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The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
Extract from Chapter Four: When You Grow Up, Little Lady
Extract From Chapter Four: When You Grow Up, Little Lady In the summer of 1934, Lew took the band on the road again, and they played to sell-out audiences in Manchester, Edinburgh, Glasgow, Portsmouth and Nottingham, where Tiny Winters recalled that „people were scrambling for autographs in the interval, it was a near-riot. It really did bring home to us how people felt about the band.‟ When Al Bowlly sang, the dancers stopped dancing, and clustered ten-deep in front of the band-stand. In Bradford, he left the stage during an instrumental number, and was besieged by girls. He couldn‟t fight his way back to the microphone in time for his next vocal, and the band had to fill in for 32 bars. In that same year, Bowlly went to the USA, with Bill Harty, to sing with a new Ray Noble band. Alan Kane became the band‟s regular vocalist, while Jock Jacobson took over the drummer‟s stool. Albert Harris joined as guitarist, and Stanley Black was now on piano. In February 1935 the new band opened at the Hollywood Restaurant in Piccadilly. In March, trumpeter Nat Gonella left, to launch his career as a band-leader, with a smaller jazzier ensemble - The Georgians. Tommy McQuater took his place. At the Holborn Empire, Lew Stone made his debut as a comedian, with a languidly elegant rendering of the comedy song „Algernon Whifflesnoop John‟, complete with monocle, and supported by trumpeter Alfie Noakes as his obsequious butler. His deadpan vocal delivery also enhanced „The Gentleman Obviously Doesn‟t Believe‟, „Knock Knock‟, and most memorably „I‟ll be-BBCing You‟. -
100 Years: a Century of Song 1930S
100 Years: A Century of Song 1930s Page 42 | 100 Years: A Century of song 1930 A Little of What You Fancy Don’t Be Cruel Here Comes Emily Brown / (Does You Good) to a Vegetabuel Cheer Up and Smile Marie Lloyd Lesley Sarony Jack Payne A Mother’s Lament Don’t Dilly Dally on Here we are again!? Various the Way (My Old Man) Fred Wheeler Marie Lloyd After Your Kiss / I’d Like Hey Diddle Diddle to Find the Guy That Don’t Have Any More, Harry Champion Wrote the Stein Song Missus Moore I am Yours Jack Payne Lily Morris Bert Lown Orchestra Alexander’s Ragtime Band Down at the Old I Lift Up My Finger Irving Berlin Bull and Bush Lesley Sarony Florrie Ford Amy / Oh! What a Silly I’m In The Market For You Place to Kiss a Girl Everybody knows me Van Phillips Jack Hylton in my old brown hat Harry Champion I’m Learning a Lot From Another Little Drink You / Singing a Song George Robey Exactly Like You / to the Stars Blue Is the Night Any Old Iron Roy Fox Jack Payne Harry Champion I’m Twenty-one today Fancy You Falling for Me / Jack Pleasants Beside the Seaside, Body and Soul Beside the Sea Jack Hylton I’m William the Conqueror Mark Sheridan Harry Champion Forty-Seven Ginger- Beware of Love / Headed Sailors If You were the Only Give Me Back My Heart Lesley Sarony Girl in the World Jack Payne George Robey Georgia On My Mind Body & Soul Hoagy Carmichael It’s a Long Way Paul Whiteman to Tipperary Get Happy Florrie Ford Boiled Beef and Carrots Nat Shilkret Harry Champion Jack o’ Lanterns / Great Day / Without a Song Wind in the Willows Broadway Baby Dolls -
Welcome, We Have Been Archiving This Data for Research And
Welcome, To our MP3 archive section. These listings are recordings taken from early 78 & 45 rpm records. We have been archiving this data for research and preservation of these early discs. ALL MP3 files can be sent to you by email - $2.00 per song Scroll until you locate what you would like to have sent to you, via email. If you don't use Paypal you can send payment to us at: RECORDSMITH, 2803 IRISDALE AVE RICHMOND, VA 23228 Order by ARTIST & TITLE [email protected] H & H - Deep Hackberry Ramblers - Crowley Waltz Hackberry Ramblers - Tickle Her Hackett, Bobby - New Orleans Hackett, Buddy - Advice For young Lovers Hackett, Buddy - Chinese Laundry (Coral 61355) Hackett, Buddy - Chinese Rock and Egg Roll Hackett, Buddy - Diet Hackett, Buddy - It Came From Outer Space Hackett, Buddy - My Mixed Up Youth Hackett, Buddy - Old Army Routine Hackett, Buddy - Original Chinese Waiter Hackett, Buddy - Pennsylvania 6-5000 (Coral 61355) Hackett, Buddy - Songs My Mother Used to Sing To Who 1993 Haddaway - Life (Everybody Needs Somebody To Love) 1993 Haddaway - What Is Love Hadley, Red - Brother That's All (Meteor 5017) Hadley, Red - Ring Out Those Bells (Meteor 5017) 1979 Hagar, Sammy - (Sittin' On) The Dock Of The Bay 1987 Hagar, Sammy - Eagle's Fly 1987 Hagar, Sammy - Give To Live 1984 Hagar, Sammy - I Can't Drive 55 1982 Hagar, Sammy - I'll Fall In Love Again 1978 Hagar, Sammy - I've Done Everything For You 1978 1983 Hagar, Sammy - Never Give Up 1982 Hagar, Sammy - Piece Of My Heart 1979 Hagar, Sammy - Plain Jane 1984 Hagar, Sammy - Two Sides -
STANLEY FRANK DANCE (K25-28) He Was Born on 15 September
STANLEY FRANK DANCE (K25-28) He was born on 15 September 1910 in Braintree, Essex. Records were apparently plentiful at Framlingham, so during his time there he was fortunate that the children of local record executives were also in attendance. This gave him the opportunity to hear almost anything that was at hand. By the time he left Framlingham, he and some friends were avid record collectors, going so far as to import titles from the United States that were unavailable in England. By the time of his death, he had been writing about jazz longer than anyone had. He had served as book editor of JazzTimes from 1980 until December 1998, and was still contributing book and record reviews to that publication. At the time of his death he was also still listed as a contributor to Jazz Journal International , where his column "Lightly And Politely" was a feature for many years. He also wrote for The New York Herald- Tribune, The Saturday Review Of Literature and Music Journal, among many other publications. He wrote a number of books : The Jazz Era (1961); The World of Duke Ellington (1970); The Night People with Dicky Wells (1971); The World of Swing (1974); The World of Earl Hines (1977); Duke Ellington in Person: An Intimate Memoir with Mercer Ellington (1978); The World of Count Basie (1980); and Those Swinging Years with Charlie Barnet (1984). When John Hammond began writing for The Gramophone in 1931 he turned everything upside down and Stanley began corresponding with Hammond and they met for the first time during Hammond's trip to England in 1935. -
Newsletter “In the Can.” for a Memorial Tribute to the Late, Great Jazz Writer & Ambassador, Herb Wong
THE GREAT ESCAPE!* j *“Anything that is good jazz is a great escape. When you’re involved in playing or listening to great jazz, no one can get to you.” -Woody Herman Issue No. 31 Presented by: www.dixieswing.com Benny’s Busy Day By Browser Bob Knack Transcriptions are 16 inch discs containing music that was not Benny Goodman must have slept well on the night of available on 78s but sold exclusively to radio stations for air-play. June 6th 1935, because he and his band sure had a busy day! Back then, because of the depression, it is said that He and his Rhythm Makers Orchestra went into the studio and in transcriptions actually outsold 78 RPM records. During the one sitting recorded 50 tracks (one a medley of two) for the RCA 1970’s, there was a “direct-to-disc” recording craze where bands transcription service. recorded a “live” session directly to a master disc with no editing The backstory: Benny in 1934 had organized a big band or mixing. Bands such as Harry James, Les Brown, Buddy Rich, for Billy Rose’s Music Hall in New York City. It was run as a and Benny Goodman participated in the production of these supper club with vaudeville acts opening and the Goodman band audiophile LP’s. Fact is Benny’s 1935 transcriptions were the playing for dancing later. A fortuitous aspect of the engagement same as direct-to-disc, and all 50 sides were done with one take! was that a radio broadcast was arranged for the performances So on June 6, Goodman, happy to have the work, went and Benny got some welcome exposure. -
Ko Ko”-- Charlie Parker, Miles Davis, Dizzy Gillespie, and Others (1945) Added to the National Registry: 2002 Essay by Ed Komara (Guest Post)*
“Ko Ko”-- Charlie Parker, Miles Davis, Dizzy Gillespie, and others (1945) Added to the National Registry: 2002 Essay by Ed Komara (guest post)* Charlie Parker Original label “Ko Ko” was Charlie Parker’s signature jazz piece, conceived during his apprenticeship with Kansas City bands and hatched in the after-hours clubs of New York City. But when “Ko Ko” was first released by Savoy Records in early 1946, it seemed more like a call for musical revolution than a result of evolution. “Ko Ko” was developed from a musical challenge that, from 1938 through 1945, confounded many jazzmen. The piece uses the chord structure of “Cherokee,” an elaborate, massive composition that was written by dance-band composer Ray Noble. “Cherokee” was the finale to a concept suite on Native American tribes, the other four movements being “Comanche War Dance,” “Iroquois,” “Sioux Sue,” and “Seminole.” If a standard blues is notated in 12-measures, and a pop song like George Gershwin’s “I Got Rhythm” is in 32 measures, Noble’s “Cherokee” is in 64 measures. In 1939, Charlie Barnet popularized “Cherokee” through a hit version for RCA Victor. Meanwhile, jazz musicians noticed the piece, and they tried clumsily to improvise solos to its chord progression. Count Basie, for one, with his Kansas City band, recorded “Cherokee” in February 1939. At the time, Basie had some of the best soloists in jazz like Lester Young, Ed Lewis, and Dicky Wells. But on this record, these four musicians improvised only during the A sections, leaving the very difficult “bridge” sections (measures 33-48 of the piece) to be played by the whole band. -
HMV VSG-Serien
HMV VSG - Serien Udsendt i Danmark En Illustreret Diskografi Samlet af © René Aagaard 2018 Serien indeholder stort set kun amerikanske udgivelser med forholdsvis kendte musikere og sangere. Der blev bl.a. udgivet en lang række fine jazzoptagelser. Desværre er den ikke komplet. Tak til Druedahl/Lorentzen - samlingen for lån af plader. hilsen René Aagaard Allerød Påsken 2018 År Matrice Titel mv. Plademærke VSG 1 1952 Doodlet own fifers VSG 2 William Finegan - Edward Sauter Sauter - Finegan Orchestra 1952 Rain VSG 2 Eugene Ford Sauter - Finegan Orchestra 1952 E2 - VB - 6140 Espanharlem VSG 3 William - J. Reddick Ralph Flanagan And his Orchestra Trommer: Jimmy Ca mpbell 1952 E2 - VB - 6141 The Balboa VSG 3 Nancy Reed - Moose Charlap Ralph Flanagan And his Orchestra 1952 E2 - VB - 6369 Strange Sensation VSG 4 Kay Twomey - Fred Wise - Ben Weisman June Valli with Orchestra 1952 E2 - VB - 6370 So Ma dly in Love VSG 4 Kim Gannon - Mabel Wayne June Valli with Orchestra 1952 E2 - VB - 6610 To K now Y ou (i s to L ove Y ou ) VSG 5 Allan Roberts - Robert Allen Perry Como & The Fontane Sisters with Mitchell Ayres and his Orchestra 1952 E2 - VB - 7280 My lady loves to dance VSG 5 Sammy Gallop - Milton DeLugg Perry Como with Mitchell Ayres and his Orchestra 1952 E2 - XB - 6092 Gypsy S amba VSG 6 Garoto Fafa Lamos his violin and his Orchestra 1952 E2 - XB - 6093 Granfin o - Baiao VSG 6 Fafa Lamos Fafa Lamos his violin and his Orchestra 1952 E2 - VB - 6958 Secret Kisses VSG 7 Robert Hawkins - Nat Stan Frankie Carle and His Orchestra Vocal refrain by The Skylarks 1952 E2 - VB - 6959 Strolling in Lovers’ Lane VSG 7 B en Raleigh – Guy Wood – Vincent Scotto Frankie Carle and His Orchestra Vocal refrain by The Skylarks 1952 E2 - VB - 7369 Blue Violins VSG 8 Ray Martin Hugo Winterhalter and his Orchestra 1952 E2 - VB 7370 Fandango VSG 8 Johnny Bradford – Frank Perskins Hugo Winterhalter and his Orchestra 1945.04.05. -
The Jazz Scene”—Various Artists (1949) Added to the National Registry: 2007 Essay by Tad Hershorn (Guest Post)*
“The Jazz Scene”—Various artists (1949) Added to the National Registry: 2007 Essay by Tad Hershorn (guest post)* Original album cover When “The Jazz Scene” was released in 1950, Norman Granz had significantly reshaped the jazz world in his image. Jazz historian and senior “Down Beat” editor John McDonough emphatically summed up Granz’s achievements when he wrote, “Two mavericks changed the face of jazz in the 1940s. Charlie Parker changed the way it was played. Norman Granz changed the way it was sold.” By this time, Granz’s popular seasonal national tours of Jazz at the Philharmonic (JATP), jam session concerts of jazz superstars, had gone on since 1945 after their debut in his hometown of Los Angeles the previous year. In 1949, Ella Fitzgerald joined JATP in what turned out to be a nearly 45-year relationship with Granz, who both managed her career and had her recording contract. Oscar Peterson began a similar long-term relationship with Granz when he joined JATP in 1950, when Granz likewise managed and recorded him over the decades. Granz also distinguished himself as an unyielding champion of racial justice, who had anti-segregation clauses in his contracts from the very beginning, and also offered top pay, travel and accommodations for those working for him. Two years later the jazz impresario began annual tours of Europe, where JATP proved to be as popular there as it had been in the United States. In 1953, Granz and his tours and recordings on his independent labels were beginning to crest. Around 500,000 people packed his concerts worldwide, including tours of Europe and Japan, while he also produced half the jazz records in the United States. -
6. Count Basie's Cleveland Connections
6. Count Basie's Cleveland Connections illiam Basie, pianist and bandleader, was not a In his autobiography, Good Morning Blues, Basie Clevelander, but he certainly perfonned recalled he married the girl from Cleveland in 1943 in Wfrequently in Cleveland and hired a number of Seattle. Their honeymoon was a series ofone-night band Clevelanders to play in his swinging band. Basie' s appearances. strongest tie to Cleveland is frequently forgotten. He The Basie band was working in New York when Katy married a girl from Cleveland and their only child was was about to have a baby. She returned to Cleveland and born here. stayed with her parents. Katy and Bill Basie's only child, Diane Basie, was born in Cleveland. He rushed to Catherine Morgan Basie Cleveland to be with his wife and Catherine Morgan left Cleveland daughter. at the age of 16 in 1931 to become a Later, when they rejoined Basie in dancer. She joined a very popular New York, he said he had vivid vaudeville act, the Whitman Sisters. memories of seeing Katy getting off She was one of three girls in the the plane from Cleveland carrying dance company who called their baby. He said, "It was a special themselves "The Snake Hips thrill bringing my family home from Queens." When they appeared at the the airport that day, Old Base, his Lafayette Theatre in New York City, wife and daughter." there was a jazz band from Kansas They moved into an apartment City on the same bill. The young building near New York' s Central dancer from Cleveland noticed the Park. -
In This Issue... New Releases from CAPITOL the C O VER Music Views There Are Very Few People in July, 1955 Voi
In this issue... New Releases from CAPITOL THE C O VER Music Views There are very few people in July, 1955 Voi. XIII, No. 7 this country who have not come into contact with a TV set. There are even fewer who do not VIC ROWLAND .... Editor have access to a phonograph. Associate Editors: Merrilyn Hammond, Anyone who has a nodding ac Dorothy Lambert. quaintance with either of these appliances is sure to be fa miliar with either Jackie Gleason the comedian, Jackie Gleason GORDON R. FRASER . Publisher the musician, or both. This lat ter Jackie Gleason, the musi Published Monthly By cian, has recently succeeded in coming up with a brand new CAPITOL PUBLICATIONS, INC. sound in recorded music. It's Sunset and Vine, Hollywood 28, Calif. found in a new Capitol album, Printed in U.S.A. "Lonesome Echo." For the full story, see pages 3 to 5. Subscription $1.00 per year. A regular musical united nations is represented by lady and gentlemen pictured above. Left to right they are: Louis Serrano, music columnist for several South American magazines; Dean Martin, whose fame is international; Line Renaud, French chanteuse recently signed to Cap itol label; and Cauby Peixoto, Brazilian singer now on Columbia wax. 2 T ACKIE GLEASON has indeed provided mirth strument of lower pitch), four celli, a marim " and music to millions of people. Even in ba, four spanish-style guitars and a solo oboe. the few remaining areas where television has Gleason then selected sixteen standard tunes not as yet reached, such record albums as which he felt would lend themselves ideally "Music For Lovers Only" and other Gleason to the effect he had in mind. -
Artist with Title Writer Label Cat Year Genre
Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G.