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Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Program Participant Bios
National Playwright Residency Program PROGRAM PARTICIPANT BIOS PLAYWRIGHTS Murielle Borst-Tarrant Murielle Borst-Tarrant (Kuna/Rappahannock Nations) is an author, playwright, director, producer, cultural artist, educator, and human rights activist. Murielle began working as an artist early in her life with Spiderwoman Theatre. After attending Long Island University, she began combining Native American myth and creation stories to help compose a subgenre of literature referred to as Indigenous Fantasy. She is the author of the book series The Star Medicine and short stories published by Miami University Press. She is the Artist Director of Safe Harbor Indigenous Collective. She has produced, wrote, and directed Don’t Feed the Indians- A Divine Comedy Pageant! which premiered at La MaMa in 2017. She works on the deconstructing the pedagogy of the arts within Native communities in the NYC education system. Nominated for the Rockefeller grant in 2001, she won a Native Heart Award. She served as the Special Assistant to the North American Regional representative to the United Nations Permanent Forum on Indigenous Issues. Global Indigenous Woman’s Caucus Chair (North America) in 2013 to May of 2014. She has spoken at the Indigenous Women’s Symposium at Trent University, at the International Conference at the Muthesius Academy of Art in Kiel Germany, and the Norwegian Theater Academy. J. Nicole Brooks J. Nicole Brooks (she/they) is an actor, author, director, gremlin, educator, and social justice warrior based in Chicago with roots in Los Angeles and Brooklyn. Brooks is an ensemble member at the Tony Award winning Lookingglass Theatre Company and serves as Associate Artistic Director for Collaboration Theatre. -
Fortifying the Roar of Women: Betty Shamieh and the Palestinian-American Female Voice
Fortifying the Roar of Women: Betty Shamieh and the Palestinian-American Female Voice Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Allison Faith Brogan Graduate Program in Theatre The Ohio State University 2012 Master’s Examination Committee: Dr. Joy H. Reilly, Advisor Dr. Beth Kattelman, Committee Member Copyright by Allison Faith Brogan 2012 Abstract Palestinian-American playwright Betty Shamieh has written over fifteen plays, earned recognition for her cultural awareness, and is currently writing her first novel. Her plays Roar, Chocolate in Heat, The Black Eyed, and Territories all challenge the popular cultural myths surrounding Arab-American women living in the United States. Using complex Arab female characters, Shamieh emphasizes identity and assimilation issues. Her female characters are eager to lead productive lives in the United States as opposed to fulfilling traditional societal roles. In this thesis, I outline Betty Shamieh's early career as a playwright and analyze the strong, non-traditional Arab female characters in these four plays. I will evaluate the struggle women with hyphenated identities experience when attempting to blend into a new culture by defining these female characters and the non-conforming roles they portray. These women declare their own individual opinions using powerful voices that will not be silenced. ii Dedication I dedicate this document to my parents. Thank you for all of your love and support. iii Acknowledgements I thank my wonderful advisor, Dr. Joy Reilly, for her unwavering support and for encouraging me to further pursue my academic interest in Betty Shamieh. -
Arab American Drama, Film and Performance
Also by Michael Malek Najjar Four Arab American Plays: Works by Leila Buck, Jamil Khoury, Yussef El Guindi, and Lameece Issaq & Jacob Kader (McFarland, 2014) 2 Arab American Drama, Film and Performance A Critical Study, 1908 to the Present Michael Malek Najjar McFarland & Company, Inc., Publishers Jefferson, North Carolina 3 LIBRARY OF CONGRESS CATALOGUING DATA ARE AVAILABLE BRITISH LIBRARY CATALOGUING DATA ARE AVAILABLE e-ISBN: 978-1-4766-1865-4 © 2015 Michael Malek Najjar. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. On the cover: Amal (Chelsee Carter) in the University of Oregon production of Heather Raffo’s 9 Parts of Desire, directed by Michael Malek Najjar, produced by the University of Oregon (photograph by Ariel Ogden) McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com 4 Table of Contents Acknowledgments Preface Introduction: Defining a Genre 1. “Unresolved sorrow and uncomprehending anger”: Contemporary Arab American Identity Formation 2. “We are not of the East or West”: Origins of Arab American Drama in the Works of Rihani, Gibran and Naimy 3. “There’s nothing funny about your people”: Arab American Comedy and Stand-Up Performance 4. “It’s not profiling, it’s deduction”: Post–9/11 Arab American Drama 5. Suffering for Palestine: Palestinian American Playwrights 6. Arabs Filming Arabs: Contemporary Arab American Films 5 7. “A psychic civil war onstage”: Arab American Solo Performance Conclusion Appendix: Abridged Chronology of Arab American Drama, Film and Performance, 1896–2015 Chapter Notes Works Referenced List of Names and Terms 6 Acknowledgments Creating a manuscript takes a great deal of time and support. -
Infinitebody: the CURRENT SESSIONS: Currently at Wild Project
0 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Saturday, August 20, 2016 Your Host the CURRENT SESSIONS: Currently at wild project Eva Yaa Asantewaa Follow View my complete profile Featured Post Chicago dance artists rock latest NEFA RDDI Dance Lab Chicago-based dance artists from NEFA's NDP RDDI Dance Lab 2016 at University of Illinois, Urbana- Choreographer Fana Fraser presents work this weekend Champaign Back row, l-r: along with other artists for the CURRENT SESSIONS at wild project. (photo: Quyn Duong) Erica Mot... Movement Currency will focus on how bodies produce, exchange, and perform within systems of value, drawing on figurative and ethnographic practices to consider the lineage of choreographies which qualify our social identity. --from promo for the CURRENT SESSIONS's new season Volume VI, Issue II: Movement Currency With New York's fall dance season looming up ahead--and, believe me, it's looming--we can enjoy a breather for a few more weeks. But if you're still craving dance with some bite to it, Alexis Convento's My Pages team, the CURRENT SESSIONS, might have just the thing for you. Home Last evening's presentation was organized around the concept of Risk--"from fragility to preservation, About Eva Yaa Asantewaa harm to survival...risk as a performative dimension which trades personal safety for choreographic Getting to know Eva (interview) opportunity." Tonight's show will tackle Debt, and tomorrow's 3pm matinee and 7pm performances, respectively, spin off from Savings and Credit. Each feature a concise mix of emerging artists guest Eva's Tarot site curated by Ali Rosa-Salas, Justin Cabrillos and Sasha Okshteyn.