Various Live Aid Mp3, Flac, Wma
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No. 9', 0Univer at Sto Býr"I'ook
1K No.9', 0Univer SdaV. FM At Sto Býr"I'Ook ............................... ................. •i!!ii:ii:;:i•i... ... ...,J i•i!:-.i:,?.... ?:! 'iiiilli~i .::•iiii::!•iiiii :...:i:i 1(111 ' * page 3 | teams WerT lco-P S4dn IFa %;*pa 40 %A%4. ory S 40c Stony Brook's basketball town meeting ps age 3 ... ..... zoopn . ie p.mft ireplies to !i'iii^ iii '*:+':' Press editorial I gear up for a big season I* page6 page 16 . •.............$ ................ m I II I I I I Push Now The nuclear freeze will probably be one of ched for peace with honor. year after year until we build up to a "strong the hottest issues of the 1984 Presidential race. The freeze also strikes a nerve in American position" whenever that will be. Politicians are already including some sort of fr- consciousness, that of vulnerability. Americans This makes it paramount for us to push for eeze statements in their speeches, especially hate to be vulnerable. We must be independent the freeze in a constant and forceful manner those given to young audiences. Everyone is for and strong. This means military might. The fre- now, during off-year election time, so that the the freeze, or for some parts of the freeze reso- eze has a second obstacle to deal with, that of politicians make a commitment. By getting lution, or agree with it after a defensive buildup. America's fear of , communism. their support now it is easier to make the freeze All this attention would lead us to believe that These two obstacles make it easy for those in a key platform for those seeking office, rather the freeze issue will be addressed and resolved in power to stall any movements they deem bad than than an issue considered only during their the next election. -
Bob Geldof and the Boomtown Rats
“D A ESL MIX ” – CALIFORNIA SYSTEMS I DON ’T LIKE MONDAYS Bob Geldof and The Boomtown Rats The_silicon chip inside_her head gets_switched to overload; and nobody's gonna go to_school today, she's gonna make them s tay at home. And Daddy doesn't_understand it , He_always said she was good_as gold. And he can see no reason, 'cause there are no reasons. What reason do you need to be shown? Tell me why - I don't like Mondays Tell me why - I don't like Mondays Tell me why - I don't like Mondays I wanna shoot the whole day down. The Telex machine is kept so clean, And_it types to_a waiting world. And Mother feels_so shocked, father's world is rocked, and their thoughts turn to their_own little girl. Sweet sixteen ain't_that peachy keen. No, it_ain't so neat to_admit defeat. They can see no reasons, 'cause there are no reasons What reason do you need? Oh-h-h Tell me why - I don't like Mondays Tell me why - I don't like Mondays Tell me why - I don't like Mondays I wanna shoot the whole day down. Down, down, shoot it all down. And_all the playing's s topped in the playground now. She wants to play with her toys_a_while. And school's o ut early and_soon we'll be learning, and the lesson today is how_to_die. Telephone: 627 433 609 ● E-mail: [email protected] ● www.californiasys.com “D A ESL MIX ” – CALIFORNIA SYSTEMS And then the bullhorn crackles, and the captain tackles, with the_problems a nd the how's a nd_why's And he can see no reasons, 'cause there are no reasons What reason do you need to die, die? Oh-h-h And th e_silicon chip inside_her head gets_switched to overload; and nobody's gonna go to_school today, she's gonna make them s tay at home. -
Music Video Goes Global
Jeremy Harry Harris always wanted to be a musician. However, when he was younger his parents said he needed a job with prospects. He joined the army, but at 21-years-old, he had an accident during a parachute jump. My parachute failed to open correctly during a 330 metre descent. I fell to the ground too fast. I came down and hit my head and damaged my eye. Then followed two and a half years of rehabilitation. Jeremy Harry Harris - Singer Jeremy turned to his music and singing after losing his sight in one eye The accident meant Jeremy lost his sight in his right eye. Rather than dwell on what he'd lost, he felt this as a sign to throw his energy into something else. That meant returning to his first love of music and singing. Music video goes global Fast forward twenty-two years and Jeremy is now an accomplished musician and singer, touring America and South America several times over. Now at the age of 44 he's an award winner - securing a film festival award for his music video 'Shout Down the Silence.' Jeremy has toured globally as a singer and musician “You could say music became my therapy. My instrument of choice is the guitar and drums but in recent years I've moved across to singing,” he explains. Jeremy's first band 'Stone Circle' was very popular in Cuba and gathered a huge following there. He also formed an INXS tribute band called 'New Sensation' touring throughout Australia. While he never met Michael Hutchence he has been lucky enough to meet and perform for Sir Bob Geldof at his request. -
S'impicca Il Leader Degli Inxs Una Carriera Lunga Vent'anni
23SPE01A2311 ZALLCALL 12 22:16:16 11/22/97 GLI SPETTACOLI l’Unità2 7 Domenica 23 novembre 1997 Lo hanno Su Raiuno e Canale 5 trovato senza vita Proietti sfida in un albergo Dapporto di Sidney GialloGiallo Nessun nella serata messaggio e, della fiction dicono gli L’anno scorso medico, quest’anno prete, stasera rock «padre innocente». Stiamo parlando di Massimo amici, pareva rock Dapporto, che risulta credibile in tutti i ruoli e in uomo felice tutte le divise della fiction televisiva.Così come Gi- gi Proietti, che l’anno scorso fu per la Rai carabinie- re di straordinario successo e stasera è su Canale 5 Lo hanno trovato impiccato con 23SPE01AF01 L’avvocato Porta. una cintura di cuoio nella sua stanza Si scontrano in una crudele sfida (attenuata al quinto piano dellussuoso Ritz Car- 4.66 appena dalla grande diffusione dei videregistra- lton Hotel, inquartiereelegantediSi- 24.0 tori) due bravissimi attori che, indipendente- dney. È stato un cameriere a scoprir- mente dalla rete, dalla tv pubblica o privata e lo, intorno alle 11 di mattina, quan- dalla vicenda narrata, sono una garanzia per il do era ormai troppo tardi per poterlo video. Mentre il pur bravissimo Enrico Monte- soccorrere. Una morte drammatica e sano quest’anno ha toppato con Fantastico ed ancora misteriosa, quella della ro- era andato benissimo nella fiction delle passate ckstar australiana Michael Hutchen- stagioni. A quanto pare, il pubblico ama questi ce, 37 anni, cantante e leader del ottimi interpreti quando fanno il loro mestiere gruppo degli Inxs. Morte da rockstar e cioè recitano un ruolo vero e non quando pre- maledetta, battevano ieri pomerig- stano e sprecano il loro talento tra un’intervista gio le agenzie stampa, morte oscura, falsa e un giochino telefonico. -
Artist Review: Revisiting Sting-An Under-Recognized Existentialist Song Writer1
International Journal of Multidisciplinary Research and Growth Evaluation www.allmultidisciplinaryjournal.com International Journal of Multidisciplinary Research and Growth Evaluation ISSN: 2582-7138 Received: 01-05-2021; Accepted: 18-05-2021 www.allmultidisciplinaryjournal.com Volume 2; Issue 3; May-June 2021; Page No. 550-561 Artist review: Revisiting sting-an under-recognized Existentialist song writer1 Li Jia International College, Krirk University, Thanon Ram Intra, Khwaeng Anusawari, Khet Bang Khen, Krung Thep, Maha Nakhon10220, Thailand Corresponding Author: Li Jia Abstract Artistic expressions such as songs and poetry are examples of a solo artist but also helped him in communicating his free activities and are privileged modes of revealing what the thoughts and ideals to the world. His music, words and life world is about. Art’s power, in the case of existentialism, is are inextricably linked and this can be seen in many of Sting to a large extent devoted to expressing the absurdity of the ’s confessional songs that have connections to events in his human condition since for the existentialists, the world in no personal life. Existential characteristics have affected Sting longer open to the human desire of meaning and order. Sting both as a person and a musician. This paper calls for more is included in this pool of gifted artist and his talent in making researches on his music legacy that the world owned him for songs has not only paved the way for his successful career as a long time. Keywords: Sting, Existentialist, Song Writer Introduction Artistic expressions such as songs and poetry are examples of free activities and are privileged modes of revealing what the world is about. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
SIRIUS Satellite Radio to Premiere Music from Historic 1985 Live Aid Benefit Concert
SIRIUS Satellite Radio To Premiere Music From Historic 1985 Live Aid Benefit Concert Special program will be presented by original MTV VJs and SIRIUS on-air hosts Mark Goodman, Alan Hunter and Nina Blackwood on Big ‘80s channel NEW YORK, NY (Nov. 9, 2004) – SIRIUS Satellite Radio will premiere tracks from the new Live Aid concert film on Saturday, November 13 and Sunday, November 14, before the film is available on DVD at retail on November 16. In addition, original MTV VJs Mark Goodman, Alan Hunter and Nina Blackwood, who are hosts on commercial-free SIRIUS music channel Big ‘80s, will provide their personal recollections from the July 13, 1985 event, as part of the special Live Aid Replayed broadcast on SIRIUS, starting at 12 pm ET on Big ‘80s, channel 8. Live Aid was the biggest event in music history, presenting the biggest names in pop and rock music performing live from two continents to a televised audience of more than 1.5 billion to raise money to combat famine in Ethiopia. The stages of Wembley Stadium in London and JFK Stadium in Philadelphia, PA together featured more than 60 artists, including Paul McCartney, Madonna, Sting, Eric Clapton, The Who, Mick Jagger, U2, Pretenders, Queen, Neil Young, Duran Duran and Elton John, to name a few. As MTV VJs at the time, Mark Goodman, Alan Hunter and Nina Blackwood were an integral part of the live MTV broadcast of the event from Philadelphia. A highlight of Live Aid Replayed on SIRIUS will be their unique insights and memories of the event, its performers and its impact. -
An Abstract of the Thesis Of
1 INTRODUCTION The end of the Cold War radically realigned global politics and led to a renewed interest in transnational civil society. The new civil society that helped bring down the Soviet Empire has been considered a major enabling element for worldwide democratization. Simultaneously, social movements addressing issues such as the environment and human rights globalized and increased their prominence within civil society. Leading such movements were inter-governmental organizations (IGOs), like the United Nations, and non-governmental organizations (NGOs), like Amnesty International and Greenpeace. Collectively known as international organizations (IOs), the reorganized worldwide society created an atmosphere where such IOs could proliferate and flourish, and become a significant factor in the post-Cold War world. While IGOs are quite powerful, NGOs have achieved a dramatic impact working as non-state players in international society. Current scholars of international relations have begun to consider the implications of traditionally non-political actors advocating political and social causes. However, much of that work has focused on NGOs and their interactions with each other, the governments of nation-states and IGOs. Keck and Sikkink (1998) evaluate the prominence of NGOs and the transnational networks that such organizations form to frame issue debates and establish them on agendas of international concern. However, another important piece of the puzzle for NGOs to successfully promote a political or social agenda is the role played by individual non- state actors, and not just non-state organizations. Non-state actors often have a unique ability to impact an audience that may not be affected by NGOs, especially when these 2 non-state individuals are celebrities. -
Boomtown Rats Boomtown Rats Royce 5'9
ROYCE 5’9” MORRISSEY BOOMTOWN RATS THE ALLEGORY I AM NOT A DOG CITIZENS OF BOOMTOWN EONE BMG BMG “The goal was to make something that feels like a Morrissey kicks off the new decade with the release The Boomtown Rats - Bob Geldof on vocals, Pete hip-hop album, but that has a lot of layers you may of his thirteenth solo studio album, I Am Not A Dog Briquette on bass, Simon Crowe on drums and Garry not necessarily get on the first time,” says Royce Da On A Chain. “I have now produced four studio albums Roberts on guitar - mark 2020 (The Year Of The Rat) 5’9” about his masterpiece, The Allegory. “It’s really for Morrissey,” says the great Joe Chiccarelli (Beck, with the release of Citizens Of Boomtown, their first abstract in the way that it’s constructed… It’s the anti- The Strokes, The Killers). “This is his boldest and most new studio album since 1984. Featuring 10 glorious new everything.” Royce has long been a respected emcee, adventurous album yet… And once again proving that Boomtown Rats songs produced by Briquette, Citizens but now he can count himself as a great producer. as a songwriter and singer, he is in his own category.” of Boomtown is ushered in by the beautifully sleazy Royce sculpted every track – toying with spoken word, One supposes. Anyway: It’s notable that the album’s rocker “Trash Glam Baby.” Formed in 1975 in Dublin boom-bap, and avant garde funk. As for the lyrics: first single, “Bobby, Don’t You Think They Know?” The Boomtown Rats became part of the burgeoning “They say you are what you eat, but I never ate goat” is features Motown legend Thelma Houston – best known punk scene. -
Banana Republic? by Dr Steven Mccabe, Associate Professor, Institute of Design and Economic Acceleration
Banana Republic? By Dr Steven McCabe, Associate Professor, Institute of Design and Economic Acceleration (IDEA) and Senior Fellow, Centre for Brexit Studies, Birmingham City University “Banana Republic” is the 1980 single from new wave act, The Boomtown Rats and taken from their album Mondo Bongo. “Banana Republic” was written by lead singer, campaigner, entrepreneur and generally rambunctious Dubliner, Bob Geldof, in collaboration with bass player Pete Briquette, real name Patrick Cusack, who’s from Ballyjamesduff in County Cavan; not far from where my parents were born. equity). Many on new developments had to endure years of living on partially competed estates. Wha It is increasingly hard to know where to start as to analysing how utterly appalling his stewardship has been. Having secured an 80-seat majority based explicitly on delivering the will of the people in promising to “get Brexit done” through his “oven-ready deal”, the very next day, he attended what The Guardian It’s worth noting that during the pandemic, Varadkar re-registered as doctor during Covid-19 pandemic so he could assist the Irish health service during the crisis. Varadkar’s example of being among . -
The KARAOKE Channel Song List
11/17/2016 The KARAOKE Channel Song list Print this List ... The KARAOKE Channel Song list Show: All Genres, All Languages, All Eras Sort By: Alphabet Song Title In The Style Of Genre Year Language Dur. 1, 2, 3, 4 Plain White T's Pop 2008 English 3:14 R&B/Hip- 1, 2 Step (Duet) Ciara feat. Missy Elliott 2004 English 3:23 Hop #1 Crush Garbage Rock 1997 English 4:46 R&B/Hip- #1 (Radio Version) Nelly 2001 English 4:09 Hop 10 Days Late Third Eye Blind Rock 2000 English 3:07 100% Chance Of Rain Gary Morris Country 1986 English 4:00 R&B/Hip- 100% Pure Love Crystal Waters 1994 English 3:09 Hop 100 Years Five for Fighting Pop 2004 English 3:58 11 Cassadee Pope Country 2013 English 3:48 1-2-3 Gloria Estefan Pop 1988 English 4:20 1500 Miles Éric Lapointe Rock 2008 French 3:20 16th Avenue Lacy J. Dalton Country 1982 English 3:16 17 Cross Canadian Ragweed Country 2002 English 5:16 18 And Life Skid Row Rock 1989 English 3:47 18 Yellow Roses Bobby Darin Pop 1963 English 2:13 19 Somethin' Mark Wills Country 2003 English 3:14 1969 Keith Stegall Country 1996 English 3:22 1982 Randy Travis Country 1986 English 2:56 1985 Bowling for Soup Rock 2004 English 3:15 1999 The Wilkinsons Country 2000 English 3:25 2 Hearts Kylie Minogue Pop 2007 English 2:51 R&B/Hip- 21 Questions 50 Cent feat. Nate Dogg 2003 English 3:54 Hop 22 Taylor Swift Pop 2013 English 3:47 23 décembre Beau Dommage Holiday 1974 French 2:14 Mike WiLL Made-It feat. -
Representation of 1980S Cold War Culture and Politics in Popular Music in the West Alex Robbins
University of Portland Pilot Scholars History Undergraduate Publications and History Presentations 12-2017 Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West Alex Robbins Follow this and additional works at: https://pilotscholars.up.edu/hst_studpubs Part of the European History Commons, Music Commons, Political History Commons, and the United States History Commons Citation: Pilot Scholars Version (Modified MLA Style) Robbins, Alex, "Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West" (2017). History Undergraduate Publications and Presentations. 7. https://pilotscholars.up.edu/hst_studpubs/7 This Thesis is brought to you for free and open access by the History at Pilot Scholars. It has been accepted for inclusion in History Undergraduate Publications and Presentations by an authorized administrator of Pilot Scholars. For more information, please contact [email protected]. Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West By Alex Robbins Submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in History University of Portland December 2017 Robbins 1 The Cold War represented more than a power struggle between East and West and the fear of mutually assured destruction. Not only did people fear the loss of life and limb but the very nature of their existence came into question. While deemed the “cold” war due to the lack of a direct military conflict, battle is not all that constitutes a war. A war of ideas took place. Despite the attempt to eliminate outside influence, both East and West felt the impact of each other’s cultural movements.