Set List Firehousestage.Org Meet the Performers

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Made Possible with Support From: Set List - Run the World/Get the Party Started (Beyoncé/Pink) - Hot Stuff (Donna Summer) - Killing Me Softly (Roberta Flack) - Rolling in the Deep (Adele) - Landslide (Stevie Nicks) - I’m Still Standing (Elton John) - Medley: Girls Just Wanna Have Fun/True Colors/Time After Time (Cyndi Lauper) - I Love Rock and Roll (Joan Jett & The Blackhearts) - I Will Always Love You (Whitney Houston) - Medley: Poker Face/Bad Romance/Born This Way (Lady Gaga) - Bridge Over Troubled Water (Simon & Garfunkel) - Hold On (Wilson Phillips) - You Don’t Own Me/This is My Fight Song (Leslie Gore/Rachel Platten) Meet the Performers ERIN DIONNE MEG SHIELDS CAROLE LANZARONE ERIN SHIELDS — A graduate of the Indiana University School of Music, Erin has performed leading roles for many off- Broadway and regional productions including Eliza in My Fair Lady, Chava in Fiddler on the Roof and The Baker’s Wife in Into the Woods. As a founding member of the renowned musical ensemble, O Sole Trio, she has performed all over the United States, Canada and Europe, including headlining major landmark venues such as Carnegie Hall, Lincoln Center for the Performing Arts, Ronnie Scott’s -London and the Redlands Bowl along with numerous TV appearances. Erin performed the role of Marina Vlady in the world premiere of Let Us Fly, working with TONY award-winning composer Larry Hochman (The Book of Mormon) and director Moni Yakim (Jacques Brel is Alive & Well) at the famed 92nd Street Y in NYC. DIONNE CAROLE — A Philadelphia native, Dionne has swept the hearts of many of her audiences from stage, film and sea. Credits include: Dreamgirls International Tour (Ensemble), Godspell (Peggy), Ain’t Misbehavin’ (Charlaine), Smokey Joe’s Café (BJ), RESPECT- A Musical Journey of Women (u/s Diva), Peter Nero & The Philly Pops, and several live musical theater performances with Holland America Cruise Line. She also holds a few winning moments including New York Soloist at McDonalds Gospelfest and Amateur Night winner at the famous Apollo Theater in Harlem. Dionne is a singer, songwriter, actress, and recording artist that firmly holds a warm embrace for the love of music. She strives to leave a legacy of hope for the world one musical note at a time. MEG LANZARONE — Born & raised in "Lawn Guyland", NY, Meg earned her B.F.A. in Theatre Arts at Hofstra University. She has performed in several Off-Broadway shows including NEWSical the Musical, My Big Gay Italian Funeral and Tony & Tina's Wedding. She is a successful commercial voice over artist, recording artist, impressionist and is the creator/producer of the original rock tribute show Rock Chick Remix. She recently ended a year-long Off- Broadway contract as Missy Miller in The Marvelous Wonderettes and played Barbara in the world premiere Off-Broadway rock musical The Night of the Living Dead. Meg is also part of the rock band The Event Horizon. She is a proud member of AEA & AGVA. Coming Soon UNDER THE TENT: Featuring Jeff Stockham’s Jazz Horn Legacy Sextet 607.772.2404 x 301 firehousestage.org .

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Marvin Hamlisch

tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST
Music Copying

Philip Mantione 505-204-6027(cell) [email protected] www.philipmantione.com Music Preparation and Copying Experience MUSIC PREPARATION SERVICE EMPLOYERS NYC (1997 - 2010) • Emily Grishman Music Preparation • Katharine Edmonds Music • Chelsea Music Los Angeles (1996-97) • Suzie Katayama at Sony Music • Eric Stonerook Music SKILL SET • Highly proficient Finale user (16 years of experience). • Experience using Sibelius • Experience copying for musical theatre, film, TV, recording sessions, industrials and concerts. • Experience creating Piano Conductor parts from full score. • Experience copying Piano Vocals and Full Scores. • Experience with Proofreading and Music Librarian work. EDUCATION 1996 - M.M. - Composition - CSULA 1988 - Muscians' Institute - GIT - Honors Graduate 1982 - B.S. - State University of New York at Buffalo (SUNYAB) AFM DUAL-MEMBERSHIP • Local 802 - NYC (1997 - present) • Local 47 - Los Angeles (1996-97, 2010 - present) CREDITS SELECTED MUSICAL THEATRE PRODUCTIONS: BROADWAY AND OFF-BROADWAY Allegro A Tree Grows in Brooklyn Bounce Death Takes a Holiday Dessa Rose Dirty Rotten Scoundrels Side Show Spamalot Witches of Eastwick Never Gonnna Dance A Little Night Music Annie Get Your Gun Wild Party Frog and Toad Marie Christine Everything's Ducky Fiddler on the Roof The Full Monty It Ain't Nothin' But The Blues Tony Awards Parade Seussical Follies Bat Boy Thoroughly Modern Millie The Rocky Horror Show Best Little Whorehouse in Texas Nine to Five Urinetown Swing Radio City Music Hall Christmas Little Fish Brooklyn Into
Concert History of the Allen County War Memorial Coliseum

Historical Concert List updated December 9, 2020 Sorted by Artist Sorted by Chronological Order .38 Special 3/27/1981 Casting Crowns 9/29/2020 .38 Special 10/5/1986 Mitchell Tenpenny 9/25/2020 .38 Special 5/17/1984 Jordan Davis 9/25/2020 .38 Special 5/16/1982 Chris Janson 9/25/2020 3 Doors Down 7/9/2003 Newsboys United 3/8/2020 4 Him 10/6/2000 Mandisa 3/8/2020 4 Him 10/26/1999 Adam Agee 3/8/2020 4 Him 12/6/1996 Crowder 2/20/2020 5th Dimension 3/10/1972 Hillsong Young & Free 2/20/2020 98 Degrees 4/4/2001 Andy Mineo 2/20/2020 98 Degrees 10/24/1999 Building 429 2/20/2020 A Day To Remember 11/14/2019 RED 2/20/2020 Aaron Carter 3/7/2002 Austin French 2/20/2020 Aaron Jeoffrey 8/13/1999 Newsong 2/20/2020 Aaron Tippin 5/5/1991 Riley Clemmons 2/20/2020 AC/DC 11/21/1990 Ballenger 2/20/2020 AC/DC 5/13/1988 Zauntee 2/20/2020 AC/DC 9/7/1986 KISS 2/16/2020 AC/DC 9/21/1980 David Lee Roth 2/16/2020 AC/DC 7/31/1979 Korn 2/4/2020 AC/DC 10/3/1978 Breaking Benjamin 2/4/2020 AC/DC 12/15/1977 Bones UK 2/4/2020 Adam Agee 3/8/2020 Five Finger Death Punch 12/9/2019 Addison Agen 2/8/2018 Three Days Grace 12/9/2019 Aerosmith 12/2/2002 Bad Wolves 12/9/2019 Aerosmith 11/23/1998 Fire From The Gods 12/9/2019 Aerosmith 5/17/1998 Chris Young 11/21/2019 Aerosmith 6/22/1993 Eli Young Band 11/21/2019 Aerosmith 5/29/1986 Matt Stell 11/21/2019 Aerosmith 10/3/1978 A Day To Remember 11/14/2019 Aerosmith 10/7/1977 I Prevail 11/14/2019 Aerosmith 5/25/1976 Beartooth 11/14/2019 Aerosmith 3/26/1975 Can't Swim 11/14/2019 After Seven 5/19/1991 Luke Bryan 10/23/2019 After The Fire
For Immediate Release: May 12

For Immediate Release National Tour Press Contact: Meghan Kastenholz Local Press Contact: Haley Sheram BRAVE Public Relations 404.233.3993 [email protected] “THE BEST MUSICAL OF THIS CENTURY. Heaven on Broadway! A celebration of the privilege of living inside that improbable paradise called a musical comedy.” Ben Brantley, THE NEW YORK TIMES BACK BY POPULAR DEMAND Performances begin July 17 at the Fox Theatre Tickets go on sale Sunday, March 25 ATLANTA (March 12, 2018) – Back by popular demand, THE BOOK OF MORMON, which played a record breaking two week return engagement in 2014, as well as in 2016, returns to Atlanta for a limited run, July 17-22 at the Fox Theatre as an option to the Fifth Third Bank Broadway in Atlanta 2017/2018 season. Single tickets will go on sale Sunday, March 25. Tickets go on sale Sunday, March 25. Tickets start at $33.50 and are available by visiting FoxTheatre.org by calling 1-855-285-8499 or visiting the Fox Theatre Box Office (660 Peachtree St NE, Atlanta, GA 30308). Group orders of 10 or more may be placed by calling 404-881-2000. Performance schedule, prices and cast are subject to change without notice. For more information, please visit BookofMormonTheMusical.com or BroadwayInAtlanta.com. THE BOOK OF MORMON will play at Atlanta’s Fox Theatre July 17-22. The performance schedule is as follows: Tuesday-Thursday 7:30 p.m. Friday 8 p.m. Saturday 2 p.m., 8 p.m. Sunday 1 p.m., 6:30 p.m. THE BOOK OF MORMON features book, music and lyrics by Trey Parker, Robert Lopez and Matt Stone.
Dissertation Final Corrected

FROM PENCIL TO PERFORMANCE: The creative nexus of arranging, orchestration and music direction in works of contemporary pop/rock musical theatre BRYAN SCHIMMEL 8300995 A thesis submitted to the Faculty of Humanities University of the Witwatersrand, Johannesburg in fulfilment of the requirements for the Degree of Master of Music Final Corrected Submission 22 September 2014 ABSTRACT In the art form of musical theatre, available literature on the creative musical aspects of musicals has focused primarily on the composers and/or lyricists; their works having been extensively analysed and documented. There is, however, comparatively less literature and documentation on the processes that guide the transformation of the theatre composer’s work to an eventual performance embracing arranging, orchestration and music direction. This dissertation explores these practices from two perspectives – the creative and the recreative. First, from the creative perspective, I challenge Joseph P. Swain who makes a compelling case for composition as a tool of dramaturgy in his book The Broadway Musical: A Critical and Musical Survey (2002). I contest that his argument cannot hold true for pop/rock musicals in which the scores are comprised of pre-existing popular music that was not originally or intentionally composed for the stage. In order to understand how music functions as a dramatic element in musical theatre, it must follow that all collaborative creative forces that contribute to this music must be evaluated in a holistic manner. Dramaturgy contextualises and elucidates storytelling and artistic vision. While Swain has postulated that composition is an element of dramaturgy, I offer the notion that since arranging and orchestration contextualise and elucidate the composition they therefore cannot be excluded as dramaturgical devices.
Lucas Waldin, Conductor Capathia Jenkins, Vocals Ryan Shaw, Vocals

Lucas Waldin, conductor Friday, October 11, 2019, at 7:30PM Capathia Jenkins, vocals Ryan Shaw, vocals Members of the St. Louis Symphony Orchestra IN UNISON Chorus Kevin McBeth, Director VARIOUS Aretha Overture arr. Bill Holombe BURT BACHARACH/ I Say a Little Prayer HAL DAVID Capathia Jenkins, vocalist DON COVAY Chain of Fools arr. Sam Shoup Capathia Jenkins, vocalist BUDDY DESYLVA/ Birth of the Blues LEW BROWN/ Ryan Shaw, vocalist RAY HENDERSON arr. George Rhodes/ orch. Mort Stevens PAUL SIMON Bridge Over Troubled Water arr. Bill Holombe MARVIN HAMLISCH/ Nobody Does It Better CAROLE BAYER SAGER Capathia Jenkins, vocalist arr. Nic Raine TRADITIONAL What a Friend We Have in Jesus/ arr. Matt Podd Climbing Higher Mountains Capathia Jenkins, vocalist JIMMY WEBB MacArthur Park arr. Bill Holombe KATHERINE BATES/ America the Beautiful SAM WARD Ryan Shaw, vocalist arr. Sam Shoup 19 OTIS REDDING Respect arr. Roger Holmes Capathia Jenkins, vocalist Ryan Shaw, vocalist INTERMISSION VARIOUS Salute to Ray Charles arr. Lee Norris JAMES BROWN I Got You (I Feel Good) arr. Kenneth Bernier Ryan Shaw, vocalist IRVING GORDON Unforgettable arr. Bill Holombe Capathia Jenkins, vocalist Ryan Shaw, vocalist GERRY GOFFIN/ (You Make Me Feel Like) A Natural Woman CAROLE KING/JERRY WEXLER Capathia Jenkins, vocalist arr. John Bachalis SAM COOKE A Change is Gonna Come Ryan Shaw, vocalist STEVIE WONDER Isn’t She Lovely arr. Bill Holman HARRY WARREN At Last arr. Riley Hampton Capathia Jenkins, vocalist HARRY M. WOODS/ Try a Little Tenderness JIMMY CAMPBELL/ Ryan Shaw, vocalist REG CONNELLY arr. Sam Shoup TRADITIONAL Amazing Grace arr. Matt Podd Capathia Jenkins, vocalist Ryan Shaw, vocalist 20 LUCAS WALDIN Lucas Waldin is a dynamic and versatile conductor whose performances have delighted audiences across North America.
Hollywood Pantages Theatre Los Angeles, California

® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA PLAYBILL.COM HOLLYWOOD PANTAGES THEATRE ANNE GAREFINO SCOTT RUDIN ROGER BERLIND SCOTT M. DELMAN JEAN DOUMANIAN ROY FURMAN IMPORTANT MUSICALS STEPHANIE P. M CCLELLAND KEVIN MORRIS JON B. PLATT SONIA FRIEDMAN PRODUCTIONS EXECUTIVE PRODUCER STUART THOMPSON PRESENT BOOK, MUSIC AND LYRICS BY TREY PARKER, ROBERT LOPEZ AND MATT STONE WITH GABE GIBBS CONNER PEIRSON PJ ADZIMA MYHA’LA HERROLD STERLING JARVIS RON BOHMER OGE AGULUÉ RANDY AARON DAVID BARNES JOHNNY BRANTLEY III C HRISTOPHER BRASFIELD MELANIE BREZILL JORDAN MATTHEW BROWN BRYCE CHARLES KEVIN CLAY JAKE EMMERLING KENNY FRANCOEUR JOHN GARRY ERIC GEIL KEISHA GILLES JACOB HAREN DARYN WHITNEY HARRELL ERIC HUFFMAN K RISTEN JETER KOLBY KINDLE TYLER LEAHY WILL LEE- WILLIAMS MONICA L. PATTON CJ PAWLIKOWSKI J NYCOLE RALPH JAMARD RICHARDSON TYRONE L. ROBINSON CLINTON SHERWOOD LEONARD E. SULLIVAN BRINIE W ALLACE SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN SCOTT PASK ANN ROTH BRIAN MACDEVITT BRIAN RONAN HAIR DESIGN ORCHESTRATIONS CASTING PRODUCTION STAGE MANAGER JOSH MARQUETTE LARRY HOCHMAN & CARRIE GARDNER JOYCE DAVIDSON STEPHEN OREMUS DANCE MUSIC ARRANGEMENTS MUSIC DIRECTOR MUSIC COORDINATOR ASSOCIATE PRODUCER GLEN KELLY ALAN BUKOWIECKI MICHAEL KELLER ELI BUSH TOUR BOOKING AGENCY TOUR PRESS AND MARKETING PRODUCTION MANAGEMENT GENERAL MANAGEMENT THE BOOKING ALLIED LIVE AURORA THOMPSON TURNER GROUP/ PRODUCTIONS PRODUCTIONS/ MEREDITH BLAIR ADAM J. MILLER MUSIC SUPERVISION AND VOCAL ARRANGEMENTS STEPHEN OREMUS CHOREOGRAPHED BY CASEY
For Immediate Release: May 12

FOR IMMEDIATE RELEASE Contacts: Charlie Cinnamon 305.672.1324 Charlotte Vermaak 954.626.7821 “THE BEST MUSICAL OF THIS CENTURY. Heaven on Broadway! A celebration of the privilege of living inside that improbable paradise called a musical comedy.” Ben Brantley, THE NEW YORK TIMES BACK BY POPULAR DEMAND Performances Begin January 26, 2016 at The Broward Center for the Performing Arts Public On Sale Friday, October 23, 2015 Fort Lauderdale, Fl – October 9, 2015. Back by popular demand, THE BOOK OF MORMON, which played a record breaking four week run in 2013 returns to Fort Lauderdale for a limited engagement January 26 – February 7, 2016 at The Broward Center for the Performing Arts. Single tickets will go on sale October 23 at 10:00a.m. Tickets will be available at the Broward Center AutoNation Box Office, 201 SW Fifth Avenue, Fort Lauderdale, FL 33312, Ticketmaster.com; BrowardCenter.org.or by calling 954.462.0222. Group orders of 10 or more may be placed by calling 954.660.6307. THE BOOK OF MORMON features book, music and lyrics by Trey Parker, Robert Lopez and Matt Stone. Parker and Stone are the four-time Emmy Award-winning creators of the landmark animated series, “South Park.” Tony Award-winner Lopez is co-creator of the long-running hit musical comedy, Avenue Q. The musical is choreographed by Tony Award-winner Casey Nicholaw (Monty Python’s Spamalot, The Drowsy Chaperone) and is directed by Nicholaw and Parker. THE BOOK OF MORMON is the winner of nine Tony Awards, including Best Musical, Best Score (Trey Parker, Robert Lopez, Matt Stone), Best Book (Trey Parker, Robert Lopez, Matt Stone), Best Direction (Casey Nicholaw, Trey Parker), Best Featured Actress (Nikki M.
2015 STREET DATES MAY 4 MAY 12 Orders Due April 7 Orders Due April 15 5/4/15 AUDIO & VIDEO RECAP

ISSUE 10 MUSIC • FILM • MERCH axis.wmg.com NEW RELEASE GUIDE 2015 STREET DATES MAY 4 MAY 12 Orders Due April 7 Orders Due April 15 5/4/15 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Minstrel In The Gallery 40th Anniversary Jethro Tull PRH CD 825646157181 157181 18.98 4/07/2015 La Grandé Edition Minstrel In The Gallery 40th Anniversary Jethro Tull PRH CX 825646157204 157204 44.98 4/07/2015 La Grandé Edition (2CD/2DVD) Minstrel In The Gallery 40th Anniversary Jethro Tull PRH A 825646157198 157198 24.98 4/07/2015 La Grandé Edition (180 Gram Vinyl) Plumb Exhale CUR CD 715187941625 79416-C 13.98 4/07/2015 Readers Digest: A Kiss Readers Digest: A Kiss Is Still a Kiss TSV CD 610583516425 31154-D 29.98 4/07/2015 Is Still a Kiss (4CD) Readers Digest: Long Readers Digest: Long Ago and Far Away TSV CD 610583516326 31153-D 29.98 4/07/2015 Ago and Far Away (4CD) Readers Digest: Moon Readers Digest: Moon River (4CD) TSV CD 610583516227 31152-D 29.98 4/07/2015 River Readers Digest: White Readers Digest: White Cliffs of Dover TSV CD 610583516128 31151-D 29.98 4/07/2015 Cliffs of Dover (4CD) Readers Digest: Autumn Readers Digest: Autumn Leaves (4CD) TSV CD 610583505320 30992-D 29.98 4/07/2015 Leaves Readers Digest: Readers Digest: Moonlight In Vermont TSV CD 610583515824 31103-D 29.98 4/07/2015 Moonlight In Vermont (4CD) Readers Digest: Readers Digest: Moonlight Piano (4CD) TSV CD 610583512427 31060-D 29.98 4/07/2015 Moonlight Piano Readers Digest: Mr Readers Digest: Mr Sandman (2CD) TSV CD 610583505221 30989-D 19.98 4/07/2015 Sandman Readers Digest: The Readers Digest: The Piano Men (4CD) TSV CD 610583515923 31102-D 29.98 4/07/2015 Piano Men Readers Digest: Those Readers Digest: Those Sentimental Years TSV CD 071138730220 07302 24.98 4/07/2015 Sentimental Years (3CD) Seals & Crofts Original Album Series (5CD) FLS CD 081227955908 547364 24.95 4/07/2015 Schulz, Robin Prayer ATL CD 825646111374 549656 13.99 4/07/2015 Last Update: 03/23/15 For the latest up to date info on this release visit axis.wmg.com.
She Loves Me from THIRTEEN’S Great Performances Kicks Off PBS's Broadway's Best Lineup Friday, October 20 at 9 P.M

Press Contacts: Lindsey Horvitz, WNET 212-560-6609 or [email protected] Tameka Davis, Olson Engage for BroadwayHD 212-656-9239 [email protected] Jeffrey Fauver, Polk & Co. for Roundabout Theatre Company 917-261-3988 [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom Website: http://www.pbs.org/wnet/gperf Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS She Loves Me from THIRTEEN’s Great Performances Kicks Off PBS's Broadway's Best Lineup Friday, October 20 at 9 p.m. on PBS The critically-acclaimed Roundabout Theatre Company production of She Loves Me comes to THIRTEEN’s Great Performances , Friday, October 20 at 9 p.m. (check local listings) as the opening presentation of PBS's fall Broadway's best lineup. She Loves Me joins Present Laughter (November 3), Indecent (November 17), and Holiday Inn (November 24, and also from Roundabout) as part of PBS's Broadway's best lineup, directed for television by Emmy Award-winner David Horn , executive producer of both Great Performances and THIRTEEN's local Theater Close-Up series. All four titles are productions by the theater streaming service BroadwayHD in association with THIRTEEN PRODUCTIONS LLC for WNET. She Loves Me was the first Broadway musical ever to stream live during a performance at Roundabout Theatre Company’s Studio 54. In the musical, Tony Award ® winner Laura Benanti and Tony Award ® nominee Zachary Levi star as Amalia and Georg, two parfumerie clerks who aren’t quite the best of friends. Constantly bumping heads while on the job, the sparring coworkers can’t seem to find common ground.
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By

Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By Elizabeth Sallinger M.M., Duquesne University, 2010 B.A., Pennsylvania State University, 2008 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Paul R. Laird Roberta Freund Schwartz Bryan Kip Haaheim Colin Roust Leslie Bennett Date Defended: 5 December 2016 ii The dissertation committee for Elizabeth Sallinger certifies that this is the approved version of the following dissertation: Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 Chair: Paul R. Laird Date Approved: 5 December 2016 iii Abstract In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied Hair. The musical backdrop for the show was appropriate for the countercultural subject matter, taking into account the popular genres of the time that were connected with such figures, and marrying them to other musical styles to help support the individual characters. Though popular styles had long been part of Broadway scores, it took more than a decade for rock to become a major influence in the commercial theater. The associations an audience had with rock music outside of a theater affected perception of the plot and characters in new ways and allowed for shows to be marketed toward younger demographics, expanding the audience base. Other shows contemporary to Hair began to include rock music and approaches as well; composers and orchestrators incorporated instruments such as electric guitar, bass, and synthesizer, amplification in the pit, and backup singers as components of their scores.
Edition 4 | 2018-2019

BROADWAY AT THE TENNESSEE 9 WORK LIGHT PRODUCTIONS STEPHEN GABRIEL, PRODUCER PRESENT BOOK BY KAREY KIRKPATRICK AND JOHN O’FARRELL MUSIC AND LYRICS BY WAYNE KIRKPATRICK AND KAREY KIRKPATRICK CONCEIVED BY KAREY KIRKPATRICK AND WAYNE KIRKPATRICK STARRING MATTHEW BAKER MATTHEW MICHAEL JANISSE GREG KALAFATAS EMILY KRISTEN MORRIS MARK SAUNDERS JENNIFER ELIZABETH SMITH RICHARD SPITALETTA DREW ARISCO ABBY BARTISH EMMA BENSON ZACHARY BIGELOW KATIE SCARLETT BRUNSON JULIAN BURZYNSKI JR. BRIAN COWING ALEX EISENBERG TIM FUCHS ROBERT HEAD DEVIN HOLLOWAY DANNY LOPEZ KEELEY ANNE McCORMICK NICK PANKUCH AVEENA SAWYER ALLISON C. SCOTT PETER SURACE DORSEY ZILLER SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN SCOTT PASK GREGG BARNES JEFF CROITER PETER HYLENSKI CASTING HAIR DESIGN MAKEUP DESIGN PRODUCTION MANAGER WOJCIK | SEAY CASTING JOSH MARQUETTE MILAGROS PORT CITY TECHNICAL MEDINA-CERDEIRA PRODUCTION STAGE MANAGER ASSOCIATE DIRECTOR MUSIC DIRECTOR & CONDUCTOR KRISTIN SUTTER STEVE BEBOUT MATTHEW CROFT TOUR MARKETING TOUR BOOKING AGENCY GENERAL MANAGEMENT ALLIED TOURING THE BOOKING GROUP WORK LIGHT PRODUCTIONS RICH RUNDLE, BRIAN BROOKS MUSIC SUPERVISOR & VOCAL ARRANGEMENTS ORCHESTRATIONS MUSIC ARRANGEMENTS ASSOCIATE MUSIC SUPERVISOR PHIL RENO LARRY HOCHMAN GLEN KELLY BRIAN P. KENNEDY DIRECTED AND CHOREOGRAPHED BY CASEY NICHOLAW ORIGINALLY PRODUCED ON BROADWAY BY KEVIN McCOLLUM, BROADWAY GLOBAL VENTURES, CMC, MASTRO/GOODMAN, JERRY & RONALD FRANKEL, MORRIS BERCHARD, KYODO TOKYO INC., WENDY FEDERMAN, BARBARA FREITAG, LAMS PRODUCTIONS, WINKLER/DESIMONE,