy Moyer Ursinus College Adam Mlodzinski Ursinus College Samuel Ernst Ursinus College Lauren Toscano Ursinus College Follow this and additional works at: https://digitalcommons.ursinus.edu/lantern See P nextart of page the forFiction additional Commons authors, Illustr ation Commons, Nonfiction Commons, and the Poetry Commons Click here to let us know how access to this document benefits ou.y Recommended Citation Murphy, Colleen; Moyer, Jeremy; Mlodzinski, Adam; Ernst, Samuel; Toscano, Lauren; Tenaglia, Gabriel; Banks, Griffin; McColgan, Madison; Malones, Ria; Thornton, Rachel; DeMelfi, Gabby; Worcheck, Liam; Savage, Ryan; Worley, Vanessa; Schuh, Aviva; Bradigan, Emily; Addis, Kiley; Kushner, Shayna; Leon, Kevin; Armstrong, Tommy; Schmitz, Matthew; Drury, Millie; Lozzi, Jenna; Buck, Sarah; Ercole, Cyn; Mason, Morgan; Partee, Janice; Rodak, Madison; Walker, Daniel; Gagan, Jordan; Yanaga, Brooke; Foley, Kate I.; Li, Matthew; Brink, Zach; White, Jessica; Dziekan, Anastasia; Perez, Jadidsa; Abrahams, Ian; Reilly, Lindsey; Witkowska, Kalina; Cooney, Kristen; Paiano, Julia; Halko, Kylie; Eckenrod, Tiffini; and Gavin, Kelsey, "The Lantern, 2019-2020" (2020). The Lantern Literary Magazines. 186. https://digitalcommons.ursinus.edu/lantern/186 This Book is brought to you for free and open access by the Ursinusiana Collection at Digital Commons @ Ursinus College. It has been -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Safely Enjoy the Holiday by ADRIENNE SARVIS [email protected]
SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894 WEDNESDAY, NOVEMBER 22, 2017 $1.75 Safely enjoy the holiday BY ADRIENNE SARVIS [email protected] ith lengthy to-do lists and two days to pre- pare a meal for the entire family, many W people can expect to see the storm before the calm this Thanksgiving holiday. While this may not be the the counter within a child’s first rodeo for many fami- easy reach. lies, there are a few tips that can help ensure everyone GUIDELINES FOR can safely enjoy the holiday PREPARING THE TURKEY and the days of leftovers to Before: follow. Read temperature labels to find out if the bird is fresh or frozen. If you plan to serve a fresh turkey, pur- chase it no more than two PHOTOS BY BRUCE MILL S / THE SUMTER ITEM days before Thanksgiving. Turkey grower Lee Newman adjusts a feeder in his grow-out farm recently. Use two thermometers: Use a refrigerator thermometer to ensure the turkey is stored at 40 degrees Fahren- heit or slightly below, and COOKING MISTAKES CAN use a food thermometer to HEAT UP TO DISASTER make sure the cooked tur- NFPA reports that key reaches a safe 165 de- Bird lover Thanksgiving is the peak grees. day for home cooking Thaw the turkey by using fires, followed by the day the microwave, cold water of a different breed before Thanksgiving, or the refrigerator. Christmas Day and Christ- mas Eve. Turkey grower says there are many In 2015, U.S. fire depart- ments responded to more than 1,700 home cooking misconceptions about the business fires on Thanksgiving. -
Black Queer Southern Revelations Mitchell Joseph Sewell University of South Carolina - Columbia
University of South Carolina Scholar Commons Senior Theses Honors College Spring 5-5-2016 Standpoint: Black Queer Southern Revelations MItchell Joseph Sewell University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/senior_theses Part of the Psychiatry and Psychology Commons Recommended Citation Sewell, MItchell Joseph, "Standpoint: Black Queer Southern Revelations" (2016). Senior Theses. 87. https://scholarcommons.sc.edu/senior_theses/87 This Thesis is brought to you by the Honors College at Scholar Commons. It has been accepted for inclusion in Senior Theses by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. University of South Carolina Scholar Commons Theses and Dissertations Spring 5-5-2016 Standpoint: Black Queer Southern Revelations MItchell Joseph Sewell Follow this and additional works at: http://scholarcommons.sc.edu/etd Part of the Psychiatry and Psychology Commons This Open Access Thesis is brought to you for free and open access by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Table of Contents THESIS .............................................................................................................................. 4 WHY WAS THIS NECESSARY? .......................................................................................... 4 THROUGH THE LOOKING GLASS: PERSONAL -
AUSTRALIAN TOUR – MARCH 2017 Including a Day on the Green Concerts! with Special Guest Jewel and Richard Clapton & Melody Pool
AUSTRALIAN TOUR – MARCH 2017 Including a day on the green concerts! With Special Guest Jewel and Richard Clapton & Melody Pool Frontier Touring and Roundhouse Entertainment are honoured to announce the return of co- founder, vocalist and drummer Don Henley to Australia in March 2017 for a run of indoor and a day on the green outdoor shows. Don Henley will make his a day on the green debut performing concerts at Kings Park WA, Sirromet Wines Qld and Mt Duneed Estate Geelong. Last in Australia in early 2015 with the Eagles, Don Henley’s 2017 tour will see him perform songs spanning his entire career from the Eagles and his vast solo catalogue, including songs from his latest album Cass County (out now through Capitol Records) which was named after the East Texas county in which he was raised. Don Henley will be joined on stage by his fifteen-piece band for a show that has had critics raving in the USA and UK: ‘A revelatory and rewarding journey.’ - LA Times ‘He sounds terrific and hit every high note flawlessly’ - Michigan Live ‘The entire evening is literally hit after hit that has defined his career from the Eagles and as a solo artist.’ - Seattle Music News ‘★★★★★’ - Herald Scotland Joining Don Henley will be American singer-songwriter Jewel. The multi GRAMMY Award winner launched to stardom in 1995 with the release of her debut album Pieces Of You, which went on to become one of the best-selling debut albums of all time. With more than 25 million record sales to date, her impressive back catalogue includes hits such as ‘Who Will Save Your Soul’, ‘You Were Meant For Me’, ‘Foolish Games’, ‘Intuition’ and ‘Hands’. -
Happy Dance, Slow Clap: Using Reaction Gifs to Predict Induced Affect on Twitter
Happy Dance, Slow Clap: Using Reaction GIFs to Predict Induced Affect on Twitter Boaz Shmueli1;2;3 , Soumya Ray2, and Lun-Wei Ku3 1Social Networks and Human-Centered Computing, TIGP, Academia Sinica 2Institute of Service Science, National Tsing Hua University 3Institute of Information Science, Academia Sinica [email protected] [email protected] [email protected] Abstract presently most human-annotated emotion datasets are labeled with perceived emotions (e. g., Strap- induced emotion Datasets with labels are parava and Mihalcea, 2008; Preo¸tiuc-Pietroet al., scarce but of utmost importance for many NLP tasks. We present a new, automated method for 2016; Hsu and Ku, 2018; Demszky et al., 2020). collecting texts along with their induced reac- Induced emotions data can be collected using phys- tion labels. The method exploits the online use iological measurements or self-reporting, but both of reaction GIFs, which capture complex affec- methods are complex, expensive, unreliable and tive states. We show how to augment the data cannot scale easily. Still, having well-classified with induced emotions and induced sentiment induced emotions data is of utmost importance labels. We use our method to create and pub- to dialogue systems and other applications that lish ReactionGIF, a first-of-its-kind affective aim to detect, predict, or elicit a particular emo- dataset of 30K tweets. We provide baselines for three new tasks, including induced senti- tional response in users. Pool and Nissim(2016) ment prediction and multilabel classification used distant supervision to detect induced emotions of induced emotions. Our method and dataset from Facebook posts by looking at the six available open new research opportunities in emotion emoji reactions. -
CYBER! Andrea M
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Brigham Young University Law School BYU Law Review Volume 2017 | Issue 5 Article 6 July 2017 CYBER! Andrea M. Matwyshyn Follow this and additional works at: https://digitalcommons.law.byu.edu/lawreview Part of the Computer Law Commons, and the National Security Law Commons Recommended Citation Andrea M. Matwyshyn, CYBER!, 2017 BYU L. Rev. 1109 (2018). Available at: https://digitalcommons.law.byu.edu/lawreview/vol2017/iss5/6 This Article is brought to you for free and open access by the Brigham Young University Law Review at BYU Law Digital Commons. It has been accepted for inclusion in BYU Law Review by an authorized editor of BYU Law Digital Commons. For more information, please contact [email protected]. 3.MATWYSHYN_FIN.NO HEADERS.DOCX (DO NOT DELETE) 3/12/2018 10:45 AM CYBER! Andrea M. Matwyshyn∗ This Article challenges the basic assumptions of the emerging legal area of “cyber” or “cybersecurity.” It argues that the two dominant “cybersecurity” paradigms—information sharing and deterrence—fail to recognize that corporate information security and national “cybersecurity” concerns are inextricable. This problem of “reciprocal security vulnerability” means that in practice our current legal paradigms channel us in suboptimal directions. Drawing insights from the work of philosopher of science Michael Polanyi, this Article identifies three flaws that pervade the academic and policy analysis of security, exacerbating the problem of reciprocal security vulnerability—privacy conflation, incommensurability, and internet exceptionalism. It then offers a new paradigm—reciprocal security. Reciprocal security reframes information security law and policy as part of broader security policy, focusing on two key elements: security vigilance infrastructure and defense primacy.