Robertson, Carol (2010) Screenprinting and Intaglio: The Development of Coherent, user and Environmentally Friendly Systems for Creative Printmaking. Doctoral thesis, University of Sunderland. Downloaded from: http://sure.sunderland.ac.uk/5222/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact
[email protected]. SCREENPRINTING AND INTAGLIO THE DEVELOPMENT OF COHERENT, USER AND ENVIRONMENTALLY FRIENDLY SYSTEMS FOR CREATIVE PRINTMAKING CAROL ROBERTSON A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy by Existing Published or Creative Works February 2010 Screenprinting and Intaglio: The development of coherent, user and environmentally friendly systems for creative printmaking Carol Robertson 2010 Abstract In 1987, to avoid working with hazardous traditional materials, I began to research with the aim of developing safer and more environmentally friendly printmaking systems for artists. I studied the history of innovation to identify principles; analysed theory and practice; identified risks; selected criteria; researched classical, traditional and new methodologies; revised classification and terminology; identified gaps in the projected systems; developed water-based materials for acrylic-resist etching, screenprinting and autographic positives; created new systems for water-based screenprinting, etching, collagraphy and other intaglio methods; tested these through teaching artists and co-publishing with high-profile artists; revised teaching and learning; documented the research; and wrote and illustrated two pedagogic books to disseminate the research. The results of the research have been the creation of coherent printmaking systems designed for artists; the manufacture by Lascaux of eighteen new water-based materials for printmaking; the exhibition of works made using the systems; and the publication by Thames & Hudson of the books.