{Download PDF} the Circle: the Complete Volumes of Black, Red
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Black Storytellers in Ruth Mcenery Stuart's "Blink" (1893) and Charles W
Swarthmore College Works English Literature Faculty Works English Literature 2002 Command Performances: Black Storytellers In Ruth McEnery Stuart's "Blink" (1893) And Charles W. Chesnutt's "The Dumb Witness" (1899) Peter Schmidt Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-english-lit Part of the English Language and Literature Commons Let us know how access to these works benefits ouy Recommended Citation Peter Schmidt. (2002). "Command Performances: Black Storytellers In Ruth McEnery Stuart's "Blink" (1893) And Charles W. Chesnutt's "The Dumb Witness" (1899)". Southern Literary Journal. Volume 35, Issue 1. 70-96. DOI: 10.1353/slj.2003.0013 https://works.swarthmore.edu/fac-english-lit/25 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in English Literature Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Command Performances: Black Storytellers in Stuart's "Blink" and Chesnutt's "The Dumb Witness" Author(s): Peter Schmidt Source: The Southern Literary Journal, Vol. 35, No. 1, Nineteenth Century Southern Writers (Fall, 2002), pp. 70-96 Published by: University of North Carolina Press Stable URL: http://www.jstor.org/stable/20078350 Accessed: 20-11-2017 17:05 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. -
Tigers in Red Weather Have a Main Character? If So, Who Do You Think It Is?
TIGERSREADING GROUP GUIDEIN TIGERSRED IN WEATIGERS IN REDTHERWEATHER REDA Novel WEATHERBy LAizaNOKlaussmannVEL A NOVEL A NOVEL LIZAUSEKLAUSPDFSMANN LIZA KLAUSSMANN Little, Brown and Company New York Boston London Little, Brown and Company TigersInredWeather_TPtextF1.indd 1 New York Boston London 4/30/13 1:04 PM A C ONVERSATION WITH LIZA KLAUSSMANN Liza Klaussmann sits down with Antonina Jedrzejczak of Vogue.com What led you to write this book? I had always wanted to be a novelist and finally got around to being serious about it when I moved to London to do a master’s degree in creative writing in 2008. In terms of the idea for the book, my grand- mother, who died really quickly after I moved to London, was a very complicated person. Nick is definitely not her, but my grandmother partially inspired the character—the idea of someone complicated who can at once be glamorous and lovely to one person and be totally suppressive to someone else. What attracted you to writing about these three decades, starting in the forties, right after the Second World War, and ending in the late sixties, before you were born? In a lot of ways, it was this idea of people trying to be individuals post–World War II, when you were not really supposed to be individ- ualistic. The world was supposed to have been made whole—everyone was better and put on a happy face. It was a great time period to TigersInredWeather_TPtextF1.indd 3 4/30/13 1:04 PM NOID 2013-04-11 18:55:06 361 A conv4 er• sation Reading with GroupLiza Klaussmann Guide put characters like these in motion because the social barriers against achieving any kind of individualism or human agency were so strong. -
PDF of the Princess Bride
THE PRINCESS BRIDE S. Morgenstern's Classic Tale of True Love and High Adventure The 'good parts' version abridged by WILLIAM GOLDMAN one two three four five six seven eight map For Hiram Haydn THE PRINCESS BRIDE This is my favorite book in all the world, though I have never read it. How is such a thing possible? I'll do my best to explain. As a child, I had simply no interest in books. I hated reading, I was very bad at it, and besides, how could you take the time to read when there were games that shrieked for playing? Basketball, baseball, marbles—I could never get enough. I wasn't even good at them, but give me a football and an empty playground and I could invent last-second triumphs that would bring tears to your eyes. School was torture. Miss Roginski, who was my teacher for the third through fifth grades, would have meeting after meeting with my mother. "I don't feel Billy is perhaps extending himself quite as much as he might." Or, "When we test him, Billy does really exceptionally well, considering his class standing." Or, most often, "I don't know, Mrs. Goldman; what are we going to do about Billy?" What are we going to do about Billy? That was the phrase that haunted me those first ten years. I pretended not to care, but secretly I was petrified. Everyone and everything was passing me by. I had no real friends, no single person who shared an equal interest in all games. -
Sleeping Ugly by Jane Yolen
Sleeping Ugly by Jane Yolen Parts (7): Narrator 1 Narrator 2 Miserella Jane Fairy Prince Jojo <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> Narrator 1: Princess Miserella was a Miserella: beautiful princess Narrator 2: if you counted her eyes (Miserella indicates eyes, nose, mouth and toes.) nose and mouth and all the way down to her Miserella: toes. Narrator 1: But inside, where it was hard to see, she was the meanest Narrator 2: wickedest, Narrator 1: and most worthless Narrator 2: princess around. She liked Miserella: stepping on dogs! (Miserella makes such foot movements) Narrator 1: She kicked kittens. (Miserella makes kicking actions) Narrator 2: She threw pies Miserella: in the cooks face, Tee Hee Hee. Narrator 1: And she never, (Miserella shakes head back and forth) not even once, said "Thank you," or "Please." Narrator 2: Now, in that very same kingdom, in the middle of the woods, lived a poor orphan (Jane turns in) named Jane: Plain Jane! Narrator 1: And plain she certainly was! Her hair was Jane: short Narrator 2: and turned down. Her nose was Jane: long Narrator 2: and turned up. And even if they had been the other way around, whe would not have been a Jane: great beauty. Narrator 1: But, she loved animals! And, she was always kind to strange old ladies. (Jane turns Back to Audience as Miserella turns in) Narrator 2: One day, Princess Miserella rode her horse out of the palace gates in a big huff. (Miserella mimes riding horse.) She rode and rode and rode, Miserella: looking beautiful, as always Narrator 1: even with her hair in tangles. -
Young Adult Realistic Fiction Book List
Young Adult Realistic Fiction Book List Denotes new titles recently added to the list while the severity of her older sister's injuries Abuse and the urging of her younger sister, their uncle, and a friend tempt her to testify against Anderson, Laurie Halse him, her mother and other well-meaning Speak adults persuade her to claim responsibility. A traumatic event in the (Mature) (2007) summer has a devastating effect on Melinda's freshman Flinn, Alexandra year of high school. (2002) Breathing Underwater Sent to counseling for hitting his Avasthi, Swati girlfriend, Caitlin, and ordered to Split keep a journal, A teenaged boy thrown out of his 16-year-old Nick examines his controlling house by his abusive father goes behavior and anger and describes living with to live with his older brother, his abusive father. (2001) who ran away from home years earlier under similar circumstances. (Summary McCormick, Patricia from Follett Destiny, November 2010). Sold Thirteen-year-old Lakshmi Draper, Sharon leaves her poor mountain Forged by Fire home in Nepal thinking that Teenaged Gerald, who has she is to work in the city as a spent years protecting his maid only to find that she has fragile half-sister from their been sold into the sex slave trade in India and abusive father, faces the that there is no hope of escape. (2006) prospect of one final confrontation before the problem can be solved. McMurchy-Barber, Gina Free as a Bird Erskine, Kathryn Eight-year-old Ruby Jean Sharp, Quaking born with Down syndrome, is In a Pennsylvania town where anti- placed in Woodlands School in war sentiments are treated with New Westminster, British contempt and violence, Matt, a Columbia, after the death of her grandmother fourteen-year-old girl living with a Quaker who took care of her, and she learns to family, deals with the demons of her past as survive every kind of abuse before she is she battles bullies of the present, eventually placed in a program designed to help her live learning to trust in others as well as her. -
Literary Tricksters in African American and Chinese American Fiction
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2000 Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction Crystal Suzette anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Literature Commons, and the Ethnic Studies Commons Recommended Citation anderson, Crystal Suzette, "Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction" (2000). Dissertations, Theses, and Masters Projects. Paper 1539623988. https://dx.doi.org/doi:10.21220/s2-z7mp-ce69 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
10Th Grade “An Investment in Knowledge Always Pays the Best Interest.” -Benjamin Franklin
Patriot Read Rising 10th grade “An investment in knowledge always pays the best interest.” -Benjamin Franklin Heritage Christian School Patriot Summer Reading Program The purpose of summer reading is to expose our students to good books – books that will enrich the mind, character and spirit of HCS students during summer break. Our goal is to encourage a lifelong love for reading. Many of these books can be found in Mrs. Brown’s classroom, and the HCS library has many of them as well. Students entering 10th grade need to choose one book from the list below to read over the summer. After reading the books, the student should complete the book report following the instructions given (see attached). Parents should sign the form which will be given to the tenth grade teacher on the FIRST DAY OF SCHOOL. The reports will be graded and will be the student’s first English test grade. Deduction of points will be made each day it is late. Any student not completing the reports after one week will receive a zero. BIOGRAPHY/AUTOBIOGRAHY/CLASSIC FICTION Author Book(s) Alcorn, Randy Heaven; If God is Good; Deadline Aldrich, Bess Streeter A Lantern in Her Hand Anderson, Courtney To the Golden Shore: The Life of Adoniram Judson Austen, Jane Emma, Mansfield Park, Persuasion, Pride & Prejudice, Sense & Sensibility Bacon, Ernest W. Spurgeon Bailey, Faith Cox Adoniram Judson: America’s First Foreign Missionary; George Mueller; D. L. Moody: The Greatest Evangelist of the Nineteenth Century Barton, David The Bulletproof George Washington Benson, Kathleen A Man Called Martin Luther Bjorn, Thyra Ferre Papa’s Wife Blackmore, Richard D. -
Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online Free
Download The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online free Download The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online free The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps He is known for stories that combine adrenaline-laced plots with incredible confrontations between good and evil. Twitter @TedDekker, facebook/#!/teddekker . He is known for stories that combine adrenaline-laced plots with incredible confrontations between good and evil. Ted Dekker is the New York Times best-selling author of more than 25 novels. He lives in Texas with his wife and children. About the AuthorTed Dekker is the New York Times best-se The book The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps written by Ted Dekker consist of 1072 pages. It published on 2014-07-08. This book available on paperback format but you can read it online or even download it from our website. Just follow the simple step. 1 / 5 Download The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online free Read [Ted Dekker Book] The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps Online PDF free The Violent Decade: A Foreign Correspondent in Europe and the Middle East, 1935-1945 BEAUTY FLASH YOU Rule! Take Charge of Your Health and Life: A Healthy Lifestyle Guide for Teens Nanosciences: The Invisible Revolution Knights of the Blood (Knights of Blood) -
The Book of Common Prayer
The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People -
History of Commercial Filming at White Sands
White Sands National Park Service Department of the Interior White Sands National Monument History of Commercial Filming at White Sands owering mountains, spectacular white dunes, crystal blue skies, stunning Tsunsets, and magical moonlit nights—all of these unique features form the amazing landscape at White Sands National Monument. Half a million visitors from all over the world enjoy this beautiful place every year. Commercials, feature films, fashion catalogs, music videos, made-for-TV movies, and documentaries also come to White Sands to capture this scenery and beauty on film. History of Filming Since the early days of film on the Clydesdales, Energizer Bunny, and silver screen, national parks have Marlboro Man. Well known directors been popular destinations for Steven Spielberg (Transformers) and photographers, videographers, and Harold Ramus (Year One), actors cinematographers. The rolling bright Denzel Washington (Book of Eli) white sand dunes have set the scene and Willem Defoe (White Sands: The for westerns, science fiction films, Movie), and music performers Boyz and apocalyptic films. They have II Men (“Water Runs Dry”) and Sara also provided the backdrop to still Evans (“I Could Not Ask for More”) photography of dawn breaking or sun have all spent time at White Sands setting and for commercials featuring capturing the dunes in their Rolls Royce, the Anheuser-Busch creative work. Motion Pictures Movie Production Date Production House King Solomon’s Mines 1950 MGM Hang ‘Em High 1968 United Artists Scandalous John 1970 Disney My Name is Nobody 1973 Titanus Bite the Bullet 1974 Columbia The Man Who Fell to Earth 1975 EMI Convoy 1977 United Artists Raw Courage 1983 RB Productions Wrong Is Right 1981 Columbia Young Guns II 1990 Morgan Creek Lucky Luke 1991 Paloma Films White Sands 1991 Morgan Creek New Eden 1993 HBO Tank Girl 1994 MGM Mad Love 1994 Disney Astronaut Farmer 2005 Warner Independent Transformers 2006 Dreamworks, LLC Afterwards 2007 Et Apres, Inc. -
An Exploration of Afro-Southern Speculative Fiction
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 1-1-2020 Post-Soul Speculation: An Exploration Of Afro-Southern Speculative Fiction Hilary Word Follow this and additional works at: https://egrove.olemiss.edu/etd Recommended Citation Word, Hilary, "Post-Soul Speculation: An Exploration Of Afro-Southern Speculative Fiction" (2020). Electronic Theses and Dissertations. 1817. https://egrove.olemiss.edu/etd/1817 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. POST-SOUL SPECULATION: AN EXPLORATION OF AFRO-SOUTHERN SPECULATIVE FICTION A Thesis Presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by HILARY M. WORD May 2020 Copyright © Hilary M. Word 2020 ALL RIGHTS RESERVED. ABSTRACT This thesis is an examination of female authored, post-soul, Afro-Southern speculative fiction. The specific texts being examined are My Soul to Keep by Tananarive Due, Stigmata by Phyllis Alesia Perry, and Sing, Unburied, Sing by Jesmyn Ward. Through exploration of these texts, I posit two large arguments. First, I posit that this thesis as a collective work illustrates how women-authored Afro-Southern speculative fiction based in the post-soul era embodies and champions womanist politics and praxis critical for liberation through speculative elements. Second, I assert that this thesis is demonstrative of how this particular type of fiction showcases the importance of specificity of setting and reflects other, often erased facets of African American identity and realities by centering the experiences of contemporary Black Southerners. -
The Red Room H.G
THE RED ROOM H.G. Wells Gothic Digital Series @ UFSC FREE FOR EDUCATION The Red Room H.G. Wells (March 1896, The Idler) “I CAN assure you,” said I, “that it will take a very tangible ghost to frighten me.” And I stood up before the fire with my glass in my hand. “It is your own choosing,” said the man with the withered arm, and glanced at me askance. “Eight-and-twenty years,” said I, “I have lived, and never a ghost have I seen as yet.” The old woman sat staring hard into the fire, her pale eyes wide open. “Ay,” she broke in; “and eight-and-twenty years you have lived and never seen the likes of this house, I reckon. There’s a many things to see, when one’s still but eight-and-twenty.” She swayed her head slowly from side to side. “A many things to see and sorrow for.” I half suspected the old people were trying to enhance the spiritual terrors of their house by their droning insistence. I put down my empty glass on the table and looked about the room, and caught a glimpse of myself, abbreviated and broadened to an impossible sturdiness, in the queer old mirror at the end of the room. “Well,” I said, “if I see anything tonight, I shall be so much the wiser. For I come to the business with an open mind.” “It’s your own choosing,” said the man with the withered arm once more. I heard the faint sound of a stick and a shambling step on the flags in the passage outside.