A Computational Algorithm for Origami Design Robert J
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Mathematics of Origami
Mathematics of Origami Angela Kohlhaas Loras College February 17, 2012 Introduction Origami ori + kami, “folding paper” Tools: one uncut square of paper, mountain and valley folds Goal: create art with elegance, balance, detail Outline History Applications Foldability Design History of Origami 105 A.D.: Invention of paper in China Paper-folding begins shortly after in China, Korea, Japan 800s: Japanese develop basic models for ceremonial folding 1200s: Origami globalized throughout Japan 1682: Earliest book to describe origami 1797: How to fold 1,000 cranes published 1954: Yoshizawa’s book formalizes a notational system 1940s-1960s: Origami popularized in the U.S. and throughout the world History of Origami Mathematics 1893: Geometric exercises in paper folding by Row 1936: Origami first analyzed according to axioms by Beloch 1989-present: Huzita-Hatori axioms Flat-folding theorems: Maekawa, Kawasaki, Justin, Hull TreeMaker designed by Lang Origami sekkei – “technical origami” Rigid origami Applications from the large to very small Miura-Ori Japanese solar sail “Eyeglass” space telescope Lawrence Livermore National Laboratory Science of the small Heart stents Titanium hydride printing DNA origami Protein-folding Two broad categories Foldability (discrete, computational complexity) Given a pattern of creases, when does the folded model lie flat? Design (geometry, optimization) How much detail can added to an origami model, and how efficiently can this be done? Flat-Foldability of Crease Patterns 훗 Three criteria for 훗: Continuity, Piecewise isometry, Noncrossing 2-Colorable Under the mapping 훗, some faces are flipped while others are only translated and rotated. Maekawa-Justin Theorem At any interior vertex, the number of mountain and valley folds differ by two. -
3.2.1 Crimpable Sequences [6]
JAIST Repository https://dspace.jaist.ac.jp/ Title 折り畳み可能な単頂点展開図に関する研究 Author(s) 大内, 康治 Citation Issue Date 2020-03-25 Type Thesis or Dissertation Text version ETD URL http://hdl.handle.net/10119/16649 Rights Description Supervisor:上原 隆平, 先端科学技術研究科, 博士 Japan Advanced Institute of Science and Technology Doctoral thesis Research on Flat-Foldable Single-Vertex Crease Patterns by Koji Ouchi Supervisor: Ryuhei Uehara Graduate School of Advanced Science and Technology Japan Advanced Institute of Science and Technology [Information Science] March, 2020 Abstract This paper aims to help origami designers by providing methods and knowledge related to a simple origami structure called flat-foldable single-vertex crease pattern.A crease pattern is the set of all given creases. A crease is a line on a sheet of paper, which can be labeled as “mountain” or “valley”. Such labeling is called mountain-valley assignment, or MV assignment. MV-assigned crease pattern denotes a crease pattern with an MV assignment. A sheet of paper with an MV-assigned crease pattern is flat-foldable if it can be transformed from the completely unfolded state into the flat state that all creases are completely folded without penetration. In applications, a material is often desired to be flat-foldable in order to store the material in a compact room. A single-vertex crease pattern (SVCP for short) is a crease pattern whose all creases are incident to the center of the sheet of paper. A deep insight of SVCP must contribute to development of both basics and applications of origami because SVCPs are basic units that form an origami structure. -
Folding a Paper Strip to Minimize Thickness✩
Folding a Paper Strip to Minimize Thickness✩ Erik D. Demainea, David Eppsteinb, Adam Hesterbergc, Hiro Itod, Anna Lubiwe, Ryuhei Ueharaf, Yushi Unog aComputer Science and Artificial Intelligence Lab, Massachusetts Institute of Technology, Cambridge, USA bComputer Science Department, University of California, Irvine, USA cDepartment of Mathematics, Massachusetts Institute of Technology, USA dSchool of Informatics and Engineering, University of Electro-Communications, Tokyo, Japan eDavid R. Cheriton School of Computer Science, University of Waterloo, Ontario, Canada fSchool of Information Science, Japan Advanced Institute of Science and Technology, Ishikawa, Japan gGraduate School of Science, Osaka Prefecture University, Osaka, Japan Abstract In this paper, we study how to fold a specified origami crease pattern in order to minimize the impact of paper thickness. Specifically, origami designs are often expressed by a mountain-valley pattern (plane graph of creases with relative fold orientations), but in general this specification is consistent with exponentially many possible folded states. We analyze the complexity of finding the best consistent folded state according to two metrics: minimizing the total number of layers in the folded state (so that a “flat folding” is indeed close to flat), and minimizing the total amount of paper required to execute the folding (where “thicker” creases consume more paper). We prove both problems strongly NP- complete even for 1D folding. On the other hand, we prove both problems fixed-parameter tractable in 1D with respect to the number of layers. Keywords: linkage, NP-complete, optimization problem, rigid origami. 1. Introduction Most results in computational origami design assume an idealized, zero- thickness piece of paper. This approach has been highly successful, revolution- izing artistic origami over the past few decades. -
Origami Design Secrets Reveals the Underlying Concepts of Origami and How to Create Original Origami Designs
SECOND EDITION PRAISE FOR THE FIRST EDITION “Lang chose to strike a balance between a book that describes origami design algorithmically and one that appeals to the origami community … For mathematicians and origamists alike, Lang’s expository approach introduces the reader to technical aspects of folding and the mathematical models with clarity and good humor … highly recommended for mathematicians and students alike who want to view, explore, wrestle with open problems in, or even try their own hand at the complexity of origami model design.” —Thomas C. Hull, The Mathematical Intelligencer “Nothing like this has ever been attempted before; finally, the secrets of an origami master are revealed! It feels like Lang has taken you on as an apprentice as he teaches you his techniques, stepping you through examples of real origami designs and their development.” —Erik D. Demaine, Massachusetts Institute of Technology ORIGAMI “This magisterial work, splendidly produced, covers all aspects of the art and science.” —SIAM Book Review The magnum opus of one of the world’s leading origami artists, the second DESIGN edition of Origami Design Secrets reveals the underlying concepts of origami and how to create original origami designs. Containing step-by-step instructions for 26 models, this book is not just an origami cookbook or list of instructions—it introduces SECRETS the fundamental building blocks of origami, building up to advanced methods such as the combination of uniaxial bases, the circle/river method, and tree theory. With corrections and improved Mathematical Methods illustrations, this new expanded edition also for an Ancient Art covers uniaxial box pleating, introduces the new design technique of hex pleating, and describes methods of generalizing polygon packing to arbitrary angles. -
Table of Contents
Contents Part 1: Mathematics of Origami Introduction Acknowledgments I. Mathematics of Origami: Coloring Coloring Connections with Counting Mountain-Valley Assignments Thomas C. Hull Color Symmetry Approach to the Construction of Crystallographic Flat Origami Ma. Louise Antonette N. De las Penas,˜ Eduard C. Taganap, and Teofina A. Rapanut Symmetric Colorings of Polypolyhedra sarah-marie belcastro and Thomas C. Hull II. Mathematics of Origami: Constructibility Geometric and Arithmetic Relations Concerning Origami Jordi Guardia` and Eullia Tramuns Abelian and Non-Abelian Numbers via 3D Origami Jose´ Ignacio Royo Prieto and Eulalia` Tramuns Interactive Construction and Automated Proof in Eos System with Application to Knot Fold of Regular Polygons Fadoua Ghourabi, Tetsuo Ida, and Kazuko Takahashi Equal Division on Any Polygon Side by Folding Sy Chen A Survey and Recent Results about Common Developments of Two or More Boxes Ryuhei Uehara Unfolding Simple Folds from Crease Patterns Hugo A. Akitaya, Jun Mitani, Yoshihiro Kanamori, and Yukio Fukui v vi CONTENTS III. Mathematics of Origami: Rigid Foldability Rigid Folding of Periodic Origami Tessellations Tomohiro Tachi Rigid Flattening of Polyhedra with Slits Zachary Abel, Robert Connelly, Erik D. Demaine, Martin L. Demaine, Thomas C. Hull, Anna Lubiw, and Tomohiro Tachi Rigidly Foldable Origami Twists Thomas A. Evans, Robert J. Lang, Spencer P. Magleby, and Larry L. Howell Locked Rigid Origami with Multiple Degrees of Freedom Zachary Abel, Thomas C. Hull, and Tomohiro Tachi Screw-Algebra–Based Kinematic and Static Modeling of Origami-Inspired Mechanisms Ketao Zhang, Chen Qiu, and Jian S. Dai Thick Rigidly Foldable Structures Realized by an Offset Panel Technique Bryce J. Edmondson, Robert J. -
Generating Folding Sequences from Crease Patterns of Flat-Foldable Origami
Generating Folding Sequences from Crease Patterns of Flat-Foldable Origami Hugo A. Akitaya∗ Jun Mitaniy Yoshihiro Kanamoriy Yukio Fukuiy University of Tsukuba University of Tsukuba / JST ERATO University of Tsukuba University of Tsukuba (b) (a) Figure 1: (a) Example of a step sequence graph containing several possible ways of simplifying the input crease pattern. (b) Results obtained using the path highlighted in orange from Figure 1(a). to fold the paper into the origami design, since crease patterns show only where each crease must be made and not folding instructions. In fact, folding an origami model by its crease pattern may be a difficult task even for people experienced in origami [Lang 2012]. According to Lang, a linear sequence of small steps, such as usually (a) (b) portrayed in traditional diagrams, might not even exist and all the folds would have to be executed simultaneously. Figure 2: (a) Crease pattern and (b) folded form of the “Penguin”. We introduce a system capable of identifying if a folding sequence Design by Hideo Komatsu. Images redrawn by authors. exists using a predetermined set of folds by modeling the origami steps as graph rewriting steps. It also creates origami diagrams semi-automatically from the input of a crease pattern of a flat 1 Problem and Motivation origami. Our system provides the automatic addition of traditional symbols used in origami diagrams and 3D animations in order to The most common form to convey origami is through origami di- help people who are inexperienced in folding crease patterns as agrams, which are step-by-step sequences as shown in Figure 1b. -
GEOMETRIC FOLDING ALGORITHMS I
P1: FYX/FYX P2: FYX 0521857570pre CUNY758/Demaine 0 521 81095 7 February 25, 2007 7:5 GEOMETRIC FOLDING ALGORITHMS Folding and unfolding problems have been implicit since Albrecht Dürer in the early 1500s but have only recently been studied in the mathemat- ical literature. Over the past decade, there has been a surge of interest in these problems, with applications ranging from robotics to protein folding. With an emphasis on algorithmic or computational aspects, this comprehensive treatment of the geometry of folding and unfolding presents hundreds of results and more than 60 unsolved “open prob- lems” to spur further research. The authors cover one-dimensional (1D) objects (linkages), 2D objects (paper), and 3D objects (polyhedra). Among the results in Part I is that there is a planar linkage that can trace out any algebraic curve, even “sign your name.” Part II features the “fold-and-cut” algorithm, establishing that any straight-line drawing on paper can be folded so that the com- plete drawing can be cut out with one straight scissors cut. In Part III, readers will see that the “Latin cross” unfolding of a cube can be refolded to 23 different convex polyhedra. Aimed primarily at advanced undergraduate and graduate students in mathematics or computer science, this lavishly illustrated book will fascinate a broad audience, from high school students to researchers. Erik D. Demaine is the Esther and Harold E. Edgerton Professor of Elec- trical Engineering and Computer Science at the Massachusetts Institute of Technology, where he joined the faculty in 2001. He is the recipient of several awards, including a MacArthur Fellowship, a Sloan Fellowship, the Harold E. -
Industrial Product Design by Using Two-Dimensional Material in the Context of Origamic Structure and Integrity
Industrial Product Design by Using Two-Dimensional Material in the Context of Origamic Structure and Integrity By Nergiz YİĞİT A Dissertation Submitted to the Graduate School in Partial Fulfillment of the Requirements for the Degree of MASTER OF INDUSTRIAL DESIGN Department: Industrial Design Major: Industrial Design İzmir Institute of Technology İzmir, Turkey July, 2004 We approve the thesis of Nergiz YİĞİT Date of Signature .................................................. 28.07.2004 Assist. Prof. Yavuz SEÇKİN Supervisor Department of Industrial Design .................................................. 28.07.2004 Assist.Prof. Dr. Önder ERKARSLAN Department of Industrial Design .................................................. 28.07.2004 Assist. Prof. Dr. A. Can ÖZCAN İzmir University of Economics, Department of Industrial Design .................................................. 28.07.2004 Assist. Prof. Yavuz SEÇKİN Head of Department ACKNOWLEDGEMENTS I would like to thank my advisor Assist. Prof. Yavuz Seçkin for his continual advice, supervision and understanding in the research and writing of this thesis. I would also like to thank Assist. Prof. Dr. A. Can Özcan, and Assist.Prof. Dr. Önder Erkarslan for their advices and supports throughout my master’s studies. I am grateful to my friends Aslı Çetin and Deniz Deniz for their invaluable friendships, and I would like to thank to Yankı Göktepe for his being. I would also like to thank my family for their patience, encouragement, care, and endless support during my whole life. ABSTRACT Throughout the history of industrial product design, there have always been attempts to shape everyday objects from a single piece of semi-finished industrial materials such as plywood, sheet metal, plastic sheet and paper-based sheet. One of the ways to form these two-dimensional materials into three-dimensional products is bending following cutting. -
Planning to Fold Multiple Objects from a Single Self-Folding Sheet
Planning to Fold Multiple Objects from a Single Self-Folding Sheet Byoungkwon An∗ Nadia Benbernou∗ Erik D. Demaine∗ Daniela Rus∗ Abstract This paper considers planning and control algorithms that enable a programmable sheet to realize different shapes by autonomous folding. Prior work on self-reconfiguring machines has considered modular systems in which independent units coordinate with their neighbors to realize a desired shape. A key limitation in these prior systems is the typically many operations to make and break connections with neighbors, which lead to brittle performance. We seek to mitigate these difficulties through the unique concept of self-folding origami with a universal fixed set of hinges. This approach exploits a single sheet composed of interconnected triangular sections. The sheet is able to fold into a set of predetermined shapes using embedded actuation. We describe the planning algorithms underlying these self-folding sheets, forming a new family of reconfigurable robots that fold themselves into origami by actuating edges to fold by desired angles at desired times. Given a flat sheet, the set of hinges, and a desired folded state for the sheet, the algorithms (1) plan a continuous folding motion into the desired state, (2) discretize this motion into a practicable sequence of phases, (3) overlay these patterns and factor the steps into a minimum set of groups, and (4) automatically plan the location of actuators and threads on the sheet for implementing the shape-formation control. 1 Introduction Over the past two decades we have seen great progress toward creating self-assembling, self-reconfiguring, self-replicating, and self-organizing machines [YSS+06]. -
Origamizing Polyhedral Surfaces Tomohiro Tachi
1 Origamizing Polyhedral Surfaces Tomohiro Tachi Abstract—This paper presents the first practical method for “origamizing” or obtaining the folding pattern that folds a single sheet of material into a given polyhedral surface without any cut. The basic idea is to tuck fold a planar paper to form a three-dimensional shape. The main contribution is to solve the inverse problem; the input is an arbitrary polyhedral surface and the output is the folding pattern. Our approach is to convert this problem into a problem of laying out the polygons of the surface on a planar paper by introducing the concept of tucking molecules. We investigate the equality and inequality conditions required for constructing a valid crease pattern. We propose an algorithm based on two-step mapping and edge splitting to solve these conditions. The two-step mapping precalculates linear equalities and separates them from other conditions. This allows an interactive manipulation of the crease pattern in the system implementation. We present the first system for designing three-dimensional origami, enabling a user can interactively design complex spatial origami models that have not been realizable thus far. Index Terms—Origami, origami design, developable surface, folding, computer-aided design. ✦ 1 INTRODUCTION proposed to obtain nearly developable patches represented as RIGAMI is an art of folding a single piece of paper triangle meshes, either by segmenting the surface through O into a variety of shapes without cutting or stretching the fitting of the patches to cones, as proposed by Julius it. Creating an origami with desired properties, particularly a [4], or by minimizing the Gauss area, as studied by Wang desired shape, is known as origami design. -
Valentina Beatini Cinemorfismi. Meccanismi Che Definiscono Lo Spazio Architettonico
Università degli Studi di Parma Dipartimento di Ingegneria Civile, dell'Ambiente, del Territorio e Architettura Dottorato di Ricerca in Forme e Strutture dell'Architettura XXIII Ciclo (ICAR 08 - ICAR 09 - ICAR 10 - ICAR 14 - ICAR17 - ICAR 18 - ICAR 19 – ICAR 20) Valentina Beatini Cinemorfismi. Meccanismi che definiscono lo spazio architettonico. Kinematic shaping. Mechanisms that determine architecture of space. Tutore: Gianni Royer Carfagni Coordinatore del Dottorato: Prof. Aldo De Poli “La forma deriva spontaneamente dalle necessità di questo spazio, che si costruisce la sua dimora come l’animale che sceglie la sua conchiglia. Come quell’animale, sono anch’io un architetto del vuoto.” Eduardo Chillida Università degli Studi di Parma Dipartimento di Ingegneria Civile, dell'Ambiente, del Territorio e Architettura Dottorato di Ricerca in Forme e Strutture dell'Architettura (ICAR 08 - ICAR 09 – ICAR 10 - ICAR 14 - ICAR17 - ICAR 18 - ICAR 19 – ICAR 20) XXIII Ciclo Coordinatore: prof. Aldo De Poli Collegio docenti: prof. Bruno Adorni prof. Carlo Blasi prof. Eva Coisson prof. Paolo Giandebiaggi prof. Agnese Ghini prof. Maria Evelina Melley prof. Ivo Iori prof. Gianni Royer Carfagni prof. Michela Rossi prof. Chiara Vernizzi prof. Michele Zazzi prof. Andrea Zerbi. Dottorando: Valentina Beatini Titolo della tesi: Cinemorfismi. Meccanismi che definiscono lo spazio architettonico. Kinematic shaping. Mechanisms that determine architecture of space. Tutore: Gianni Royer Carfagni A Emilio, Maurizio e Carlotta. Ringrazio tutti i professori e tutti i colleghi coi quali ho potuto confrontarmi nel corso di questi anni, e in modo particolare il prof. Gianni Royer per gli interessanti confronti ed il prof. Aldo De Poli per i frequenti incoraggiamenti. -
Practical Applications of Rigid Thick Origami in Kinetic Architecture
PRACTICAL APPLICATIONS OF RIGID THICK ORIGAMI IN KINETIC ARCHITECTURE A DARCH PROJECT SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTORATE OF ARCHITECTURE DECEMBER 2015 By Scott Macri Dissertation Committee: David Rockwood, Chairperson David Masunaga Scott Miller Keywords: Kinetic Architecture, Origami, Rigid Thick Acknowledgments I would like to gratefully acknowledge and give a huge thanks to all those who have supported me. To the faculty and staff of the School of Architecture at UH Manoa, who taught me so much, and guided me through the D.Arch program. To Kris Palagi, who helped me start this long dissertation journey. To David Rockwood, who had quickly learned this material and helped me finish and produced a completed document. To my committee members, David Masunaga, and Scott Miller, who have stayed with me from the beginning and also looked after this document with a sharp eye and critical scrutiny. To my wife, Tanya Macri, and my parents, Paul and Donna Macri, who supported me throughout this dissertation and the D.Arch program. Especially to my father, who introduced me to origami over two decades ago, without which, not only would this dissertation not have been possible, but I would also be with my lifelong hobby and passion. And finally, to Paul Sheffield, my continual mentor in not only the study and business of architecture, but also mentored me in life, work, my Christian faith, and who taught me, most importantly, that when life gets stressful, find a reason to laugh about it.