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2015-06-03Original language:EnglishPDF # 1 9.00 x .17 x 6.00l, .25 #File Name: 151420269768 pages | File size: 61.Mb

Lyman Frank Baum : The Lost Princess of Oz before purchasing it in order to gage whether or not it would be worth my time, and all praised The Lost Princess of Oz:

0 of 0 people found the following review helpful. Another GOTTA-readBy Guy BernardI knew the story having seen the movie as a youngster.3-or-4 months ago I stumbled over the fact that there are a dozen follow-on books by Baum which I've seen referred to as "the Harry Potter of its day". At this point, I have read 8-or-9 of the series, have thoroughly enjoyed each and every one. As soon as my youngest Grandson and I finish the the the Harry Potter series, we read after school one afternoon a week, and are near the end of the 7th and final book in that series, the Wizard of Oz is next on the list - he knows it and is looking forward to it.I'm reading the Kindle editions for a couple of reasons:1 - I'm cheap, so $0.00 is a most acceptable price2 - The lack of pictures opens the door for a lot of "what do you think he/she looks like?" conversations with my Grandson which are as fun for him as they are for me.You can read the Oz books in any sequence but, like any series, characters and situations from earlier stories rear their heads. I'm a bit of a teckie-type so I tend to do things in order, and that order is included at the end of each book in the series so the answer to "What's next?" is easy.0 of 0 people found the following review helpful. No pictures; many typographical errorsBy Justin J. RebbertThere are no pictures in this edition at all. Most, maybe all, of the original editions did have some pictures, which I would have liked to have seen. Also, as with the other free editions in this series, there are many typographical errors, mainly misspellings. There is also the occasional bit of text that's randomly bold for no apparent reason. I suspect that a printed copy of the book was scanned and run through OCR, with no follow-up accuracy check.The story itself is pretty good. Although all of this series is clearly written for children, it's entertaining enough for adults to enjoy reading as well. But as an adult, I couldn't help but notice that many of the characters in all of these Oz stories, including the central characters, are often conceited, arrogant, and rude, yet at the same time, quite polite about it.1 of 1 people found the following review helpful. Good, but not as good as BaumBy Mike LamontagneThis is 's first Oz book, taking over the series after the death of L. Frank Baum. Thompson proves that she is a passable replacement for Baum - her stories are okay and she has a good grasp of the characters - but she is never able to fully capture the magic that Baum put into his stories. While much of the story focuses on the 's adventures on Silver Island, the most interesting chapters are the ones that deal with and Sir Hokus of Pokes (a character of Thompson's that will play a prominent role in some of her later books as well). The book tends to wander at times, making you wonder if Thompson knew exactly where she wanted to go at those points, but overall it will satisfy you if you are a fan of Oz.Mike LaMontagne, author, The Wizard of Oz: Dark Witch Rising Rainbow's Emissary (The Wizard of Oz: Dark Witch Rising) Witch Hunt (The Wizard of Oz: Dark Witch Rising) and The Carter Girls and the Battle of Frontenac Island One morning, the residents of Oz awaken to confront a rash of mysterious disappearances. Most crucially, discovers that is missing from her bedchamber, and no one knows where she is. Dorothy and her friends cannot search for Ozma with the Magic Picture, for that too is gone. At her palace in the , Glinda finds that both the Great Book of Records and her collection of magical implements have vanished overnight. The Wizard of Oz soon learns that his black bag of magic has joined the roster of missing items. And in a remote corner of Oz yet another object is missing. In the far southwest of the live the Yips, a community of isolated highlanders; A Yip known as Cayke the Cookie Cook has lost her magic, jewel-studded golden dishpan. Shocked at the loss of this crucial resource, Cayke consults the Frogman, a giant frog who functions as something of a local wise man (or wise frog). (In fact he is not very wise, but compensates with bluster and ego.) The two head down to the lowlands of Oz in quest of said dishpan. The residents of the Royal Palace in the organize themselves into three search parties. Ojo, Unc Nunkie and Dr. Pipt are dispatched to their home grounds, the Country; the Scarecrow and head for the Quadling Country; Tik-Tok, , and the and his brother go north to the . To the Winkie Country goes the fourth and largest group, consisting of the Wizard, Dorothy, , and Button-Bright, riding in the red wagon drawn by the Sawhorse; also the , plus Betsy Bobbin riding her mule Hank, and the riding the Woozy. follows along behind. Glinda appoints Cap'n Bill to man the Palace in the general absence. Dorothy and company proceed through a range of strange adventures in exotic locales. After passing the Merry-Go-Round Mountains, they encounter the cities of Thi and Herku. In the Great Orchard separating the cities, Button-Bright eats a peach, and discovers a golden peach pit within. Local animals (bluefinch and white rabbit) warn him that the pit has been enchanted by Ugu the Shoemaker. The Czarover of Herku informs the searchers about Ugu, a local craftsman who trained himself to be a powerful magician. Ugu left town and built himself a wickerwork castle in the remote mountains; Dorothy and the Wizard grow suspicious. Heading toward Ugu's castle, the group meets Cayke and the Frogman, plus the Lavender Bear, the stuffed animal who rules Bear Center. The Lavender Bear carries his Little Pink Bear, a wind-up toy that can answer any question about the past. As they approach Ugu's castle, Button-Bright wanders off and falls into a pit. The Little Pink Bear states that Ozma is in the pit too. Once Button-Bright is helped out of the pit, Pink Bear maintains that Ozma is there with them. Unable to unravel this conundrum, the searchers proceed to the castle, and surmount Ugu's magical defenses. Dorothy eventually defeats Ugu by turning him into a dove, using the Magic Belt. The stolen magical instruments are recovered. Pink Bear tells the group that Ozma is in Button-Bright's jacket pocket. The gold peach pit is revealed; the Wizard pries it open, releasing Ozma from Ugu's enchantment. Good order is restored to Oz. Days later, Ugu in dove form comes to Dorothy and expresses his remorse for his actions. Dorothy offers to restore him to human form, but the repentant shoemaker prefers to remain a dove.

From the PublisherThis book is in Electronic Paperback Format. If you view this book on any of the computer systems below, it will look like a book. Simple to run, no program to install. Just put the CD in your CDROM drive and start reading. The simple easy to use interface is child tested at pre-school levels. Windows 3.11, Windows/95, Windows/98, OS/2 and MacIntosh and Linux with Windows Emulation. Includes Quiet Vision's Dynamic Index. the abilty to build a index for any set of characters or words. This Electronic Paperback is illustrated. This Electronic Paperback is read aloud by an actor.From the Inside FlapBook 8 of L. Frank Baum's immortal OZ books, in which Ozma is lost -- as are all the known magical instruments in Oz -- and how the search party of Dorothy, the Wizard and other loyal friends embarks upon bizarre adventures and meets such strange creatures as the Frogman and the Lavender Bear while trying to find her.About the AuthorLyman Frank Baum (May 15, 1856 – May 6, 1919), better known by his pen name L. Frank Baum, was an American author chiefly known for his children's books, particularly The Wonderful Wizard of Oz. He wrote thirteen novel sequels, nine other fantasy novels, and a host of other works (55 novels in total, plus four "lost works", 83 short stories, over 200 poems, an unknown number of scripts,[1] and many miscellaneous writings), and made numerous attempts to bring his works to the stage and screen. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (), wireless telephones (Tik-Tok of Oz), women in high risk, action-heavy occupations (Mary Louise in the Country), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work).

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