DOCSLIB.ORG

Satriani Shapeshfiting Presse Info

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Satriani Shapeshfiting Presse Info JOE SATRIANI “SHAPESHIFTING” Das neue Album erscheint am 10. APRIL 2020 Das neue StuDioalbum von JOE SATRIANI, „ShapeshiJing“, wirD am 10. April 2020 über Sony Music / Legacy RecorDings veröffentlicht. Die erste Single, "Nineteen Eighty", ist ab sofort auf allen Streaming- PlaVormen erhältlich. Die vollstänDige Titelliste finDen Sie weiter unten. ShapeshiJing wurDe von Satriani unD Jim ScoY (Foo Fighters, ReD Hot Chili Peppers, Tom PeYy AnD The Heartbreakers) gemeinsam mit Dem langjährigen musikalischen SiDekick John Cuniber_ proDuziert, Der für Das Mastering verantwortlich zeichnet. Satriani engagierte zuDem eine Vielzahl alter unD neuer Mitstreiter, um Die Songs zu etwas besonDerem zu machen. Der legenDäre Schlagzeuger Kenny Aronoff (John Fogerty), Der bassist Chris Chaney (Jane’s ADDic_on) unD Der KeyboarDer Eric CauDieux waren Die Hauptmusiker Des neuen Albums mit zusätzlichen beiträgen von Lisa Coleman (The Revolu_on) unD Christopher Guest. Das Retro-Feeling Der ersten Single, "Nineteen Eighty", lässt Satriani geis_g Die Zeit Revue passieren, in Der er mit seiner ersten banD, Den Squares, arbeitete. Der zukünJige GitarrenhelD, Den Die Welt weniger als ein Jahrzehnt später kennenlernen würDe, musste sich Damals noch zurückhalten. Er erinnert sich, Dass sie in jenen frühen Tagen „auf Die großen Gesten unD Die Gitarrensoli verzichtet wurDe, um eine coolere New-Wave-S_mmung zu erzeugen.“ Jahrzehnte später unD von Diesen Zwängen befreit, geht er vorwärts unD kann gleichzei_g versuchen, zu greifen, was ihn Damals bewegte. Er blieb Den Klängen Der Zeit insofern treu, inDem er sogar einen alten MXR EVH-Phaser verwenDete. "Ich war schon immer ein großer Fan von EDDie Van Halen", sagt Satriani. „In meinen Augen hat er gerade Diese Ära bes_mmt. In Den späten 70ern unD frühen 80ern reYete er quasi Die Rockgitarre. Das häYe ich genauso getan." Ab Dem 15. April 2020 wirD SATRIANI auf eine 42-Tage-Europatournee gehen. Die „The ShapeshiJing Tour“ enDet Derzeit MiYe Juni. Weitere Termine, einschließlich USA Daten, werDen in Kürze bekannt gegeben. In Der 2020 Touring banD spielt ebenfalls Der auf Dem Album zu hörenDe Schlagzeuger Kenny Aronoff (John Fogerty), außerDem Der bassist bryan beller (Aristocrats) unD Der KeyboarDer Rai Thistlethwayte (Thirsty Merc), Die zusammen Das SounDbeY für SATRIANIs Gitarre liefern. Die aktuelle TourDaten sinD HIER zu finden. Seit zwei Jahrzehnten reist Der Gitarrenvirtuose nunmehr um Die Welt um vor ausverkauJen Häusern sowohl als Solo-Headliner als auch als begrünDer Der All-Star-Gitarren-Extravaganza „G3“ zu spielen. Die StuDio- unD Live-Aufnahmen von SATRIANI wurDen Denn auch bis heute weltweit über 10 Millionen Mal verkauJ. Von seinen zahlreichen Soloalben wurDen zwei mit Pla_n unD vier mit GolD ausgezeichnet, auch 15 Grammys Nominierungen haben sich angesammelt. Das Debütalbum seines Nebenprojekts Chickenfoot mit Dem ehemaligen Frontmann von Van Halen, Sammy Hagar, Dem bassisten Michael Anthony, unD Dem Schlagzeuger, Chad Smith, von ReD Hot Chili Peppers, wurDe ebenfalls mit GolD ausgezeichnet unD Das zweites StuDioalbum s_eg Direkt auf Platz 9 Der US Charts ein. Vorbestellungen für Das neue Werk „ShapeshiJing“ sinD bereits jetzt möglich. Neben Der Der CD Version gibt es Das Album auch als Vinyl EDi_on. JOE SATRIANI – “SHAPESHIFTING” 1. ShapeshiJing 2. Big Distoron 3. All For Love 4. Ali Farka, Dick Dale, an Alien anD Me 5. TearDrops 6. Perfect Dust 7. Nineteen Eighty 8. All My FrienDs Are Here 9. Spirits, Ghosts anD Outlaws 10. Falling Stars 11. Wai_ng 12. Here The blue River 13. YesterDay’s YesterDay JOE SATRIANI ONLINE Website | Facebook | TwiYer | Instagram | YouTube | Spofy | Apple Music.
Load more

Recommended publications
  • PDF (142.67 Kib)
    At the Crossroads of Jim Donnelly Metal Music West Coast News and Comedy By Justine Taormino ’06 By Peter Gordon ’78 Northern California alumni are abuzz At the improbable intersection of Brendon Small ’97 with news of their work in a variety metal music, animated TV, and stand- of areas. Here are some recent high- up comedy, the story of guitarist, com- lights. poser, actor, and producer Brendon sitcom that aired from 1999 to 2004. Benjamin Flint ’85 of Oakland led Small ’97 stands apart. Metal fans Although he also provided the show’s two Diablo Valley College jazz choirs worldwide know him as the creative music, he rapidly became better Reno Jazz Festival where they took first mastermind behind the smash-hit ani- known as a comedian. and third places in their division. Flint mated TV show Metalocalypse and the Toward the end of the show’s run, also directs the Oakland Jazz Choir and metal bands Dethklok and Galaktikon. Small began to turn back to the guitar. has taught at Jazz Camp West. Small’s unique journey began in “I was so excited to hear what people This fall, saxophonist Sonya the laid-back northern California town were doing in metal,” he says. “They Jason ’85 of Montara, will release of Salinas, where he remembers spend- were actually playing their instruments Feels So Good: Live in Half Moon Bay, ing long hours practicing guitar and incredibly well! I now had the comedy her fourth solo album. Recorded live re-watching VHS copies of his favorite chops and could write, thanks to Home at the legendary jazz venue Bach comedies.
    [Show full text]
  • Dvds DVDS 277
    DVDs DVDS 277 CONCERTS & MUSIC Eric Clapton & Steve Winwood B.B. King Live from Madison Square Garden B.B. King Live AC/DC 2 DVDs ..................................................$27.99 17-WEA517585____ DVD ......................................................$14.99 40-7130HJDVD____ Blu-Ray Disc .........................................$17.99 40-7131HJBD____ Plug Me In Neil Diamond 2 DVDs ..................................................$29.99 40-10417____ Diana Krall Hot August Night/NYC Adele Live from Madison Square Garden Live in Rio DVD ......................................................$13.99 40-62711____ DVD ......................................................$14.99 40-EV302739____ Live at the Royal Albert Hall DVD & CD .............................................$18.99 40-90446____ Eagles Led Zeppelin The Band Farewell I Tour — Live from Melbourne Celebration Day 2 DVDs ..................................................$29.99 17-WEA970423____ DVD & 2 CDs .........................................$29.95 17-WEA532625____ The Last Waltz Hell Freezes Over Blu-Ray Disc & 2 CDs ...........................$34.95 17-WEA532628____ DVD ......................................................$14.99 40-M102021____ DVD ......................................................$24.99 40-B000437709____ Led Zeppelin History of The Eagles DVD 2-Pack ..........................................$29.99 17-WEA970198____ The Beatles The Story of an American Band Mothership ✸ 3 DVDs ............................................$34.99 40-347919____ The
    [Show full text]
  • The Musicares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405
    The MusiCares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405 ***TIP SHEET FOR FRIDAY, MAY 9, 2008*** BLIND MELON AND CAMP FREDDY — WITH SPECIAL GUESTS CHESTER BENNINGTON, WAYNE KRAMER, DUFF MCKAGAN, CHAD SMITH, STEVEN TYLER AND ROBIN ZANDER — TO PERFORM AT FOURTH ANNUAL MUSICARES MAP FUNDSM BENEFIT CONCERT ON MAY 9 HONORING ALICE COOPER AND SLASH Sold-Out Concert Event — Sponsored In Part By Gibson Foundation — At The Music Box @ Fonda Will Raise Funds For MusiCares® Addiction Recovery Services WHO: Honorees: Legendary artist Alice Cooper to receive the Stevie Ray Vaughan Award and GRAMMY®-winning guitarist Slash to receive the MusiCares® From the Heart Award. Host: Actor, stand-up comedian, musician and singer Tommy Davidson. Presenters: Bernie Taupin will present the Stevie Ray Vaughan Award to honoree Alice Cooper; Steven Tyler will present the MusiCares® From the Heart Award to honoree Slash. Performers: Blind Melon (Glen Graham, Brad Smith, Rogers Stevens, Christopher Thorn and Travis Warren) and Camp Freddy (Chris Chaney, Donovan Leitch, Billy Morrison and Matt Sorum) with Slash on guitar, along with special guests Chester Bennington (Linkin Park), Wayne Kramer (MC5), Duff McKagan (Velvet Revolver), Chad Smith (Red Hot Chili Peppers), Steven Tyler (Aerosmith) and Robin Zander (Cheap Trick). The evening will also feature special performances by Alice Cooper and Slash. Attendees: MusiCares Foundation Board Chair John Branca; Gilby Clarke (Guns N' Roses); Bob Forrest (Celebrity Rehab); Anthony Kiedis (Red Hot Chili Peppers); Dave Kushner (Velvet Revolver); Martyn LeNoble (Jane's Addiction and Porno For Pyros); and President/CEO of The Recording Academy® and President of the MusiCares Foundation Neil Portnow.
    [Show full text]
  • Tesisw: Tecnología Midi: Análisis De Esta Tecnología
    UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO FACULTAD DE INGENIERÍA TECNOLOGÍA MIDI: ANÁLISIS DE ESTA TECNOLOGÍA PARA SU ADAPTACIÓN A LA GUITARRA ELÉCTRICA TESIS Que para obtener el título de Ingeniero en Computación P R E S E N T A Sergio Emiliano Duque Vega DIRECTOR DE TESIS M.C. Alejandro Velázquez Mena Ciudad Universitaria, Cd. Mx., 2017 UNAM – Dirección General de Bibliotecas Tesis Digitales Restricciones de uso DERECHOS RESERVADOS © PROHIBIDA SU REPRODUCCIÓN TOTAL O PARCIAL Todo el material contenido en esta tesis esta protegido por la Ley Federal del Derecho de Autor (LFDA) de los Estados Unidos Mexicanos (México). El uso de imágenes, fragmentos de videos, y demás material que sea objeto de protección de los derechos de autor, será exclusivamente para fines educativos e informativos y deberá citar la fuente donde la obtuvo mencionando el autor o autores. Cualquier uso distinto como el lucro, reproducción, edición o modificación, será perseguido y sancionado por el respectivo titular de los Derechos de Autor. Tecnología MIDI Sergio Emiliano Duque Vega Agradecimientos Al Alfa y Omega, principio y fin de todo, por regalarme el don de la música y permitirme escuchar. Todo viene de ti y todo vuelve a ti. A mi madre y a mi padre, Susana y Sergio, por creer en la educación como una puerta que transforma la vida de quienes decidimos pasar a través de ella. Sin su apoyo y orientación no hubiese sido posible realizar este trabajo. A mis hermanas, Michel y Paola, por siempre ofrecerme su ayuda, ejemplo y amistad. A mi cuñado y sobrino, Carlos y Carlitos, por traer nueva alegría y música a nuestra familia.
    [Show full text]
  • Eastern News: July 16, 2003 Eastern Illinois University
    Eastern Illinois University The Keep July 2003 7-16-2003 Daily Eastern News: July 16, 2003 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2003_jul Recommended Citation Eastern Illinois University, "Daily Eastern News: July 16, 2003" (2003). July. 5. http://thekeep.eiu.edu/den_2003_jul/5 This Article is brought to you for free and open access by the 2003 at The Keep. It has been accepted for inclusion in July by an authorized administrator of The Keep. For more information, please contact [email protected]. "Tell the truth July 1s.2oo3 • WEDNESDAY and don't be afraid.· VOLUME 87 . NUMBER 159 TH ED AILY EASTERN NEWS .COM Football players THE DAILY honored Sports Network NCAA Division I AA preseason football selections EASTERN NEWS Page 8 Sports Advanced News bri efs: Placement Music of the gets help Middle Ages Choragos Ensemble will present from their music of the middle ages at Newman Catholic Center In Charleston on Wednesday, July 16 at 7 pm. Formed In 1999, Choragos Eastern selects Its genre mainly from the Alamaire collection of manu­ scripts which are choir books used for celebrations in the Burgundia­ Minds Hapsburg Empire In the first three decades of the 16th Century. Choragos was formed by the • College Board request of the Alamaire Foundation In Belgium. selects two Richard Rossi and Patricia Eastern professors Poulter of the Music Dept. at Eastern are members of this vocal to look over the ensemble. The group will tour France and Germany following placement exams ANGELA HARR IS/ STA FF their Eastern performance.
    [Show full text]
  • Bryan Beller Is Suddenly Every- Where at Once
    PHOTOS BY GRIFF PETERS, SCOTT CHATFIELD, JT LAMBERT/STAGES PHOTOGRAPHY, GLEN LAFERMAN PHOTOGRAPHY, JT LAMBERT/STAGES CHATFIELD, GRIFF PETERS, SCOTT BY PHOTOS 28 bassplayer.com / october2012 QUICKENINGTHE AFTER 20 YEARS OF METICULOUSLY CRAFTING A MULTI-FACETED CAREER, BRYAN BELLER IS SUDDENLY EVERY- WHERE AT ONCE. BY E.E. BRADMAN IT’S 12:30 ON A WEDNESDAY AFTERNOON, AND I’M TALKING TO BRYAN BELLER, who’s on his way to the helicopter that will take him to tonight’s sold-out Dethklok show. Klokateers, the band’s hooded helpers, will be at the door to pass out Dethklok tattoos, and bartenders will serve drinks with specially made cocktail napkins. Eight hours later, the band is scheduled to take the stage, kick ass, and accept the adulation of the thousands of rabid fans who snapped up tickets in time. Beller’s got a million things on his mind—there are albums to mix, sessions to plan, and tours in the balance—but his primary job tonight will be to make William Murderface, the bassist of Dethklok, sound good to a Comic-Con audience full of hardcore metal fans. And as anyone who’s ever seen Adult Swim’s hit cartoon series Metalocalypse knows, that’s a mighty Herculean task. Lucky for him, Beller has a skill set heavy enough to inspire a fictional character: He’s a rocker’s rocker bassplayer.com / october2012 29 CS BRYAN BELLER with superhuman chops, ears of gold, a tone all his own, an intense work ethic, and a sense of humor that just won’t quit.
    [Show full text]
  • Inside Track
    feature inside track What’s the best way to make a classic rock album? For producer Eric Inside Track Valentine and guitarist Slash, there was only Secrets Of The Mix Engineers: one answer: use classic recording techniques and Eric Valentine vintage gear. Paul Tingen hen I first met Slash to talk about his solo album,” recalls “W Eric Valentine, “I immediately told him that the only way I wanted to do it was to approach it like a classic rock record: get great musicians, rehearse the songs properly, and record them on tape machines. There’s one particular vintage tape machine that I wanted to use for drums and bass, to get that classic ’60s rock sound, and I then wanted to use a more modern tape machine that can punch in and out for overdubs. My idea was to make it really simple, with a great drum sound and one guitar in one speaker and another guitar in the other speaker, so you can really hear performances. I didn’t want to hear just a wall of guitar sounds, I wanted to be able to hear Slash playing guitar. He seemed really excited about that.” Saul ‘Slash’ Hudson was excited enough to entrust Valentine with the engineering, mixing and production of his first genuine solo album. Simply named Slash, it hit same time being thoroughly modern. With listening to analogue. To my ears, digital number three in the US charts and made the Scully and Studer tape machines, an EMI stuff has an uncomfortable, buzzy high end top spot in many other nations.
    [Show full text]
  • A One-Sheet on Their Debut CD The
    ttthethe aristocrats [boing ] * * * * * * * * * * * * * * * * The debut album from instrumental rock/fusion’s rowdy new power trio: Guitarist Guthrie Govan, bassist Bryan Beller, and drummer Marco Minnemann. Catalog: BM -00001 * Street Date: Sept ember 13 , 2011 * UPC: 013964643466 The Aristocrats is the eponymous debut album from instrumental rock/fusion’s rowdy new power trio featuring guitarist Guthrie Govan (Asia/GPS, Dizzee Rascal) bassist Bryan Beller (Steve Vai, Dethklok, Mike Keneally), and drummer Marco Minnemann (Adrian Belew, UKZ, Necrophagist). Featuring three compositions from each band member, the album showcases a uniquely explosive band chemistry, translating each individual’s well-known virtuosity into an aggressive, melodic, and sometimes even cheeky group dynamic…in which anything goes. The band was formed practically by demand after a wildly enthusiastic response to a single performance at The Anaheim Bass Bash during the Winter NAMM show in January. With just one rehearsal the night before the gig, the trio unexpectedly floored the audience – and themselves – with near-telepathic interplay and boundless musical energy, leaving heads shaking in disbelief that it was their very first gig. “The chemistry was so great,” recalls Govan, who was just featured on the cover of Guitar Player , “that when we came offstage we all said to each other, ‘This is working. We should record this.’” Not content simply to rush together a remote recording, each far-flung band member left their homes (outside London; Nashville, TN; southern California) to meet in a Chicago studio and track the record in person, which took just under two weeks. The music became a melting pot of their respective influences, ranging from ’70s fusion (Return To Forever) to prog (King Crimson, UK) to instrumental rock (Vai, Satriani) to groove metal (Rage Against The Machine) to just plain absurdity (Frank Zappa).
    [Show full text]
  • Model Packs Pilot's Handbook
    Model Packs Pilot’s Handbook Chapter 1 ...................................................... Metal Shop Model Set Chapter 2 ........................................... Collector Classics Model Set Chapter 3 .........................................................FX Junkie Model Set Chapter 4 ......................................................Power Pack Model set Chapter 5 ............................................................Bass Expansion set Learn about Model Packs: www.line6.com/modelpacks Get License Key activation instructions: www.line6.com/store/activate.html Please Note: Line 6®, POD®, POD® xt, POD® xt Live, Bass POD® xt Live, POD® xt Pro, A.I.R.™, FBV™, FBV Express™, FBV Shortboard™, FB4™, FBV2™, Amp Farm®, Line 6 Monkey™, Line 6 Edit™, and Variax® are trademarks of Line 6, Inc. All product names, trademarks, and artist names are the property of their respective owners, which are in no way associated or affiliated with Line 6. Product names, images, and artist’ names are used solely to identify the products whose tones and sounds were studied during Line 6’s sound model development. The use of these products, trademarks, images and names does not imply any cooperation or endorsement. Model Packs Pilot’s Handbook Electrophonic Limited Edition © 2006, Line 6, Inc. Revision D. Metal Shop Bomber Uber: Based on* a Bogner Uberschall METAL SHOP 1• 1 These 18 punishingly high gain Amp Models were wrenched kicking, screaming and breathing fire from our metal monster HD147. They also happen to be a part of the model set of our flagship amplifier, Vetta II. And by adding the Metal Shop Model Pack, you’ll harness their fearsome power to create your own monster of mayhem! Let’s learn a little about these fearsome fiends that hath such fury, shall we? Bomber Uber: Based on* a Bogner Uberschall Much like the Bogner Extacy, the Uberschall dishes up serious tone for high gain players.
    [Show full text]
  • Numbers 1 to 100
    Numbers 1 to 100 PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 30 Nov 2010 02:36:24 UTC Contents Articles −1 (number) 1 0 (number) 3 1 (number) 12 2 (number) 17 3 (number) 23 4 (number) 32 5 (number) 42 6 (number) 50 7 (number) 58 8 (number) 73 9 (number) 77 10 (number) 82 11 (number) 88 12 (number) 94 13 (number) 102 14 (number) 107 15 (number) 111 16 (number) 114 17 (number) 118 18 (number) 124 19 (number) 127 20 (number) 132 21 (number) 136 22 (number) 140 23 (number) 144 24 (number) 148 25 (number) 152 26 (number) 155 27 (number) 158 28 (number) 162 29 (number) 165 30 (number) 168 31 (number) 172 32 (number) 175 33 (number) 179 34 (number) 182 35 (number) 185 36 (number) 188 37 (number) 191 38 (number) 193 39 (number) 196 40 (number) 199 41 (number) 204 42 (number) 207 43 (number) 214 44 (number) 217 45 (number) 220 46 (number) 222 47 (number) 225 48 (number) 229 49 (number) 232 50 (number) 235 51 (number) 238 52 (number) 241 53 (number) 243 54 (number) 246 55 (number) 248 56 (number) 251 57 (number) 255 58 (number) 258 59 (number) 260 60 (number) 263 61 (number) 267 62 (number) 270 63 (number) 272 64 (number) 274 66 (number) 277 67 (number) 280 68 (number) 282 69 (number) 284 70 (number) 286 71 (number) 289 72 (number) 292 73 (number) 296 74 (number) 298 75 (number) 301 77 (number) 302 78 (number) 305 79 (number) 307 80 (number) 309 81 (number) 311 82 (number) 313 83 (number) 315 84 (number) 318 85 (number) 320 86 (number) 323 87 (number) 326 88 (number)
    [Show full text]
  • 2013 : VOLUME 7 Previous Volume Next Volume
    4/29/13 DPRP : CD & DVD REVIEWS | Back to Reviews | Back to DPRP Main [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [XYZ] [Misc] [DVD's] [2013] [2012] [2011] [2010] [2009] [2008] [2007] [2006] [2005] [2004] [2003] 2013 : VOLUME 7 Previous Volume Next Volume REVIEWS IN THIS ISSUE: Godsticks - The Envisage Conundrum (Duo Review) Kingcrow - In Crescendo (Duo Review) The Enid - Invicta (Duo Review) Mind:Soul - Patterns 1.5 [EP] Ashent - Inheritance Tír na nÓg - Tír na nÓg Tír na nÓg – A Tear And A Smile Tír na nÓg – Strong In The Sun A Lonely Crowd - User Hostile Syndone - The Beauty Is The Beast Bill Nelson – Trial By Intimacy (The Book Of Splendours) Boxer - Below The Belt Boxer - Bloodletting Apogee feat. Gerald Heimann – Die Gläserne Wand & Schleifen Godsticks - The Envisage Conundrum Country of Origin: U.K. Format: CD Record Label: Independent Catalogue #: GODSTICKS003 Year of Release: 2013 Time: 59:44 Info: Godsticks Samples: Click here Tracklist: Convergence [Intro] (1:18), Caught In A Bind (5:04), The Envisage Conundrum (6:44), In A Way That Ended Me (5:00), Benchmark (4:35), Submerged (4:58), A Brief Foray (4:48), Disclosure (3:49), Borderstomp - Part 1 [Death To Tuesday] (5:05), Borderstomp - Part 2 [Blind] (5:54), Borderstomp - Part 3 [Cielo Azul] (6:53), Raised Concerns (5:31) Jez Rowden's Review My first exposure to Godsticks came in late 2008 when I received a review copy of their debut EP from bassist Jason Marsh.
    [Show full text]
  • Academic Programs . . . 46 Performance Bass
    Academic Calendar . 4 About LACM . 6 CONTENTS LACM Educational Programs . 9 Administration . 10 Admissions . 11 Tuition & Fees . 13 Financial Aid . 16 Registrar . 20 International Student Services . 26 Academic Policies & Procedures . 27 Student Life . 30 Career Services . 32 Campus Facilities – Security . 33 Rules of Conduct & Expectations . 35 Health Policies . 36 Grievance Policy & Procedures . 39 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 Academic Programs . 46 Performance Bass . 46 Brass & Woodwind . 52 Drums . 58 Guitar . 64 Vocal . 70 Music Composition Songwriting . 76 Music Production Composing for Visual Media . 82 Music Producing & Recording . 86 Music Industry Music Business . 92 Course Descriptions . 98 Department Chairs & Faculty Biographies . 138 SPRING 2015 (APRIL 6 – JUNE 19) SUMMER 2015 (JULY 6 – SEPTEMBER 18) January 26-30: Registration Period for April 27-May 1: Registration Period for Upcoming Quarter Upcoming Quarter April 6: Quarter Begins May 26: Tuition Deadline for Continuing Students February 23: Tuition Deadline for Continuing Students July 3: Independence Day (Observed), Campus Closed May 25: Memorial Day, Campus Closed July 6: Quarter Begins June 15–19: Exams Week September 7: Labor Day, Campus Closed June 19: Quarter ends September 14-18: Exams Week September 18: Quarter Ends September 19: Graduation ACADEMIC CALENDAR FALL 2015 (OCTOBER 5 – DECEMBER 18) WINTER 2016 (JANUARY 4 – MARCH 18) July 27-31: Registration Period for October 26-30: Registration Period for Upcoming Quarter Upcoming Quarter August 24: Tuition Deadline for Continuing November 23: Tuition Deadline for Continuing Students Students October 5: Quarter Begins January 4: Quarter Begins Nov. 11: Veterans, Campus Closed January 18: MLK Jr.
    [Show full text]