Chuck Close and the Fragmented Image
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Exhibitions.Cwk
SELECTED SOLO EXHIBITIONS: ELLEN LANYON 2011 “Index Extended” Printworks Gallery, Chicago IL 2010 “Curiosities” Pavel Zoubok Gallery, New York, NY 2009 “The Persistence of Invention” The Century Association, New York, NY 2008 “At The Sign of The Hat” Valerie Carberry Gallery, Chicago 2007 “Ellen Lanyon A Wonder Production” Curator & Catalog essay, Esther Sparks. Brauer Museum, Valparaiso Un & The Washington County Museum, Hagerstown MD “More Strange Games" Printworks Gallery, Chicago 2005-2006 "Paintings 1960-1990",Metropolitan Capital Bank, Chicago "Paintings of the 1960s" Valerie Carberry Gallery, Chicago IL "Wonders of the World" Jan Abrams Fine Arts, New York NY 2003 "INDEX" Prints and Books, Printworks Gallery, Chicago 2001 "Recent Paintings" Jean Albano Gallery, Chicago IL 2000 "Riverwalk Gateway Project", Chicago Cultural Center, Chicago, IL 1999-00 Retrospective: National Museum for Women in the Arts, Washington, DC (Catalog: essay by Debra Bricker Balken) 1999 "Paintings: 1969 &1999" Jean Albano Gallery, Chicago IL "New Works On Paper" Printworks Gallery, Chicago IL 1998 Adrian College, Adrian MI 1997 "Peregrine Proposals", Ute Stebich Gallery, Lenox, MA “Archaic Gardens / Recent Paintings", Andre Zarre Gallery, New York NY "Recent Paintings", Jean Albano Gallery, Chicago IL "Anatomy of an Exhibition" Centro Cultural Costarricense Norteamericano, San Jose, Costa Rica 1996 "Archaic Garden" collaboration with architect Laurence Booth, TBA Space, Chicago 1994 Andre Zarre Gallery, New York NY University of Iowa Museum of Art, Iowa City IA 1993 Printworks Gallery, Chicago IL Struve Gallery, Chicago IL 1992 Berland-Hall Gallery, New York,NY (Catalog essay by Eleanor Heartney) Sioux City Art Center, Sioux City IA 1990 "Works on Paper 1960-1990, Struve Gallery, Chicago IL 1989 Printworks Ltd, Chicago,IL Julian Pretto / Berland- Hall, New York NY Union League Club, Chicago IL 1987-88 "The Art of Ellen Lanyon: Strange Games" Retrospective. -
The Museum of Modern Art for Immediate Release July 1993
The Museum of Modern Art For Immediate Release July 1993 A PRINT PROJECT BY CHUCK CLOSE July 24 - September 28, 1993 An exhibition presenting American artist Chuck Close's most recent print project, Alex/Reduction Block, opens at The Museum of Modern Art on July 24, 1993. Organized by Andrea Feldman, curatorial assistant, Department of Prints and Illustrated Books, A PRINT PROJECT BY CHUCK CLOSE comprises fifteen large- scale screenprints that depict Close's friend and fellow artist Alex Katz. The screenprints replicate all stages of what was originally a reduction linoleum-cut print. The exhibition, on view through September 28, examines the complex process of printmaking and offers an in-depth view of Close's artistic conception. The reduction linoleum-cut technique requires the artist to use a single block for the entire printing process, in contrast to the conventional method of cutting separate blocks for each color in the print. Close became intrigued by the process after studying prints made by Picasso in the late 1950s. When Close anticipated problems with the paper he had chosen for his reduction linoleum-cut project, he printed a set of the states of the work on mylar, which he later used as templates for the screenprints on view in the exhibition. Ms. Feldman states, "Over the two year period that it took to complete this impressive project, Close ran into many technical problems that he transformed into artistic challenges. Without a flaw, Close maneuvered through the obstacle course that the project presented and created an image of enormous power and intensity. -
Faculty Bios 2012
VACI Visual Arts at Chautauqua Institution Strohl Art Center, Chautauqua School of Art, Logan Galleries, Visual Arts Lecture Series ARTISTIC DIRECTOR Don Kimes/MANAGING DIRECTOR Lois Jubeck/GALLERY DIRECTOR Judy Barie ADVISORY COUNCIL TO THE ARTISTIC DIRECTOR: Michael Gitlitz, Director Marlborough Gallery, NYC - Judy Glantzman, Artist – Louis Grachos, Director Albright-Knox Gallery of Art - Donald Kuspit, Distinguished University Professor, SUNY Barbara Rose, Art Critic & Historian - Robert Storr, Dean, Yale School of Art Stephen Westfall, Artist & Critic Art In America - Julian Zugazoitia, Director Nelson Adkins Museum FACULTY AND VISITING ARTISTS (*partial listing – 3 additional faculty to be announced) Resident faculty (rf) teach from 2 to 7 weeks during the summer at Chautauqua. Visiting lecturers and faculty (vl, vf) are at Chautauqua for periods ranging from 1 to 3 days. PAINTING/SCULPTURE and PRINTMAKING TERRY ADKINS: Faculty, University of Pennsylvania Sculptor Terry Adkins teaches undergraduate and graduate sculpture. His work can be found I the collections of the Museum of Modern Art in NYC, the Hirshhorn Museum and Sculpture Garden in Washington, DC, the Metropolitan Museum of Art in NYC, the Hood Museum at Dartmouth College, the Studio Museum in Harlem and many others. He has also taught at SUNY, New Paltz; Adkins has been the recipient of grants from the National Endowment for the Arts, the Joseph H. Hazen Rome Prize and was a USA James Baldwin Fellow, as well as the recipient of an Artist Exchange Fellowship, BINZ 39 Zurich and a residency at PS 1. Among many solo exhibitions of his work have been shows at Dartmouth College, Hanover, NH; Eastern State Penitentiary, Philadelphia, PA; Arthur Ross Gallery of the University of Pennsylvania, the Harn Museum of Art, the Cheekwood Museum of Art in Nashville, TN, John Brown House in Akron, Ohio, ICA in Philadelphia, PPOW Gallery, NY, the Whitney Museum at Philip Morris, NY, the Chrysler Museum in Norfolk, Anderson Gallery at VCU, Galerie Emmerich-Baumann in Zurich. -
Curriculum Vitae
38 Walker Street New York, NY 10013 tel: 212-564-8480 www.georgeadamsgallery.com LUIS CRUZ AZACETA BORN: Havana, Cuba, 1942. Emigrated to the US 1960; US Citizenship 1967. LIVES: New Orleans, LA. EDUCATION: School of Visual Arts, New York, 1969. GRANTS AND AWARDS: Joan Mitchell Foundation Grant, 2009. Penny McCall Foundation Award, 1991-92. Mid-Atlantic Grant for special projects, 1989. Guggenheim Memorial Foundation Grant, New York, 1985. New York Foundation for the Arts, 1985. Mira! Canadian Club Hispanic Award, 1984. Creative Artistic Public Service (CAPS), New York, 1981-82. National Endowment for the Arts, Washington, D.C., 1980-81, 1985, 1991-92. Cintas Foundation, Institute of International Education, New York, 1972-72, 1975-76. SOLO EXHIBITIONS: “Personal Velocity in the Age of Covid,” Lyle O. Rietzel, Santo Dominigo, DR, 2020-21. “Personal Velocity: 40 Years of Painting,” George Adams Gallery, New York, NY, 2020. “Between the Lines,” Arthur Roger Gallery, New Orleans, LA, 2019. “Luis Cruz Azaceta, 1984-1989,” George Adams Gallery, New York, NY, 2018. “Luis Cruz Azaceta: A Question of Color,” Lyle O. Reitzel, Santo Domingo, DR, 2018. “On The Brink,” Arthur Roger Gallery, New Orleans, LA, 2017. “Luis Cruz Azaceta Swimming to Havana,” Lyle O. Reitzel, New York, NY, 2016-17. “Luis Cruz Azaceta: Dictators, Terrorism, War and Exiles,” American Museum of the Cuban Diaspora, Miami, FL, 2016. “Luis Cruz Azaceta: War & Other Disasters,” Abroms-Engel Institute for Visual Arts, University of Alabama, Birmingham, AL, 2016. “State of Fear,” Pan American Art Projects, Miami, FL, 2015.* “PaintingOutLoud,” Arthur Roger Gallery, New Orleans, LA, 2014.* “Dictators, Terrorism, Wars & Exile,” Aljira: A Center for Contemporary Art, Newark, NJ, 2014.* “Louisiana Mon Amour,” Acadiana Center for the Arts, Lafayette, LA, 2013.* “Falling Sky,” Lyle O. -
Alex Katz on 10 Artists Who Inspire Him
Search by artist, gallery, etc. Art Alex Katz on 10 Artists Who Inspire Him Alex Katz Nov 1, 2018 2:30 pm Portrait of Alex Katz. Photo by Ander Gillenea/AFP/Getty Images. “A lot of art books are very tiresome to most people,” admitted Alex Katz who, at 91 years young, is one of our most prominent living painters. ere’s nothing tiresome about Looking At Art With Alex Katz, a new volume in which the artist shares relatable, off-the-cuff impressions of dozens of his favorite artists, poets, and creatives, from Fra Angelico to Frank Lloyd Wright. “Everyone gets art on their own level,” he said in a recent interview with Artsy. “If you don’t know a lot about art history and you look at a picture, you’re not seeing the same picture that someone who knows something about art history sees. But that doesn’t mean you receive less from the picture. Art is very multifaceted that way.” Below, we share excerpts from the book that highlight nine eclectic artists who have amazed and inspired Katz over the years. Louise Bourgeois Follow Louise Bourgeois Spider, 1997 Louise Bourgeois Fée Couturière "… Sotheby's: Contemporary Art Day Auction “I rst heard Louise Bourgeois and Louise Nevelson on a Sunday afternoon in 1950, when I had just come to Manhattan. ey spoke in a loft on 10th Street and 4th Avenue. ey seemed arty and quite irresponsible, as they kept talking about the fth, sixth and seventh dimensions. However, when one looks at the body of work by Louise Bourgeois, one cannot help but admire the energy to go out and at the same time to reveal what is inside of her. -
Philip Pearlstein
PHILIP PEARLSTEIN 1924 Born in Pittsburgh, PA on May 24 1942-49 B.F.A. from Carnegie Institute of Technology, Pittsburgh, PA 1955 M.A. from New York University, Institute of Fine Arts, New York, NY 1959-63 Instructor, Pratt Institute, Brooklyn, NY 1962-63 Visiting Critic, Yale University, New Haven, CT 1963-88 Professor of Fine Art, Brooklyn College, Brooklyn, NY 1988 Distinguished Professor Emeritus, Brooklyn College, Brooklyn, NY 2003-06 President, American Academy of Arts and Letters, New York, NY The artist lives and works in New York City. Solo Exhibitions 2018 Philip Pearlstein, Today, Betty Cuningham Gallery, New York, May 10 – June 17 Philip Pearlstein, Paintings 1990- 2017, Saatchi Gallery, London, United Kingdom, January 17 – April 29 2017 Facing You, Betty Cuningham Gallery, New York, May 5 – June 30 Philip Pearlstein: Seventy –Five Years of Painting, Susquehanna Museum of Art, Harrisburg, PA, February 11 – May 21 2016 G.I. Philip Pearlstein, World War II Captured on Paper, Betty Cuningham Gallery, New York, September 14 – October 15 2015-16 Pearlstein | Warhol | Cantor: From Carnegie Tech to New YorK, Betty Cuningham Gallery, New York, NY, Dec. 3 – March 5, 2016 2015 Pearlstein | Warhol | Cantor : From Pittsburgh to New YorK, Andy Warhol Museum, Pittsburgh, PA May 30- September 6 2014 Philip Pearlstein, Betty Cuningham Gallery, New York, NY, May 8 – July 27 Pearlstein at 90, Russell Bowman Art Advisory, Chicago, IL, April 4 – May 31 Philip Pearlstein: Six Paintings, Six Decades, National Academy of Art, New York, NY, Feb. 27 – May 11 Philip Pearlstein – Just The Facts, 50 Years of Looking and Drawing and Painting, Curated by Robert Storr, New York Studio School, New York, NY, January 16 – February 22 2013 Philip Pearlstein’s People, Places, Things, Museum of Fine Arts, St. -
KS3-KS5 Summer Season 19 May – 23 September 2012
Teacher Resource Notes – KS3-KS5 Summer Season 19 May – 23 September 2012 Alex Katz: Give Me Tomorrow Alex Katz On The Tate Collection 1928: A Cornish Encounter These notes are designed to support KS3-5 teachers in engaging students as they explore the art work. As well as factual information they provide starting points for discussion, ideas for simple practical activities and suggestions for extended work that could stem from a gallery visit. To book a gallery visit for your group call 01736 796226 or email [email protected]. Season Overview This season Tate St Ives is showing paintings and collages by Alex Katz, plus an eclectic display of works which Katz has chosen from the Tate Collection in Lower Gallery 2. In the Studio there is a one-room archival display 1928: A Cornish Encounter, which documents this important year in the history of St Ives art. The display of Katz's work is a selected survey from the mid 1950s to 2011. Alex Katz is 85 and had his first solo show in New York in 1954. His paintings at Tate St Ives explore themes including family portraits, friends and social relationships, style and the American Dream, flowers, seascapes and beach life. Katz's process involves making small studies from life, which he scales up using the traditional charcoal cartoon and pin- hole 'pouncing' method, then paints the final large scale work in one go, working wet on wet. Katz's paintings can be regarded as an antithesis to his contemporary American Abstract Expressionists; Katz chose to represent the cultural context of New York style, fashion and glamour. -
Exhibition Explores the Inverse of the Landscape in My Room: Artists Paint the Interior 1950-Now Opens May 18, 2018
Exhibition Explores the Inverse of the Landscape In My Room: Artists Paint the Interior 1950-Now opens May 18, 2018 CHARLOTTESVILLE, Va. – The Fralin Museum of Art at the University of Virginia presents In My Room: Artists Paint the Interior 1950-Now, May 18-Sept. 30, 2018. The exhibition looks at the inverse of the landscape: the interior. Landscape painting, a common genre in western painting, is understood as a window onto the world thanks to artist and theorist Leon Battista Alberti and his ideas about the picture plane known as Alberti’s Window. After the Industrial Revolution, however, modern art erupted with the interior. Notably, modern artists began depicting windows into other rooms instead of painting views of the outside world. “The interior space has an ability to prompt the viewer to ask questions and to view a space with new perspective,” said Matthew McLendon, director and chief curator of the Fralin Museum of Art. “In an untitled work by Alex Katz, for example, a bed in disarray invites the questions whether someone has left in a rush, to where and why? Interior with Doorway by Richard Diebenkorn uses light and shadow in juxtaposition creating a sculptural feel to everyday objects.” Artists continued to paint indoor spaces throughout the 20th century for a variety of psychological, interpersonal and biographical reasons. Architecture, design and the still-life inform the paintings in this exhibition, as does the persistent theme of the artist’s studio. The exhibition raises myriad questions upon which to reflect and will address how representations of interior spaces have changed and evolved over time. -
George Adams Gallery, New York, 2019
38 Walker Street New York, NY 10013 tel: 212-564-8480 www.georgeadamsgallery.com ROBERT ARNESON BORN: Benicia, CA, 1930. DIED: Benicia, CA, 1992. EDUCATION: College of Marin, Kentfield, CA California College of Arts & Crafts, Oakland, CA: B.A., 1954. Mills College, Oakland, CA: M.F.A.,1958. AWARDS: Fellow, American Craft Council, 1992. Academy-Institute Award in Art, American Academy and Institute of Arts and Letters, 1991. Honorary Doctor of Fine Arts, San Francisco Art Institute, 1987. Honorary Doctor of Fine Arts, Rhode Island School of Design, 1985. SOLO EXHIBITIONS: “Robert Arneson: The Anti-War Works 1982-1986,” George Adams Gallery, New York, 2019. Robert Arneson and William T Wiley, George Adams Gallery, New York, NY, 2017. “Guardians of the Secret II” Brian Gross Fine Art, San Francisco, CA, 2016. “Fatal Laughs: The Art of Robert Arneson” Cantor Arts Center, Stanford University, Stanford, CA, 2014-15. “Robert Arneson: Troublesome Subjects: Three Decades of Paintings, Sculpture, and Works on Paper,” George Adams Gallery, New York, NY, 2013. “Robert Arneson: Playing Dirty,” Allan Stone Gallery, New York, NY, 2012. “Robert Arneson: Installation of Works from the Collection,” San Francisco Museum of Modern Art, San Francisco, CA, 2012. “Robert Arneson: Self Portraits in Bronze” Brian Gross Fine Art, San Francisco, CA, 2012. “Robert Arneson: Founding Funk: Sculptures and Drawings 1956-66,” George Adams Gallery, New York, NY, 2010. “Robert Arneson from the 60's," Brian Gross Fine Art, San Francisco, CA, 2008. “Robert Arneson: The Black Series, Selected Works 1988-1990," George Adams Gallery, New York, NY, 2007. “Robert Arneson: Sculpture, Paintings and Drawings 1958-1992," George Adams Gallery at the ADAA Art Show, Seventh Regiment Armory, New York, NY, 2006. -
Born in Brooklyn, New York, USA in 1927 Lives and Works in New York
ALEX KATZ Born in Brooklyn, New York, USA in 1927 Lives and works in New York Education 2000 The Cooper Union Annual Artist of the City Award 1994 Cooper Union Art School creates the Alex Katz Visiting Chair in Painting with the endowment provided by the sale of ten paintings donated by the artist 1949-50 Studies at Skowhegan School of Painting and Sculpture, Skowhegan, Maine 1946-49 Studies at the Cooper Union Art School, New York Selected Solo Exhibitions 2021 Voorlinden Museum, Wassenaar (upcoming) 2020 Gladstone Gallery, Roma Alex Katz - Retrospective, Museo Nacional Thyssen-Bornemisza, Madrid Fosun Foundation, Shanghai 2019 Monica De Cardenas, Zuoz Alex Katz: Flowers, Richard Gray Gallery, Chicago Alex Katz / Moby Dick, Colby Museum of Art, Waterville Focus on: Alex Katz, Dallas Museum of Art, Dallas Gavin Brown's Enterprise, New York Alex Katz, Daegu Art Museum, Daegu Red Dancers, Galerie Thaddaeus Ropac, Paris Contemporary Conterpoint / Alex Katz. Water Lilies - series Homage to Monet, 2009-2010, Musée de l'Orangerie, Paris Bigger is Better, Ludwig Museum, Koblenz 2018 Alex Katz, curated by Jacob Proctor, Museum Brandhorst, Munich Artist Rooms, Tate Liverpool, Liverpool Museum Brandhorst, Kunstareal, Munich Brand-New & Terrific: Alex Katz in the 1950s, Neuberger Museum of Art, Purchase, New York Alex Katz: Coca-Cola Girls, Timothy Taylor Gallery, London Alex Katz: Splits, Galeria Javier Lopez & Frances Fer, Madrid Dancers and Models, Lotte Museum of Art, Songpa-gu, Seoul Grass and Trees, Richard Gray Gallery, Chicago Small Paintings, -
Chuck Close Art Kaleidoscope Foundation
CHUCK CLOSE ART KALEIDOSCOPE FOUNDATION/Color/???/116 Mins./Not Rated Featuring: Chuck Close, Brice Marden, Robert Storr, Dorothea Rockburne, Lucas Samaras, Robert Rauschenberg, Philip Glass, Arne Glimcher, Kiki Smith, Elizabeth Murray, Alex Katz, Janet Fish, Kirk Varnedoe. Credits: Produced and directed by Marion Cajori. Directors of photography: Mead Hunt, Ken Kobland, David Leitner. Edited by Cajori, Kobland. Music by Philip Glass, performed b Bruce Levingston. An Art Kaleidoscope Foundation production. Through the famous portrait artist’s subjects, filmmaker Marion Cajori crafts a clever biographical documentary of Chuck Close. Marion Cajori died before completing Chuck Close, her documentary portrait of an artist known for his unique portraits and self-portraits. In what could only have been a conscious nod to her subject, Cajori’s cinematic construct cleverly imitates Close’s signature hieroglyphic boxes, which he paints and superimposes upon a photograph. Abstract artist Brice Marden says in the documentary that with Close’s portraits “you add up all the details and you get the soul,” and the same can be said for Cajori’s film—through a series of vignettes, interviews with Close’s friends and family, the filmmaker reveals the soul of the portraitist. Cajori pursues Close and his work in the same way that someone might approach one of his portraits, which are large canvases of his subject’s heads. She leans in to show Close bringing the brush to the paint, and Close painting an uneven line or a protozoa-like shape on the canvas. Then she steps back to show completed portraits, and the actual faces of Close’s subjects, and sometimes a long shot in the studio where Close, in a wheelchair, is the focal point of the shot. -
Alex Katz Timothy Taylor, London January 15 – 22 February, 2020 Opening Reception: Tuesday 14 January, 6 – 8 Pm
Alex Katz Timothy Taylor, London January 15 – 22 February, 2020 Opening Reception: Tuesday 14 January, 6 – 8 pm Alex Katz, Ada, 2019. Timothy Taylor is pleased to present an exhibition of recent paintings by American artist Alex Katz (b. 1927). Illustrating the immense power of a craft honed for over seventy years, Katz’s tenth exhibition with the gallery represents a historic return to his most significant themes in the form of impressionistic natural landscapes and masterly depictions of his wife and lifelong muse, Ada Del Moro Katz. After graduating from the Cooper Union in 1949, Katz spent almost ten years searching for a subject and style uniquely his own, resisting the stigma against figuration in the era of Abstract Expressionism. In 1957, he began to paint what he called ‘specific’ portraits, close-up paintings of recognisable people, blending the scale of the New York School with the social realism of Eduard Manet, the bright flatness of Matisse with the saturated color and dramatically cropped faces of American cinema. The catalyst for his new style was his first encounter with his future wife, Ada, the research biologist who would become the subject of his most celebrated paintings. Katz’s images of Ada have definitively entered the canon of twentieth-century art, and she was the subject of the 2006 exhibition Alex Katz Paints Ada at the Jewish Museum, New York. Katz has compared Ada’s irresistible allure to Picasso’s depiction of his muse and lover Dora Maar over the course of their nine-year affair. But unlike Picasso’s tragic representations of his weeping lover, the elusiveness of Ada’s unyielding gaze continues to fascinate the artist half a century later.