13 Not Unlucky for We the People Team by Nicholas Cooley “United We Stand, Divided We Fall.” but Ish It…” This Line, Stripped Directly from That Takes Place in April
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Tops Globes Noms As Female Directors Break Through
20 Friday Lifestyle | Features Friday, February 5, 2021 Netflix’s ‘Mank’ tops Globes noms as female directors break through This video screen grab shows Taraji P Henson during the Golden This video screen grab shows Sarah Jessica Parker during the In this file photo shows Golden Globe statues are set by the Globes nominations. Golden Globes nominations. stage ahead of the 77th Annual Golden Globe Awards nomina- tions announcement in Beverly Hills.—AFP photos etflix’s “Mank,” a black-and-white drama that dives into Hollywood’s List of key Golden Globe nominees NGolden Age with the making of “Citizen Kane,” on Wednesday topped the ere are the nominees in key Young Woman” BEST FOREIGN LANGUAGE Eugene Levy, “Schitt’s Creek” nominations for the pandemic-delayed categories for the 78th Golden FILM Jason Sudeikis, “Ted Lasso” Golden Globes, as female directors finally HGlobe Awards, which will be BEST ACTOR, MUSICAL OR “Another Round” Ramy Youssef, “Ramy” broke through with multiple nods. “Mank” handed out in Beverly Hills on Febru- COMEDY “La Llorona” earned six nominations, including best ary 28. Netflix’s “Mank”-set in Hol- Sacha Baron Cohen, “Borat Sub- “The Life Ahead” BEST MUSICAL OR COMEDY drama, followed by fellow Netflix movie lywood’s Golden Age about the sequent Moviefilm” “Minari” ACTRESS “The Trial of the Chicago 7” on five, in an making of “Citizen Kane”-led all James Corden, “The Prom” “Two of Us” Lily Collins, “Emily in Paris” announcement that offered an important, films with six nominations. The Lin-Manuel Miranda, “Hamilton” Kaley Cuoco, “The Flight Atten- early glimpse into the movies leading this streaming service crushed the com- Dev Patel, “The Personal History BEST ANIMATED FEATURE dant” year’s unique awards season. -
7/25: Theatrical Activism at Its Finest 3 2 6 10
NEW LONDON, CONNECTICUT TUESDAY, OCTOBER 27, 2020 VOLUME XLIX • ISSUE 4 THE COLLEGE VOICE CONNECTICUT COLLEGE’S STUDENT NEWSPAPER, SINCE 1977 Did You Fall Asleep in Mod. 1 Classes? 7/25: Theatrical Activism at its Finest any of Conn’s academic departments have faced AMANDA SANDERS lasses look a little different this se- BROOKE SPONZO mester. Instead of the typical class challenges this semester, whether that entails desert- MANAGING EDITOR STAFF WRITER M Cduration ranging from twice a week ing in-person lectures, getting creative in the transition to for seventy-five minutes over fifteen remote labs, or battling internet connectivity during class discussions. But for theater majors, the pandemic has been particularly dire: for how do weeks that we are used to, Conn is experimenting with a modular you stage a play in the age of the coronavirus? class format. Professors had the option to teach a fifteen-week class “With lots of hand sanitizer,” jokes Erin Flannagan ‘24, a member of the early October or to compress 15 weeks into 7. The decision made to either com- production of 7/25, a show written by Conn alum Ana Daniela Reyes-Rosado ‘20 that dives press or keep their class has a trickle down effect and decides how deep into issues of police brutality, censorship, and colonialism. often and for how long they will hold class, which have lead classes The show tells the real-life tale of two young Puerto-Rican activists who were murdered by to meet either four times a week or twice a week for three hours. -
Emily O'grady Thesis
Subverting the Serial Gaze: Interrogating the Legacies of Intergenerational Violence in Serial Killer Narratives Emily O’Grady Bachelor of Fine Arts (Honours) Creative Industries: Creative Writing and Literary Studies Queensland University of Technology Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy 2018 1 Abstract This thesis subverts, disrupts and reimagines dominant narratives of fictional serial crime through a hybrid research paradigm of creative practice and critical analysis. The creative output of this thesis is an 80,000 word literary novel titled The Yellow House, accompanied by a 20,000 word critical exegesis. In the following, I argue that current fictional iterations of the serial killer literary genre are rigidly conservative, and remain fixed within the safe confines of genre conventions wherein the narrative bears little resemblance to how abject violence and the aftermath of serial crime plays out in real life. The broad framework of genre theory, accompanied by trauma theory, allows for an examination of the serial killer genre to identify the space in which my creative practice—an Australian, literary rendering of serial crime—fits as an extension and subversion of the genre. By reimagining the Australian serial killer narrative, I seek to challenge the reductive serial killer genre, and come to a potential offering of serial homicide that interrogates how the legacies of abject violence can be transmitted across generations. I do this by shifting the focus onto the aftermath of the crime and its numerous victims—in particular, the descendants of serial killers. The Yellow House presents a destabilising fictionalisation of serial crime that disrupts the conventions of the genre in order to contend with the complexity and instability of serial homicide. -
Buffy & Angel Watching Order
Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74 -
Wwciguide April 2019.Pdf
From the President & CEO The Guide The Member Magazine for WTTW and WFMT Dear Member, Renée Crown Public Media Center This month, we are excited to bring you a sweeping new adaptation of Victor Hugo’s 5400 North Saint Louis Avenue Chicago, Illinois 60625 classic novel Les Misérables. This new six-part series, featuring an all-star cast including Dominic West, David Oyelowo, and recent Oscar winner Olivia Colman, tells the story of fugitive Jean Valjean, his relentless pursuer Inspector Javert, and other colorful characters Main Switchboard (773) 583-5000 in turbulent 19th century France. We hope you’ll join us on Sunday nights for this epic Member and Viewer Services drama, and explore extra content on our website including episode recaps and fact vs. (773) 509-1111 x 6 fiction. If spring is a time of renewal, that is also certainly true of some of WTTW’s offerings Websites wttw.com in April, including eagerly awaited new seasons of three very different British detective wfmt.com series – Father Brown, Death in Paradise, and Unforgotten – and Mexico: One Plate at a Time, Jamestown, and Islands Without Cars. On wttw.com, as American Masters features Publisher newspaper magnate Joseph Pulitzer, we profile Chicago winners of the journalism and Anne Gleason arts award that bears his name, and highlight some extraordinary African American Art Director Tom Peth entrepreneurs in Chicago. WTTW Contributors WFMT will present the annual Rising Stars concert of the Ryan Opera Center, and Julia Maish Dan Soles organist Nathan Laube’s four-part international organ festival on Friday evenings, All the WFMT Contributors Stops with Nathan Laube. -
A PDF Copy of This Issue of Slayage Is Available Here
Slayage: Number Six Slayage 6 September 2002 [2.2] David Lavery and Rhonda V. Wilcox, Co-Editors Click on a contributor's name in order to learn more about him or her. A PDF copy of this issue (Acrobat Reader required) of Slayage is available here. A PDF copy of the entire volume can be accessed here. J. Gordon Melton (University of California, Santa Barbara), Images from the Hellmouth: Buffy the Vampire Slayer Comic Books 1998-2002 PDF Version (Acrobat Reader Required) Reid B. Locklin (Boston University), Buffy the Vampire Slayer and the Domestic Church: Re-Visioning Family and the Common Good PDF Version (Acrobat Reader Required) Frances Early (Mount St. Vincent University), Staking Her Claim: Buffy the Vampire Slayer as Transgressive Woman Warrior PDF Version (Acrobat Reader Required) David Lavery (Middle Tennessee State University), "Emotional Resonance and Rocket Launchers": Joss Whedon's Commentaries on the Buffy the Vampire Slayer DVDs PDF Version (Acrobat Reader Required) Recommended. Here and in each issue 1 3 of Slayage the editors will recommend 2 [1.2] 4 [1.4] [1.1] [1.3] writing on BtVS available on the Internet. 5 6 [2.2] 7 [2.3] 8 [2.4] [2.1] Robert Hanks, Deconstructing Buffy 11-12 9 10 [3.2] [3.3- [3.1] (from ) 4] Manuel de la Rosa, Buffy the Vampire Slayer, the Girl Power Movement, and 13-14 Heroism 15 [4.3] [4.1- Archives Andy Sawyer, In a Small Town in 2] California . the Subtext is Becoming Text (from ) Anthony Cordesman, Biological Warfare and the "Buffy" Paradigm" Paula Graham, Buffy Wars: The Next file:///C|/Documents%20and%20Settings/David%20Lavery/Lavery%20Documents/SOIJBS/Numbers/slayage6.htm (1 of 2)12/21/2004 4:23:36 AM Slayage, Number 6: Melton J. -
Cynthea Masson, Malaspina University-College
Cynthea Masson, Malaspina University-College “What Did You Sing About?”: Acts of Questioning in “Once More, with Feeling” "Am I crazy? Am I dreamin'? Am I marrying a demon?" Where else but on Buffy the Vampire Slayer could these questions not only be posed but sung as "a retro pastiche" (6.7)? Questions abound in "Once More, with Feeling"—the answers, however, are a little less forthcoming, as I will outline in this paper. Commentary on Buffy's musical episode often focuses on the revelations of truth that form the content of the songs.1 Richard Albright aptly synthesizes this view when he states, "We soon realize that each of the characters sings what they secretly feel, so the songs represent the real and the true" (para. 11). Or, as Anne Billson puts it, the characters are "compelled to blurt out their innermost secrets in song" (110). I disagree—in part. That is, the truths or secrets revealed in "Once More, with Feeling" may be a distraction from other truths or secrets that the characters are not yet able to admit aloud, even in song, even to themselves. If, as Rhonda Wilcox notes, the musical device of the episode "works like a soliloquy, in that we can be assured we will hear the interior truth for that character," then another aspect of the soliloquy should be considered (193; my emphasis).2 Anthony J. Gilbert argues that the speaker of a soliloquy "may say what he wants to believe is true, at a conscious level, but which he knows to be false, at an unconscious level" (223). -
Male Serial Killers and the Criminal Profiling Process: a Literature Review Jennifer R
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1996 Male Serial Killers and the Criminal Profiling Process: A Literature Review Jennifer R. Phillips Eastern Illinois University This research is a product of the graduate program in Psychology at Eastern Illinois University. Find out more about the program. Recommended Citation Phillips, Jennifer R., "Male Serial Killers and the Criminal Profiling Process: A Literature Review" (1996). Masters Theses. 1274. https://thekeep.eiu.edu/theses/1274 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. Male Serial Killers and the Criminal Profiling Process: A Literature Review Jennifer R. Phillips Eastern Illinois University TABLE OF CONTENTS Dedication ....................................................... iv Acknowledgments ................................................. v Abstract ......................................................... vii ... Preface and Rationale .............................................. VIII CHAPTER 1: Understanding Serial Killers .............................. 1 Definitive Categories: Serial Killers. Serial Sexual Killers. and Serial Sadistic Killers .................................. 2 History and Incidence of Serial Killings ...........................6 Childhood History and Social Development ....................... 7 Motivational Model -
Theorizing Television Music As Serial Art: Buffy the Vampire Slayer and the Narratology of Thematic Score
City Research Online City, University of London Institutional Repository Citation: Wiley, C. (2011). Theorizing Television Music as Serial Art: Buffy the Vampire Slayer and the Narratology of Thematic Score. In: Leonard, KP (Ed.), Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. (pp. 23-67). Scarecrow Press. ISBN 0810869454 This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/2431/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Theorizing Television Music as Serial Art: Buffy the Vampire Slayer and the Narratology of Thematic Score Christopher Wiley City University London The rich and burgeoning literature on film music, which has for some years enjoyed substantial critical exploration, contrasts strikingly with the current under-theorization of its televisual counterpart. While a small number of fascinating analyses of aspects of music for television have recently appeared, those by Julie Brown, Robynn Stilwell, and K. -
The Role of Disability in Buffy the Vampire Slayer Amanda H
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of New Mexico University of New Mexico UNM Digital Repository Special Education ETDs Education ETDs 7-12-2014 The Role of Disability in Buffy the Vampire Slayer Amanda H. Heggen Follow this and additional works at: https://digitalrepository.unm.edu/educ_spcd_etds Recommended Citation Heggen, Amanda H.. "The Role of Disability in Buffy the Vampire Slayer." (2014). https://digitalrepository.unm.edu/ educ_spcd_etds/16 This Dissertation is brought to you for free and open access by the Education ETDs at UNM Digital Repository. It has been accepted for inclusion in Special Education ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. The Role of Disability in Buffy the Vampire Slayer i Amanda H. Heggen Candidate Special Education Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Julia Scherba de Valenzuela , Chairperson Dr. Susan Copeland Dr. James Stone Dr. David Witherington The Role of Disability in Buffy the Vampire Slayer ii THE ROLE OF DISABILITY IN BUFFY THE VAMPIRE SLAYER by AMANDA H. HEGGEN B.A. Psychology, Goshen College, 2001 M.A. Special Education, Univeristy of New Mexico, 2006 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Special Education The University of New Mexico Albuquerque, New Mexico May, 2014 The Role of Disability in Buffy the Vampire Slayer iii Acknowledgements The list of people who have contributed to this dissertation in many forms, from much-needed pep talks to intensely brilliant advice on how to present my findings, is epic. -
The Ethics of Serial Killer Sympathy in Dexter (2006)
Our Dark Passenger: The Ethics of Serial Killer Sympathy in Dexter (2006) Niki Liebregts 22 May 2019 Supervised by Dr. E.J. van Leeuwen Second Reader: Dr. S.A. Polak Leiden University MA Literary Studies Liebregts 2 Contents Introduction Page 3 Chapter 1: Methodological framework – Deontological versus Utilitarian Ethics Page 10 Chapter 2: Friendship: Sympathy and Trust within an Ethical Framework Page 21 Chapter 3: Vigilantism: The Significance of Context in Moral Judgments Page 36 Chapter 4: Family: The Relationship Between Loyalty and Ethics Page 52 Conclusion Page 67 Bibliography Page 70 Appendix A: Character list Page 75 Appendix B: Season synopses Page 77 Liebregts 3 Introduction The Staircase (2004), West of Memphis (2011) and Making A Murderer (2018) are only three titles of an increasing amount of true crime shows and TV murder mysteries that have appeared world-wide in the last two decades. Millions of people around the globe are fascinated by these shows1 and this trend probably will only develop faster and reach larger audiences in the coming years. Not only has the number of television shows that have the concept of the killer as their focal point increased, so has the amount of people watching them. Stephen Asma explains the rise in popularity of such “killer” TV: “We live in a consumer culture, and consumption not only fulfills desires but also is a means of imposing order and control. Commodifying a horror is one way of objectifying and managing it” (280). Of all types of murderers, the serial killer has garnered the most public attention in the popular media and even the collectors’ market. -
Decoding Dexter
DECODING DEXTER: AN ANALYSIS OF AMERICA’S FAVORITE SERIAL KILLER by Erin Burns-Davies A Dissertation Submitted to the Faculty of the Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL August 2019 Copyright 2019 by Erin Burns-Davies ii ACKNOWLEDGEMENTS Dr. Jane Caputi: Words fail to adequately express my gratitude for your participation as chair of my dissertation committee. Your scholarship, research suggestions, constructive criticism, patience, and belief in me were essential in making this manuscript a reality. I continue to be in awe of your work in ways that have not only influenced my writing but also my teaching. Dr. Marcella Munson: Your notes on my dissertation and feedback during my defense were critical in making the manuscript more polished and effective. Thank you for your participation on my dissertation committee. Dr. Christopher Robé: Thank you for your constructive criticism, particularly your insight into the connection between the horror genre and queer identity. I appreciate how your ideas have challenged and enhanced my work on this dissertation. My mother, Susan Burns-Davies: In your battle against cancer these last few years, you have been a model of bravery amidst hardship. Thank you for your many sacrifices and for seeing me to the end of this journey. I look forward to celebrating not only this achievement but also your renewed health and many years ahead with you by my side. Dr. Shireen Lalla: My sister, this project would not have been possible without your support.