Learning from Fables: Moral Values in Three Selected English Stories
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"Fictionalism: Morality and Metaphor"
- 1 - Fictionalism: Morality and metaphor Richard Joyce Penultimate draft of paper appearing in F. Kroon & B. Armour-Garb (eds.), Philosophical Fictionalism (Oxford University Press, forthcoming). 1. Introduction Language and reflection often pull against each other. Ordinary ways of talking appear to commit speakers to ontologies that may, upon reflection, be deemed problematic for a variety of empirical, metaphysical, and/or epistemological reasons. The use of moral discourse, for example, appears to commit speakers to the existence of obligation, evil, desert, praiseworthiness (and so on), while metaethical reflection raises a host of doubts about how such properties could exist in the world and how we could have access to them if they did. One extreme solution to the tension is to give up reflection—to become like those “honest gentlemen” of England, as Hume described them, who “being always employ’d in domestic affairs, or amusing themselves in common recreations, have carried their thoughts very little beyond those objects” (Treatise 1.4.7.14). Hume sounds a touch envious of the unreflective idyll, but the very fact that he is penning a treatise on human nature shows that this is not a solution available to him; and, likewise, the very fact that you are reading this chapter shows that it’s unlikely to be a solution for you. Another extreme solution to the tension is to give up language—not in toto, of course, but selectively: to stop using those elements of discourse that are deemed to have unacceptable commitments. How radical this eliminativism is will depend on the nature of the problem. -
The Low-Status Character in Shakespeare's Comedies Linda St
Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 5-1-1973 The Low-Status Character in Shakespeare's Comedies Linda St. Clair Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the English Language and Literature Commons Recommended Citation St. Clair, Linda, "The Low-Status Character in Shakespeare's Comedies" (1973). Masters Theses & Specialist Projects. Paper 1028. http://digitalcommons.wku.edu/theses/1028 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. ARCHIVES THE LOW-STATUS CHARACTER IN SHAKESPEAREf S CCiiEDIES A Thesis Presented to the Faculty of the Department of English Western Kentucky University Bov/ling Green, Kentucky In Partial Fulfillment of the Requirements for the Degree Master of Arts Linda Abbott St. Clair May, 1973 THE LOW-STATUS CHARACTER IN SHAKESPEARE'S COMEDIES APPROVED >///!}<•/ -J?/ /f?3\ (Date) a D TfV OfThesis / A, ^ of the Grafduate School ACKNOWLEDGEMENTS With gratitude I express my appreciation to Dr. Addie Milliard who gave so generously of her time and knowledge to aid me in this study. My thanks also go to Dr. Nancy Davis and Dr. v.'ill Fridy, both of whom painstakingly read my first draft, offering invaluable suggestions for improvement. iii TABLE OF CONTENTS ACKNOWLEDGEMENTS iii INTRODUCTION 1 THE EARLY COMEDIES 8 THE MIDDLE COMEDIES 35 THE LATER COMEDIES 8? CONCLUSION 106 BIBLIOGRAPHY Ill iv INTRODUCTION Just as the audience which viewed Shakespeare's plays was a diverse group made of all social classes, so are the characters which Shakespeare created. -
Moral Rhetoric in Twitter: a Case Study of the U.S
Moral Rhetoric in Twitter: A Case Study of the U.S. Federal Shutdown of 2013 Eyal Sagi ([email protected]) Kellogg School of Management, Northwestern University Evanston, IL 60208 USA Morteza Dehghani ([email protected]) Brain Creativity Institute, University of Southern California Los Angeles, CA 90089 USA Abstract rhetoric is prevalent in political debates (e.g., Marietta, 2009). In this paper we apply a computational text analysis technique used for measuring moral rhetoric in text to analyze the moral Our investigation contributes to the general study of loadings of tweets. We focus our analysis on tweets regarding moral cognition by providing an alternative method for the 2013 federal government shutdown; a topic that was at the measuring moral concerns in a more naturalistic setting forefront of U.S. politics in late 2013. Our results demonstrate compared to self-report survey method and artificial that the positions of the members of the two major political paradigms used in traditional judgment and decision-making parties are mirrored by the positions taken by the Twitter experiments. communities that are aligned with them. We also analyze retweeting behavior by examining the differences in the moral Following Sagi and Dehghani (2013), we define moral loadings of intra-community and inter-community retweets. rhetoric as “the language used for advocating or taking a We find that retweets in our corpus favor rhetoric that moral stance towards an issue by invoking or making salient enhances the cohesion of the community, and emphasize various moral concerns”. Our analysis of moral rhetoric is content over moral rhetoric. We argue that the method grounded in Moral Foundations Theory (Graham et al., proposed in this paper contributes to the general study of 2013; Haidt & Joseph, 2004), which distinguishes between moral cognition and social behavior. -
IATTC-94-01 the Tuna Fishery, Stocks, and Ecosystem in the Eastern
INTER-AMERICAN TROPICAL TUNA COMMISSION 94TH MEETING Bilbao, Spain 22-26 July 2019 DOCUMENT IATTC-94-01 REPORT ON THE TUNA FISHERY, STOCKS, AND ECOSYSTEM IN THE EASTERN PACIFIC OCEAN IN 2018 A. The fishery for tunas and billfishes in the eastern Pacific Ocean ....................................................... 3 B. Yellowfin tuna ................................................................................................................................... 50 C. Skipjack tuna ..................................................................................................................................... 58 D. Bigeye tuna ........................................................................................................................................ 64 E. Pacific bluefin tuna ............................................................................................................................ 72 F. Albacore tuna .................................................................................................................................... 76 G. Swordfish ........................................................................................................................................... 82 H. Blue marlin ........................................................................................................................................ 85 I. Striped marlin .................................................................................................................................... 86 J. Sailfish -
The Moral Basis of Family Relationships in the Plays of Shakespeare and His Contemporaries: a Study in Renaissance Ideas
The Moral Basis of Family Relationships in the plays of Shakespeare and his Contemporaries: a Study in Renaissance Ideas. A submission for the degree of doctor of philosophy by Stephen David Collins. The Department of History of The University of York. June, 2016. ABSTRACT. Families transact their relationships in a number of ways. Alongside and in tension with the emotional and practical dealings of family life are factors of an essentially moral nature such as loyalty, gratitude, obedience, and altruism. Morality depends on ideas about how one should behave, so that, for example, deciding whether or not to save a brother's life by going to bed with his judge involves an ethical accountancy drawing on ideas of right and wrong. It is such ideas that are the focus of this study. It seeks to recover some of ethical assumptions which were in circulation in early modern England and which inform the plays of the period. A number of plays which dramatise family relationships are analysed from the imagined perspectives of original audiences whose intellectual and moral worlds are explored through specific dramatic situations. Plays are discussed as far as possible in terms of their language and plots, rather than of character, and the study is eclectic in its use of sources, though drawing largely on the extensive didactic and polemical writing on the family surviving from the period. Three aspects of family relationships are discussed: first, the shifting one between parents and children, second, that between siblings, and, third, one version of marriage, that of the remarriage of the bereaved. -
Genre and Subgenre
Genre and Subgenre Categories of Writing Genre = Category All writing falls into a category or genre. We will use 5 main genres and 15 subgenres. Fiction Drama Nonfiction Folklore Poetry Realistic Comedy Informational Fiction Writing Fairy Tale Tragedy Historical Persuasive Legend Fiction Writing Tall Tale Science Biography Fiction Myth Fantasy Autobiography Fable 5 Main Genres 1. Nonfiction: writing that is true 2. Fiction: imaginative or made up writing 3. Folklore: stories once passed down orally 4. Drama: a play or script 5. Poetry: writing concerned with the beauty of language Nonfiction Subgenres • Persuasive Writing: tries to influence the reader • Informational Writing: explains something • Autobiography: life story written by oneself • Biography: Writing about someone else’s life Latin Roots Auto = Self Bio = Life Graphy = Writing Fiction Subgenres • Historical Fiction: set in the past and based on real people and/or events • Science Fiction: has aliens, robots, futuristic technology and/or space ships • Realistic Fiction: has no elements of fantasy; could be true but isn’t • Fantasy: has monsters, magic, or characters with superpowers Folklore Subgenres Folklore/Folktales usually has an “unknown” author or will be “retold” or “adapted” by the author. • Fable: short story with personified animals and a moral Personified: given the traits of people Moral: lesson or message of a fable • Myth: has gods/goddesses and usually accounts for the creation of something Folklore Subgenres (continued) Tall Tale • Set in the Wild West, the American frontier • Main characters skills/size/strength is greatly exaggerated • Exaggeration is humorous Legend • Based on a real person or place • Facts are stretched beyond nonfiction • Exaggerated in a serious way Folklore Subgenres (continued) Fairytale: has magic and/or talking animals. -
The Child and the Fairy Tale: the Psychological Perspective of Children’S Literature
International Journal of Languages, Literature and Linguistics, Vol. 2, No. 4, December 2016 The Child and the Fairy Tale: The Psychological Perspective of Children’s Literature Koutsompou Violetta-Eirini (Irene) given that their experience is more limited, since children fail Abstract—Once upon a time…Magic slippers, dwarfs, glass to understand some concepts because of their complexity. For coffins, witches who live in the woods, evil stepmothers and this reason, the expressions should be simpler, both in princesses with swan wings, popular stories we’ve all heard and language and format. The stories have an immediacy, much of we have all grown with, repeated time and time again. So, the the digressions are avoided and the relationship governing the main aim of this article is on the theoretical implications of fairy acting persons with the action is quite evident. The tales as well as the meaning and importance of fairy tales on the emotional development of the child. Fairy tales have immense relationships that govern the acting persons, whether these are psychological meaning for children of all ages. They talk to the acting or situational subjects or values are also more children, they guide and assist children in coming to grips with distinct. Children prefer the literal discourse more than adults, issues from real, everyday life. Here, there have been given while they are more receptive and prone to imaginary general information concerning the role and importance of fairy situations. Having found that there are distinctive features in tales in both pedagogical and psychological dimensions. books for children, Peter Hunt [2] concludes that textual Index Terms—Children, development, everyday issues, fairy features are unreliable. -
“The Right Use of Reason”: Fairy Tales, Fantasy, and Moral Education in Peter Parley's Annual
Brigham Young University Masthead Logo BYU ScholarsArchive Undergraduate Honors Theses 2019-03-27 “THE RIGHT USE OF REASON”: FAIRY TALES, FANTASY, AND MORAL EDUCATION IN PETER PARLEY’S ANNUAL Taylor Topham Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/studentpub_uht BYU ScholarsArchive Citation Topham, Taylor, "“THE RIGHT USE OF REASON”: FAIRY TALES, FANTASY, AND MORAL EDUCATION IN PETER PARLEY’S ANNUAL" (2019). Undergraduate Honors Theses. 55. https://scholarsarchive.byu.edu/studentpub_uht/55 This Honors Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Honors Thesis “THE RIGHT USE OF REASON”: FAIRY TALES, FANTASY, AND MORAL EDUCATION IN PETER PARLEY’S ANNUAL by Taylor Topham Submitted to Brigham Young University in partial fulfillment of graduation requirements for University Honors English Department Brigham Young University April 2019 Advisor: Leslee Thorne-Murphy Honors Coordinator: John Talbot ABSTRACT “THE RIGHT USE OF REASON”: FAIRY TALES, FANTASY, AND MORAL EDUCATION IN PETER PARLEY’S ANNUAL Taylor Topham English Department Bachelor of Arts This thesis discusses the relationship between the start of the Golden Age of Children’s Literature and the educational policy and philosophy changes that took place in mid- to late-19th century England. Some scholars have argued that the reasons for the rise in fantasy literature that characterized the Golden Age of Children’s Literature are primarily economic, while others find philosophical and cultural precedents for the movement toward fantasy. -
Nile Crocodile Fact Sheet 2017
NILE CROCODILE FACT SHEET 2017 Common Name: Nile crocodile Order: Crocodylia Family: Crocodylidae Genus & Species: Crocodylus niloticus Status: IUCN Least Concern; CITES Appendix I and II depending on country Range: The Nile crocodile is found along the Nile River Valley in Egypt and Sudan and distributed throughout most of sub-Saharan Africa and Madagascar. Habitat: Nile crocodiles occupy a variety of aquatic habitats including large freshwater lakes, rivers, freshwater swamps, coastal estuaries, and mangrove swamps. In Gorongosa, Lake Urema and its network of rivers are home to a large crocodile population. Description: Crocodylus niloticus means "pebble worm of the Nile” referring to the long, bumpy appearance of a crocodile. Juvenile Nile crocodiles tend to be darker green to dark olive-brown in color, with blackish cross-banding on the body and tail. As they age, the banding fades. As adults, Nile crocodiles are a grey-olive color with a yellow belly. Their build is adapted for life in the water, having a streamlined body with a long, powerful tail, webbed hind feet and a long, narrow jaw. The eyes, ears, and nostrils are located on the top of the head so that they can submerge themselves under water, but still have sensing acuity when hunting. Crocodiles do not have lips to keep water out of their mouth, but rather a palatal valve at the back of their throat to prevent water from being swallowed. Nile crocodiles also have integumentary sense organs which appear as small pits all over their body. Organs located around the head help detect prey, while those located in other areas of the body may help detect changes in pressure or salinity. -
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Crocodile Facts and Figures
Crocodile facts The saltwater crocodile is the largest living reptile species. It can grow up to six metres and is a serious threat to humans. Saltwater crocodiles have evolved special characteristics that make them excellent predators. • Large saltwater crocodiles can stay underwater for at least one hour because they can reduce their heart rate to 2-3 beats per minute. This means that crocodiles can wait underwater until they see prey, or if people are using the same spot regularly, the crocodile can wait underwater until someone approaches the water’s edge. • A crocodile can float with only eyes and nostrils exposed, enabling it to approach prey without being detected. • When under water, a special transparent eyelid protects the crocodile’s eye. This means that crocodiles can still see when they are completely submerged. • The tail of a crocodile is solid muscle and a major source of power, making it a strong swimmer and able to make sudden lunges out of the water to capture prey. These strong muscles also mean that for shorts bursts of time crocodiles can move faster than humans can on land. • Crocodiles have a thin layer of guanine crystals behind their retina. This intensifies images, allowing crocodiles to see better at low light levels. • Crocodiles have a ‘minimum exposure’ posture in the water, which means that only their sensory organs of eyes, cranial platform, ears and nostrils remain out of the water. This means that they often go unseen by prey, but if they are observed, the prey is often not able to tell how big the crocodile is. -
Fascinating Folktales of Thailand
1. The rabbiT and The crocodile Once upon a time the rabbit used to have a long and beautiful tail similar to that of the squirrel and at that time the crocodile also had a long tongue like other animals on earth. Unfortunately, one day while the rabbit was drinking water at the bank of a river without realizing possible danger, a big crocodile slowly and quietly moved in. It came close to the poor rabbit. The crocodile suddenly snatched the small creature into its mouth with intention of eating it slowly. However, before swallowing its prey, the crocodile threatened the helpless rabbit by making a loud noise without opening its mouth. Afraid as it was, the rabbit pretended not to fear approaching death and shouted loudly. “A poor crocodile! Though you are big, I’m not afraid of you in the least. You threatened me with a noise not loud enough to make me scared because you didn’t open your mouth widely.” Not knowing the rabbit’s trick, the furious crocodile opened its mouth widely and made a loud noise. As soon as the crocodile opened its mouth, the rabbit jumped out fast and its sharp claws snatched away the crocodile’s tongue. At the moment of sharp pain, the crocodile shut its mouth at once as instinct had taught it to do. At the end of the episode, the rabbit lost its beautiful tail while the crocodile lost its long tongue in exchange for its ignorance of the trick. From then on, the rabbit no longer had a long tail while the crocodile no longer had a long tongue as other animals.