Boston Symphony Orchestra Concert Programs, Summer, 1986
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Journal of the American Viola Society Volume 9 No.2/3, 1993
JOURNAL afthe AMERICAN VIOLA SOCIETY Chapter of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion of Viola Performance and Research Vol. 9 Nos. 2&3 1993 The Journal ofthe American Viola Society is a publication ofthat organization and is produced at Brigham Young University, © 1993, ISSN 0898-5987. The Journalwelcomes letters and articles from its readers. Editorial andAdvertising Office: BYU Music Harris Fine Arts Center Provo, UT 84602 (801) 378-4953 Fax: (801) 378-5973 Editor: David Dalton Assistant Editor: David Day Production: Helen Dixon JAVS appears three times yearly. Deadlines for copy and art work are March 1, July 1, and November 1; submissions should be sent to the editorial office. Ad rates: $100 full page, $85 two-thirds page, $65 halfpage, $50 one-third page, $35 one-fourth page. Classifieds: $25 for 30 words including address; $40 for 31-60 words. Advertisers will be billed after the ad has appeared. Payment to "American Viola Society" should be remitted to the editorial office. OFFICERS Alan de Vertich President School ofMusic University of So. California 830 West 34th Street Ramo Hall 112 Los Angeles, CA 90089 (805) 255-0693 Thomas Tatton Vice-President 2705 Rutledge Way Stockton, CA 95207 Pamela Goldsmith Secretary 11640 Amanda Drive Studio City, CA 91604 Ann Woodward Treasurer 209 w. University Ave. Chapel Hill, NC 27514 David Dalton Past President Editor, JA VS Brigham Young University Provo, Utah 84602 BOARD Mary Arlin J~ffery Irvine John Kella William Magers Donald !v1cInnes Kathryn Plummer Dwight Pounds -
Music for Viola and Piano, September 30, 2018 Lawrence University
Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 9-30-2018 12:00 AM Music for Viola and Piano, September 30, 2018 Lawrence University Follow this and additional works at: https://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Music for Viola and Piano, September 30, 2018" (2018). Conservatory of Music Concert Programs. Program 311. https://lux.lawrence.edu/concertprograms/311 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. Guest Recital Music for Viola and Piano Sheila Browne, viola Julie Nishimura, piano Sunday, September 30, 2018 6:00 p.m. Harper Hall Sonatensatz from the F-A-E Sonata, WoO posth. 2 Johannes Brahms (1833-1897) Sonata for Viola and Piano (1979) George Rochberg Allegro moderato (1918-2005) Adagio lamentoso Fantasia: Epilogue INTERMISSION Convergence (2009) Andrea Clearfield (b. 1960) Sonata for Viola and Piano (1919) Rebecca Clarke Impetuoso (1886-1979) Vivace Adagio PERFORMER BIOS Hailed by the New York Times as a “stylish player” for a concerto performance in Carnegie Hall’s Stern Auditorium, violist Sheila Browne is an accomplished international soloist, chamber musician and professor. Honored to be named the William Primrose Memorial Recitalist of 2016, Ms. Browne has performed in major halls on six continents, including solo performances with the Juilliard Orchestra, Kiev Philharmonic, New World Symphony, in Carnegie Hall with the New York Women’s Ensemble, South African International Viola Congress Festival Orchestra, and the Viva Vivaldi!, Reina Sofia and German French chamber orchestras, and with the Highland Mountain Correctional Center Women’s String Orchestra in Alaska. -
Critical Success Factors in Cello Training a Comparative Study
Critical success factors in cello training a comparative study by Anzél Gerber Submitted in partial fulfilment of the requirements for the degree PhD Music (Performance Practice) in the Department of Music Goldsmiths College, University of London Supervisor Professor Alexander Ivashkin 2008 (ii) DECLARATION I, Anzél Gerber, the undersigned, hereby declare that this dissertation, submitted in partial fulfilment for the degree PhD Music (Performance Practice), is my own original work. Signed: _______________________ Anzél Gerber (iii) ABSTRACT The research focused on the identification and ranking of critical success factors that contribute most significantly towards the training of a cello student. The empirical study was based on a sample of cello teachers in four countries selected for the study, namely Germany, Russia, the United Kingdom and the United States of America. A literature study, identifying a broad category of factors that could contribute towards successful cello training, formed the basis of the questionnaire. These critical success factors included the quality of the teacher, acquired skills, the talent and giftedness of the student, support rendered to the student, and the curriculum. Each of these factors comprised five sub factors. The respondents were required to rank these factors in order of importance. In the final analysis, they were requested to rank the five main factors. A statistical process of ranking (forced ranking) and Kruskal-Wallis was applied to rank and analyse the responses of the cello teachers in the survey. The critical success factors that contribute the most significantly towards successful cello training were identified and compared. ________________________________ (iv) PREFACE This study is in partial fulfilment for the degree PhD Music Performance at Goldsmiths College, University of London. -
01-31-21-Dewire-Fac-Piano-Rec
FROSTBURG STATE UNIVERSITY DEPARTMENT OF MUSIC SPRING 2021 EVENTS DEPARTMENT OF MUSIC STREAMING ONLINE Follow the link at www.frostburg.edu/concerts FACULTY ARTIST SERIES FEBRUARY 21 West Shore Piano Trio Faculty-Guest Artist Series – 3pm 26 Scott Rieker, composition Faculty Artist Series – 7:30pm JAY DeWIRE, PIANO MARCH 3 FSU Percussion Ensemble – 7:30pm 26 Spring Choral Concert – 7:30pm “L’chaim! A Jewish Composers Showcase” APRIL 4 Joseph Yungen, piano Faculty Artist Series – 3pm 9 FSU Wind Ensemble – 7pm Outdoor performance – Open to the public 11 President’s Concert – 3pm 18 FSU Piano Ensemble – 3pm 19 FSU Opera Theatre – 7:30pm 20 FSU Opera Theatre – 7:30pm 24 FSU Jazz Orchestra & Jazz Combos – 3pm Outdoor performance – Open to the public 28 FSU String Ensemble – 7:30pm 30 FSU Chamber Singers & University Chorale FSU Percussion Ensemble Joint Recital – 7:30pm Concerts subject to change. Info & updates: 301-687-4109, www.frostburg.edu/concerts View our recital recordings on YouTube: Frostburg Music Department Sunday January 31, 2021 Pealer Performing Arts Center 3:00 p.m. Pealer Recital Hall PROGRAM BIOGRAPHY Italian Concerto, BWV 971 Johann Sebastian Bach JAY DEWIRE, piano, has performed across the I. Allegro (1685-1750) United States as a soloist, collaborator, and II. Andante member of the West Shore Trio. Highlights include III. Presto two performances as soloist with the Prince George’s Philharmonic, concerts in Chautauqua, Los Angeles and New Mexico. with the West Shore Humoreske, Op. 20 Robert Schumann Piano Trio, a performance at the North American I. Einfach (1810-1856) Saxophone Alliance in Lubbock, Texas, with Dr. -
Library of Congress Rule Interpretations for Aacr 2, Revision 2002
LIBRARY OF CONGRESS RULE INTERPRETATIONS FOR AACR 2, REVISION 2002 Basic cumulation updated through Cataloging Service Bulletin No. 128 Compiled by Alan Boyd and Elaine Druesedow OBERLIN COLLEGE LIBRARY OBERLIN, OHIO January, 2012 [This page intentionally left blank] Chapter 1 General Rules for Description 1.0:CSB124 Decisions Before Cataloging Table of Contents What is Being Cataloged? Type of Issuance Monograph vs. Serial Situations Requiring Further Consideration 1) Electronic resources 2) Resources issued in loose-leaf format 3) Conference publications 4) Supplements 5) Republications 6) Printed travel guides 7) Certain other printed resources Edition or Copy of Monograph Change in Cataloging Decision: Monograph/Serial Change in Type of Issuance Initial Articles ____________________________________________________________________________________ What is Being Cataloged? This section represents LC/PCC practice. Before creating a bibliographic record, determine what is being cataloged. Answer these two questions: OBERLIN LCRI CUMULATED 1-2 rev. 12-10 1) What aspect of the bibliographic resource will the bibliographic record represent? a) A resource may not be part of a larger resource and so the bibliographic record can represent only that resource. b) A resource may be part of a larger resource (one part of a multipart item, one analytic of a monographic series, one of several separate resources on a Web site, etc.). The bibliographic record could represent the “smaller” or the “larger” resource. c) A resource may not be part of a larger resource but local cataloging policies may specify creating a bibliographic record for a made-up larger resource of materials that are not published, distributed, or produced together.1 2) What is the type of issuance of that aspect? a) See both the definitions from AACR2 appendix D and the diagram in “Type of Issuance” below. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Elysian Camerata Press Kit (PDF)
Elysian Camerata In trying to find a name for this ensemble that we felt would be true to our self-image, we looked at words and ideas that would express how deeply we love this music. The term ‘elysian’ means literally ‘heavenly’. We could find no other word that so singularly and so completely expresses how we feel about our work. About us . Whether it be an intimate duo for violin and cello, a dramatic piano quintet or a grand string sextet, Elysian Camerata has built an enormous repertoire, along with its outstand- ing reputation, encompassing chamber music of all styles and ensemble sizes. For more than a decade the Elysians have shared their musical insight with countless audiences throughout Pennsylvania and beyond. Ever mindful of the composer’s original intent, these skilled musicians infuse their own passion and inspiration into the genius within the music to create some of the most exciting and musically provocative performances in the Phila- delphia area. Music from the early Baroque to recently composed and commissioned works are all part of the diverse fare that one can expect to find on an Elysian program. The Camerata’s core instrumentation of two violins, two violas, cello and piano serve as the basis from which it regroups into various sizes and types of ensembles. On occasion they invite guest artists of other instrumentation to join them in concert. The members of Elysian Camerata, all independently established musicians in Philadelphia and its environs, are involved in performance and teaching with numerous area ensembles and institutions. Their individual careers have involved them with most of the area's major ensembles and music schools. -
Americanensemble
6971.american ensemble 6/14/07 2:02 PM Page 12 AmericanEnsemble Peter Serkin and the Orion String Quartet, Tishman Auditorium, April 2007 Forever Trivia question: Where Julius Levine, Isidore Cohen, Walter Trampler and David Oppenheim performed did the 12-year-old with an array of then-youngsters, including Richard Goode, Richard Stoltzman, Young Peter Serkin make his Ruth Laredo, Lee Luvisi, Murray Perahia, Jaime Laredo and Paula Robison. New York debut? The long-term viability of the New School’s low-budget, high-star-power series (Hint: The Guarneri, is due to several factors: an endowment seeded by music-loving philanthropists Cleveland, Lenox and such as Alice and Jacob Kaplan; the willingness of the participants to accept modest Vermeer string quartets made their first fees; and, of course, the New School’s ongoing generosity in providing a venue, New York appearances in the same venue.) gratis. In addition, Salomon reports, “Sasha never accepted a dime” during his 36 No, not Carnegie Recital Hall. Not the years of labor as music director or as a performer (he played in most of the 92nd Street Y, and certainly not Alice Tully concerts until 1991, two years before his death). In fact, Sasha never stopped Hall (which isn’t old enough). New Yorkers giving—the bulk of his estate went to the Schneider Foundation, which continues first heard the above-named artists in to help support the New School’s chamber music series and Schneider’s other youth- Tishman Auditorium on West 12th Street, at oriented project, the New York String Orchestra Seminar. -
Carmel Music Society
Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna -
Boston Symphony Orchestra Concert Programs, Summer, 1983
. ^ 5^^ mar9 E^ ^"l^Hifi imSSii^*^^ ' •H-.-..-. 1 '1 i 1^ «^^«i»^^^m^ ^ "^^^^^. Llii:^^^ %^?W. ^ltm-''^4 j;4W»HH|K,tf.''if :**.. .^l^^- ^-?«^g?^5?,^^^^ _ '^ ** '.' *^*'^V^ - 1 jV^^ii 5 '|>5|. * .««8W!g^4sMi^^ -\.J1L Majestic pine lined drives, rambling elegant mfenor h^^, meandering lawns and gardens, velvet green mountain *4%ta! canoeing ponds and Laurel Lake. Two -hundred acres of the and present tastefully mingled. Afulfillment of every vacation delight . executive conference fancy . and elegant home dream. A choice for a day ... a month . a year. Savor the cuisine, entertainment in the lounges, horseback, sleigh, and carriage rides, health spa, tennis, swimming, fishing, skiing, golf The great estate tradition is at your fingertips, and we await you graciously with information on how to be part of the Foxhollow experience. Foxhollow . an tver growing select family. Offerings in: Vacation Homes, Time- Shared Villas, Conference Center. Route 7, Lenox, Massachusetts 01240 413-637-2000 Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Second Season, 1982-83 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Mrs. John H. Fitzpatrick William J. Poorvu J. P. Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley David G. Mugar Mrs. George R. Rowland Mrs. Norman L. Cahners Albert L. Nickerson Mrs. George Lee Sargent George H.A. -
Program Notes | All Tchaikovsky
23 Season 2018-2019 Thursday, January 31, at 7:30 The Philadelphia Orchestra Friday, February 1, at 2:00 Saturday, February 2, at 8:00 Kensho Watanabe Conductor Edgar Moreau Cello Tchaikovsky Capriccio italien, Op. 45 Tchaikovsky Variations on a Rococo Theme, Op. 33, for cello and orchestra Intermission Tchaikovsky Symphony No. 1 in G minor, Op. 13 (“Winter Daydreams”) I. Allegro tranquillo (Dreams of a Winter Journey) II. Adagio cantabile ma non tanto (Land of Desolation, Land of Mists) III. Scherzo: Allegro scherzando giocoso IV. Finale: Andante lugubre—Allegro moderato—Allegro maestoso—Andante lugubre—Allegro vivo This program runs approximately 1 hour, 50 minutes. LiveNote® 2.0, the Orchestra’s interactive concert guide for mobile devices, will be enabled for these performances. The January 31 concert is sponsored by Jack and Ramona Vosbikian. The February 2 concert is sponsored by Ms. Elaine Woo Camarda. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 24 ® Getting Started with LiveNote 2.0 » Please silence your phone ringer. » Make sure you are connected to the internet via a Wi-Fi or cellular connection. » Download the Philadelphia Orchestra app from the Apple App Store or Google Play Store. » Once downloaded open the Philadelphia Orchestra app. » Tap “OPEN” on the Philadelphia Orchestra concert you are attending. » Tap the “LIVE” red circle. The app will now automatically advance slides as the live concert progresses. -
Journal of the American Viola Society Volume 16 No. 3, 2000
JOURNAL of the AlVlERICAN VIOLA SOCIETY Section of THE I NTERNATIONAL VIOLA SOCIETY Association for the Promotion ofViola Performance and Research Vol. 16 No.3 2000 FEATURES Joseph Schuberr's Concerto in £-Flat Major By Andrew Levin Cultivating a Private Srudio By Christine Due Orchestral Training Forum: "Wagner's Overtures to Tannhiiuser" By Charles R. Pikfer A Thumb's Decline: To Fuse or Not to Fuse By Dan Whitman From the NS Presidency: "Linkoping Congress Review" By Dwight Pounds OFFICERS Peter Slowik President Professor ofViola Oberlin College Conservatory 13411 Compass Point Strongsville, OH 44136 peter. slowik@oberlin. edu William Preucil II Vice President 317 Windsor Dr. I Iowa City, /A 52245 Catherine Forbes Secretary 1128 Woodland Dr. Arlington, TX 76012 Ellen Rose Treasurer 2807 Lawtherwood Pl. Dallas, TX 75214 Thomas Tatton Past President 7511 Parkwoods Dr. Stockton, C4 95207 BOARD Victoria Chiang Donna Lively Clark Paul Coletti Ralph Fielding Pamela Goldsmith john Graham Barbara Hamilton ~....:::::=:-~-=~11 Karen Ritscher Christine Rutledge -__ -==~~~ ji Kathryn Steely - ! juliet White-Smith Louise Zeitlin EDITOR, JAYS Kathryn Steely Baylor University P.O. Box 97408 "Waco, TX 76798 PAST PRESIDENTS Myron Rosenblum (1971-1981) Maurice W. Riley (1981-1986) David Dalton (1986-1990) Alan de Veritch (1990-1994) HONORARY PRESIDENT William Primrose (deceased) ~ Section ofthe Internationale Viola Society The journal ofthe American Viola Society is a peer-reviewed publication of that organization and is produced at A-R Editions in Madison, Wisconsin. © 2000, American Viola Society ISSN 0898-5987 ]AVS welcomes letters and articles from its readers. Editor: Kathryn Steely Assistant Editor: Jeff A. Steely Assistant Editor for Viola Pedagogy: Jeffrey Irvine Assistant Editor for Interviews: Thomas Tatton Production: A-R Editions, Inc.